ВКЛАД ШТЕФАНА И ГЕОРГИЯ НЯГИ В РАЗВИТИЕ ЖАНРА ФОРТЕПИАННОЙ МИНИАТЮРЫ В РЕСПУБЛИКЕ МОЛДОВА

2020 ◽  
Vol 59 (10) ◽  
pp. 61-67
Author(s):  
Inna Alimovna Khatipova ◽  

The present article examines pieces for piano written by Moldavian composers Ștefan and Gheorghe Neaga. Created in the 1930s and 1950s, they are representative examples of the genre of miniature in the national music of the 20th century. The pieces share a number of common traits: they have a solid national basis, are rooted in the genres of Moldavian folklore and are characterized by simplicity of the musical language and convincing compositional and dramaturgic developments. Figurative-emotional and intonational brightness of these miniatures, which were written at a high professional level, determined their viability and their ample potential for being included in the pedagogical repertoire. Key words: Ștefan Neaga, Gheorghe Neaga, piece for piano, pedagogic repertoire, Moldavian folklore, piano texture.

2009 ◽  
pp. 23-34
Author(s):  
Franco Milanesi

- In the first part, the article analyzes Domenico Losurdo's book on Stalinism. He characterizes Stalinist repressions as above all a response to internal opposition and attacks from foreign nations. Losurdo points out how, in the 20th century, all kinds of regimes resorted to extreme forms of violence. The author of the present article, even though he recognizes the validity of some of the arguments, criticizes the way Losurdo uses contextualization and comparison as ways of diminishing political and moral responsibilities. In the second part of the article the author analyzes the debate in «Liberazione», the newspaper of the Rifondazione Comunista Party. In reviewing Losurdo's book, the newspaper has stirred up an outcry among some of the editors, generating a debate about some still unresolved crucial questions connected to Stalinism, and above all, questions linked to the cultural and political identity of the party itself.Key words: Stalinism, Domenico Losurdo, Communism, Rifondazione Comunista, «Liberazione »; historical comparison.Parole chiave: stalinismo, Domenico Losurdo, comunismo, Partito della Rifondazione Comunista, «Liberazione», comparazione.


Author(s):  
Dubey Somil

The word Malahara or Malhama is derived from unani system of medicine. Yogaratnakara mentioned this first by the name of Malahara Kalpana. It derives its name as it removes Mala (residue etc.) from Vrana (wounds), Vidradhi (abscess) etc. This is similar to ointments in modern pharmaceutics. Malahara Kalpana is the ointment preparation which has Siktha Taila (bees wax and oil mixture) or Ghrita, as the basic constituent. The other ingredients may include herbal, metal, or mineral contents depending upon the usage. Malahara has a property like Snehana (oelation), cleansing, Ropana (healing), Lekhana (scaraping), and Varnya (beautifying), depending on the drugs used in the preparation. Rasa Tarangani a Rasa Shastra treatise of 20th century by Acharya Sadananda Sharma has enumerated various types of Malahara Kalpana taking mainly Siktha Taila as a base. Though this Kalpana holds firm roots in treating diseases the mention and explanation of this particular topic is scattered in this treatise. Hence the present article is an attempt to elucidate and unfold the Malahara Kalpana of Rasatarangani.


PARADIGMI ◽  
2009 ◽  
pp. 45-51
Author(s):  
Mauro Carbone

- Image The present article focuses on two topics underlying the lecture given by Maurice Merleau-Ponty in 1945 at the Institut des Hautes Études Cinématographiques, in Paris. One is the reflection on the peculiarities of filmic expression and cinematic image; the other, the convergence between the inspiration of cinema and that of philosophy, which Merleau-Ponty sees as a significant feature of his time: a convergence which the cinema of the nouvelle vague was also to acknowledge and which Christian Metz was to confirm retrospectively. Moreover, in developing both topics, the author finds a way to interpret Merleau-Ponty's lecture as an undeclared polemical response to Henri Bergson's famous negative judgement on cinema.Key words: Cinematic Image, Gestalt Psychology, Melody, Montage, Perception, Rhythm.Parole chiave: Dinamica di legittimazione, Immagine, Identitŕ, Narrazione, Soggetto, Tempo.


2020 ◽  
Vol 65 ◽  
pp. 476-482
Author(s):  
Boris V. Mezhuev

The article is devoted to the detailed review of the publications almanac of prominent Russian historian M.A. Kolerov who mainly specialized in the works of Russian political idealists of the beginning of the 20th century, and especially those of P.B. Struve. The author draws attention to the fact that in 2018 almanac and in his latest works M.A. Kolerov directly contrasts Struve’s consistent anti-Bolshevism and “White activism” with the powerful national Bolshevist views of his student and disciple N.V. Ustryalov, who accepted Soviet power in 1920, returned to the USSR in 1935 and perished in the period of Stalin repressions. In the present article the author makes the attempt to critically assess national Bolshevism mainly not from the political, but from the moral and philosophic point of view. He notes that the major mistake of Ustryalov and his associates was in their refusal to politically criticize Bolshevism, thus underestimating the destructive potential of the terrorist practices of the Communist dictatorship for the destiny of the country and its people.


