scholarly journals Mirroring the society, mirroring its hospitals: Hyginus Ekwazi's poetry and the challenge of nation-building

2019 ◽  
Vol 5 (1) ◽  
pp. 77-91
Author(s):  
Solomon Awuzie

Anglophone African poetry has become a significant medium through which African society from the year 2000 to date is mirrored. The younger Anglophone African poets, widely referred to as the poets of the third-generation, have always used their poetry as means to respond to both historical and current socio-political circumstances that tend to distinguish Africa from the rest of the world. Their poetry now constitutes counter-hegemonic discourse against bad leadership in Africa and against corrupt African social and medical institutions. Using Hyginus Ekwuazi’s The Monkey’s Eyes as a representative poetry of the younger Anglophone African poets, emphasis is made on how the poet depicts the African society and its hospitals. The paper analyzes the collection as a sequel to all other collections of poetry produced by the younger poets at this period. It reveals the condition in which the poetry is produced and how it has responded to the decay in African society and its hospitals. The paper points out that though the older generation of the Anglophone African poets responded to similar socio-political situation, the younger generation of the Anglophone African poets has become the prominent voice in this period and that their poetry provides a clear picture of what is happening in Africa within this time space. Being a new set of voices on the terrain of the Anglophone African poetry, a study of this poetry opens up a new platform upon which this so-called “aesthetic of rage” is appreciated. Note:  An earlier version of this paper was presented at Birkbeck University of London in an International Conference captioned “Mirror, Mirror: Perceptions, Deceptions, Reflections in Time” organized by London Centre for Interdisciplinary Research (LCIR) on 10th March, 2018 in London, UK.

2021 ◽  
pp. 002216782110180
Author(s):  
Luke Hockley

This article explores what it means to feel film. It does so through an exploration of the interconnections between Bergson, Deleuze, and Jung. Central to the argument is the ontological status of the image in these different philosophical and psychological traditions. In particular, image is seen as an encapsulation of coming into being, or what Bergson terms durée. To feel film is to engage with its therapeutic capacity to bring us into being. In the consulting room and in the cinema, this process is embodied and in some way created either between client and therapist or viewer and screen. The elusive present moment is the site at which the past permeates the present, creating as it does feeling toned entry into the process of becoming. Jung thought of this as central to individuation and Bergson as central to being. Feeling film from this perspective becomes a way of finding ourselves in both the world of the film and in our individual psyche.


English Today ◽  
1998 ◽  
Vol 14 (4) ◽  
pp. 3-6
Author(s):  
Pam Peters

LANGSCAPE is a Cambridge University Press project associated with both ‘English Today’ and a new international usage guide for the year 2000 by Pam Peters, author of the ‘Cambridge Australian English Style Guide’ (1995). Like the Australian publication, the international work will be distinctive in its use of empirical evidence from computer corpora as well as data elicited from surveys of users of English round the world. Because English is a world language, any account of usage that is limited to one person's views and resources is inadequate. The first topic and questionnaire (‘The ubiquitous letter e’) appeared in ET53 (Jan 98), the second (‘To capitalize or not to capitalize’) in ET54 (Apr 98) and the third (‘Differing on agreement’) in ET55 (Jul 98). See the accompanying box for further information on the Survey.


English Today ◽  
1999 ◽  
Vol 15 (1) ◽  
pp. 3-6 ◽  
Author(s):  
Pam Peters

LANGSCAPE is a Cambridge University Press project associated with both ‘English Today’ and a new international usage guide for the year 2000 by Pam Peters, author of the ‘Cambridge Australian English Style Guide’ (1995). Like the Australian publication, the international work will be distinctive in its use of empirical evidence from computer corpora as well as data elicited from surveys of users of English round the world. Because English is a world language, any account of usage that is limited to one person's views and resources is inadequate. The first topic and questionnaire (‘The ubiquitous letter e’) appeared in ET53 (Jan 98), the second (‘To capitalize or not to capitalize’) in ET54 (Apr 98), the third (‘Differing on agreement’) in ET55 (Jul 98) and the fourth (‘Permanent loans: plurals for Latin borrowings’) in ET56 (Oct 98). See the accompanying box for further information on the Survey.


English Today ◽  
1999 ◽  
Vol 15 (2) ◽  
pp. 3-6
Author(s):  
Pam Peters

LANGSCAPE is a Cambridge University Press project associated with both ‘English Today’ and a new international usage guide for the year 2000 by Pam Peters, author of the ‘Cambridge Australian English Style Guide’ (1995). Like the Australian publication, the international work will be distinctive in its use of empirical evidence from computer corpora as well as data elicited from surveys of users of English round the world. Because English is a world language, any account of usage that is limited to one person's views and resources is inadequate. The first topic and questionnaire (‘The ubiquitous letter e’) appeared in ET53 (Jan 98), the second (‘To capitalize or not to capitalize’) in ET54 (Apr 98), the third (‘Differing on agreement’) in ET55 (Jul 98), the fourth (‘Permanent loans: plurals for Latin borrowings’) in ET56 (Oct 98), and the fifth (‘Jots and tittles’) in ET57 (Jan 99). See the accompanying box for further information on the Survey.


