scholarly journals Metode Hermeneutika dan Permasalahannya Dalam Penafsiran Al-Quran

EL-Ghiroh ◽  
2019 ◽  
Vol 16 (01) ◽  
pp. 65-86
Author(s):  
Taufik Mukmin

Hermeneutics is a method or philosophical theory to interpret symbols related to the text in order to know the meaning and meaning. it was first used in the study of the Koran in the 19th century AD by Islamic scholars, but many scholars questioned it. This is because it can doubt the authenticity and sanctity of the Koran. Besides that, hermeneutics has been used to interpret bible to find its truth value. The Qur'an serves every question and objection from its readers, who come from various cultural backgrounds and scientific disciplines. Because the scriptures cannot speak for themselves, they need understanding, reading, interpretation and repetition of reinterpretations that are generally carried out by experts in the same way. In addition, the distance between the birth of the text and the period of interpretation is very long. For this reason, a methodological "means" is needed to understand the text in question.

2021 ◽  
Author(s):  
Martin Hoffmann

It is part of our self-understanding as humans to ascribe individuality to. But what our particular individuality consists of cannot be generally determined, because the concept of individuality aims precisely at the uniqueness and unmistakability of each individual. A philosophical theory of human individuality must therefore essentially be a theory of human self-understanding. The book substantiates this thesis both in philosophical-historical and in philosophical-systematical perspective. The author takes up problem descriptions from the founding phase of human sciences in the 19th century and develops a proposal that identifies a specifically human type of epistemic access to oneself as an essential characteristic of human individuality. The epistemological foundation of philosophical anthropology presented in this study is thus simultaneously an innovative contribution to the hermeneutics of the human self.


Author(s):  
Ayse Okvuran

Similar to other scientific disciplines, art psychology, beginning at the end of the 19th century until the present day, can also be considered a science. The ancient concepts of mimesis and catharsis, for example, are extremely important and have been used in art psychology extensively. The emotions, thoughts, dreams and emotional fulfillment created by the artist are shared by the recipient of the artwork. Based on psychoanalytic theory, Sigmund Freud was able to explain Leonardo and Dostoevsky through their works and personalities. In this study, the content of art psychology, psychology theories on which art psychology is based and psychological processes related to artist-art work-recipient were investigated. In this research, a descriptive research model was used and the related resources and approaches were aimed to be determined. In the study, based on the existing sources an attempt was made to answer the question of what the field of art psychology is and is not.Keywords: Art psychology, psychology theories.


2020 ◽  
Vol 56 (S2) ◽  
pp. 115-136
Author(s):  
Bernard Hałaczek

The phenomenon of globalization, which is well known in the economy, can nowadays be observed also in the area of science. It is based on the fact that more and more scientific disciplines are applying the same explanatory principle, namely the theory of evolution. Therefore, every development, including that of man, according to the pattern of genetic reproduction, takes place on the basis of natural selection. With psychological properties, mental abilities and social behaviours, which are eloquently referred to as “memes”, it is as with genes: only those that are better, stronger, more capable of surviving will survive after accidental changes and only they will be passed on. In short, reproduction regulates and controls human behaviour. Such a way of thinking and explanation can be found today in many publications on sociobiology and evolutionary psychology. Even if they present many new details, they pay tribute to the old human desire to explain everything in a simple way, according to the same scheme. The same expectation towards science was expressed by E. Haeckel in the 19th century and J. Monod in the 20th century. However, when these two biologists explained man as a whole based on the theory of evolution, they admitted that they referred to philosophy, to which contemporary representatives of sociobiology and evolutionary psychology cannot or do not want to confess.


1970 ◽  
pp. 3 ◽  
Author(s):  
Bjørnar Olsen ◽  
Asgeir Svestad

In the 19th century a number of new scientific disciplines made their appearance in Europe. Among these was archaeology, a discipline concerned with mans very distant past. Archaeology unfolded in a space created by the collapse of the pre-modern, biblical conception of history. This breakdown had left a void which archaeology, along with several other evolutionary disciplines, were able successfully to fill. By the end of the 19th century a vast number of archaeological collections, exhibitions and museums had grown up throughout Europe and stood as material signifiers of the newly established time-depth of man. 


Dimensions ◽  
2021 ◽  
Vol 2 (1) ◽  
pp. 79-96
Author(s):  
Fabio Colonnese

Abstract All buildings move under the effect of physical forces of the earth. It is unperceivable, but they move. Some of them are also designed to move to perform their functions. However, most of them look absolutely still. Nevertheless, architects, critics, and historians of architecture often borrowed terms from scientific disciplines to describe a building or parts of it as if it is actually moving. Since antiquity, artistic literature has been full of »dynamized« descriptions of artwork virtually set in motion to enhance the narrative quality of the communication, but in architecture this happens only from the end of the 18th century onward. Since the end of the 19th century, a sequence of scholars and architects Heinrich Wölfflin, Colin Rowe, Peter Eisenman, and Greg Lynn have been developing a series of analytical and design tools that were used to introduce (or to query) time and motion in architecture, whose different forms are here presented, classified, and discussed.


