Messianic Fiction in Antoine Volodine's Nuclear Catastrophe Novel Minor Angels

Paragraph ◽  
2019 ◽  
Vol 42 (2) ◽  
pp. 223-237
Author(s):  
Susannah Ellis
Keyword(s):  
Twentieth Century ◽  
Non Linear ◽  
The Future ◽  
Late Twentieth ◽  
Linear Plot ◽  
Collapse Of Communism ◽  
To Come ◽  
Late Twentieth Century ◽  
Nuclear Catastrophe

In Specters of Marx, Derrida suggests that a non-revolutionary — ‘spectral’ — Marxism could alleviate a contemporary crisis in imagining the future in the late twentieth century. This ‘presentist’ crisis results from the collapse of Communism and the alleged triumph of neoliberal democracy, and leaves a dubious choice between neoliberal consensus and potential totalitarianism. This article outlines Derrida's call to a messianic wait for the singularity of an always-arriving future-to-come, and suggests that it provides an entry into the post-nuclear universe of Antoine Volodine's Minor Angels, where a non-linear plot centres on the ghost of a failed Marxist revolutionary and its return. Outlining how Minor Angels creates a spectral temporality which undercuts both aspirations to a ‘radiant future’ and a stagnant present, this article argues that, read alongside, Derrida and Volodine sketch out a democratic future to come that gestures towards an alternative to presentism.

Introduction

2018 ◽  
Author(s):  
James Tweedie
Keyword(s):  
Twentieth Century ◽  
Cultural Background ◽  
Media Archaeology ◽  
The Past ◽  
The Future ◽  
Late Twentieth ◽  
Heritage Industry ◽  
Late Twentieth Century

This chapter introduces the concept of the “archaeomodern” and its connection to the aging of the quintessential modern medium of film. It sketches the historical and cultural background of the archaeomodern turn in the late twentieth century, including the development of an obsession with the past in the heritage industry and the rise of postmodernism. It then discusses two phenomena from the 1980s and 1990s—a mannerist or baroque revival, and the development of media archaeology—that complicate the habitual association between tradition and the past or modernity and the future. The introduction suggests that archaeomodern cinema was characterized by the return to failed or abandoned modern experiments and other relics from the modern past.

The Rigor of Things

2017 ◽  
Author(s):  
Jean-Luc Marion ◽  
Dan Arbib ◽  
David Tracy
Keyword(s):  
Twentieth Century ◽  
Philosophical Methodology ◽  
Intellectual Life ◽  
The Future ◽  
The Gift ◽  
Late Twentieth ◽  
Educational Career ◽  
Relationship Of ◽  
The Relationship ◽  
Late Twentieth Century

This book provides an introduction to the life and work of philosopher and theologian Jean-Luc Marion through a set of interviews, discussing his educational career, his work on Descartes, his phenomenology, his theology, his philosophical methodology, and his views on the future of Catholicism in France. It presents all of his major ideas in fluid dialogue and conversational tone with his former student Dan Arbib. At the same time, it provides an account of French intellectual life, especially in regard to philosophy and theology, in the late twentieth century. Marion also reflects on the relationship of philosophy to history, theology, aesthetics, and literature. The dialogues include discussions of all of his books and present their central arguments in easily comprehensible fashion. They show the overall unity of his work in terms of its focus on giveness, the gift, and the event.

Closer Still: The Total Artwork

Lyric Cousins ◽  
2016 ◽  
Author(s):  
Fiona Sampson
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Richard Wagner ◽  
Interior Decoration ◽  
Late Eighteenth Century ◽  
The Arts ◽  
Late Eighteenth ◽  
The Future ◽  
Late Twentieth ◽  
Late Twentieth Century

This chapter considers the Gesamtkunstwerk, which English musicologists translate as ‘total artwork’. Richard Wagner had used the expression to characterise his operas, though he had only ever used the term in two essays, both published in 1849: ‘Art and Revolution’ and ‘The Artwork of the Future’. Moreover, the term did not originate from Wagner himself, and he did not even spell it in the conventional way. Since the late twentieth century ‘Gesamtkunstwerk’ has been applied to other artforms, particularly architecture, which like opera can unite a number of elements. (Architecture, for example, marries engineering, landscaping and interior decoration, among others.) But the term's origins are in the late eighteenth-century notion that all the arts could be unified in poetry.

