scholarly journals SISTEM PENGATUR GORDEN PADA LAMPU BERBASIS PLC

2020 ◽  
Vol 1 (1) ◽  
pp. 20-26
Author(s):  
Hartono Budi Santoso ◽  
Agoeng H Rahardjo ◽  
Risa Utami Arsaf
Keyword(s):  
The Sun ◽  
Turn On ◽  

When we leaving house in the empty situation which usually let the lamp on make wasting the energy we used and invited wickedness like robbing. Based on this situation the author create some device which give a savety when leaving house. Function of this device are to control curtain and lamp automatically. So we can spit people that house not empty. The principle of this device is if user turn on the system with press the push button then at the sun rise curtain automatally open until the lamp will off, and the other way curtain will automatically close and lamp will be on at the sunset. The system consists of two subsystem: motor and railway curtain track. The whole system is controlled by PLC type OMRON CPM 1A. LDR is a sensor to detect the light which places in out site room. Limit switch placed at the end of railway curtain track which used to stop the motor. After testing, we know that the system need 3 minutes for open the curtain and 5 minutes 20 second for close the curtain.

2021 ◽  
Vol 2089 (1) ◽  
pp. 012065
Author(s):  
M. Rajani Devi ◽  
V. Jyothi

Abstract Nowadays in India many accidents are occurred due drunk and drive. So, we have made a project to resolve and predict these incidents, in which we used Arduino, Alcohol sensor, GSM and GPS modules. Here the Alcohol sensor is placed inside the car which will detect whether the driver of the car has drunk or not. If the driver is drunk then the Alcohol sensor will get triggered and the car engine will not turn ON or it will OFF the engine if it is already in ON state. Here the other two modules which are GSM and GPS. If the car has met with an accident the limit switch which is present inside the car will trigger the Arduino by which an SMS will be sent to the particular contacts which are been saved in the Arduino program. The GPS will be connected to the number of satellites so that when the car met with the accident the live location of the car will be sent to the contact through the GSM module. This entire setup of GPS and GSM will be kept inside the car. This entire project can reduce the accidents which are occurred by the drunk and drive and dead corners and also predict the location of the accidents. It results in increasing the human safety and protection


Author(s):  
Marjorie Levinson

Chapter 2 studies the relationship between historicism and Romanticism. It locates the two between Enlightenment materialism, on one side, and Marxian historical and dialectical materialism, on the other. In so doing, it isolates a paradox of materialism—namely, its production of the very concepts that undo it. These include the ideas of knowing as dissociated conceptual activity, and consciousness as absolute negativity. Romanticism and historicism, it is argued, represent solutions to a common problem—a claim defended through a reading of Wordsworth’s sonnet “The world is too much with us.” In considering how we position ourselves in relation to past literature, the chapter evaluates the choices between contemplation and empathy, knowledge and power, blame and defense. As such, it represents the first move in a self-critical turn on the new historicist method that had shaped the author’s—and part of the field’s—work in the previous decade.


1867 ◽  
Vol 15 ◽  
pp. 256-258 ◽  

The two most recent theories dealing with the physical constitution of the sun are due to M. Faye and to Messrs. De la Rue, Balfour Stewart, and Loewy. The chief point of difference in these two theories is the explanation given by each of the phenomena of sun-spots. Thus, according to M. Faye, the interior of the sun is a nebulous gaseous mass of feeble radiating-power, at a temperature of dissociation; the photosphere is, on the other hand, of a high radiating-power, and at a temperature sufficiently low to permit of chemical action. In a sunspot we see the interior nebulous mass through an opening in the photosphere, caused by an upward current, and the sun-spot is black, by reason of the feeble radiating-power of the nebulous mass.


1877 ◽  
Vol 28 (1) ◽  
pp. 191-195
Author(s):  
Edward Sang

The construction of the toothed wheels used in machinery gives rise to some very interesting investigations in the geometry of motion. The general problem is so to shape the contours as that they shall remain in contact while the wheels turn on their centres with uniform angular velocities.The inquiry becomes more extensive when the velocities of the wheels are to be variable; as, for example, when we seek to imitate the revolutions of the planets round the sun, and for that purpose introduce the equation of the centre.In these cases the wheels are supposed to turn on fixed centres; but we may still farther extend the scope of our researches by removing the centres and subjecting the discs to the single condition that they roll upon each other.If two discs A and B touch at the point S, and if they so move as that the point of contact shifts equally along the two boundaries, they are said to roll on each other; that is to say, if we measure equal distances ST, SV along the two boundaries, the points T and V will come together in the course of the movements.


