Fernandez de Oviedo, historiador y literato. Humanismo, cristianismo e hidalguia

1992 ◽  
Vol 15 ◽  
pp. 55-118
Author(s):  
Karl Kohut

Abstract/Description: Fernández de Oviedo, famous Spanish conquistador and author of "Historia General y Natural de los Indias", is a controversial historical figure. Since his period, he is usually portrayed negatively as an inhuman, fierce enemy of the Indians. Kohut's monograph investigates the validity of such portrayal. According to his study, his negative role cannot be denied, but there were number of issues that are usually omitted and Oviedo's negative portrayal may have been exaggerated. Short description written by Michał Gilewski

1992 ◽  
Vol 15 ◽  
pp. 119-152
Author(s):  
Feliks Szlajfer

Abstract/description: The article is an analysis of the tendencies in spatial distribution of the mechanisms working in the economies that can be regarded as peripheral, or dependent. According to Szlajfer, economic mechanisms exists that influence the geography of development. The mechanisms relate to the separation of space with "autarchic" economy and area with economy that is related to foreign exchange. He presents a historical overview of economic development in Costarica as an example of such mechanism. Short description written by Michał Gilewski


2012 ◽  
Vol 3 (8) ◽  
pp. 55-58
Author(s):  
K.K. Somashekara K.K. Somashekara ◽  
◽  
B.N. Shivalingappa B.N. Shivalingappa

2009 ◽  
Vol 50 (1-2) ◽  
pp. 3-27
Author(s):  
Balázs Mikusi

The long-held notion that Bartók’s style represents a unique synthesis of features derived from folk music, from the works of his best contemporaries, as well as from the great classical masters has resulted in a certain asymmetry in Bartók studies. This article provides a short overview of the debate concerning the “Bartókian synthesis,” and presents a case study to illuminate how an ostensibly “lesser” historical figure like Domenico Scarlatti could have proved important for Bartók in several respects. I suggest that it must almost certainly have been Sándor Kovács who called Scarlatti’s music to Bartók’s attention around 1910, and so Kovács’s 1912 essay on the Italian composer may tell us much about Bartók’s Scarlatti reception as well. I argue that, while Scarlatti’s musical style may indeed have appealed to Bartók in more respects than one, he may also have identified with Scarlatti the man, who (in Kovács’s interpretation) developed a thoroughly ironic style in response to the unavoidable loneliness that results from the impossibility of communicating human emotions (an idea that must have intrigued Bartók right around the time he composed his Duke Bluebeard’s Castle ). In conclusion I propose that Scarlatti’s Sonata in E major (L21/K162), which Bartók performed on stage and also edited for an instructive publication, may have inspired the curious structural model that found its most clear-cut realization in Bartók’s Third Quartet.


2019 ◽  
Author(s):  
Adib Rifqi Setiawan ◽  
Dewi Ratna Sari ◽  
Maryam Musfiroh ◽  
Rosa Amalia Iqony

Pesantren or Pondok Pesantren are Islamic boarding schools in Indonesia. As social institutions, pesantren have played a major role over the centuries. They emphasise cores values of sincerity, simplicity, individual autonomy, solidarity and self-control. Young men and women are separated from their families, which contributes to a sense of individual commitment to the faith and close bonding to a teacher.


2004 ◽  
Vol 24 ◽  
pp. 39-53
Author(s):  
Ámantina Osorio

Short description: The article explores the relationship of violence and conflicts with questions of ethnicity.It discusses several types of violence that occur during conflicts. Osorio’s considerations are devoted to understanding why individuals and collectives commit acts of rape, genocide and ethnic cleansing. Short description by Michal Gilewski  


1977 ◽  
Vol 8 (2) ◽  
pp. 65-82 ◽  
Author(s):  
Gunnar Gustafson

This paper describes a method for calculating the hydraulic properties of esker aquifers where a leakage to the aquifer is induced by pumping. The method is an extension of the channel method described in an earlier paper. As an example of the applicability of the method a short description of a performed pumptest is given.


Author(s):  
Jacques Thomassen ◽  
Carolien van Ham

This chapter presents the research questions and outline of the book, providing a brief review of the state of the art of legitimacy research in established democracies, and discusses the recurring theme of crisis throughout this literature since the 1960s. It includes a discussion of the conceptualization and measurement of legitimacy, seeking to relate legitimacy to political support, and reflecting on how to evaluate empirical indicators: what symptoms indicate crisis? This chapter further explains the structure of the three main parts of the book. Part I evaluates in a systematic fashion the empirical evidence for legitimacy decline in established democracies; Part II reappraises the validity of theories of legitimacy decline; and Part II investigates what (new) explanations can account for differences in legitimacy between established democracies. The chapter concludes with a short description of the chapters included in the volume.


Author(s):  
Sharon P. Holland

Holland’s essay is part theory, part personal reflection, and thoroughly poetic in its engagement with Dave the Potter as both a historical figure, to be read and reflected upon, and as a provocation to interrogate the boundaries of our own historical moment. Holland’s brief essay touches on historical appropriation and the porosity of the human-animal bond. The essay begins by enclosing its writer within a typically anonymous space of academic prose, but then moves beyond academic conventions to perform transformations associated with Dave the Potter, whose troubling of the boundaries between life and death, human and animal Holland elucidates, examines, and contextualizes.


Sign in / Sign up

Export Citation Format

Share Document