scholarly journals Muslim Diaspora in the West

2013 ◽  
Vol 30 (3) ◽  
pp. 111-113
Author(s):  
Anna Piela

This excellent edited collection unpicks and disputes multifarious and intricate processes that underpin the homogenization, otherization, and vilification of immigrants from Muslim-majority countries, Muslim citizens, and individuals with a Muslim cultural background in the group of countries known as “the West.” It does so through presenting a selection of essays that offer an insight into the localized, day-to-day realities of people whose lives are currently defined by their link to Islam. The focus on gender, home, and belonging emphasizes the particular challenge faced by Muslim women: Their bodies are the battleground for the ideological wars fought by western governments on the one hand, and by political Islamists on the other (pp. 30-31). At the same time, media outlets and governmental policies portray and essentialize all Muslims as a single, uniform community defined exclusively by their Muslimness, thereby ignoring any of their differences based on “national origin, rural-urban roots, class, gender, language, lifestyle and degree of religiosity, as well as political and moral conviction” (p. 2). As all of the essays demonstrate, these concerns about representation remain valid, despite the critiques of historical and contemporary orientalism published by Edward Said over thirty years ago notwithstanding: Orientalism (1979) and Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1981). The collection is a result of two conferences held in Toronto (2006) and Amsterdam (2008) to discuss these issues. It is organized around four themes: discourse, organizations, and policy; sexuality and family; youth; and space and belonging. The first theme is represented by different perspectives from the Netherlands, the United States, and the United Kingdom. Halleh Ghorashi analyzes the disempowering effects of supposedly “empowering courses” for immigrant women of Muslim backgrounds and indicates how women themselves critique the terms on which such courses are delivered. Fauzia Erfan Ahmed writes about the deteriorating situation for female American Muslim community leaders who are forced into silence despite a long history of female leadership since the time of slavery. Cassandra Balchin’s chapter focuses on Muslim women’s refusal to cede the discourse of their legal rights to both the governments and to patriarchal males within Muslim communities, who are ...

Author(s):  
Andrea Botto Stuven

The Documentation Center of the Contemporary History of Chile (CIDOC), which belongs to the Universidad Finis Terrae (Santiago), has a digital archive that contains the posters and newspapers inserts of the anti-communist campaign against Salvador Allende’s presidential candidacy in 1964. These appeared in the main right-wing newspapers of Santiago, between January and September of 1964. Although the collection of posters in CIDOC is not complete, it is a resource of great value for those who want to research this historical juncture, considering that those elections were by far the most contested and conflicting in the history of Chile during the 20th Century, as it implicted the confrontation between two candidates defending two different conceptions about society, politics, and economics. On the one hand, Salvador Allende, the candidate of the Chilean left; on the other, Eduardo Frei, the candidate of the Christian Democracy, coupled with the traditional parties of the Right. While the technical elements of the programs of both candidates did not differ much from each other, the political campaign became the scenario for an authentic war between the “media” that stood up for one or the other candidate. Frei’s anticommunist campaign had the financial aid of the United States, and these funds were used to gather all possible resources to create a real “terror” in the population at the perspective of the Left coming to power. The Chilean Left labeled this strategy of using fear as the “Terror Campaign.”


Oceánide ◽  
2020 ◽  
Vol 12 ◽  
pp. 18-27
Author(s):  
Alcina Pereira de Sousa ◽  
Alda Maria Correia

This paper aims to provide a reflection on literary representations of home alternatively to current collocations in the media, in the psychological and sociological realm (home vs comfort zone). The selection of two postcolonial texts, one by Morrison, The Bluest Eye (1970), and another by Cisneros, The House on Mango Street (1984), provides ways-in to discuss changing social and cultural experiences with a focus on characters’ search for identity in a multicultural and multilingual setting, as is the one in the United States. The study will depart from a brief theoretical survey (Anderson 1991) to a corpus-based approach which maps such shifts and changes (Baker 2006) while resorting to a close analysis of contexts of occurrence of the keywords home and house, along with their patterns of collocation, in the texts under scope (from the sentence to the textual levels, following Biber et al. 1998; Sinclair 2004, among other). The analysis is meant to unveil ways in which writers make use of linguistic structures and most importantly what it means to be at home when characters never felt welcome there, or characters’ inner / outer struggle to develop a sense of belonging in disrupted settings.