Author(s):  
Muhammad Gifron ◽  
Nelmi Agustina ◽  
Doris Wela

Abstrak. Seiring dengan bertambahnya jumlah penduduk dunia, selalu diiringi oleh masalah limbah yang berasal dari sampah, baik sampah organik maupun non organik. Berbagai usaha untuk mengatasi masalah limbah tersebut secara berkesinambungan terus dilakukan , baik itu sampah-sampah anorganik seperti, berbahan plastik, karet dan lain-lain. Bisa dimanfaatkan kembali melalui daur ulang menjadi barang-barang kebutuhan harian. Sedangkan untuk sampah organik selain dimanfaatkan untuk pupuk, juga dapat digunakan sebagai bahan dasar pengisi baterai untuk menghasilkan energi alternatif yang ramah lingkungan. Terkhususnya untuk pemanfaatan limbah organik dalam pembuatan baterai telah dilakukan dengan beda potensial tertinggi yang dihasilkan adalah 1,67 volt. Dalam penelitian ini dilakukan modifikasi massa bahan pengisi baterai yang bersumber dari kulit durian yang yang diproses khususnya melalui pengeringan menggunakan oven serta dicampur dengan asam dan ada juga kulit durian yang dijemur selama 7 hari dengan massa kulit durian 3, 5, dan 10. Beda potensial baterai tertinggi yang didapatkan adalah 10 gram yaitu sebesar 1,67 volt. Selanjutnya baterai dengan massa 10 gram difabrikasi dalam jumlah tertentu yang digunakan untuk menyalakan LED. Baterai tersebut dirangkai baik secara seri maupun paralel untuk menghasilkan beda potensial yang bervariasi. Abstract. Along with the growing number of the world populations, there always followed by troubles waste derived from trash, organic waste, and non-organic waste. Many attempts to deal with an organic waste such as plastic waste, rubber, and etc, has been continued, so those waste can be recycled and reused for daily demand. On the other hand, organic waste can be used as fertilizer, and basic material for the battery that results an environmental friendly alternative energy. Especially to utilize the organic waste, the making of battery has been done that yields highest voltage, 1.67 volts. This research aims to modify the mass filler of the battery that obtained from durian skin which is processed by mixing it with acid and drying it using oven, there also other technique by drying the durian skin under the sun for about 7 days which varied masses of 3 gram, 5 gram, and 10 gram. The highest voltage that obtained is 1.67 volt using 10 gram durian skin. Further, the battery with 10 grams durian skin is then fabricated in a specified number to light up the LED. This battery placed either in serial or parallel circuit to obtain varied voltage.


JOGED ◽  
2017 ◽  
Vol 7 (2) ◽  
Author(s):  
Dewi Sinta Fajawati

Bulan merupakan sumber inspiratif dalam penggarapan karya tari ini. Secara ilmu pengetahuan, Bulan adalah benda langit yang disebut satelit, satelit satu-satunya yang dimiliki Bumi dan tercipta secara alami. Banyak teori yang mengatakan tentang terbentuknya Bulan, salah satunya adalah teori Big bang atau dentuman besar. Pada dasarnya Bulan hanyalah sebuah Benda besar berbentuk bulat yang tidak bisa bercahaya, cahaya yang kita lihat pada malam hari merupakan refleksi dari cahaya matahari. Akan tetapi keindahannya memang tidak bisa dipungkiri, karena dia paling bercahaya diantara hamparan langit yang gelap. Cahayanya tidak selalu terang, bahkan tidak selalu bulat, terkadang hanya terlihat setengah atau terlihat seperti sabit..            Penata tari memetaforakan objek bulan yang berada di tempat yang sangat tinggi sebagai sebuah cita-cita yang ingin dicapai. Seringkali lagu anak-anak yang menjadi pengalaman auditif penata tari, menjadikan bulan sebagai objek yang ingin digapai, misal lagu ‘Ambilkan Bulan Bu’. Namun intisari yang akan dipakai dalam penggarapan koregrafinya adalah tentang fase bulan yang tercipta. Bersumber dari rangsang awal melihat bulan atau rangsang visual, penata tari menginterpretasikan fase-fase bulan yang terjadi sebagai fase kehidupan yang dijalani untuk menggapai sebuah cita-cita tersebut.            Koreografi diwujudkan dalam bentuk kelompok dengan membagi dua karate penari. Delapan penari merupakan simbolisasi Bulan, dan satu penari sebagai manusia yang bercita-cita. Dengan bentuk tari dramatik, penyajiannya dibagi menjadi 5 adegan, yaitu Introduksi Big bang, Adegan 1 Moon happen, Adegan 2 Mengejar Impian, Adegan 3 Dancing with Moon, dan Ending ‘Catch Your Dream’. The moon is the essential inspirations of this choreograph. Theoretically, the moon is a sky object which is called as satellite. The one and only naturally created satellite belongs to the planet Earth. There are many theories that explain how the moon was created. One of those theories is Big Bang theory or massive crash. Basically, the moon is just a huge circle thing which is unable to shine its glow. The light that we experience in the evening is the reflection of the sun. However, thebeauty of the moonlight is undeniable as it has the significant light within the darkest night sky. Its light is not always the strongest, even it’s not always circle (full), every so often it is seemed only the half part of it or crescent moon.            The choreographer interpreted the moon that belongs in the highest as the goals that she wants to reach. Most of the time, the children songs (lullaby) that pick the moon as the main object that is desired to be reached, for example the song “Ambilkan Bulan, Bu”. The essential idea that is explored in this choreograph is the creational phase of the moon itself. It was started by way of visual reaction when the choreographer observed the moon, she interpret the moon’s phases as the phases in human’s life which are gone through to reaching their goals. Fall and recovery, passionate, and even sometimes they give it in, are interpreted from the moonlight. The full moon which has the brightest and the most perfect light is likened as the strong spirit. The crescent moon with its soft light is interpreted as low spirit and unconfident.             This in-group-choreograph is separated into two characters with 8 female dancers that are the symbolization of the moon and the other one female dancer symbolizes a human with aspire. With dramatic dance form, this choreograph is presented into five parts, including introduction part of Big Bang, Moon Happen in part one, Chasing Dream is part two, Dancing With The Moon in part three, Catch Your Dream in the ending part.


