scholarly journals Diachronic Reconstruction and Visualization of Lost Cultural Heritage Sites

2019 ◽  
Vol 8 (2) ◽  
pp. 61 ◽  
Author(s):  
Pablo Rodríguez-Gonzálvez ◽  
Ángel Guerra Campo ◽  
Ángel Muñoz-Nieto ◽  
Luis Sánchez-Aparicio ◽  
Diego González-Aguilera
Keyword(s):  
Cultural Heritage ◽  
Geometric Modeling ◽  
Laser System ◽  
Three Dimensional ◽  
3D Models ◽  
Data Sources ◽  
Historical Sources ◽  
Heritage Sites ◽  
Main Challenge ◽  
Temporal Dimensions

Cultural heritage (CH) documentation is essential for the study and promotion of CH assets/sites, and provides a way of transmitting knowledge about heritage to future generations. The integration of the fourth dimension into geospatial datasets enables generating a diachronic model of CH elements, namely, a set of three-dimensional (3D) models to represent their evolution in various historical phases. The enhanced four-dimensional (4D) modeling (3D plus time) pursues a better understanding of the CH scenario, enriching historical hypotheses as well as contributing to the conservation and decision-making process. Although new geomatic techniques have reduced the amount of fieldwork, when put together, the geometric and temporal dimensions imply the interpretation of heterogeneous historical information sources and their integration. However, this situation could reach a critical point when the study elements are no longer present. The main challenge is to harmonize the different historical and archaeological data sources that are available with the current remains in order to graphically rebuild and model the lost CH assets with a high degree of reliability. Moreover, 4D web visualization is a great way to disclose the CH information and cultural identity. Additionally, it will serve as a basis to perform simulations of possible future risks or changes that can happen during planned or hypothetical restoration processes. This paper aims to examine the study case of a diachronic reconstruction by means of a mobile laser system (MLS) and reverse modeling techniques for a lost urban CH element: the citadel or Alcázar gate of Ávila. Within this aim, the final model is evaluated in terms of the consistency of the historical sources to assess its suitability considering the constructive interpretations that are required to integrate heterogenous data sources. Moreover, geometric modeling is evaluated regarding the current remains and its surroundings. Finally, a web 4D viewer is presented for its dissemination and publicity. This paper is an extended and improved version of our paper that was published in the 2018 ISPRS Technical Commission II Symposium, Riva del Garda, Italy, 3–7 June 2018.

scholarly journals DIACHRONIC RECONSTRUCTION OF LOST CULTURAL HERITAGE SITES. STUDY CASE OF THE MEDIEVAL WALL OF AVILA (SPAIN)

2018 ◽  
Vol XLII-2 ◽  
pp. 975-981 ◽  
Author(s):  
P. Rodríguez-Gonzálvez ◽  
S. Cardozo Mamani ◽  
A. Guerra Campo ◽  
L. J. Sánchez-Aparicio ◽  
S. del Pozo ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Laser System ◽  
3D Models ◽  
Fourth Dimension ◽  
Historical Sources ◽  
Heritage Sites ◽  
Archaeological Data ◽  
Main Challenge ◽  
Study Case ◽  
High Degree

The integration of the fourth dimension into the geospatial data allows to generate a diachronic model of Cultural Heritage (CH) assets, namely, a set of 3D models to represent it in various historical phases. This kind of reconstruction pursues a better understanding of the CH site/scenario, enriching the historical hypotheses as well as contributing to the conservation and decisionmaking process. Although the new geotechnologies have reduced the amount of fieldwork, the generation of 4D model implies the interpretation of heterogeneous historical information sources and their integration. However, this situation could reach a critical point when the study elements are no longer present. Their reconstruction will allow the digital preservation and maintenance of our culture. The main challenge is to harmonize the different historical and archaeological data sources available in relation with the current remains, to recover the lost CH assets with a high degree of reliability. This manuscript aims to examine the study case of a diachronic reconstruction by means of the use of the geotechnology Mobile Laser System (MLS) and reverse engineering techniques for a lost urban CH element, the citadel or <i>Alcázar</i> Gate of Ávila. Within this aim, the derived product is evaluated in terms of the achieved accuracy to assess its suitability on the basis of constructive interpretations required to integrate the historical sources in relation to current remains and the surrounding.

