scholarly journals Creating prehistory: Archeology museums and the discource of modernism

1970 ◽  
pp. 3 ◽  
Author(s):  
Bjørnar Olsen ◽  
Asgeir Svestad

In the 19th century a number of new scientific disciplines made their appearance in Europe. Among these was archaeology, a discipline concerned with mans very distant past. Archaeology unfolded in a space created by the collapse of the pre-modern, biblical conception of history. This breakdown had left a void which archaeology, along with several other evolutionary disciplines, were able successfully to fill. By the end of the 19th century a vast number of archaeological collections, exhibitions and museums had grown up throughout Europe and stood as material signifiers of the newly established time-depth of man. 

Author(s):  
Ayse Okvuran

Similar to other scientific disciplines, art psychology, beginning at the end of the 19th century until the present day, can also be considered a science. The ancient concepts of mimesis and catharsis, for example, are extremely important and have been used in art psychology extensively. The emotions, thoughts, dreams and emotional fulfillment created by the artist are shared by the recipient of the artwork. Based on psychoanalytic theory, Sigmund Freud was able to explain Leonardo and Dostoevsky through their works and personalities. In this study, the content of art psychology, psychology theories on which art psychology is based and psychological processes related to artist-art work-recipient were investigated. In this research, a descriptive research model was used and the related resources and approaches were aimed to be determined. In the study, based on the existing sources an attempt was made to answer the question of what the field of art psychology is and is not.Keywords: Art psychology, psychology theories.


2020 ◽  
Vol 56 (S2) ◽  
pp. 115-136
Author(s):  
Bernard Hałaczek

The phenomenon of globalization, which is well known in the economy, can nowadays be observed also in the area of science. It is based on the fact that more and more scientific disciplines are applying the same explanatory principle, namely the theory of evolution. Therefore, every development, including that of man, according to the pattern of genetic reproduction, takes place on the basis of natural selection. With psychological properties, mental abilities and social behaviours, which are eloquently referred to as “memes”, it is as with genes: only those that are better, stronger, more capable of surviving will survive after accidental changes and only they will be passed on. In short, reproduction regulates and controls human behaviour. Such a way of thinking and explanation can be found today in many publications on sociobiology and evolutionary psychology. Even if they present many new details, they pay tribute to the old human desire to explain everything in a simple way, according to the same scheme. The same expectation towards science was expressed by E. Haeckel in the 19th century and J. Monod in the 20th century. However, when these two biologists explained man as a whole based on the theory of evolution, they admitted that they referred to philosophy, to which contemporary representatives of sociobiology and evolutionary psychology cannot or do not want to confess.


EL-Ghiroh ◽  
2019 ◽  
Vol 16 (01) ◽  
pp. 65-86
Author(s):  
Taufik Mukmin

Hermeneutics is a method or philosophical theory to interpret symbols related to the text in order to know the meaning and meaning. it was first used in the study of the Koran in the 19th century AD by Islamic scholars, but many scholars questioned it. This is because it can doubt the authenticity and sanctity of the Koran. Besides that, hermeneutics has been used to interpret bible to find its truth value. The Qur'an serves every question and objection from its readers, who come from various cultural backgrounds and scientific disciplines. Because the scriptures cannot speak for themselves, they need understanding, reading, interpretation and repetition of reinterpretations that are generally carried out by experts in the same way. In addition, the distance between the birth of the text and the period of interpretation is very long. For this reason, a methodological "means" is needed to understand the text in question.


