Fassbinder’s Nabokov—From Text to Action:Repressed Homosexuality, Provocative Jewishness, and Anti-German Sentiment

Author(s):  
Dennis Ioffe

This chapter analyzes Werner Fassbinder’s 1978 film of Vladimir Nabokov’s 1936 novel Despair. In light of Nabokov’s own border crossing as a Russian immigrant in Berlin, Fassbinder draws out the implications of the German setting in the writer’s time. The chapter argues that by focusing on the homosexual and Jewish themes of the novel in light of Fassbinder’s own homosexuality and experience as a citizen of a nation that had carried out the Holocaust just before his birth in 1945, the director creates a complex cultural map of sexuality, religious identity, and the mental illness that plagues the protagonist, Hermann. Fassbinder also develops Nabokov’s device of the double: in the film, Hermann, by murdering his stand-in Felix as a symbolic suicide, allows him to experience a rebirth through a new identity, away from Germany and his financial, marital, and social problems.

Author(s):  
Saba Syed ◽  
Michael Couse ◽  
Rashi Ojha

Background There is still a lot unknown about the novel Coronavirus Disease 19 (COVID-19) and its effects in humans. This pandemic has posed several challenging clinical situations to healthcare providers. Objective We hope to highlight the distinctive challenges that COVID-19 presents in patients with serious mental illness and what steps primary medical teams can take to co-manage these patients with the psychiatry consultants. Methods We present a retrospective chart review of four patients who were on psychotropic polypharmacy and admitted to our hospital from the same long-term psychiatric facility with COVID-19 delirium and other associated medical complications. Results We illustrate how the primary medical teams and psychiatrists collaborated in clinical diagnosis, treatment, and management. Conclusions Patients with serious mental illness and COVID-19 infection require active collaboration between primary medical teams and psychiatrists for diagnostic clarification, reduction of psychotropic polypharmacy to avoid adverse effects and drug-drug interactions, prevention of psychiatric decompensation, and active management of agitation while balancing staff and patient safety concerns.


Transilvania ◽  
2021 ◽  
pp. 58-63
Author(s):  
Ana Maria Basarabă

The paper aims to disclose the factors behind Celie’s preference of transition from an involuntary heterosexual relationship to a homosexual one. I pursue this path due to multiple factors that occur in the novel and which nevertheless lead to Celie’s final homosexual identity. Homosexuality is far too often regarded as a mental illness and people have far too many times misjudged people with other sexual orientation than what the society perceives as “normal”. The findings of my research intend to show that homosexuality implies a variety of psychological, emotional and physical issues and that it is nothing to be ashamed or afraid of. Since racism has always been associated with Black men and sexism with White females, the paper brings the invisible Black lesbians to light.


Transilvania ◽  
2021 ◽  
pp. 121-127
Author(s):  
Anca-Simina Martin

Jews as a collective have long served as scapegoats for epidemics and pandemics, such as the Bubonic Plague and, according to some scholars, the 1918–1920 influenza pandemic. This practice reemerged in the early days of the Covid-19 pandemic, when more and more fake news outlets in the US and Europe started publishing articles on a perceived linkage between Jewish communities and the novel coronavirus. What this article aims to achieve is to facilitate a dialogue between the observations on the phenomenon made by the Elie Wiesel National Institute for the Study of the Holocaust in Romania and the latest related EU reports, with a view to charting its beginnings in Romania in relation to other European countries and in an attempt to see whether Romania, like France and Germany, has witnessed the emergence of “grey area” discourses which are not fully covered by International Holocaust Remembrance Alliance working definition of antisemitism.


