Rob Roy: Britain’s First Feature Film

2018 ◽  
Author(s):  
Caroline Merz
Keyword(s):  
Language Production ◽  
English Language ◽  
Film Production ◽  
Feature Film ◽  
Study Approach ◽  
Feature Films ◽  
Production History ◽  
History Of ◽  
Film Making

What was the potential for the development of a Scottish film industry? Current histories largely ignore the contribution of Scotland to British film production, focusing on a few amateur attempts at narrative film-making. In this chapter, Caroline Merz offers a richer and more complex view of Scotland’s incursion into film production,. Using a case-study approach, it details a production history of Rob Roy, produced by a Scottish company, United Films, in 1911, indicating the experience on which it drew, placing it in the context of other successful British feature films such as Beerbohm’s Henry VIII, and noting both its success in Australia and New Zealand and its relative failure on the home market faced with competition from other English-language production companies.

Early Cinema in Scotland

2018 ◽  
Keyword(s):  
Social History ◽  
Small Towns ◽  
Early Cinema ◽  
Popular Song ◽  
Feature Film ◽  
Local Newspapers ◽  
The Social ◽  
Production History ◽  
History Of ◽  
International Audience

This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.

Manajemen Operasi Program Khutbah Jum’at Di Masjid Al Akbar Surabaya

2019 ◽  
Vol 2 (2) ◽  
pp. 94
Author(s):  
Hari Santoso Wibowo ◽  
Shokiful Aziz ◽  
Bambang Subandi
Keyword(s):  
Program Implementation ◽  
Qualitative Method ◽  
Production Management ◽  
Main Function ◽  
Study Approach ◽  
Final Design ◽  
History Of ◽  
Friday Prayer ◽  
Selection Of

ABSTRACTThe function of the mosque in the history of its emergence is indeed not merely for "the place of prostration" as it literally means, but it has many functions. The mosque has another main function which is as a place of worship in preaching the values of Islam in people's lives. One form of syi'ar that can be performed in a mosque is the Friday Prayer. The purpose of this research is to describe the production management process of the Friday sermon program and the object of the Al Akbar National Mosque in Surabaya. This research uses a qualitative method with a Case Study approach. This study uses data collection techniques through interviews, observation and documentation. The data obtained came from the Chairman of Takmir / Managing Director, Head of Da'wah Division and several parties expected to be related to the program. Implementation of production management in the preparation of the Friday sermon program through several stages including the search for ideas through internal deliberations of the directorate of Imarah and the field of Da'wah, Selection of the preacher through qualification standards, Khatib Testing and Evaluation, the design of the sermon, the final design of the sermon.ABSTRAKFungsi masjid dalam sejarah kemunculannya, memang tidak sekedar untuk “tempat sujud” sebagaimana makna harfiahnya, tetapi memiliki banyak fungsi. masjid memiliki fungsi utama lainnya yaitu sebagai tempat syiar dalam mendakwahkan nilai – nilai Islam dalam kehidupan masyarakat. Salah satu bentuk syi’ar yang bisa dilaksanakan di masjid adalah shalat Jum’at. Tujuan dari penelitian ini ialah untuk menggambarkan proses manajemen produksi program khutbah Jum’at dan yang menjadi objeknya Masjid Nasional Al Akbar Surabaya. Penelitian ini menggunakan metode kualitatif dengan pendekatan Studi Kasus. Penelitian ini menggunakan teknik pengumpulan data melalui wawancara, observasi dan dokumentasi. Data yang diperoleh berasal dari Ketua Takmir/Direktur Utama, Kepala Bidang Dakwah  dan beberapa pihak yang diperkirakan terkait dengan program tersebut. Implemantasi manajemen produksi pada penyusunan progam khutbah jumat melalui beberapa tahapan diantaranya pencarian gagasan melalui musyawarah internal direktorat Imarah dan bidang Dakwah, Seleksi Khatib melalui standar kualifikasi, Pengujian dan Evaluasi Khatib, Desain khutbah, Desain akhir khutbah.

scholarly journals Enhancing citizen engagement in planning through participatory film-making

2020 ◽  
pp. 239980832093628
Author(s):  
Jen Manuel ◽  
Geoff Vigar
Keyword(s):  
Knowledge Base ◽  
Case Study Research ◽  
Empirical Work ◽  
Digital Technologies ◽  
Study Research ◽  
Rational Planning ◽  
History Of ◽  
Planning Processes ◽  
Film Making

There is a long history of engaging citizens in planning processes, and the intention to involve them actively in planning is a common objective. However, the reality of doing so is rather fraught and much empirical work suggests poor results. Partly in response an increasingly sophisticated toolkit of methods has emerged, and, in recent years, the deployment of various creative and digital technologies has enhanced this toolkit. We report here on case study research that deployed participatory film-making to augment a process of neighbourhood planning. We conclude that such a technology can elicit issues that might be missed in traditional planning processes; provoke key actors to include more citizens in the process by highlighting existing absences in the knowledge base; and, finally, provoke greater deliberation on issues by providing spaces for reflection and debate. We note, however, that while participants in film-making were positive about the experience, such creative methods were side-lined as established forms of technical–rational planning reasserted themselves.