2018 ◽  
pp. 79-99
Author(s):  
Mateusz Salwa

The essay offers a philosophical interpretation of the concept of the garden accordingto the contemporary Italian aesthetician Rosario Assunto (1915–1994). Assuntosystematically developed a philosophical theory focused on the question of theidentity of the garden. He was interested in the “idea of the Garden” which, in hisopinion, determined historical gardens both at the ontological and epistemologicallevel. He defined the garden in terms of a happy connection of man and nature, basedon the aesthetic contemplation of beauty, characteristic of all the gardens regardlessof historical differences among them. According to Assunto, gardens are places whichcombine together aesthetics, ethics, and logic. This combination determines theunique identity of the garden which takes various forms, depending on the individualpoetics of their makers, socio-historical realities, taste, and the correspondent ideas ofnature. Assunto’s starting points are thus historical versions of the garden, descriptiveliterature, and German philosophy of the turn of the 19th century. For the Italianphilosopher, gardens have not only historical and artistic, but also ecological aspects,so that they should be protected and restored. Assunto’s theory is a unique proposalwhich anticipates today’s reflection on the topic of gardens, but seems much moresatisfactory than many contemporary approaches (A. Berleant, M. Miller, S. Ross).


2020 ◽  
Vol 29 (3) ◽  
pp. 460-470
Author(s):  
Oksana V. Braslavska ◽  
Iurii O. Kyselov ◽  
Roman M. Rudyi ◽  
Oktiabryna O. Kyseliova ◽  
Iryna O. Udovenko

Science, at all stages of its development has always been in close connection with philosophical thought. Such synthesis is characteristic for any branch of science, including geography. This is related to the spatial content of geographical science, since the category of space itself is philosophical. At the boundary of geography and philosophy there are different scientific disciplines, each of which has its own specificity (geosophy, geophilosophy, etc.). This article deals with philosophical geography in general as the most neutral interpretation of the sphere of knowledge and thought about the deep essence of the terrestrialspace and its landscapes.The purpose of the article is to substantiate the stage of development of philosophical ideas in geography. The works of ancient and medieval authors on natural philosophy, geographical and cosmographic works demonstrate attempts to comprehend the essence of the terrestrial space, to find its rational justification, either in the context of generalization and systematization of known factual material (e.g., Eratosthenes’ sphragides), or for the purpose of filling in knowedge gaps, Crates globe), or when trying to explore the sacral space, which was favoured over Earth, which was treated as a secondary object (e.g., cosmographic study by AlKhwarizmi).The 17th - 19th centuries include the New European stage in the evolution of philosophical ideas in geography. It was then that Oecumene spread to almost all the land of the Earth. By this time, the classical geographic works by B.Varenius, A. von Humboldt and C. Ritter were appearing, whose philosophical content is related either to the conceptual and terminological aspect (as in A. von Humboldt concerning the concept of “landscape”), or with the reliance on a philosophical system (in particular, dialectical idealism) on the basis of geographical research (as by C.Ritter). The concept of geographical determinism of Charles Louis de Montesquieu was also philosophical as was the Genetic Approach in Ethnography by Johann Gottfried Herder. An important prerequisite for the further development of philosophical geography was the emergence of methodological trends of geographical studies in the second half of the 19th century, such as anthropogeography of C. Ritter, F. Ratzel, E. Reclus and chorogeography, perfected by A. Hettner on the basis of the philosophical ideas of I. Kant. Anthropogeographic search indicated the possibility for combining the natural and human in one research object, and the holographic concept acquired the character of a paradigm because of its coverage of the entire set ofobjects on the Earth’s surface which are amenable to spatial analysis. In the second half of the 19th century, geography experienced a methodological crisis related to the differentiation of science and, as a consequence, the threat of its loss of research object. Along with anthropogeography, a synthetic trend arose, which in the first half of the 20th century enabled this methodological crisis to be overcome, the emergence of V. Dokuchaev’s doctrines about the nature zones, L. Berg - about the landscape, A. Grigoriev - about the “physical and geographical” shell, P. Teilhard de Chardin, and V. Vernadsky - about the noosphere.The main feature of the modern stage of the development of philosophical geography is the most harmonious combination of concrete scientific and philosophical foundations, which objectively reflects the dialectical nature of the relation between science and philosophy. Organic continuation of philosophical and geographical exploration is exemplified by modern research in geo-psychohistory, geography of culture, geosophy and a number of other scientific disciplines.


2019 ◽  
Vol 41 (1) ◽  
pp. 39-55
Author(s):  
Takashi Takekoshi

In this paper, we analyse features of the grammatical descriptions in Manchu grammar books from the Qing Dynasty. Manchu grammar books exemplify how Chinese scholars gave Chinese names to grammatical concepts in Manchu such as case, conjugation, and derivation which exist in agglutinating languages but not in isolating languages. A thorough examination reveals that Chinese scholarly understanding of Manchu grammar at the time had attained a high degree of sophistication. We conclude that the reason they did not apply modern grammatical concepts until the end of the 19th century was not a lack of ability but because the object of their grammatical descriptions was Chinese, a typical isolating language.


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