Methodology for digital preservation of the cultural and patrimonial heritage: generation of a 3D model of the Church St. Peter and Paul (Calw, Germany) by using laser scanning and digital photogrammetry

Sensor Review ◽  
2018 ◽  
Vol 38 (3) ◽  
pp. 282-288 ◽  
Author(s):  
Abdalmenem Owda ◽  
José Balsa-Barreiro ◽  
Dieter Fritsch
Keyword(s):  
Cultural Heritage ◽  
Laser Scanning ◽  
Three Dimensional ◽  
Digital Preservation ◽  
3D Models ◽  
Proper Solution ◽  
Historical Buildings ◽  
Content Type ◽  
Heritage Sites ◽  
Photorealistic Models

Purpose Representative cultural heritage sites and monuments around the world have been lost or damaged by natural disasters, human conflicts and daily erosion and deterioration. Documentation and digital preservation by using three-dimensional (3D) modeling techniques enables to ensure the knowledge and access for future generations. Efficient working methods and techniques should be proposed for this purpose. Design/methodology/approach In this paper, a methodology for the generation of 3D photorealistic models of representative historical buildings is introduced, for using data are obtained using terrestrial laser scanning systems and photogrammetry. Findings In this paper, an approach to reconstruct 3D photorealistic models by using laser scanning and photogrammetric data is shown. Combination of data from both sources offers an improved solution for 3D reconstruction of historical buildings, sites and places. Integration of 3D models into virtual globes and/or software applications can ensure digital preservation and knowledge for next generations. Research limitations/implications Results obtained in a concrete building are shown. However, each building or studied area can show some other different drawbacks. Practical implications The study enables to generate 3D and four-dimensional models of most valuable buildings and contribute to the preservation and documentation of the cultural heritage. Social implications The study enables digital documentation and preservation of cultural heritage. Originality/value A proper solution at field (in a real and complicated case) is explained, in addition to the results, which are shown.

scholarly journals 3D Reconstruction of Cultural Heritage Sites as an Educational Approach. The Sanctuary of Delphi

2021 ◽  
Vol 11 (8) ◽  
pp. 3635
Author(s):  
Ioannis Liritzis ◽  
Pantelis Volonakis ◽  
Spyros Vosinakis
Keyword(s):  
University Students ◽  
3D Reconstruction ◽  
Cultural Heritage ◽  
New Technology ◽  
Three Dimensional ◽  
Computer Gaming ◽  
Educational Approach ◽  
Heritage Sites ◽  
3D Environment ◽  
Almost All

In the field of cultural heritage, three-dimensional (3D) reconstruction of monuments is a usual activity for many professionals. The aim in this paper focuses on the new technology educational application combining science, history, and archaeology. Being involved in almost all stages of implementation steps and assessing the level of participation, university students use tools of computer gaming platform and participate in ways of planning the virtual environment which improves their education through e-Learning. The virtual 3D environment is made with different imaging methods (helium-filled balloon, Structure for motion, 3D repository models) and a developmental plan has been designed for use in many future applications. Digital tools were used with 3D reconstructed buildings from the museum archive to Unity 3D for the design. The pilot study of Information Technology work has been employed to introduce cultural heritage and archaeology to university syllabuses. It included students with a questionnaire which has been evaluated accordingly. As a result, the university students were inspired to immerse themselves into the virtual lab, aiming to increasing the level of interaction. The results show a satisfactory learning outcome by an easy to use and real 3D environment, a step forward to fill in needs of contemporary online sustainable learning demands.

scholarly journals Structured-light 3D scanning of exhibited historical clothing—a first-ever methodical trial and its results

2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Jerzy Montusiewicz ◽  
Marek Miłosz ◽  
Jacek Kęsik ◽  
Kamil Żyła
Keyword(s):  
Cultural Heritage ◽  
Information Technologies ◽  
Structured Light ◽  
Three Dimensional ◽  
3D Models ◽  
3D Scanning ◽  
Dimensional Representation ◽  
3D Scanner ◽  
Three Dimensional Representation ◽  
3D Scanners