Author(s):  
K.E. Goldschmitt

Bossa Mundo chronicles how Brazilian music has been central to Brazil’s national brand in the United States and the United Kingdom since the late 1950s. Scholarly texts on Brazilian popular music generally focus on questions of music and national identity, and when they discuss the music’s international popularity, they keep the artists, recordings, and live performances as the focus, ignoring the process of transnational mediation. This book fills a major gap in Brazilian music studies by analyzing the consequences of moments when Brazilian music was popular in Anglophone markets, with a focus on the media industries. With subject matter as varied as jazz, film music, dance fads, DJ/remix culture, and new models of musical distribution, the book demonstrates how the mediation of Brazilian music in an increasingly crowded transnational marketplace has had lasting consequences for the creative output celebrated by Brazil as part of its national brand. Through a discussion of the political meaning of mass-mediated music in chronologically organized chapters, the book shifts the scholarly focus on the music’s transnational popularity from the scholarly framework of representing Otherness to broader considerations of a media environment where listeners and intermediaries often have differing priorities. The book provides a new model for studying music from culturally rich countries in the Global South where local governments often leverage stereotypes in their national branding project.


This collection examines the phenomenon of the operatic canon: its formation, history, current ontology and practical influence, and future. It does so by taking an international and interdisciplinary view: the workshops from which it was derived included the participation of critics, producers, artistic directors, stage directors, opera company CEOs, and even economists, from the United Kingdom, the United States, France, Italy, Ireland, Germany, the Netherlands, Denmark, and Canada. The volume is structured as a series of dialogues: each subtopic is addressed by two essays, introduced jointly by the authors, and followed by a jointly compiled list of further reading. These paired essays complement each other in different ways, for example by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting milieus. Part I consists of a selection of surveys of operatic production and consumption contexts in France, Italy, Germany, England, Russia, and the Americas, arranged in rough order from the late seventeenth century to the late nineteenth century. Part II is a (necessarily) limited sample of subjects that illuminate the operatic canon from different—sometimes intentionally oblique—angles, ranging from the influence of singers to the contiguous genres of operetta and musical theater, and the effects of recording and broadcast over almost 150 years. The volume concludes with two essays written by prominent figures from the opera industry who give their sense of the operatic canon’s evolution and prospects.


2021 ◽  
Vol 50 (1) ◽  
pp. 26-33
Author(s):  
Jacob Barrett

“The Experiment” presents scholars of religion with an opportunity to draw upon their training to reflect upon a contemporary issue. Editorial assistant Jacob Barrett engages with a recent edited volume from Routledge titled Leading Works in Law and Religion that, while focusing on the identity of the subfield of law and religion within the discipline of legal studies in the United Kingdom and Ireland, provides many sites for comparison with the religion and law subfield of religious studies in the United States context. Drawing upon the model set by the volume, Barrett imagines what a volume titled Leading Works in Religion and Law could look like and what the subfield of religion and law stands to gain from engaging in a project like the one done by its law and religion counterpart.


2021 ◽  
pp. 73-99
Author(s):  
Uta A. Balbier

This chapter defines Graham’s crusades in the United States, Germany, and the United Kingdom in the 1950s as powerful cultural orchestrations of Cold War culture. It explores the reasons of leading political figures to support Graham, the media discourses that constructed Graham’s image as a cold warrior, and the religious and political worldviews of the religious organizers of the crusades in London, Washington, New York, and Berlin. In doing so, the chapter shows how hopes for genuine re-Christianization, in response to looming secularization, anticommunist fears, and post–World War II national anxieties, as well as spiritual legitimizations for the Cold War conflict, blended in Graham’s campaign work. These anxieties, hopes, and worldviews crisscrossed the Atlantic, allowing Graham and his campaign teams to make a significant contribution to creating an imagined transnational “spiritual Free World.”


