Experiment, Inscription and the Archive: Kathy Acker’s Manuscript Practice
This chapter explores the significance of the archive to a reading of avant-garde writing, taking the work of Kathy Acker as a case study. Utilising a framework of genetic criticism, the chapter explores the relation between the avant-texte and an avant-garde politics of materiality. Examining Acker’s original artwork for Blood and Guts in High School (1978) housed in the Kathy Acker Papers at Duke University, the chapter contends that the avant-textes reveal a feminist politics of materiality at work in Acker’s compositions. Through the lens of Johanna Drucker’s work on diagrammatic writing and performative materiality, the chapter argues for the avant-texte as a site of socio-political material resistance. The diagrammatic in Acker’s work demands new reading practices commensurate with this resistance.