Afterword: The Robot Does (Not) Exist
The Afterword consolidates the book’s arguments about the spatial practices of the techno-bathetic avant-gardes, who harnessed the semantic power of technology to critique its broader cultural contexts. It extends Chapter 5’s discussion of Ralph Ellison’s Invisible Man by exploring how the unnamed protagonist critiqued the technicities by which white hegemonies sustained cultural dominance, while simultaneously introducing alternative approaches. As in other chapters, the Afterword locates the technological sublime at the root of this dominance; Ellison not only exposes the potent grip that its servile dialectics exert on Western imaginations, but also the bathetic contexts of their articulation in culture, which are often repressed. For Ellison, as for Gilbert Simondon, this occlusion is exemplified by the ‘robot’, a cultural creation that fuses technical discourses in engineering with industrial alienation and narratives of the technological sublime. By exposing the means by which techno-servility entered culture, and yoking it to racial difference, Ellison ‘plung[es] outside history’ to engender new modes of technological agency, in the US and beyond. The Afterword argues that Ellison’s diachronic strategies exemplify the task of techno-bathetic avant-gardes: to perform an intermediary critique of the technological sublime before introducing alternative, emancipatory narratives, which can gain traction in the public sphere.