Photography as Rhythm: On Prairie

2019 ◽  
pp. 393-412
Author(s):  
Domietta Torlasco
Keyword(s):  
The Political ◽  
Sergei Eisenstein ◽  
The Past ◽  
Moving Images ◽  
Zero Degree ◽  
The Aesthetic ◽  
The Relationship

This chapter explores Victor Burgin's Prairie through rhythm and the aesthetic conditions for constituting politically viable engagements with the image. The chapter posits rhythm as something simultaneously organising the relationship between the political and the aesthetic and as a principle that can undo that organisation. In this manner, the argument draws on Barthes' concept of 'zero degree' to render the contradictory and ultimately irreconcilable concerns of Burgin's projection pieces evoked and embodied by their rhythms. Drawing on writings by Sergei Eisenstein and many others, the chapter asks the following questions in relation to still and moving images: can we envision a rhythm that, at a juncture between the aesthetic and the political, does not operate as a principle of systematic organisation? What image of the past and of the collective would this other rhythm engender?

scholarly journals Portrait of the artist as a philosopher

2021 ◽  
pp. 105971232199468
Author(s):  
Jeannette Pols
Keyword(s):  
Know How ◽  
The Past ◽  
Aesthetic Practice ◽  
The Creation ◽  
The Aesthetic ◽  
The Relationship

The response asks about the relationship between artist and audience in the RAAAF artworks. Is the artist an Autonomous Innovator who breaches the ties with the past and the environment? Or is the aesthetic practice located in the creation of relationships around these objects, hence expanding the artwork by using know-how, experiences and enthusiasm of the audience/users?

I. The Augustan Historian

1974 ◽  
Vol 8 ◽  
pp. 5-7
Keyword(s):  
Nazi Germany ◽  
The Political ◽  
New Order ◽  
The Past ◽  
Ab Urbe Condita ◽  
The Future ◽  
The Subject ◽  
The Relationship

During the past forty years the dominant preoccupation of scholars writing on Livy has been the relationship between the historian and the emperor Augustus, and its effects on the Ab Urbe Condita. Tacitus’ testimony that the two were on friendly terms, and Suetonius’ revelation that Livy found time to encourage the historical studies of the future emperor Claudius, appeared to have ominous overtones to scholars writing against the political backcloth of Nazi Germany and Fascist Italy. Though the subject had not been wholly ignored previously, the success of the German cultural propaganda-machine stimulated a spate of approving or critical treatments. While some were hailing Livy as the historian whose work signalled and glorified the new order, others following a similar interpretation were markedly scathing.

From Reproductive Rights to Reproductive Justice

2021 ◽  
Author(s):  
Mary Ziegler
Keyword(s):  
Reproductive Health ◽  
Reproductive Rights ◽  
The Political ◽  
Reproductive Justice ◽  
Reproductive Health Services ◽  
Public Attention ◽  
The Past ◽  
Women's Equality ◽  
History Of ◽  
The Relationship

This article illuminates potential obstacles facing the reproductive justice movement and the way those obstacles might be overcome. Since 2010, reproductive justice—an agenda that fuses access to reproductive health services and demands for social justice—has energized feminist scholars and activists and captured broader public attention. Abortion rights advocates in the past dismissed reproductive justice claims as risky and unlikely to appeal to a broad enough audience. These obstacles are not as daunting as they first appear. Reframing the abortion right as a matter of women’s equality may eliminate some of the constitutional hurdles facing a reproductive justice approach. The political obstacles may be just as surmountable. Understanding the history of the constitutional discourse concerning reproductive justice and reproductive rights may allow us to move beyond the impasse that has defined the relationship between the two for too long.

