Johann Anton Krieger, Printer of Jewish Books in Nowy Dwór

1999 ◽  
pp. 198-211
Author(s):  
Emanuel Ringelblum
Keyword(s):  
Eighteenth Century ◽  
Printing Press ◽  
Foreign Competition ◽  
Printing Industry ◽  
History Of ◽  
The Town

This chapter takes a look at Johann Anton Krieger. Krieger played a central role in the history of Jewish printing in Poland in the eighteenth century. This remarkably enterprising and versatile man owned a printing press in Nowy Dwór, in the province of Mazovia, and, for a time, another in the town of Korzec, in the province of Volynia. He also established a Jewish printing business close to Warsaw and engaged in extensive publishing activities. What is more, he influenced the policies of the Polish financial authorities, compelling them to take account of the needs of the Jewish printing industry inside Poland and to protect it from foreign competition while it was still weak.

Development and Demise of Rosewood

2018 ◽  
Author(s):  
Edward González-Tennant
Keyword(s):  
United States ◽  
Eighteenth Century ◽  
American History ◽  
The United States ◽  
State Legislature ◽  
Media Attention ◽  
Social Trends ◽  
History Of ◽  
The Town ◽  
Hollywood Movie

Chapter 2 presents a history of Rosewood beginning with a brief overview of previous research into the town’s past. Most of the research takes place in response to a statewide conversation in the early and mid-1990s. Growing media attention encouraged Floridians to grapple with the meaning of Rosewood’s destruction in the past and present. The attention encouraged the state legislature to compensate the survivors and descendants of the massacre; that compensation represents the primary example of reparations granted to African Americans in the United States. To better understand the events of 1923, Florida’s state legislature commissioned a group of historians to investigate and write a concise history of the town and its destruction. The resulting report, based on four months of research, remains the authoritative treatment of the 1923 riot. The report, a few articles, a popular book, and a Hollywood movie all contribute to public knowledge and representations of Rosewood. González-Tennant’s overview of Rosewood’s history adds to previous research by offering a comprehensive look at similar events in American history. González-Tennant contextualizes Rosewood within broader social trends beginning in the eighteenth century and continuing until today.

Court Jews, Printers, Book Publishing, and the Beginning of the Haskalah in the German Lands: The Life History of the Wulffian Printing Press as a Case-Study

2018 ◽  
Vol 12 (1) ◽  
pp. 1-55
Author(s):  
Gad Freudenthal
Keyword(s):  
Eighteenth Century ◽  
Life History ◽  
Book Publishing ◽  
Printing Press ◽  
Continuous Contact ◽  
The Press ◽  
History Of ◽  
Guide Of The Perplexed

Abstract This article presents the history of a printing press that operated at several places near Berlin during the first half of the eighteenth century, culminating in the epoch-making reprinting of Maimonides’ Guide of the Perplexed in 1742. The press was established in Dessau in 1694 by the court Jew Moses Wulff (1661–1729), and was run by several printers, notably the convert Israel b. Abraham (fl. 1715–1752). Using the trajectory of the Wulff press as a case study, I examine the relations between scholars, patrons of learning (especially court Jews), printers, and book publishing. The inquiry will highlight the considerable role that court Jews played in shaping the Jewish bookshelf, notably by choosing which books (reprints and original) would be funded. Surprisingly perhaps, although court Jews were in continuous contact with the environing culture, they did not usually favor the printing of non-traditional Jewish works that would favor a rapprochement.

A “Religious Society under Heaven”: John Wesley and the Identity of Methodism

1986 ◽  
Vol 25 (1) ◽  
pp. 62-83 ◽  
Author(s):  
Frederick Dreyer
Keyword(s):  
Eighteenth Century ◽  
Working Class ◽  
Dual Role ◽  
John Wesley ◽  
The Social ◽  
Social Interests ◽  
History Of ◽  
The Common ◽  
The Town

Methodism figures as a kind of puzzle in the history of eighteenth-century England. Even writers who are not unsympathetic to John Wesley sometimes find his thought incoherent and confused. “The truth should be faced,” writes Frank Baker, “that Wesley (like most of us) was a bundle of contradictions.” Albert Outler celebrates Wesley's merits not as a thinker but as a popularizer of other men's doctrines. His Wesley was “by talent and intent, afolk-theologian: an eclectic who had mastered the secret of plastic synthesis, simple profundity, the common touch.” One man's eclecticism, however, is another man's humbug. The very qualities that Outler admires are those that E. P. Thompson condemns inThe Making of the English Working Class. Here Methodist theology is dismissed as “opportunist, anti-intellectual, and otiose.” Wesley “appears to have dispensed with the best and selected unhesitatingly the worst elements of Puritanism.” In doctrinal terms Methodism was not a plastic synthesis but “a mule.” What offends Thompson is not so much Wesley's incoherence as the social ambivalence of the movement that he had created. In class terms Methodism was, Thompson says, “hermaphroditic.” It attracted both masters and men. It catered to hostile social interests. It served a “dual role, as the religion of both the exploiters and the exploited.” The belief that Methodism is socially incomprehensible and perhaps in some sense socially illegitimate is not original with Thompson. Early statements of this assumption can be found in Richard Niebuhr'sThe Social Sources of Denominationalismand in John and Barbara Hammond's The Town Labourer.