1813 ◽  
Vol 103 ◽  
pp. 123-125

The weather this year at the period of the solstice was peculiarly unfavourable for astronomical observation ; however, in the course of the month, I obtained nine observations of the sun; one of these proved defective, the result of the other eight, accompanies this communication.


10.28945/4750 ◽  
2021 ◽  
Vol 6 ◽  
pp. 001-025
Author(s):  
Samuel Barrington ◽  
Randy Esponda ◽  
Timothy E Newsome ◽  
Say Sengsouvanna ◽  
Cynthia L Steel

With the sun losing its glare and now appearing as a beautiful orange orb just above the distant horizon where the sky meets the sea, Barry O’Connor thought to himself, “This is as close to paradise as you can get.” Yet, the vast empty sea of white sand surrounding him told a very different story. It was July 17, 2020, and this beautiful area should have been overrun with college students and young families as they enjoyed their summer vacation. Instead, the executive order that came as a result of the COVID-19 epidemic four months earlier forced him to immediately close his four bars and six Caddy’s Waterfront Dining restaurants, laying off 600 employees and dashing his dreams of another lucrative season. Barry gazed at the beautiful sunset one more time before turning his thoughts to the monumental problem that faced him. While he agreed that the health and safety of his employees and loyal customers was paramount, he couldn’t help but feel the pang that losing a few million dollars a month brings. Now, as businesses began to reopen their doors in the face of new restrictions brought about by COVID, Barry was left to figure out how to navigate the uncharted landscape of new in-house capacity restrictions, everyone’s fear of contracting the virus, and the unknown of when this pandemic would end. All the while, Barry’s bar business was in shambles due to a second government shutdown of bars, which only added pressure on the Caddy’s brand to drive revenue and keep the other half of the business afloat. A potential solution loomed on the horizon, however. This Caddy’s location in Treasure Island had an extensive beach immediately outside its doors, which could expand its footprint, allowing an additional 450-500 customers to enjoy the Caddy’s experience in the safety of an outdoor arena. However, due to local government zoning restrictions, Caddy’s was not legally allowed to treat this area as a traditional restaurant setting. But Barry had become a self-made man because he understood that the nature of business was never static. He knew that the best way forward was to disregard the inconvenience of circumstances beyond his control, and instead pour his efforts into a search for the opportunities that always accompanied such impacts. But just what opportunities did the pandemic create? How could he best leverage technology to exploit them? How would he manage the impact of the changes on his customers and employees?


Apeiron ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Dirk L. Couprie

Abstract In this paper, three problems that have hardly been noticed or even gone unnoticed in the available literature in the cosmology of Philolaus are addressed. They have to do with the interrelationships of the orbits of the Earth, the Sun, and the Moon around the Central Fire and all three of them constitute potentially insurmountable obstacles within the context of the Philolaic system. The first difficulty is Werner Ekschmitt’s claim that the Philolaic system cannot account for the length of the day (νυχϑήμερον). It is shown that this problem can be solved with the help of the distinction between the synodic day and the sidereal day. The other two problems discussed in this paper are concerned with two hitherto unnoticed deficiencies in the explanation of lunar eclipses in the Philolaic system. The Philolaic system cannot account for long-lasting lunar eclipses and according to the internal logic of the system, during lunar eclipses the Moon enters the shadow of the Earth from the wrong side. It is almost unbelievable that nobody, from the Pythagoreans themselves up to recent authors, has noticed these two serious deficiencies, and especially the latter, in the cosmology of Philolaus the Pythagorean.


2019 ◽  
pp. 105-120
Author(s):  
David Wood

This chapter describes things at the edge of the world as sites at which events of reversal and transformation take place. It looks at three examples of reversals: people's experience of the sun; the nonhuman animal; and that of the other human, which is divided into three—the sexual other, the stranger, and the enemy. In each case, a thing that begins as an object of experience becomes the site of an event of reversal and transformation in which not only the subject is implicated in an unexpected way but the world, or a part of it, is poised for restructuration and for the proliferation of new chains of possibility. The chapter then suggests that the entire domain marked by these events of reversal and transformation is generated by the combined operation of three different phenomena. These include (1) the primordial constitution of selfhood, (2) variable modes of identification with that self, and (3) the projection of modes of otherness consistent with one's manner of self-relatedness.


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