Author(s):  
Vilmar Alves Pereira ◽  
Michèle Sato ◽  
Márcia Pereira da Silva

O presente artigo apresenta um estudo em que se reflete sobre os contextos das pesquisas em Educação Ambiental (EA), especialmente olhando para publicações brasileiras realizadas pela Revista Eletrônica do Mestrado em Educação Ambiental (REMEA) e, mexicanas apresentadas na revista JANDIEKUA. A análise destes periódicos apresentou-nos um panorama das principais tendências epistemológicas presentes nas pesquisas em EA em ambos os países. O estudo objetivou pensar como estas pesquisas têm contribuído para superação da perspectiva que separa o método da episteme. Para realização deste estudo tomou-se como base perspectiva apontada por GAMBOA (2007) sobre as tendências epistemológicas que compõem as pesquisas em educação. A compreensão do movimento presente nas pesquisas ocorreu através da leitura dos resumos, títulos e palavras- chave dos três exemplares da Revista Mexicana de Educación Ambiental- JANDIEKUA, correspondentes ao período de (2013 e 2014), e do período de 2015 e 2016 da REMEA A análise realizada apontou que as pesquisas no campo de Educação Ambiental encontram-se em sua maioria fundamentadas numa tendência empírico- analítica, porém observou-se um avanço em direção a uma crescente de presença nas pesquisas de uma perspectiva fundamentada na tendência hermenêutica-fenomenológica, especialmente na revista brasileira. The present article presents a study that reflects on the contexts of Environmental Education (EE) research, especially looking at Brazilian publications accomplished by Revista Eletrônica do Mestrado em Educação Ambiental (REMEA) and, Mexican publications presented in JANDIEKUA magazine. The analysis of these journals presented an overview of the main epistemological tendencies present in the research in EE in both countries. The study aimed to think how these researches have contributed to overcoming the perspective that separates the method from the episteme. For the accomplishment of this study it was taken as base perspective pointed out by GAMBOA (2007)) On the epistemological tendencies that compose the researches in education.. The understanding of the present movement in the researches occurred through the reading of the abstracts, titles and key words of the three copies of the Revista Mexicana de Educación Ambiental - JANDIEKUA, corresponding to the period of 2013 and 2014, and the period of 2015 and 2016 of REMEA The analysis showed that research in the field of Environmental Education is mostly based on an empirical-analytical tendency, but it was observed a progress towards a growing presence in the research from a perspective based on the hermeneutic-phenomenological tendency, Especially in the Brazilian magazine. El presente artículo presenta un estudio en que se reflexiona sobre los contenidos de las pesquisas en Educación Ambiental (EA), especialmente mirando para publicaciones brasileras realizadas por la “Revista Electrónica del Maestrando” en Educación Ambiental (REMEA) y, mejicanas presentadas en la revista JANDIEKUA. El análisis de estos periódicos nos presentó un panorama de las principales tendencias epistemológicas presentes en las pesquisas en EA en ambos países. El estudio tuvo como objetivo pensar como estas pesquisas han contribuido para la superación de la perspectiva que separa el método de la episteme. Para la realización de este estudio se tomó como base la perspectiva apuntada por GAMBOA (2007) sobre las tendencias epistemológicas que componen las pesquisas en educación. La comprensión del movimiento presente en las pesquisas ocurrió a través de la lectura de los resúmenes, títulos y palabras-llave de los tres ejemplares de la Revista Mejicana de Educación Ambiental JANDIEKUA correspondientes al periodo de (2013 y 2014), y del periodo de 2015 y 2016 de la REMEA. El análisis realizado apunto que las pesquisas en el campo de Educación Ambiental se encuentran en su mayoría fundamentadas en una tendencia empírico-analítica, no obstante se observó un avance en dirección a un crecimiento de la presencia en las pesquisas de una perspectiva fundamentada en la tendencia hermeneutica-fenomenologica, especialmente en la revista brasilera.