2022 ◽  

In the 19th century, foreigners had unprecedented access to Spanish America, as the newly independent nations welcomed travelers as readily as they accepted foreign loans and investment capital. Britons were able to freely travel into the South American interior, and commercial ties between Britain and Latin America grew quickly. Cultural and economic exchanges proceeded in two major waves: the first occurred during and in the immediate aftermath of the Wars of Independence, and then, after a cooling-off period, during the second half of the century, when infrastructural and technological advances opened up the Latin American hinterlands to capitalist expansion. International trade grew after 1850, along with Britain’s role in Latin American culture. Britain remained the hegemonic foreign power in Latin America until the First World War. These relationships left their mark on both British and Latin American literatures. In addition to a vast number of travel books about Latin American countries by adventurers, explorers, and tourists, British poets, novelists, philosophers, and historians also drew inspiration from this still relatively unknown territory. Toward the end of the 20th century, Victorian studies began to focus more insistently on British and Latin American exchanges, often making use of historical analyses that interpreted the British-Latin American relationship in terms of dependency theory and world-systems theory. These analyses have generally characterized Britain’s enormous economic, cultural, and political influence in terms of informal imperialism, a strategy for establishing domination over a territory without ruling it directly; however, the nature of British imperialism in Latin America, and its implications for cultural analysis, remain much debated. Currently, literary studies of Britain’s role in Latin America, and Latin America’s role within the British literary imaginary, constitute a large and growing body of scholarship. This bibliographic introduction offers an overview of important texts produced in the 19th century, as well as major currents of scholarship in literary studies and related humanities disciplines.


2021 ◽  
Vol 12 (1) ◽  
pp. 13-27
Author(s):  
Margarita F. Khartanovich ◽  
◽  
Maria V. Khartanovich ◽  

The Museum of Classical Archeology of the Imperial Academy of Sciences is the successor to the 18th-century Kunstkamera of the Academy of Sciences in term of collections of classical antiquities. This article discusses in detail the stages of development of the Museum of Classical Archaeology as an institution within the structure of the Academy of Sciences through the Cabinet of Medals and Rarities, Numismatic Museum, and the Museum of Classical Archaeology. The fund of the museum consisted of ancient Greek and Roman coins, ancient Russian coins, coins from oriental cultures, ancient Greek vases, antiquities from ornamental stone, glass, precious metals, impressions of medals and coins, items from archaeological excavations and treasures, manuscripts, drawings of objects and photographs. Special attention is paid to the correlation of the possibilities of museum collections of the Academy of Sciences and the Imperial Hermitage in terms of storage, exhibition, research, and promotion of archaeological collections in the second half of the 19th century. The reasons for the very active transfer of the Academy of Sciences’ archaeological collections to the Hermitage in the 19th century and the types of compensation received by the Academy for the collections are discussed. The first archaeological collections donated from the Academy of Sciences to the Hermitage on the initiative of the chairman of the Imperial Archaeological Commission S. G. Stroganov were the “Siberian collection” of Peter I and the Melgunov treasure. The collection of the Museum of Classical Archeology also attracted the attention of art critic I. V. Tsvetaev when arranging funds for the new Museum of Fine Arts at Moscow University. The article introduces into scientific circulation archival documents, showing the state of the museum work in the 19th century in the institution of the Academy of Sciences, documents depicting the structure of the Museum of Classical Archaeology, and the composition of collections.


Dimensions ◽  
2021 ◽  
Vol 2 (1) ◽  
pp. 79-96
Author(s):  
Fabio Colonnese

Abstract All buildings move under the effect of physical forces of the earth. It is unperceivable, but they move. Some of them are also designed to move to perform their functions. However, most of them look absolutely still. Nevertheless, architects, critics, and historians of architecture often borrowed terms from scientific disciplines to describe a building or parts of it as if it is actually moving. Since antiquity, artistic literature has been full of »dynamized« descriptions of artwork virtually set in motion to enhance the narrative quality of the communication, but in architecture this happens only from the end of the 18th century onward. Since the end of the 19th century, a sequence of scholars and architects Heinrich Wölfflin, Colin Rowe, Peter Eisenman, and Greg Lynn have been developing a series of analytical and design tools that were used to introduce (or to query) time and motion in architecture, whose different forms are here presented, classified, and discussed.