The Physical University: Contours of space and place in higher education

2015 ◽  
Vol 23 (1) ◽  
pp. 72-74
Author(s):  
Michael Haggans
Keyword(s):  
Higher Education ◽  
Twentieth Century ◽  
Literature Review ◽  
Design Methodology ◽  
Space And Place ◽  
Content Type ◽  
The Future ◽  
Late Twentieth ◽  
Late Twentieth Century

Purpose – The purpose of this paper is to present an extended book review of “The Physical University”. Design/methodology/approach – This article takes the form of a literature review focusing on one title. Findings – This is an uneven collection of fragments of conventional late twentieth-century thinking about the physical campus. The future of the physical university, the campus is in doubt. Yet, only two of the dozen authors engage in this existential question. Originality/value – The collection of articles ranges from purely philosophical to moderately practical. It is a poor summary of current thought and offers little guidance for dealing with the evolving future of the physical university.

scholarly journals Beyond Essentialist Interreligious Education: Insights with a Whiteheadian Perspective of Multiplicity

Religions ◽  
2019 ◽  
Vol 10 (7) ◽  
pp. 404
Author(s):  
Joung Chul Lee
Keyword(s):  
Twentieth Century ◽  
Relational Approach ◽  
The Future ◽  
Late Twentieth ◽  
Interreligious Education ◽  
Late Twentieth Century

In the late twentieth century, interreligious education emerged as a way to transform one’s attitude toward other religions and reduce religious prejudice. This article addresses the philosophical aspects of this practice, in particular the problems that arise when an essentialist approach is accommodated. The problems include the why (philosophical rationale), the who (subject and participant), the what (content), and the future (purpose). In response, the author explores how a relational approach grounded in a Whiteheadian philosophy of multiplicity would allow us to understand interreligious education differently. The article finds that a relational approach can help us imagine and embody interreligious education in a more humanizing, inclusive, and transformative way.

Nine Centuries of Man

2017 ◽  
Keyword(s):  
Twentieth Century ◽  
Diverse Range ◽  
Gender Expectations ◽  
Court Records ◽  
The Past ◽  
Wide Range ◽  
Police Reports ◽  
Late Twentieth ◽  
Scottish History ◽  
Late Twentieth Century

What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history

Trey Ellis's Platitudes: Redefining Black Voices

2009 ◽  
Vol 32 (1) ◽  
pp. 55-76
Author(s):  
Quan Manh Ha
Keyword(s):  
Twentieth Century ◽  
African American ◽  
American Literature ◽  
African American Literature ◽  
Black Experience ◽  
Racial Issues ◽  
Black Voices ◽  
Late Twentieth ◽  
One Year ◽  
Late Twentieth Century

Trey Ellis has emerged as a prominent African American writer of the late-twentieth century, despite the small number of his published works. “The New Black Aesthetic,” an essay that he first published in CaUaloo in 1989, one year after the publication of his first novel, Platitudes, stands as a manifesto that defines and articulates his perspective on the emerging black literary voices and culture of the time, and on “the future of African American artistic expression” in the postmodern era.1 According to Eric Lott, Ellis's novel parodies the literary and cultural conflict between such male experimental writers as lshmael Reed and such female realist writers as Alice Walker.2 Thus, Ellis's primary purpose in writing Platitudes is to redefine how African Americans should be represented in fiction, implying that neither of the dominant approaches can completely articulate late-twentieth-century black experience when practiced in isolation. In its final passages, Platitudes represents a synthesis of the two literary modes or styles, and it embodies quite fully the diversity of black cultural identities at the end of the twentieth century as it extends African American literature beyond racial issues. In this way, the novel exemplifies the literary agenda that Ellis suggests in his theoretical essay.

A New Denominational Historiography?

1995 ◽  
Vol 5 (2) ◽  
pp. 249-263
Author(s):  
John F. Wilson
Keyword(s):  
Twentieth Century ◽  
Recent Analysis ◽  
General Factor ◽  
Religious Organization ◽  
Religious Institution ◽  
Large Numbers ◽  
The Status ◽  
Late Twentieth ◽  
American Society ◽  
Late Twentieth Century

Over the last decade, a noteworthy number of published studies have, in one fashion or another, been defined with reference to religious denominations. This is an arresting fact, for, coincidentally, the status of religious denominations in the society has been called into question. Some formerly powerful bodies have lost membership (at least relatively speaking) and now experience reduced influence, while newer forms of religious organization(s)—e.g., parachurch groups and loosely structured movements—have flourished. The most compelling recent analysis of religion in modern American society gives relatively little attention to them. Why, then, have publications in large numbers appeared, in scale almost seeming to be correlated inversely to this trend?No single answer to this question is adequate. Surely one general factor is that historians often “work out of phase” with contemporary social change. If denominations have been displaced as a form of religious institution in society in the late twentieth century, then their prominence in earlier eras is all the more intriguing.

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