scholarly journals Mycelium-Based Composites in Art, Architecture, and Interior Design: A Review

Polymers ◽  
2021 ◽  
Vol 14 (1) ◽  
pp. 145
Author(s):  
Maciej Sydor ◽  
Agata Bonenberg ◽  
Beata Doczekalska ◽  
Grzegorz Cofta

Mycelium-based composites (MBCs) have attracted growing attention due to their role in the development of eco-design methods. We concurrently analysed scientific publications, patent documents, and results of our own feasibility studies to identify the current design issues and technologies used. A literature inquiry in scientific and patent databases (WoS, Scopus, The Lens, Google Patents) pointed to 92 scientific publications and 212 patent documents. As a part of our own technological experiments, we have created several prototype products used in architectural interior design. Following the synthesis, these sources of knowledge can be concluded: 1. MBCs are inexpensive in production, ecological, and offer a high artistic value. Their weaknesses are insufficient load capacity, unfavourable water affinity, and unknown reliability. 2. The scientific literature shows that the material parameters of MBCs can be adjusted to certain needs, but there are almost infinite combinations: properties of the input biomaterials, characteristics of the fungi species, and possible parameters during the growth and subsequent processing of the MBCs. 3. The patent documents show the need for development: an effective method to increase the density and the search for technologies to obtain a more homogeneous internal structure of the composite material. 4. Our own experiments with the production of various everyday objects indicate that some disadvantages of MBCs can be considered advantages. Such an unexpected advantage is the interesting surface texture resulting from the natural inhomogeneity of the internal structure of MBCs, which can be controlled to some extent.

2005 ◽  
Vol 128 (4) ◽  
pp. 919-927 ◽  
Author(s):  
Haoyu Wang ◽  
Nam H. Kim ◽  
Yoon-Jun Kim

In this paper, a safety envelope concept for load tolerance is introduced. This shows the capacity of the current design as a future reference for design upgrade, maintenance, and control. The safety envelope is applied to estimate the load tolerance of a structural part with respect to the fatigue reliability. First, the dynamic load history is decomposed into the average value and amplitude, which are modeled as random variables. Second, through fatigue analysis and uncertainty propagation, the reliability is calculated. Last, based on the implicit function evaluation for the reliability, the boundary of the safety envelope is calculated numerically. The effect of different distribution types of random variables is then investigated to identify the conservative envelope. In order to improve the efficiency of searching the boundary, probabilistic sensitivity information is utilized. When the relationship between the safety of the system and the load tolerance is linear or mildly nonlinear, the linear estimation of the safety envelope turns out to be accurate and efficient. During the application of the algorithm, a stochastic response surface of logarithmic fatigue life with respect to the load capacity coefficient is constructed, and the Monte Carlo simulation is utilized to calculate the reliability and its sensitivities.


2013 ◽  
Vol 368-370 ◽  
pp. 649-652
Author(s):  
Tao Li ◽  
Jing Zhou

With the increasingly development and practice of interior design in China, designers are facing an important problem which requires them to have a good consideration,that is the culture reflected in their design is borderless.The urgent problem which comes to us now is try to reflect the inheritance and innovation of native culture in the interior design in a right way. Designers need to think better of returning to traditional Chinese culture and have it carried forward.The traditional culture and the taste of traditional aesthetic concept are well worth learning by designers, which is the foundation of the design. We should think deeply of current design behavior and face the reasonable direction of the development squarely, so as to make Chinese interior design more competitive in the world market.


2019 ◽  
Vol 44 (3) ◽  
pp. 20-23
Author(s):  
Minglei Zheng

To apply the design concept of regional design, excavate the typical culture of Chongqing for the current design, and endows the cultural elements and symbols that have lasted for a long time with a new flavor of The Times, firstly, the design concept of regional design is introduced to present and analyze typical regional cultural elements of Chongqing. Then, the cultural appeal and social influence of the design of Chongqing rail transit are analyzed, and the main entry point of the design is summarized to provide theoretical reference and method guidance for the subsequent design. Finally, after completing the theoretical framework, typical case analysis and the reference of design techniques, the design procedure of rail vehicles with Chongqing regional culture is proposed, and the shape design, exterior design and the interior design are completed, which have certain guiding significance for the regional characteristics of rail transit construction in Chongqing.