2004 ◽  
Vol 34 (1-2) ◽  
pp. 5-38 ◽  
Author(s):  
Anthony Balcomb

AbstractIn this article, I attempt to distinguish between five responses to the political situation in South Africa made by evangelicals before and after the end of apartheid in April 1994. I characterize the adherents of these positions as the conservatives, the pragmatists, the protagonists of the Third Way, the protagonists of the 'alternative' community and the liberationists. I then attempt to demonstrate their influence in the transformation of South African society towards democracy by undertaking a series of typological case studies of prominent representatives of these positions. In the process, I attempt to unpack some of the theological and political thinking that underlies and explains each position.


2019 ◽  
Vol 7 (11) ◽  
pp. 1051-1061
Author(s):  
Tiane Camargo ◽  
Mariane Camargo Priesnitz ◽  
Luciana Maria Fontanari Krause ◽  
Marina Bezerra Da Silva

Colorectal cancer is epidemiologically relevant worldwide because it is the fourth leading cause of death from cancer. This study aims to present the mapping of technologies related to colorectal cancer. The search took place during the months of May and June 2019. The Leans database was used, which collects global patent information. The search occurred through the term "colorectal cancer", inserted in the title or abstract fields. Patents with publication date between January 1, 2000 and June 1, 2019 were selected. Only the patents granted and those filed were filtered (patent application; granted patent). A total of 6,850 patents were identified, of which 5,445 (79.48%) correspond to patents filed and 1,405 (20.51%) are patents granted in the period from 2000 to 2019. In 2000, 47 patents on colorectal cancer were published. The quantitative growth of technologies filed and granted was constant. In 2017 there was a total of 911 applications, indicating a growth of 1938.29% in relation to the year 2000. The first patent of the period was on the APC gene mutation, associated with colorectal cancer in families of Ashkenazi Jews, developed by Laken and collaborators (2000), and belongs to Johns Hopkins University, Baltimore, Maryland, in the United States. It can be concluded that the mapping of patents is important to trace a panorama of the world technological advance, as well as it can also be used as an instrument to identify scientific articles that cite patents developed in a given time space.


2006 ◽  
pp. 75-92 ◽  
Author(s):  
S. Moiseev

The number of classical banks in the world has reduced. In the majority of countries the number of banks does not exceed 200. The uniqueness of the Russian banking sector is that in this respect it takes the third place in the world after the USA and Germany. The paper reviews the conclusions of the economic theory about the optimum structure of the banking market. The empirical analysis shows that the number of banks in a country is influenced by the size of its territory, population number and GDP per capita. Our econometric estimate is that the equilibrium number of banks in Russia should be in a range of 180-220 units.


2006 ◽  
pp. 126-134
Author(s):  
L. Evstigneeva ◽  
R. Evstigneev

“The Third Way” concept is still widespread all over the world. Growing socio-economic uncertainty makes the authors revise the concept. In the course of discussion with other authors they introduce a synergetic vision of the problem. That means in the first place changing a linear approach to the economic research for a non-linear one.


2014 ◽  
Vol 39 (1) ◽  
Author(s):  
Jan Kurowiak

AbstractAs a work of propaganda, graphics Austroseraphicum Coelum Paulus Pontius should create a new reality, make appearances. The main impression while seeing the graphics is the admiration for the power of Habsburgs, which interacts with the power of the Mother of God. She, in turn, refers the viewer to God, as well as Franciscans placed on the graphic, they become a symbol of the Church. This is a starting point for further interpretation of the drawing. By the presence of certain characters, allegories, symbols, we can see references to a particular political situation in the Netherlands - the war with the northern provinces of Spain. The message of the graphic is: the Spanish Habsburgs, commissioned by the mission of God, they are able to fight all of the enemies, especially Protestants, with the help of Immaculate and the Franciscans. The main aim of the graphic is to convince the viewer that this will happen and to create in his mind a vision of the new reality. But Spain was in the seventeenth century nothing but a shadow of former itself (in the time of Philip IV the general condition of Spain get worse). That was the reason why they wanted to hold the belief that the empire continues unwavering. The form of this work (graphics), also allowed to export them around the world, and the ambiguity of the symbolic system, its contents relate to different contexts, and as a result, the Habsburgs, not only Spanish, they could promote their strength everywhere. Therefore it was used very well as a single work of propaganda, as well as a part of a broader campaign


Sign in / Sign up

Export Citation Format

Share Document