The Date of the Muratorian Fragment

2020 ◽  
pp. 1-172
Author(s):  
John F. Lingelbach

Three hundred years after its discovery, scholars find themselves unable to determine the more likely of the two hypotheses regarding the date of the Muratorian Fragment, which consists of a catalog of New Testament texts. Is the Fragment a late second- to early third-century composition or a fourth-century composition? This present work seeks to break the impasse. The study found that, by making an inference to the best explanation, a second-century date for the Fragment is preferred. This methodology consists of weighing the two hypotheses against five criteria: plausibility, explanatory scope, explanatory power, credibility, and simplicity. What makes this current work unique in its contribution to church history and historical theology is that it marks the first time the rigorous application of an objective methodology, known as “inference to the best explanation” (or IBE), has been formally applied to the problem of the Fragment’s date.

2018 ◽  
Vol 72 (2) ◽  
pp. 515-566
Author(s):  
Maria Piera Candotti ◽  
Tiziana Pontillo

Abstract The present paper is targeted on three landmarks in the long story of the paribhāṣās’ development. Two of these landmarks descended from the earliest testimony of Vyākaraṇa meta-rules, i. e. those included in Pāṇini’s grammar (fifth–fourth century BCE), and one which has been handed down as the first independent collection of paribhāṣās and attributed to Vyāḍi. In particular a shift is highlighted between Kātyāyaṇa’s (third century BCE) integrative approach (vacana) and Patañjali’s (second century BCE) recourse to implicit paribhāṣās in the Aṣṭādhyāyī as a powerful hermeneutical tool. A shift that helps in interpreting the need for a validation and collection of implicit pāṇinian paribhāṣās as carried out by authors such as Vyāḍi.


2019 ◽  
Author(s):  
Detty Manongko

The research of exploring the Church History have not been many studies done in Indonesia. Though this field is related to the theology, especially the development of Christian Theology for centuries. One area of Church History that needs to be examined are the Christian Thought of the Church Fathers from first to third centuries. The field is often called “Patrology” which is the study of Church Fathers from first to third centuries. Who are they, what are the results of their work, why they have produced such theological thoughts, and what they thoughts are still influencing to the contemporary theologians in Indonesia?The main problem in this research is how does the perception of contemporary theologians in Indonesia to the Chruch Father’ s theological thoughts? Through a literature review of Soteriology, Christology, and Eschatology, then this research has yielded important principles concerning to the Church Fathers’s theological thoughts at the Early Church period. And then through the field research has proven that the majority of contemporary theologians in Indonesia have a positive perception to the Church Fathers’s theological thought from first to the third centuries. Therefore, the reasons of why this research is conducted and how it is done are described in the first chapter of these book. The second chapter of this writing contains a literature review of the theological thoughts of the church fathers from the first century to the third. There are four groups of Church Fathers from the first century to the third. There are four groups of Church Fathers that are described in this chapter, i.e., The Apostolic Fathers (from the first to the middle of second century), The Aplogists (second century), The Anti-Gnostic Fathers (second and third century), and The Alexandrian Fathers (third century). The third chapter discusses the quantitative methods used in this research including statistical models to prove the validity and reliability of the data acquisition method that is used in the field of this research. It desperately needs accuracy and diligence in order to display a quality and useful research reports for the development of Church History studies. Discussion of the results of this study, along with the evidence that reinforces the result of this research is presented in the fourth chapter. Finally, the fifth chapter of this study elaborates the main thoughts that are generated in this study, which also expected to be important principles in conducting futher research.The results obtained in this study are not yet maximal on account of various constraints, such as limited time, facilities, funding, and so forth. However, the writer wishes that the results achieved in this study will give a valuable contribution to all readers of this writing and that it will be a motivation for a further research in the field of Church History in the future.


1970 ◽  
Vol 116 (531) ◽  
pp. 201-206
Author(s):  
Harchand Singh Brar

The word ‘yoga’ is very old and occurs in early Upanishads like the Katha and the Svetasvatara as well as in Mahabharata but it was Patañjali who attempted for the first time to offer a complete system in his Yoga-Sutra. Authorities differ as regards the exact time of the composition of the Yoga-Sutra. According to some it was written in the second century b.c., whereas others believe that it was composed as late as the fourth century a.d.


