‘Auto-analyse’ and the Ethics of Memory in Assia Djebar's Nulle part dans la maison de mon père (2007)
Recent transdisciplinary attempts to theorize an ethics of memory have centred on concepts such as melancholia, haunting and trauma. Despite being pathological states, they have paradoxically been posited as markers of ‘remembrance’ that signal the subject's ethical refusal to ‘move on’. If Algerian author Assia Djebar's literary output has, since 1995, been concerned with such tropes, I argue that her most recent narrative, Nulle part dans la maison de mon père (2007), marks a shift away from such thinking. Rather than focusing on the spectralized others of Algerian history, Djebar's autofictional narrative enacts a return to the self. In doing so, it postulates a new model of relationality between self and other that moves beyond the limitations of melancholic possession, haunting and the traumatic acting out of the past. Drawing on the recent work of Judith Butler, this article demonstrates how Djebar's narrative seeks an ethical mode of remembrance that refuses to fetishize the traumatic condition.