Dance, Politics & Co-Immunity

2015 ◽  
Vol 47 (3) ◽  
pp. 106-109 ◽  
Author(s):  
Jens Richard Giersdorf
Keyword(s):  
Cultural Studies ◽  
Judith Butler ◽  
The Political ◽  
Dance Studies ◽  
Community Dance ◽  
Theatre Studies ◽  
And Performance ◽  
The Aesthetic ◽  
Relationship Of ◽  
The Relationship

Dance, Politics & Co-Immunity developed out of a symposium organized by the Master in Choreography and Performance at the Justus-Liebig-University Giessen, Germany, which was held with a joint symposium Thinking—Resisting—Reading the Political organized by the Graduate Center for the Study of Culture at the same university in 2010. Whereas the cultural studies symposium asked, “What specific perspectives and methodological consequences arise for the study of culture that are informed by recent deliberations on the relationship of the political and the aesthetic?” (2010), the dance symposium invited participants and contributors to the anthology “to think about the multiple connections between politics, community, dance, and globalization from the perspective of Dance and Theatre Studies, History, Philosophy, and Sociology” (13). As indicated by the title of the cultural studies symposium and some of the key speakers, including Jacques Rancière, Chantal Mouffe, and Judith Butler, the term political is not used as broadly as it might be used in U.S.-based dance studies discourse. Rather, the political is predominantly investigated by both symposia for its resistive potential and from a liberal or post-Marxist stance.

The urban historian and the political will

Urban History ◽  
1980 ◽  
Vol 7 ◽  
pp. 5-11 ◽  
Author(s):  
S. G. Checkland
Keyword(s):  
Public Policy ◽  
Urban Development ◽  
Urban History ◽  
Policy Making ◽  
The Political ◽  
Political Will ◽  
The Past ◽  
The Relationship ◽  
Research And Policy ◽  
General Perspective

At the Leicester urban history conference in 1966 there was very little discussion of the relationship between public policy and urban history. There were some points at which linkages were implied, but these arose merely incidentally. There was no attempt to adopt public policy as a general perspective on urban development. Reciprocally, the planners paid no attention to the historians: Jim Dyos remarked that the largest part of ‘research and policy making is taking place without reference to the historians’. The picture has not greatly changed over the past 14 years. There have indeed been studies in which policy, its formation and limitations, have been implicit, but few in which they have played a central part.

The Political Theory Implicit in Social Casework Theory

1953 ◽  
Vol 47 (4) ◽  
pp. 1076-1091 ◽  
Author(s):  
Alan Keith-Lucas
Keyword(s):  
United States ◽  
Political Theory ◽  
The United States ◽  
Local State ◽  
The Political ◽  
Government Function ◽  
The Past ◽  
National Governments ◽  
Relationship Of ◽  
The Relationship

The political theory implicit in social casework theory can be defined, for purposes of this discussion, as the theory of the relationship between man and society on which professional social casework is consciously predicated, or that theory of the relationship which is logically implied by social casework practice. This theory is not often consciously articulated and we must look for it, therefore, in those presuppositions underlying casework theory which are frequently accepted uncritically, if not wholly unconsciously. This practice obviously cannot be carried on without basic (although perhaps not entirely conscious) presuppositions about what man is like and consequently about what society can or ought to do for him.The presuppositions underlying social casework theory, although important in any context, have acquired a new significance to the extent that social casework has increasingly become a government function. During the past twenty years literally millions of people in the United States have been brought into a new relationship with officials of their local, state, and national governments—namely, the relationship of client and social caseworker.

scholarly journals From Caméra-Stylo to Photobook: On Chris Marker’s Staring Back

2012 ◽  
Vol 23 (1) ◽  
pp. 113-132
Author(s):  
Jan Baetens
Keyword(s):  
Film Studies ◽  
The Political ◽  
Close Reading ◽  
Still Images ◽  
Moving Image ◽  
Political Issues ◽  
Moving Images ◽  
Strong Emphasis ◽  
The Relationship

In this article, the author analyzes Chris Marker’s photography, in particular the project Staring Back (an exhibition and a book, published in 2007), which offers a synthesis in fixed images of the film career of this author who has always explored the blurred boundaries between the still and the moving image (for example in his 1962 cult movie La jetée, or in later photo-films such as Si j’avais quatre dromadaires, 1966, and Le souvenir d’un avenir, with Yannick Bellon, 2001). The author relies on Marker’s notion of the “superluminal” (which refers to a special way of selecting still images out of the flow of moving images) as well as on contemporary and historical discussions on intermediality (inside and outside the domain of film studies alone) and cinephilia (as a specific way of combining writing and filming), to propose a close reading of Staring Back. In this reading, the author places strong emphasis on the political issues around looking and the relationship between artist and model.