Author(s):  
Tatiana N. Smekalova ◽  
Natalia L. Demidenko ◽  
Andrey N. Gavriluk

This paper presents the results of X-ray fluorescence analysis of the composition of alloys of the two largest collections of coins of ancient Chersonese residing in the State Historical and Archaeological Museum Preserve of Tauric Chersonese and the Yevpatoria Regional Museum. In total, about a thousand coins studied, which, together with the 400 coins previously examined from the State Hermitage Museum, constitutes a solid basis for conclusions. The given paper analyses the data obtained for coins of Chersonese in the Period of Independence, that is from the emergence of local coinage in the early fourth century BC to the wars of Diophantos in the late second century BC. For the first time it has been determined that big dichalkoi were minted from a special coin alloy, two-component high-tin bronze, in the period of economic prosperity of Chersonese in the second half of the fourth and third centuries BC. These coins served as the financial basis for important transformations in the near and distant chora: the land division system of vineyards and territorial expansion of Chersonese into the north-western Taurica. Only in the third century BC, in the period of an unprecedented consolidation of land properties and the transformation of the wine production into a commodity industry, the minting of large silver coins of full metal value began probably for big financial deals and payments in international trade. The crisis in the minting of Chersonese in the late second century BC touched silver drachmae, the overwhelming majority of which were minted from a low-grade silver alloy with the copper comprising more than a third of the composition. Thus, full-weight coins turned to conditional money.


Author(s):  
Anastasia А. Stoianova

This paper presents a review of the brooches from the cemetery of Opushki located in the central area of the Crimean foothills. The cemetery was used from the first century BC to the fourth century AD by peoples of various archaeological cultures. 72 of 318 graves excavated there contained brooches. The total number of complete and fragmented brooches discovered there is 190. The largest group comprises one-piece bow-shaped brooches with returned foot and the brooches with flattened catch-plate from the first to the first half of the third century AD. There is a series of brooches made in the Roman Empire, with the most numerous group of plate brooches. There are a few violin-bow-shaped brooches, highly-profiled brooches of the Northern Black Sea type, two-piece violin-bow-shaped brooches with returned foot, and brooches with curved arched bow (P-shaped): great many pieces of these types occurred at other sites from the Roman Period in the Crimean foothill area. In Opushki, brooches appeared in all types of burial constructions, and mostly in the Late Scythian vaults from the first century BC to the second century AD. They accompanied graves of women, men, and children. In the overwhelming majority of cases, one burial was accompanied with one and rarely two brooches; there is only one burial of a child with three clasps. Most often brooches occurred at the chest, in rare cases on the shoulder, near the cervical vertebrae, pelvic bones, or outside the skeleton. It is noteworthy that a great number of brooches was found in the burials of children of different ages, from 1- to 8-12-year-old. Apparently, brooches as a part of the child’s costume were used throughout the child’s life from the very infancy. Generally, the brooch types from the cemetery of Opushki, their distribution in the assemblages and location on the skeletons correspond to the general pattern typical of barbarian cemeteries in the Crimean foothill area dated to the Roman Period.


1996 ◽  
Vol 86 ◽  
pp. 22-39 ◽  
Author(s):  
Greg Woolf

The vast majority of surviving Roman inscriptions originated in a cultural phenomenon that is characteristic of, and in some senses defines, the early Roman Empire. At the end of the last century B.C. — roughly co-incident, then, with the transition to autocracy, the Roman cultural revolution, and the formative period of provincial cultures throughout the Empire — an epigraphic boom occurred, in Italy and in every province of the Empire. That explosion of new inscriptions, and the subsequent rise and fall of an epigraphic culture, was experienced by eastern and western provinces alike, in Greek as well as in Latin epigraphy. Many regional epigraphies remain to be characterized in terms of their chronology, but such local studies as have been done strongly suggest that, although there was certainly some inter-regional variation in the scale, rate, and timing of this phenomenon, in its broad outlines this pattern was very widespread. Across the entire Empire, the number of inscriptions set up each year began to rise from the Augustan period and increased more and more steeply through the second century. In every region that has been examined in detail, the majority of extant inscriptions were produced in the late second and early third centuries. The peak or turning-point seems to have been reached at slightly different times in each area. But everywhere the subsequent decline was much faster than the original rise, reaching a new low between the middle and the end of the third century A.D. Epigraphy does survive into the fourth century — in most areas of the Empire, if not in most cities — but late imperial inscriptions are very much rarer and differ markedly from early imperial examples in genre, form, and style.