2020 ◽  
Vol 29 (3) ◽  
pp. 460-470
Author(s):  
Oksana V. Braslavska ◽  
Iurii O. Kyselov ◽  
Roman M. Rudyi ◽  
Oktiabryna O. Kyseliova ◽  
Iryna O. Udovenko

Science, at all stages of its development has always been in close connection with philosophical thought. Such synthesis is characteristic for any branch of science, including geography. This is related to the spatial content of geographical science, since the category of space itself is philosophical. At the boundary of geography and philosophy there are different scientific disciplines, each of which has its own specificity (geosophy, geophilosophy, etc.). This article deals with philosophical geography in general as the most neutral interpretation of the sphere of knowledge and thought about the deep essence of the terrestrialspace and its landscapes.The purpose of the article is to substantiate the stage of development of philosophical ideas in geography. The works of ancient and medieval authors on natural philosophy, geographical and cosmographic works demonstrate attempts to comprehend the essence of the terrestrial space, to find its rational justification, either in the context of generalization and systematization of known factual material (e.g., Eratosthenes’ sphragides), or for the purpose of filling in knowedge gaps, Crates globe), or when trying to explore the sacral space, which was favoured over Earth, which was treated as a secondary object (e.g., cosmographic study by AlKhwarizmi).The 17th - 19th centuries include the New European stage in the evolution of philosophical ideas in geography. It was then that Oecumene spread to almost all the land of the Earth. By this time, the classical geographic works by B.Varenius, A. von Humboldt and C. Ritter were appearing, whose philosophical content is related either to the conceptual and terminological aspect (as in A. von Humboldt concerning the concept of “landscape”), or with the reliance on a philosophical system (in particular, dialectical idealism) on the basis of geographical research (as by C.Ritter). The concept of geographical determinism of Charles Louis de Montesquieu was also philosophical as was the Genetic Approach in Ethnography by Johann Gottfried Herder. An important prerequisite for the further development of philosophical geography was the emergence of methodological trends of geographical studies in the second half of the 19th century, such as anthropogeography of C. Ritter, F. Ratzel, E. Reclus and chorogeography, perfected by A. Hettner on the basis of the philosophical ideas of I. Kant. Anthropogeographic search indicated the possibility for combining the natural and human in one research object, and the holographic concept acquired the character of a paradigm because of its coverage of the entire set ofobjects on the Earth’s surface which are amenable to spatial analysis. In the second half of the 19th century, geography experienced a methodological crisis related to the differentiation of science and, as a consequence, the threat of its loss of research object. Along with anthropogeography, a synthetic trend arose, which in the first half of the 20th century enabled this methodological crisis to be overcome, the emergence of V. Dokuchaev’s doctrines about the nature zones, L. Berg - about the landscape, A. Grigoriev - about the “physical and geographical” shell, P. Teilhard de Chardin, and V. Vernadsky - about the noosphere.The main feature of the modern stage of the development of philosophical geography is the most harmonious combination of concrete scientific and philosophical foundations, which objectively reflects the dialectical nature of the relation between science and philosophy. Organic continuation of philosophical and geographical exploration is exemplified by modern research in geo-psychohistory, geography of culture, geosophy and a number of other scientific disciplines.


Author(s):  
Valeria Ansó

Some of the first European migrating groups in Argentina in the 19th century have settled around the territory known as Pampa Gringa – this area extends in Santa Fe’s plains, originating in the forming of agricultural colonies. The phenomenon of migration leaves its trail in social rhetoric, literary included. There were in Santa Fe a vast number of literary productions as well as essays that account for migration’s phenomenon. Gastón Gori (1915-2004) is a representative figure of this investigative and production range. This paper will cover a journey through the part of Argentinian literature referred to migration, with a special focus in a turning point for the productions on the subject led by Gastón Gori.


2019 ◽  
Vol 41 (1) ◽  
pp. 39-55
Author(s):  
Takashi Takekoshi

In this paper, we analyse features of the grammatical descriptions in Manchu grammar books from the Qing Dynasty. Manchu grammar books exemplify how Chinese scholars gave Chinese names to grammatical concepts in Manchu such as case, conjugation, and derivation which exist in agglutinating languages but not in isolating languages. A thorough examination reveals that Chinese scholarly understanding of Manchu grammar at the time had attained a high degree of sophistication. We conclude that the reason they did not apply modern grammatical concepts until the end of the 19th century was not a lack of ability but because the object of their grammatical descriptions was Chinese, a typical isolating language.


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