AbstractHistorical costumes are part of cultural heritage. Unlike architectural monuments, they are very fragile, which exacerbates the problems of their protection and popularisation. A big help in this can be the digitisation of their appearance, preferably using modern techniques of three-dimensional representation (3D). The article presents the results of the search for examples and methodologies of implementing 3D scanning of exhibited historical clothes as well as the attendant problems. From a review of scientific literature it turns out that so far practically no one in the world has made any methodical attempts at scanning historical clothes using structured-light 3D scanners (SLS) and developing an appropriate methodology. The vast majority of methods for creating 3D models of clothes used photogrammetry and 3D modelling software. Therefore, an innovative approach was proposed to the problem of creating 3D models of exhibited historical clothes through their digitalisation by means of a 3D scanner using structural light technology. A proposal for the methodology of this process and concrete examples of its implementation and results are presented. The problems related to the scanning of 3D historical clothes are also described, as well as a proposal how to solve them or minimise their impact. The implementation of the methodology is presented on the example of scanning elements of the Emir of Bukhara's costume (Uzbekistan) from the end of the nineteenth century, consisting of the gown, turban and shoes. Moreover, the way of using 3D models and information technologies to popularise cultural heritage in the space of digital resources is also discussed.

scholarly journals Comparative Analysis of Digital Models of Objects of Cultural Heritage Obtained by the “3D SLS” and “SfM” Methods

2021 ◽  
Vol 11 (12) ◽  
pp. 5321
Author(s):  
Marcin Barszcz ◽  
Jerzy Montusiewicz ◽  
Magdalena Paśnikowska-Łukaszuk ◽  
Anna Sałamacha
Keyword(s):  
Cultural Heritage ◽  
Low Cost ◽  
Three Dimensional ◽  
3D Models ◽  
Silk Road ◽  
Digital Models ◽  
Global Pandemic ◽  
University Of Technology ◽  
Three Dimensional Models ◽  
3D Digitisation

In the era of the global pandemic caused by the COVID-19 virus, 3D digitisation of selected museum artefacts is becoming more and more frequent practice, but the vast majority is performed by specialised teams. The paper presents the results of comparative studies of 3D digital models of the same museum artefacts from the Silk Road area generated by two completely different technologies: Structure from Motion (SfM)—a method belonging to the so-called low-cost technologies—and by Structured-light 3D Scanning (3D SLS). Moreover, procedural differences in data acquisition and their processing to generate three-dimensional models are presented. Models built using a point cloud were created from data collected in the Afrasiyab museum in Samarkand (Uzbekistan) during “The 1st Scientific Expedition of the Lublin University of Technology to Central Asia” in 2017. Photos for creating 3D models in SfM technology were taken during a virtual expedition carried out under the “3D Digital Silk Road” program in 2021. The obtained results show that the quality of the 3D models generated with SfM differs from the models from the technology (3D SLS), but they may be placed in the galleries of the vitrual museum. The obtained models from SfM do not have information about their size, which means that they are not fully suitable for archiving purposes of cultural heritage, unlike the models from SLS.

scholarly journals 3D MODELS OF OBJECTS IN PROCESS OF RECONSTRUCTION

2018 ◽  
Vol 13 (1) ◽  
Author(s):  
Jovana Radović
Keyword(s):  
Laser Scanning ◽  
Laser System ◽  
Three Dimensional ◽  
Laser Scanner ◽  
Terrestrial Laser Scanning ◽  
3D Models ◽  
Terrestrial Laser Scanner ◽  
Accurate Data ◽  
Final Model ◽  
Airborne Laser

Within the last years terrestrial and airborne laser scanning has become a powerful technique for fast and efficient three-dimensional data acquisition of different kinds of objects. Airborne laser system (LiDAR) collects accurate georeferenced data of extremely large areas very quickly while the terrestrial laser scanner produces dense and geometrically accurate data. The combination of these two segments of laser scanning provides different areas of application. One of the applications is in the process of reconstruction of objects. Objects recorded with laser scanning technology and transferred into the final model represent the basis for building an object as it was original. In this paper, there will be shown two case studies based on usage of airborne and terrestrial laser scanning and processing of the data collected by them.

scholarly journals Aspectus: A Flexible Collaboration Tool for Multimodal and Multiscalar 3D Data Exploitation