2006 ◽  
Vol 52 (4) ◽  
pp. 583-591
Author(s):  
TJITZE BAARDA

Two Middle Egyptian Coptic texts of Matthew, published by the late Professor Hans-Martin Schenke, namely the Scheide Codex and the Schøjen Codex, are of great interest, not only for Coptisants but also for New Testament textual critics. These manuscripts probably belong, respectively, to the fifth and fourth century. So they may tell us something about form and character of the Greek text in the fourth or perhaps even third century in Egypt, at least if we assume that these manuscripts were copies of older Coptic texts. Moreover, the two texts are also important for our knowledge of the language technique and competence of early Coptic translators. This knowledge may be significant for the question of which form of the Greek text might ‘shine through’ in Coptic texts. In a review of Schenke's magnificent edition of the Schøjen text I have dared to criticize his attempt to give a reconstruction of the Greek text that underlies this Coptic text. The history of such ‘retranslations’ teaches us that they are sometimes utter failures, which might easily mislead those who use them without any knowledge of the languages of these versions.


1970 ◽  
Vol 20 (2) ◽  
pp. 277-287 ◽  
Author(s):  
M. L. West

In the controversy over the date of Corinna, the following points may be taken as agreed:1. An edition was made in Boeotia about the end of the third or beginning of the second century B.C.2. The texts of Corinna current in the late Hellenistic and Roman periods were all descended from that Boeotian edition.3. Before its dissemination, Corinna was unknown in Greece at large. If she wrote at an earlier period, she must have been remembered only locally.The difference between Boeotian spelling of the fifth century and that of the fourth is very great: but the difference in this respect between the mid-fourth century and the late third or early second is comparatively slight. It is therefore tenable that whereas there would be a good reason for the re-spelling of fifth-century Boeotian into the later convention of any period, there would be no obvious or adequate reason for re-spelling Boeotian of the fourth century into the orthography of the third, or that of the third into that of the second. Even those features of fourth-century spelling which have ceased to preponderate are by no means unknown or even uncommon at the end of the third century.