Artifex Novus ◽  
2021 ◽  
pp. 66-77
Author(s):  
Michał Myśliński

Abstrakt: Zainteresowanie sztuką ludową Podhala wśród polskich artystów i badaczy sięga lat osiemdziesiątych XIX wieku. Wynikało ono z dostrzeżenia artystycznej wartości tworzonych tam dzieł oraz poszukiwań tzw. sztuki narodowej i rodzimej, tak bardzo ważnych dla polskiej kultury i tożsamości. Inspiracje kulturą materialną i artystyczną Podhala przyczyniły się m.in. do wielkiego sukcesu polskiej ekspozycji na Wystawie Sztuki Dekoracyjnej w Paryżu w 1925 roku. Zainteresowanie to nie zmniejszyło się po 1945 r., ale przybrało inne formy. W tym czasie powstawały w Polsce liczne spółdzielnie, których zadaniem było tworzenie przedmiotów codziennego użytku i dzieł sztuki ludowej, zgodnie z lokalną tradycją rękodzielniczą, ikonograficzną, zdobniczą itp. Pewną część produkcji stanowiła tzw. metaloplastyka – sprzączki do pasków, spinki do koszul, zatrzaski do torebek, noże, okucia fajek i in., których forma była inspiracją dla artystów tworzących dzieła biżuterii – bransoletki, broszki, wisiory itp. Asortyment ten uzupełniony został także o inne elementy – wykonywane z blachy, kości bydlęcej, galalitu i drewna broszki, wisiorki i breloki, które były przede wszystkim pamiątkami przywożonymi z tego bardzo popularnego regionu turystycznego. Summary: The interest in the folk art of the Podhale region among Polish artists and researchers dates back to the 1880s. It resulted from the perception of the artistic value of the works created here, as well as the search for the so-called national and native art, very important for Polish culture and national identity. Inspiration with the material culture of Podhale came from, among others a great effect in the form of the success of Polish art at the Exhibition of Decorative Art in Paris in 1925. This interest did not diminish after 1945, but took other forms. At that time, numerous cooperatives were established in Poland, whose task was to create everyday objects and works of folk art, in line with the local tradition in terms of technology, iconography, ornaments, etc. In Podhale, among many produced works, a certain part was the so-called metalwork – belt buckles, shirt clips, purse fasteners, knives, etc., the shape of which was an inspiration for artists creating bracelets, brooches, pendants, etc. This assortment was supplemented with other items – made of sheet metal, bovine bone, galalite and wood, brooches, pendants, and key rings, which were primarily souvenirs brought from this very popular tourist region.


IDEA JOURNAL ◽  
2010 ◽  
pp. 116-127
Author(s):  
Kyuho Ahn ◽  
Mihyun Kang

Through this study, a pedagogical case study was developed, implemented, and disseminated in which students applied interior design historical contexts to a studio project based on Beecher’s design history education framework suggesting that design history should be taught to engage students in critical and analytical thinking and to integrate the knowledge gained into current design applications.1 Students were asked to develop an exhibition design installation(Application) as a team project based on the team’s analysis of a design topic or artifact of its choice (Analytical/Critical Thinking) from the existing 1885-1925 exhibition (Accessibility). A focus group study was conducted to investigate students’ perceptions regarding design history while they worked on this project and then to investigate learning outcomes once they had completed it. Intellectual engagement and learning progress were observed in the students; these may have resulted from the integrated application of the material within an actual design problem. Three major learning outcomes: engagement, critical/analytical thinking, and understanding of design history in multidimensional contexts, were observed. Additionally, students experienced positive aspects of design skill learning due to the actual installation of the project. This study provided a comprehensive view of how the students responded to interior design history in their design problems.