How to Write Adaptation History

2017 ◽  
Author(s):  
Peter Lev
Keyword(s):  
Production Process ◽  
Short Story ◽  
Film Production ◽  
American Film ◽  
Historical Approach ◽  
Hollywood Film ◽  
Auteur Theory ◽  
Production History ◽  
History Of ◽  
Made In

The scholarship on American film adaptations is surprisingly ahistorical, neglecting the institutional and production history of Hollywood film. Chapter 38 attempts a more historical approach. Concentrating on the 1930s, it discusses how stories were chosen, what kinds of stories were chosen, and how stories were shaped in the film production process, identifying the screenwriter and the supervising producer as key contributors to adaptation. Statistical tables provide information on the percentage of novel, play, and short story adaptations made in each year between 1931 and 1940. Critiquing both the auteur theory and Robert Stam’s intertextuality for their lack of interest in production history, the essay calls for more archival research and more attention to the production process.

Channel 4 and the Red Triangle: A Case Study in Film Curation and Censorship on Television

2014 ◽  
Vol 11 (4) ◽  
pp. 481-498
Author(s):  
Justin Smith
Keyword(s):  
Audience Research ◽  
Policy Makers ◽  
Feature Film ◽  
Home Video ◽  
Film And Television ◽  
The Press ◽  
History Of ◽  
The Uk ◽  
Autumn And Winter

This article charts the history of an experiment, conducted during the autumn and winter of 1986–7, in which Channel 4 trialled an on-screen visual warning symbol to accompany screenings of a series of international art-house films. The so-called ‘red triangle’ experiment, though short-lived, will be considered as a case study for exploring a number of related themes. Firstly, it demonstrates Channel 4's commitment during the 1980s to fulfilling its remit to experiment and innovate in programme form and content, in respect of its acquired feature film provision. Channel 4's acquisitions significantly enlarged the range of international classic and art-house cinema broadcast on British television. Secondly, it reflects contemporary tensions between the new broadcaster, its regulator the IBA, campaigners for stricter censorship of television and policy-makers. The mid-1980s was a period when progressive developments in UK film and television culture (from the rise of home video to the advent of Channel 4 itself) polarised opinions about freedom and regulation, which were greatly exacerbated by the press. Thirdly, it aims to shed light on the paradox that, while over thirty years of audience research has consistently revealed the desire on the part of television viewers for an on-screen ratings system, the UK is not among some forty countries that currently employ such devices on any systematic basis. In this way the history of a specific advisory experiment may be seen to have a bearing on current policy trends.

Vietnamese Cinema: First Views

1991 ◽  
Vol 22 (1) ◽  
pp. 33-62 ◽  
Author(s):  
John Charlot
Keyword(s):  
Film Industry ◽  
The United States ◽  
Film Festival ◽  
Feature Film ◽  
Staff Members ◽  
Feature Films ◽  
East Bloc ◽  
Department Staff ◽  
History Of ◽  
General Director

Vietnamese cinema has only recently become known outside of the East Bloc countries. The first public showing of a Vietnamese feature film in the United States was that of When the Tenth Month Comes at the 1985 Hawai'i International Film Festival in Honolulu. At the 1987 Festival, a consortium of American film institutions was formed with Nguyen Thu, General Director of the Vietnam Cinema Department, to organize the Vietnam Film Project — the first attempt to introduce an entire new film industry to America. The purpose of this article is to provide a brief description of Vietnamese cinema along with an appreciation of its major characteristics and themes. I base my views on my two visits to the Vietnam Cinema Department in Hanoi — for one week in 1987 and two in 1988 — on behalf of the Hawai'i International Film Festival. During those visits, I was able to view a large number of documentaries and feature films and to discuss Vietnamese cinema with a number of department staff members. I was able to obtain more interviews during the visits of Vietnamese to the Hawai'i International Film Festival in Honolulu. This article cannot claim to be an adequate introduction to the history of Vietnamese cinema, a task I hope will be undertaken with the aid of my informants and the sources I list as completely as possible.

scholarly journals Reflecting Translanguaging in Classroom Practices: A Case Study

2018 ◽  
Vol 7 (1) ◽  
Author(s):  
Magdalena Kartikasari Tandy Rerung
Keyword(s):  
Language Learning ◽  
Language Production ◽  
English Language ◽  
Classroom Practices ◽  
First Language ◽  
Language And Culture ◽  
Speaking Skill ◽  
Listening And Speaking ◽  
Bahasa Indonesia