scholarly journals "Towards a Positive Treaty Partnership in the Post-Settlement Era”: Treaty of Waitangi Settlements and Decolonisation in Aotearoa New Zealand

2021 ◽  
Author(s):  
◽  
Scott Summerfield
Keyword(s):  
Political Rhetoric ◽  
The Political ◽  
Colonial State ◽  
Political Discourses ◽  
The Past ◽  
Aotearoa New Zealand ◽  
Settlement Policies ◽  
Treaty Of Waitangi ◽  
Settlement Policy ◽  
The Relationship

<p>Settlements of historical Treaty of Waitangi claims present a unique opportunity to provide redress to Māori for the past and ongoing grievances committed by the Crown, and through that redress and the accompanying focus on improved relations, to decolonise the relationship between the two. Despite this opportunity, there is a wide body of literature that suggests the outcomes of these settlements instead will perpetuate colonisation and uphold the political structures which allow for the on-going dispossession of Māori.  This thesis argues that existing Treaty settlement policy can be viewed as a continuation of the legacy of colonisation by stealth, entrenching the power of the colonial state while simultaneously offering redress and apologies for past grievances of the colonisation process which do not adequately challenge the underlying structures which give rise to those grievances. It is further argued, through the example of political rhetoric from the 2014 general election, that current political discourses support the implementation of colonising settlement policies and that those discourses reinforce notions of Western settler superiority.  This thesis explores a number of perspectives on settlements and decolonisation which support the claim that historical Treaty settlements perpetuate rather than challenge colonisation. I argue that the pressing concern emerging from the thesis is that the Crown can be to seen to be directing the Treaty relationship to a post-settlement world where the negotiated outcomes of Treaty settlements and the parties to them are the end point of colonisation and represent the future dynamic of the Crown-Māori relationship.</p>

Creepypasta, ‘Candle Cove’, and the digital gothic

2019 ◽  
Vol 18 (2) ◽  
pp. 187-208
Author(s):  
Jessica Balanzategui
Keyword(s):  
Technological Change ◽  
Web 2.0 ◽  
Digital Storytelling ◽  
Ghost Story ◽  
The Past ◽  
Digital Era ◽  
The Aesthetic ◽  
Digital Cultures ◽  
The Relationship ◽  
Urban Legend

Throughout the past decade, a multimodal type of internet storytelling has developed that extends upon the early Web 2.0 viral narrative practices of chain emails as well as pre-digital folkloric storytelling traditions such as the ghost story and urban legend. This popular mode of digital storytelling, known broadly as ‘Creepypasta’, is produced and consumed according to folkloric practices that in turn shape its form and aesthetics. The author suggests that a precise genre has emerged out of the originally wide-ranging terrain of Creepypasta, a generic mode constituted of specific thematic preoccupations and aesthetics that she refers to as ‘the digital gothic’. Through analysis of the foundational story ‘Candle Cove’, the article outlines the digital gothic’s anxious preoccupation with dead and residual media, and with the interface between technological and personal change. She demonstrates how ‘Candle Cove’ deconstructs nostalgia in its tense negotiation of the relationship between analogue and digital cultures. The author’s analysis thus illuminates how vernacular online genres such as the digital gothic productively work through the aesthetic and conceptual tensions underpinning technological change in the networked digital era.

Introduction

2016 ◽  
Author(s):  
Johann Chapoutot
Keyword(s):  
National Socialism ◽  
Political Power ◽  
Nazi Germany ◽  
The Political ◽  
Sacred Place ◽  
The Past ◽  
Place Of Origin ◽  
Totalitarian Regimes ◽  
The Relationship

This introductory chapter examines the scope of the relationship between National Socialism and antiquity, a topic that historians appear to neglect despite the fact that there have been precedents as to the political use of history—appealing to the past to justify political power in the present—which is a frequent phenomenon, all the more so in totalitarian regimes that seek to anchor their revolutionary political intentions in the depths of historical precedent. The possibilities afforded by the past appear, moreover, to have held great significance for National Socialism. Nazi Germany had coveted and revered the past as a sacred place of origin.

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