2003 ◽  
Vol 35 (1) ◽  
pp. 591-632 ◽  
Author(s):  
Margaret Mackey

Working with young readers, aged 10 to 14, as they responded to narrative texts in a variety of media (Mackey, 2002), I observed a recurring phenomenon: In a variety of ways they repeatedly stepped in and out of the fictional universe of their different stories. Some examples will perhaps give the flavor of this experience: Two 14-year-old girls playing Starship Titanic alternate between lively engagement in the narrative world of the story and stepping outside the fiction to console themselves, “Oh well, if we die, we can just start again.” A 10-year-old girl speaks of alternating between the novel and the computer game of My Teacher is an Alien, using the novel as a source of game-playing repertoire. Two 10-year-old boys look at the DVD of the film Contact, learning how the special effects of an explosion scene were composed, and commenting on how their new awareness of scene construction would affect how they view the film in the future. As I recorded and analyzed numerous examples of such behaviors, I was struck by a common element of interpretive activity on the boundaries of the fictional universe. Sensitized to the topic, I began to notice, and then to collect, examples of contemporary texts that foster various forms of such border crossing, in and out of the diegesis, the framework of events as narrated in the text. This article explores how an awareness of this aspect of contemporary texts may enhance our understanding of interpretive processes and expand what happens in literature classes.


Author(s):  
Suryaningsi Mila

This paper examines the application of cross-textual reading on the story of women around Moses in the Qur'an and the Bible by grassroots Muslim and Christian women in the village of Wendewa Utara, Central Sumba. Due to the involvement of women, then I apply the feminist approach to analyze the dynamics of cross-textual reading. During several focus group discussions, cross-textual reading was run smoothly because the participants are bound by kinship ties. They are also rooted in Sumbanese cultural values that reflect Marapu religious values. In other words, Muslim and Christian women are living in a context of socio-religious-cultural hybridity in which their religious identity intermingles with their cultural identity. For this reason, this paper describes a project bringing these women into another space of dialogue through cross-textual reading. In the cross-textual reading, both grassroots Muslim and Christian women are crossing their religious borders by finding resonant commonalities between the two texts, as they explore the affirmative, enriched, and irreconcilable difference as well. Cross-textual reading is a new adventure for both Muslim and Christian women in Wendewa Utara.  The participants were enthusiastic because the material readings encourage them to share their problems, joys, hopes, and dreams. By reflecting on the struggle of women around Moses, the participants are committed to supporting one another in their daily life. Accordingly, this model of reading creates a safe space for grassroots Muslim and Christian women to learn from one another for mutual enrichment.  


2021 ◽  
Vol 27 (1) ◽  
pp. 156-160
Author(s):  
Maria A. Myakinchenko

The article discusses aspects of the relationship between Fyodor Dostoevsky and his nephew Aleksandr Karepin as well as their reflection in the writer's work. The peculiarities of the nature and character of Aleksandr Karepin are briefly described; he was a very peculiar and not completely mentally healthy person, who served as the prototype for various, in fact, diametrically opposed in spiritual terms heroes – Pavel Trusotsky from “The Eternal Husband” and Prince Myshkin from the novel “The Idiot”. The article concludes that the use of different, sometimes opposite personality traits of the prototype when creating images of the heroes of the works was a feature of the creative method of Fyodor Dostoevsky. In addition, Aleksandr Karepin's mental illness and the oddities in his behaviour allowed the writer to think out in different ways and build not only the image of a hero with certain features of the prototype, but also the attitude of the world around him to this character, which in turn illustrates the diseases of society.


2000 ◽  
Vol 28 (2) ◽  
pp. 345-358 ◽  
Author(s):  
Pearl L. Brown

ASSESSMENTS OF ELIZABETH GASKELL’S two novels of social purpose typically conclude that North and South, published in 1855, is a more mature work stylistically and ideologically than Mary Barton, published in 1848. North and South is said to integrate the narrative modes of romance and realism more effectively than Mary Barton (Felber 63, Horsman 284), and to provide a more complicated narrative structure (Schor, Scheherezade 122–23), a more complex depiction of social conflicts (Easson 59 and 93) and a more satisfactory resolution of them (Duthie 84, Kestner 170). North and South is also said to deal with “more complex intellectual issues” (Craik 31). And the novel’s heroine, Margaret Hale, has been seen as Gaskell’s most mature creation — a woman who grows in self-awareness as she adapts to an alien environment (Kestner 164–166) and, unlike Mary Barton, becomes an active mediator of class conflicts (Stoneman 120), the central consciousness that brings together “the lessons of social change and romance” (Schor, Scheherezade 127).1 The reconciliation of these conflicts she inspires through her influence over both mill owner and worker has been praised as a more effective and credible narrative resolution to the social problems depicted in the novel than the reconciliation between mill owner and worker in Mary Barton (David 36).