2021 ◽  
Vol 31 (Supplement_3) ◽  
Author(s):  
J Rehn

Abstract As part of the built environment objects and interior design features can affect thoughts, emotions and behaviour in various ways. Referring to the concept of material and conceptual priming (Kay et al., 2004; Berger & Fitzsimons, 2008), these objects can provoke associations and by that subconsciously activate mental concepts which influence emotional states, judgements and subsequent behaviours. In many healthcare facilities, the formal-aesthetic design of the built environment visually conveys the concept of institutionalisation through clinical and sterile styles, impersonal and standardised configurations and a lack of individualisation. This applies in particular to the setting of psychiatric facilities in which from a clinical point of view sterile and impersonal aesthetics are not required and might even be detrimental to the therapeutic processes. However, there is reason to believe that the use of everyday objects can support therapeutic processes and thus be seen as an element of psychosocially supportive design (Ulrich, 1997) in two ways. Firstly, everyday objects derived from domestic contexts refer to aesthetics that are contrary to the concept of institutionalisation. Instead by communicating features of comfort and subtle luxury they might activate the mental concept of valorisation which can be seen as an important resource in therapeutic settings that strengthens commitment and trusts. Secondly, offering choice of a variety of everyday objects in psychiatric settings enables patients to exert control in a context that otherwise is characterised by total loss of control. This increased sense of control is an important part of Antonovsky's sense of coherence (1979) and a valuable asset for recovery and empowerment of psychiatric patients.


2020 ◽  
pp. 119-131
Author(s):  
О. Є. Шмельова ◽  
О. О. Сафронова ◽  
Т. В. Булгакова ◽  
М. О. Синицька

The purpose of the research is to determine features of interior design of modern coworkings. The following methods were used for the purposes of research: method of systematic analysis of specialized resources and scientific publications on the research topic; method of comparative analysis within the typology and for each type separately; generalization and systematization of information obtained in the process of research. Experience and tendencies of designing coworkings as a new formation of multifunctional public objects in the information society that meet modern requirements of organizing an informal workspace have been studied in order to provide for the new forms of activity and recreation; peculiarities of the design of coworking premises have been analyzed depending on their purpose and processes that are to take place in them; classification of the coworking spaces according to different functional characteristics has been elaborated; links between the typological features of the coworking spaces and their design solutions were established. The principal components of the coworking space (basic and additional) are identified; classification of coworking spaces by typological features are extended and refined; relation between the said features and formation of design solutions of the most common coworking space types are established and substantiated. The following peculiarities of interior design of coworkings will be useful for the modern practice of designing different types of researched spaces, and will help to solve such design problems as planning structure, object-space filling and stylistic design.


2019 ◽  
Vol 5 (11) ◽  
pp. 2359-2376
Author(s):  
Baitollah Badarloo ◽  
Faezeh Jafari

Concrete-filled tubular (CFT) column improves the structure properties under different load pattern, so that it should be designed under two main load patterns (static and cyclic load) using current design method such as Finite Element Method (FEM) and analytical method (guideline equation). In this research, a CFT column with specific dimensions is modeled by using ABAQUS finite element software; the target of this study is to conduct a pushover analysis and also a hysteresis analysis under cyclic loading. Then, the concrete grade and percentage of column reinforcement were altered using the FEM, and eventually, compared with the results of analytical equations to measure the safety level of analytical equations. For this purpose, the CFT columns with C20, 30, 40 & 50 concrete cores were modeled with and without reinforcement, and the effect of concrete grade on the capacity of column was studied. In addition, MATLAB software was used to obtain beta index and load capacity design for the CFT column. The results demonstrated that the columns designed in accordance with the AISC have a good performance under the cyclic and static loading. The safety level of design equations ranged between 3 and 5, and the columns could resist higher loads (about 2.5-3.5 times) through the design by ABAQUS.


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