<p>Strategies comes from Greek word “strategia” which means the art of planning and directing. Regarding to language learning, a strategy is used to achieve their goal depends on the skill they obtain. Specifically speaking skill is one of the productive skills that can be a challenging thing for university students who majored in English. Besides vocabulary, other element that support their language production is motivation. Avoiding in using Bahasa Indonesia can make them unmotivated sometimes. If this is the case, therefore the students might be passive learners in the classroom. Translanguaging  is a strategy in language learning that can motivate students keep learning the language by combining their first language with the foreign one. The following case study is intended to observe how do students use translanguaging. The study was a class observation involving four students majored in English Language and Culture Program at Bunda Mulia University. They were in fourth semester and enrolling in the Listening and Speaking Class. Apparently the result shows that students who use their first language in the speaking task help them in delivering information and telling stories.</p><p><em><br /></em></p><strong><em>Keywords: </em></strong><em>translanguaging strategies, speaking skill, language learning</em>

scholarly journals The Teacher’s Beliefs and Practices on the Use of Digital Comics in Teaching Writing: A qualitative case study

2019 ◽  
Vol 3 (1) ◽  
pp. 45-60
Author(s):  
Muflikhatun Nisa Muyassaroh ◽  
Abdul Asib ◽  
Sri Marmanto
Keyword(s):  
Time Management ◽  
English Language ◽  
Qualitative Case Study ◽  
Teaching Writing ◽  
Vocational Students ◽  
Teacher Belief ◽  
Study Approach ◽  
The Subject ◽  
Teacher's Beliefs

In the industrial era 4.0, the use of digital comic as a multimodal teaching medium is seen as the new trend in EFL classrooms. Although many teachers had already used this medium, so far, there was not any study which inquires the use of comic in another setting such as vocational high schools. Considering this gap, this study aimed to explore teacher belief, practice, and problems in implementing digital comics to teach writing for vocational students. This study used a qualitative case study approach. The subject was an experienced English teacher who held M. A. in English language. As the findings, the teacher believed that the implementation of comics-manga was the best method to switch the vocational students’ stereotype on English; from English as the most difficult subject to English as the enjoyable subject. This medium was implemented by using the genre approach. However, as the consequence, the combination of digital comics and process approach confronted a major challenge, namely time management.

Interest Group Innovation

2018 ◽  
Author(s):  
Ben Epstein
Keyword(s):  
Interest Groups ◽  
Political Communication ◽  
The Political ◽  
Case Study Approach ◽  
National Rifle Association ◽  
Study Approach ◽  
Communication Goals ◽  
Choice Phase ◽  
History Of

This chapter uses a case study approach to explore the political choice phase of the political communication cycle (PCC) over time. Focusing on interest groups and detailing the long history of these organizations in America, the chapter primarily examines innovations made by four of the largest interest groups in American history: AARP, the Sierra Club, the National Rifle Association (NRA), and MoveOn.org. These four interest groups have spanned multiple political communication orders (PCOs) and their overall lack of innovativeness until recent years is tied to the distinct nature of their shared political communication goals. These goals are far narrower than campaigns or social movements and therefore are much less likely to motivate innovative efforts. These trends have started to change in the internet-based era as new organizational and communication strategies have opened up interest groups to greater innovation along the lines of MoveOn.org.

The Italian Film Industry (1945–1985)

2020 ◽  
pp. 23-40
Author(s):  
Michael Guarneri
Keyword(s):  
Film Industry ◽  
Film Production ◽  
Ground Zero ◽  
Box Office ◽  
Production History ◽  
History Of ◽  
Italian Film ◽  
Post War ◽  
Film Market ◽  
First Time

The chapter provides an overview of the history of the post-war Italian film industry from crisis to crisis, that is to say from the ground zero of 1945 (when the whole Italian film business had to be politically and economically reorganised, together with the rest of the war-torn country) to the ground zero of 1985 (the year in which, for the first time in almost three decades, Italian film production fell below the rate of 100 films made per year, as the culmination of a crisis that started in the mid-1970s). The chapter opens with an in-depth production history of I vampiri / Lust of the Vampire (Riccardo Freda, 1957), followed by an account of the 1958-1964 boom in the production of pepla, the historical-mythological adventures of the sword-and-sandal kind. Both cases (an isolated commercial failure the former; a short-lived box-office goldmine, or filone, the latter) are emblematic of the functioning of the Italian film industry between the early 1950s and the mid-1980s – a state-subsidised system mostly based on a constellation of medium, small and minuscule business ventures piggy-backing on popular genres/trends in the local and/or global film market.

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