Author(s):  
María José Punte

Childhood is taken up time and again in Argentine literature of the first decades of the 21st century. These are novels that engage various forms of humor, from extreme satire to imposed naivety. This broad register serves to destabilize ideas established throughout the 20th century about the management of the lives of minors. Imaginaries formed by television have become part of several texts, together with what could be termed the “infant library”, that is to say, the children’s literature read by contemporary writers. Argentine narrative of the period accounts for the serious social crisis caused by the hegemony of neoliberalism, as well as its consequences on children’s lives, revealing the fissures in the discourses surrounding their rights. The present article examines these issues in relation to three recent novels: Quedate conmigo (2017) by I. Acevedo, La maldición de Jacinta Pichimahuida (2007) by Lucía Puenzo and Osos (2010) by Diego Vecchio. They will be addressed here within the theoretical frameworks offered by Kathryn B. Stockton in her book The Queer Child (2009). --- La infancia es retomada por la literatura escrita en Argentina durante las primeras décadas del siglo XXI en novelas que apuestan a diversas formas del humor. Desde la sátira extrema hasta una ingenuidad impostada, aparece un registro amplio que sirve para desestabilizar ideas fijadas a lo largo del siglo XX en lo relacionado con la administración de la vida de los menores de edad. Los imaginarios televisivos entran a formar parte de los textos fundiéndose con la “biblioteca infante”, es decir, con las lecturas que acompañaron las infancias de los y las escritoras contemporáneos. La narrativa argentina del período también da cuenta de la grave crisis social producida por la hegemonía del neoliberalismo, así como sus consecuencias en las vidas de las infancias, lo que tendió a mostrar las fisuras de los discursos en torno a sus derechos. Estas discusiones quedan registradas en las tres novelas—Quedate conmigo (2017) de I. Acevedo, La maldición de Jacinta Pichimahuida (2007) de Lucía Puenzo, Osos (2010) de Diego Vecchio—que serán abordadas aquí desde los marcos teóricos ofrecidos por la teoría queer, en particular por la propuesta de Kathryn B. Stockton.


2015 ◽  
Vol 11 (1 (13)) ◽  
pp. 167-179
Author(s):  
Seda Gasparyan

The focus of the present article is the fabricated nature of some rejectionists’ interpretations of the Armenian Genocide brought out by the theory of frame – a reliable instrument widely applicable in cognitive linguistics. Referring to the information accumulated and stored in the memory of humanity and actually reflected in different dictionaries, literary works, official correspondence and documents, the author draws the readers’ attention to the background significance of the concepts Armenian and Turk in the cognizance and evaluation of the genocidal events in Western Armenia at the beginning of the 20th century.


2020 ◽  
Vol 24 (2) ◽  
Author(s):  
Wellington José Santana

The present article analyses critically the paradox of phenomenon claimed by Danish Philosopher Kierkegaard and Marion’s new concept named saturated phenomenon. While the concept of God, by definition, must surpass the realm of empiricism, perhaps the something may shed light over what God must be: Excess. However, Marion developed a new concept of phenomenon that not only occupies the immanence world, but also goes beyond. It is called saturated phenomenon. In order to address the question one might understand the limit of the givenness and then what does it mean saturated givenness. We probably all have had the sense of being overwhelmed by something and this can lead toward a sense of torpor or numbness. In the other hand, Kierkegaard affirms that God is so different than a human being, so totally other that we may think we’re right in demanding God make himself understood and be reasonable towards us. Kierkegaard upholds that we’re always dealing with God in the wrong way. I will argue that Marion, however, following phenomenological footsteps indicates a new path toward how to address God properly.   Key words: Paradox; Saturated phenomenon; freedom; Excess. 


Author(s):  
Haraldur Hreinsson

In early 1923, a correspondence between the theologians Adolf von Harnack (1851–1930) and Karl Barth (1886–1968) appeared in the German theological journal Christliche Welt. Respectively, Harnack and Barth represented two of the most prominent post-Enlighten-ment theological currents. At the time, Harnack was widely regarded as the leading voice of theological liberalism while Barth was seen as the champion of neo-orthodoxy or dialectical theology, a theological movement on the rise. The correspondence attracted much attention and still today it is seen amongst the most important theological debates of the 20th century. The present article contains a translation of the original 15 questions posed by Harnack and Barth’s answers to them and a commentary on the debate.


Revista Prumo ◽  
2019 ◽  
Vol 4 (7) ◽  
pp. 124-137
Author(s):  
Lucas Gadelha Parente

The present article results from research around the concept of Zone in what refers to a boundary, symbolic and urban space that activates multiple networks of meaning according to its use in social history, literature, cinema, urbanism and theory of art. Secondly, the text deals with the stalker as a character who traces the paths of the Zone. The article analyzes its emergence in Soviet science fiction, in modern cinema, and its unfolding in theoretical discussions, relating both to cyberspace and to a number of contemporary pedestrian practices. Key-Words: cyberspace; misery belt; science fiction; urbanism.


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