2019 ◽  
Vol 2 (2) ◽  
pp. 150-165
Author(s):  
Damien Vurpillot ◽  
Quentin Verriez ◽  
Matthieu Thivet
Keyword(s):  
Cultural Heritage ◽  
Collaborative Work ◽  
Three Dimensional ◽  
Digital Data ◽  
Expert Assessment ◽  
Practical Application ◽  
Web Based ◽  
Heritage Sites ◽  
3D Data ◽  
Tenfold Increase

High density remote survey technologies have become widespread practices. In recent years, we have seen a tenfold increase in volume of digital data acquired. Beyond this sheer amount of data, multimodal three-dimensional data exploitation has become another common challenge for specialists. The Aspectus project aims to ease the access to complex three-dimensional data and to promote collaborative work and remote expert assessment. Thus, we can get past the problem of distance and availability of the “object of expertise”, ranging from cultural heritage sites to artefacts. By extension, it enables us to circumvent the ever-present problem of destruction. Aspectus takes advantage of available open source solutions to produce a flexible web-based visualization and collaboration tool. After an overview of the theoretical framework and its technical implementation, we will discuss a practical application as part of the “Bibracte Numérique” project.

scholarly journals Three-Dimensional Digital Documentation of Cultural Heritage Site Based on the Convergence of Terrestrial Laser Scanning and Unmanned Aerial Vehicle Photogrammetry

2019 ◽  
Vol 8 (2) ◽  
pp. 53 ◽  
Author(s):  
Young Jo ◽  
Seonghyuk Hong
Keyword(s):  
Cultural Heritage ◽  
Unmanned Aerial Vehicle ◽  
Laser Scanning ◽  
Three Dimensional ◽  
Terrestrial Laser Scanning ◽  
Three Dimensional Model ◽  
Positional Accuracy ◽  
Heritage Sites ◽  
Aerial Vehicle ◽  
Digital Documentation

Three-dimensional digital technology is important in the maintenance and monitoring of cultural heritage sites. This study focuses on using a combination of terrestrial laser scanning and unmanned aerial vehicle (UAV) photogrammetry to establish a three-dimensional model and the associated digital documentation of the Magoksa Temple, Republic of Korea. Herein, terrestrial laser scanning and UAV photogrammetry was used to acquire the perpendicular geometry of the buildings and sites, where UAV photogrammetry yielded higher planar data acquisition rate in upper zones, such as the roof of a building, than terrestrial laser scanning. On comparing the two technologies’ accuracy based on their ground control points, laser scanning was observed to provide higher positional accuracy than photogrammetry. The overall discrepancy between the two technologies was found to be sufficient for the generation of convergent data. Thus, the terrestrial laser scanning and UAV photogrammetry data were aligned and merged post conversion into compatible extensions. A three-dimensional (3D) model, with planar and perpendicular geometries, based on the hybrid data-point cloud was developed. This study demonstrates the potential for using the integration of terrestrial laser scanning and UAV photogrammetry in 3D digital documentation and spatial analysis of cultural heritage sites.

scholarly journals Dissemination Strategies for Cultural Heritage: The Case of the Tomb of Zechariah in Jerusalem, Israel

Heritage ◽  
2019 ◽  
Vol 2 (1) ◽  
pp. 306-314
Author(s):  
Monica Bercigli
Keyword(s):  
Cultural Heritage ◽  
Scientific Information ◽  
Three Dimensional ◽  
3D Models ◽  
Digital Products ◽  
Survey Techniques ◽  
Survey Technique ◽  
Three Dimensional Models ◽  
Visualization Techniques ◽  
Historical References

This paper reports the research carried out using Structure from Motion survey techniques, which were developed on the basis of previous surveys and their subsequent representation through two-dimensional (2D) and three-dimensional (3D) drawings of the tomb, comparing them with drawings and watercolors by several painters of the past. This survey technique enables the reconstruction of three-dimensional models through photographs. The aim of this work is to define a procedural process which allows accurate and reliable three-dimensional reconstructions to be performed for the acquisition of knowledge and the dissemination of cultural heritage, taking advantage of representation and visualization techniques that have been developed in the last decade and that are based on historical references. The variety of digital products which can be produced (video games, 3D models, prints, websites, and augmented reality applications) allows a different approach to the representation to be taken, thereby re-evaluating limits, aims, and expressive potential. The virtual representative systems, enriched with cultural content, scientific information, and data, enhance the participation and awareness of knowledge of the final users of the products and are able to increase the interaction between the user and the information.

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