2019 ◽  
Vol 11 (2) ◽  
pp. 136-160
Author(s):  
Alexey V. Antoshin ◽  
Dmitry L. Strovsky

The article analyzes the features of Soviet emigration and repatriation in the second half of the 1960s through the early 1970s, when for the first time after a long period of time, and as a result of political agreements between the USSR and the USA, hundreds of thousands of Soviet Jews were able to leave the Soviet Union for good and settle in the United States and Israel. Our attention is focused not only on the history of this issue and the overall political situation of that time, but mainly on the peculiarities of this issue coverage by the leading American printed media. The reference to the media as the main empirical source of this study allows not only perceiving the topic of emigration and repatriation in more detail, but also seeing the regularities of the political ‘face’ of the American press of that time. This study enables us to expand the usual framework of knowledge of emigration against the background of its historical and cultural development in the 20th century.


1999 ◽  
Vol 26 (3) ◽  
pp. 355-382
Author(s):  
Cristina Altman

Summary When mention is made of Brazil in connection with American linguistics, it usually amounts to a reference to the Linguistic Circle of New York, where Roman Jakobson (1896–1982) and Claude Lévi-Strauss (b.1908), who had come from Brazil where he had done ethnological work, met and exchanged ideas. This singular event has cast a shadow on other contacts between Brazil and American linguistics, of which, the one between Jakobson and the Brazilian linguist Joaquim Mattoso Câmara (1904–1970) was much more consequential, at least as far as the implementation of structural linguistics in Brazil and in South America generally during the 1950s and the 1960s is concerned. Mattoso Câmara came to the United States and spent most of his time in New York City (September 1943 till April 1944), where he got exposure to Praguean type structuralism, notably through Jakobson’s lectures he attended at Columbia University and at the École Libre of New York, which had been established by European refugees at the time. He also participated in the first meetings of the Linguistic Circle of New York in 1943 as one of its co-founders. Following his return to Rio de Janeiro, Mattoso Câmara proposed, in 1949, as his doctoral thesis a phonemic description of Brazilian Portuguese. The work was published a few years later, in 1953. His most influential work, Princípios de Lingüística Gerai, first published in 1954, had two more revised and updated editions (1958, 1967) and served to introduce several generations of Brazilian as well as other South American students to structural linguistics during the 1950s and 1960s.


1989 ◽  
Vol 26 (02) ◽  
pp. 145-159
Author(s):  
R. A. Dick ◽  
J. E. Laframboise

This paper utilizes available data on existing icebreaking ships to compile a review of the design features that influence ship performance. The data were extracted from a recently completed review of the state of the art of Arctic ship technology and include icebreaking ships from Argentina, Canada, Denmark, Finland, Japan, Sweden, the United Kingdom, the Soviet Union, the United States, and West Germany. It is the aim of this paper to offer guidance in the initial stages of icebreaker design and thereby give confidence to the designer in the selection of dimensions, hull shape and propulsion.


2020 ◽  
Vol 6 (3) ◽  
pp. 293-312
Author(s):  
C. A. DeCoursey ◽  
Ewa B. Krawczyk

Marshallese youth face extraordinary challenges in creating an identity, due to their economy, isolated location – the Marshall Islands are located in the central Pacific Ocean and comprise of more than 1200 islands and islets – the history of US nuclear testing in the islands and climate change. Contemporary youth identity construction requires constant acts of acculturation, due to media and globalization. This study used content and transitivity analyses to explore how Marshallese youth understand their distinctive look. Content sub-unit frequencies indicated that the Marshallese community was the most significant factor in defining style, particularly cultural uniqueness, history, religion and generational differences. Collective pronouns indicated that acculturation anxieties stemmed from cultural differences and loss and were managed by asserting community affiliation. Personal style preferences reflected contextual and financial limitations. Process-type analysis constructed culture as the most vigorous actor and speaker, where youth roles included perception and cognition, with other islands’ views mediating between the two. Roles attributed to the media and the West included emoting and wanting, where China more closely resembled Marshallese youth, though the ubiquity of western content may render its agency somewhat invisible to Marshallese youth. Overall, Marshallese youth harmonize their individuality within attributed community and contextual factors. This is likely to be their preferred strategy when they emigrate to the United States, a highly individualistic country. Marshallese parents and second-generation Marshallese will require support, in their new context.


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