Starinar ◽  
2008 ◽  
pp. 189-196
Author(s):  
Svetlana Loma

Recently a monograph appeared dealing with Roman epigraphical monuments from the West-Serbian town of Cacak and its neighbourhood (S. Ferjancic / G. Jeremic / A. Gojgic, Roman Epigraphic Monuments from Cacak and its Vicinity Cacak 2008, Engl. Summary pp. 103-107). Authored by one specialist in Roman history and epigraphy and two archaeologists, the book is rather thin and does not provide much new data, apart from the identification of the equestrian officer Tiberius Claudius Gallus with Severus' senator - which was taken from my PhD thesis without citing it - and from two inscriptions, ? 20 and ? 21, forming the subject of the present paper. Published here for the first time, they both contain important information which the co-authors failed to notice. The consuls of 227 A.D. in an inscription from Cacak The ? 21 (fig. 1) was found in the site of Gradina on the mountain Jelica, S. of Cacak. It is engraved on a whitish limestone monument, apparently an ara, the middle and lower parts of which are preserved after it has been reshaped to be used as building material. The four-line inscription was read by the editors as follows: [- - -] Aur(elius) F[- - - v(otum)] l(ibens) p(osuit) Mal+[- - -]et Al[- - - co(n)s(ulibus)] Idibus [- - -]. Unable to identify the pair of consuls mentioned in lines two and three, the authors interpret the inscription as a funerary one: [- - -]Aur(elius or -elio) F[- - - vix(it) ann(is)] L P. Mal+[- - -]et Al[- - - f(ecerunt) ? die ?] Idibus [- - -]. In fact, they misread the final cluster of the line two, by having mistaken for L the long right serif of M (in ligature with A) together with a trace of a subsequent letter, which proves to be an X. The alignment of the letters at the beginning of the lines suggests that the left side of the inscription is entirely preserved. The inscription reads as folows: ] \ Aur(elius) F+[ -] \ l(ibens) p(osuit) Max[imo] \ et Al[bino co(n)s(ulibus)] \ Idibus [ -]. M. Laelius Maximus Aemilianus (PIR2 L56) - probably son of Marcus Laelius Maximus (PIR2 L55), one of the leading senators under Septimius Severus - and M. Nummius Senecio Albinus (PIR2 N235) were the eponymous consuls of 227. The pair is attested in several inscriptions, e.g. CIL VIII 18831 from Numidia which resembles this one in recording the exact date: Bacaci Aug(usto) \ sac(rum) \ Albino et Ma\ximo co(n)s(ulibus) \ Kal(endis) Mai(is) [3] Si\ttius Novellus \ et Q. Galerius Mu\stianus magg(istri) \ [Thib(ilitanorum?)]. Here Albinus' name precedes that of Maximus, which is usually the case. Nevertheless, a parallel with Maximus named before Albinus is provided by an inscription from Dacia (ILD 774, near Cluj): Deae Ne\mesi sac\rum Aur(elius) Ru[f]inus \ be(ne)f(iciarius) co(n)s(ularis) \ leg(ionis) XIII Gem(inae) \ Sever(ianae) v(otum) l(ibens) p(osuit) Maximo et Albi\[no] co(n)s(ulibus). Consequently, ? 21 is a votive inscription, largely restorable and precisely datable. The Collegium curatorum of the Cohors II Delmatarum in an inscription from Cacak Forty years ago within the Ascension Church yard in Cacak the lower part of a Roman limestone monument has been accidentally unearthed, bearing an inscription, three last lines of which are partially preserved (? 20 of the catalogue, (fig. 2), wherein only the mention of a cohort was recognized by the editors, who read: ]\[- - -]ALB[- - -| -]GIATI +[- - -|- - -co]h(ortis) eiusde(m) [- - -|- - - The elegant, shaded letters are lined up one below the other, which suggests that the text was arranged following the principle of centering. Above the L in the first line there is a trace of an O or a Q, unnoticed by the editors. So, there are 4 lines partially preserved. The space left between the lines 2 and 3 being larger than that between 1-2 and 3-4 respectively, the two last lines seem to constitute a separate entry. The genitive case cohortis eiusdem implies a preceding designation of the dedicant(s), and what we have before is a nominative plural ending in ?giati followed by a word of which only the first letter, C or O, is still discernible. As the most probable, if not the only possible, we propose the following restoration of the last two lines (fig. 8): [colle]giati c[urat(ores)]|[co]h(ortis) eiusde[m] possibly with a p(osuerunt) or d(edicaverunt) in the end. Despite its fragmentariness, the present inscription bears an important testimony to the existence, within the Roman army, of professional associations (collegia militaria) independent of regular military structures. The evidence for them is based solely on epigraphic sources; some hundred inscriptions contradict the paragraph of the Digesta (47.22) forbidding the soldiers to organize corporate associations in the camps. The cohort in question is doubtless the cohors II Aurelia Delmatarum milliaria equitata, which is known to have been stationed permanently, from the seventies of the second century A.D. to the fifties of the third century, in the eastern part of Dalmatia around the modern city of Cacak. It was a mixed infantry and cavalry unit, and the rank of curator (curator equitum singularium, curator alae, curator cohortis) is attested exclusively in the mounted units of the Roman army. It was higher than the simple eques; in the auxiliary troops, the curators may have been charged with special tactical or economic-administrative tasks. The lower officers (principales) and the soldiers with special tasks were allowed to form private associations fostering loyalty to the Emperor. All Roman collegia including the military ones, had their religious purpose and their official meeting room (schola) was also a sanctuary of their patron deity. It might be a part of the headquarters building, as in the case of the Castra Nova equitum singularium in Rome, where, beneath the Basilica of St John Lateran an Ionic capitel was uncovered with inscription on it dated with AD 197 recording the dedication of the schola curatorum to Minerva Augusta (AE 1935 156 = AE 1968, 8b).


Paracomedy ◽  
2020 ◽  
pp. 248-264
Author(s):  
Craig Jendza

This chapter explores three cases where authors engage with paracomedy after the fifth century BCE. It proposes that the anonymous fourth-century BCE tragedy Rhesus employs paracomedy and that it does so either because the author was indiscriminately copying from fifth-century drama or because he wanted to imitate Euripides’s penchant for paracomedy. It investigates the highly fragmentary evidence for Rhinthon’s third-century BCE hilarotragedies, normally thought to be theatrical farces, and posits that Rhinthon was utilizing a more explicit type of paracomedy than in the fifth century. It also provides an explanation for the surprising assertion from the second-century CE scholar Pollux that Euripides and Sophocles frequently employed a comic parabasis. The chapter argues that these cases of reception highlight paracomedy’s importance in antiquity and indicate that paracomedy was a noted hallmark of Euripidean stagecraft that had an indelible effect on the genre of tragedy.


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