2020 ◽  
Vol 2 (2) ◽  
pp. 128-137
Author(s):  
Trivani Desyara ◽  
Zulfan Sahri

This research aims at identifying, analyzing and describing the psychological condition in Room by Emma Donoghue, and also the causes and effects of the problem which are described in this novel. In the novel, the writer analyze the problem by using theory of Islam (2007), Jung in Emir (2016), and Van Dijk (1997) which explains about psychological effect, psychology, and captivity. This thesis uses qualitative method in analyzing the data to be flatly described to show the evidence of the data identified from the novel. The analysis is conducted by classifying the obtained data in chapter four related to the problems of the study. Hence, there are two kinds of psychological effect and three causes of the effect to be analyzed, i.e. social anxiety disorder and posttraumatic disorder, and the causes are: held captive, domination of Old Nick and hard attempt to escape. The results of this study depict that someone who has a mental illness within himself is not spared from the causes behind them, and be brave to get out from comfort zone to be a better version of your life like what is done by Jack by bravely escaping from the room.


2015 ◽  
Vol 117 (3) ◽  
pp. 1-44
Author(s):  
Assaf Meshulam

Background/Context Critical education studies tries to make sense of the relationship between education and differential power in an unequal society and to what degree schools impact the social order. A premise in this field is that a fundamental aim of critical education is exposing unequal social, cultural, and economic power relations and engaging in social action that transcends the setting of the classroom and school. Counterhegemonic schools are thus generally characterized by an aspiration to be meaningful beyond the school community and a commitment to social transformation. Purpose/Focus of Study The study examines a unique bilingual, multicultural school in Israel/Palestine in its struggle to be broadly meaningful and sustainable by opening up enrollment beyond its binational (Jewish-Palestinian) community. In particular, the study analyzes the impact of incorporating external students on the school's counterhegemonic curricula, pedagogy, and dynamics, as well as the implications for the transformative potential of bottom-up democratic education initiatives in the absence of accompanying policy change more generally. Research Design The findings draw on data collected in a broader qualitative case study on multicultural, bilingual schools educating for democracy and social justice in different national, political, and cultural contexts. Data were collected and analyzed from semistructured open-ended individual interviews with school staff, parents, and founders; field observations; and document analysis. Findings The primary finding of this research is the paradox of being impacted while making an impact: The school's attempt to infiltrate the hegemony and expand and sustain its social impact led to the infiltration of external goals, interests, and power relations into its counterhegemonic agenda, curricula and pedagogy, and governance. This in turn undermined transformativity and transcultural border-crossing potential at the school and triggered a neoliberal process of commodification. Yet it also emerged that students still succeed in crossing national and religious identity-borders and in overcoming hegemonic perspectives of their essentialized identities. Conclusions Many obstacles stand between a counterhegemonic school and being socially meaningful, including sociohistorical and political factors. No less important, however, are the broader structural aspects to creating a space in which transformative schools can succeed. Although bottom-up attempts may push hegemonic forms to incorporate certain aspects of their vision, they cannot have meaningful and widespread impact if unaccompanied by broad support and action at the policy level and if they do not become organic parts of a larger transformative agenda.


2021 ◽  
Vol 66 (3) ◽  
pp. 9-34
Author(s):  
Horst Samson ◽  

"“In the Air Where You Won’t Lie Too Cramped.” Notes on the Irresolvable Tragedy of the Poet Paul Celan. Paul Celan's work is characterized by reflections on the power and possibilities of language and poetry in general in processing personal tragedy and painful borderline experiences, especially the experience of the Holocaust. These experiences range from the persecution of Jews, the deportation and murder of his parents, to the ""Goll Plagiarism Affair"" or to mental illness in the last years of his life. These experiences of persecution and extermination of the Jews and Celan's involvement in the tragedy of his people are reflected in many of his poems, especially in Todesfuge. Keywords: Celan, Shoa, modern German poetry and language, tragedy "


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