4 • PERFORMING NEW NATIONALISM/ PERFORMING A LIVING CULTURE Josefina Báez’s Dominicanish¹

2021 ◽  
pp. 51-68
Author(s):  
Florencia V. Cornet
Keyword(s):  
Author(s):  
Makbulenur Onur ◽  
Selver Koç Altuntas

Throughout the historical process humans have shaped the environment that they lived in and developed it according to their needs. The living culture has been formed with various spatial setups in dwellings which are the most basic habitats of humankind. Today, functionality comes into prominence in this living culture which is referred to as traditional dwellings. This shows that the continuity is ensured by presenting mass and cultural harmony between spatial setups and the garden and neighboring dwelling relations. Amongst the traditional dwellings, Turkish house is also considered as an important example, which provides continuity with its diverse plan organizations and spatial characteristic. The courtyard character in traditional dwellings is the space that is effective in the organization of spatial which sheds light on present day with various parameters. This is because the dwelling is located in the courtyard. Moreover, the courtyard, which starts with the entrance and where the households carry out their daily lives, is very significant for the Turkish dwelling as it contains both natural and cultural characteristics. The traditional dwellings of the village of Islamköy, which is located in the Atabey district in Isparta province of Turkey, are discussed within the scope of the study, which examines how the concept of courtyard that contains the functional and aesthetic values of the Turkish dwelling, forms various plan organizations and spatial characters in many cultures, affects the spatial quality. Spatial quality parameters were examined on five second-degree registered traditional dwellings located on Okul Street in the Islamköy village. Three basic principles have been determined which are functional, aesthetic and ecological and the sub-parameters of these determined principles have been introduced with the information and documents obtained from the literature. The AHP method was used to determine the priorities of the parameters in this direction. Thus, taking into account the spatial quality parameters, the priority parameters of the courtyard character in the traditional dwellings of Islamköy were determined


1977 ◽  
Vol 7 (2) ◽  
Author(s):  
Saburi O. Biobaku ◽  
Chike A. Aniakor
Keyword(s):  

2009 ◽  
Vol 15 (2) ◽  
pp. 67-92
Author(s):  
SungSug Lee ◽  
Haeng-mo Park ◽  
김석경 ◽  
박광렬 ◽  
박지혜 ◽  
...  

2021 ◽  
Vol 8 (1-2) ◽  
pp. 127-140
Author(s):  
Teleica Kirkland

This article questions if the propensity of Black men in globally dominant western countries to wear black or dark colours is an outcome of internalized subjugation and an adherence to westernized projections of masculinity. It uses the 2018 Akinola Davies Junior film Zazzau as its backdrop, drawing parallels with other examples of colourful clothing in the context of Black masculinity. Zazzau shows the annual festival of Durbar, a vibrant celebration at the end of Ramadan in Kaduna State, Nigeria, where the Emir of the region and his entourage use traditional dress and contemporary fabrics to demonstrate their sartorial elegance. The bold and flamboyant dress of the men is not only indicative of the pageantry of this procession but is reminiscent of the creative exuberance and stylishness of annual carnivals in the Caribbean. This article uses this comparison as a tool to discuss a reengagement with the creativity, styling and colour of Black men’s clothing, and demonstrates how an engagement with colourful design aesthetics maintains its sense of masculinity. ‘Reflections of Durbar in the Diaspora’ draws parallels between the robes of the Emir, men’s costumes at carnival and the tailoring of Abrantie the Gentleman to examine how social engagement, living culture and traditional fashion intersect to influence and impact the ways in which men’s style is understood in Africa and the African Diaspora.


2020 ◽  
pp. 298-308
Author(s):  
Nicholas Baragwanath

The chapter provides a brief survey of alternative solmization systems, which arose largely as a result of Protestant attempts to break free from Roman oversight, followed by an account of the rise of French seven-note solfège and its role in the demise of the great tradition. Owing to its simplicity, this “natural way” to solfège turned out to be ideally suited to the needs of a rapidly expanding amateur market, which demanded readily performable sheet music and the ability to read it rather than onerous craft training. It also provided simplified teaching methods and classroom materials for the new public music schools that emerged from the upheavals of the Napoleonic era. The chapter ends with suggestions as to how the solfeggio tradition might once again find a place within a living culture of music making.


Mycoscience ◽  
2019 ◽  
Vol 60 (6) ◽  
pp. 323-330
Author(s):  
Naoki Endo ◽  
Shuji Ushijima ◽  
Eiji Nagasawa ◽  
Ryo Sugawara ◽  
Yudai Okuda ◽  
...  

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