From Heroism to Heterodoxy: The Crisis of a Movement and the Danger to a Faith

2008 ◽  
pp. 4-17
Author(s):  
David Berger
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Eastern Europe ◽  
Educational Systems ◽  
Dominant Form ◽  
Common Culture ◽  
The Face ◽  
History Of ◽  
The Town ◽  
Established Order

This chapter traces the history of hasidism, which was born in eighteenth-century Poland with the teachings of Rabbi Israel Ba'al Shem Tov. The movement spread through eastern Europe and became the dominant form of Judaism in much of the heartland of nineteenth-century Jewry. Opponents (mitnagedim or ‘misnagdim’) did not entirely abandon the cause, but opposition waned in the face of new social and religious realities. First, it became very difficult to delegitimate a movement that commanded the allegiance of so many observant Jews. Second, the radicalism of early hasidism diminished as it was transformed from a movement of rebellion against the Jewish communal establishment into an established order of its own. Finally, the spread of the Jewish Enlightenment, or Haskalah, to eastern Europe posed so serious a threat that hasidim and misnagdim, for all their profound differences, came to see themselves as allies in a struggle to preserve their common culture, educational systems, and fundamental beliefs against the onslaught of scepticism, secularism, and acculturation working to undermine the very foundations of traditional Jewish society. The Chabad movement, now also known as Lubavitch from the town where the group's leaders resided from 1813 to 1915, played a significant role in that resistance.

scholarly journals Wizerunek herbu miasta Lublina w źródłach archiwalnych z XV–XVIII wieku

2017 ◽  
Vol 4 ◽  
pp. 11-29
Author(s):  
Maria Trojanowska
Keyword(s):  
Eighteenth Century ◽  
Fifteenth Century ◽  
The State ◽  
Color Images ◽  
State Archive ◽  
History Of ◽  
The City ◽  
The Town

W artykule zostały zebrane i opisane źródła ikonograficzne do dziejów herbu miasta Lublina z XV–XVIII w. przechowywane w zasobie Archiwum Państwowego w Lublinie. Wizerunki tego herbu podzielono na trzy grupy w zależności od rodzaju źródła i miejsca występowania znaku. Należą do nich: wyobrażenia na pieczęciach miasta, superekslibrisy na oprawach ksiąg miejskich i zdobienia malarskie o tematyce heraldycznej występujące na kartach tych ksiąg. Najstarsze wizerunki herbu Lublina zachowały się na pieczęciach z początku XV w., które z uwagi na swój urzędowy charakter są też najcenniejszym źródłem heraldycznym. Przedstawiony na nich herb, zarówno w swojej budowie, jak i stylistyce rysunku, był akceptowanym przez władze miejskie znakiem miasta. Z kolei pierwsze barwne wyobrażenia herbu Lublina, ważne dla poznania barw heraldycznych, pochodzą dopiero z pierwszej połowy XVII w. The Image of Lublin’s Coat of Arms in Archival Sources of 15th–18th Centuries The article has collects and described iconographic fifteenth-eighteenth century sources to the history of the Lublin coat of arm, which are kept in the State Archive in Lublin. The images of the coat of arms have been divided into three groups depending on the sort of the source and the place of its occurrence. They include: images on the seals of the town, super-bookplates on the bindings of city registers, and heraldic painting decorations present on the pages of these volumes. The oldest images of the Lublin coat of arms were preserved on seals from the beginning of the fifteenth century which, considering their official character, are also the most precious heraldic source. The coat of arms presented on them, both in its structure and the style of the drawing was the mark of the city, accepted by its authorities. However, the first color images of Lublin’s coat of arms, important for recognizing heraldic colors, come from the first half of the eighteenth century.

The international career of an Emden printer (Goossen Goebens 1560-76)

Quaerendo ◽  
1997 ◽  
Vol 27 (2) ◽  
pp. 113-140
Author(s):  
Paul Valkema Blouw
Keyword(s):  
Publishing House ◽  
Printing Press ◽  
Second Phase ◽  
Business Manager ◽  
History Of ◽  
The Town ◽  
Political Pamphlets

AbstractThe history of Goossen Goebens has to be entirely reconstructed from what is shown by his printed work together with the few facts which emerge from Plantin's account books. It thus appears that he began his career in 1561 as business manager of the recently founded literary press of Jan van Zuren in Haarlem. He subsequently became factor of the same firm when it entered a second phase in 1565 as a Protestant publishing house in Sedan, probably belonging to two of the Coornhert brothers. This connection lasted for a year, whereupon Goebens returned to Antwerp and spent a few months working for Plantin. It is possible that he then went to Vianen as a collaborator of Augustijn van Hasselt. When the town was occupied in May 1567, however, he did not seek refuge with Augustijn in Wesel but departed for Emden where, in the meantime, the Coornherts had transferred their press. That was where he worked until he managed to establish a printing press of his own in 1570. This continued its production until 1579, the year in which Goebens probably died. Some twenty-eight of Goebens's publications can now be identified, most of which appeared without an imprint. These include anonymous political pamphlets as well as works by Johan Fruytiers and the extensive Protocol of the conference with the Anabaptists in Emden in 1578.

CATHERINE THE GREAT AND THE ROLE OF CELEBRATORY MUSIC AT THE COURT OF ANHALT-ZERBST

2006 ◽  
Vol 3 (2) ◽  
pp. 269-309 ◽  
Author(s):  
BARBARA M. REUL
Keyword(s):  
Eighteenth Century ◽  
Large Scale ◽  
Sacred Music ◽  
New Music ◽  
Musical Life ◽  
Compositional Approach ◽  
History Of ◽  
The Impact ◽  
The Town

As Empress of Russia, Catherine the Great (1729–1796) shaped not only history in general but also, as a member of its princely family, the history of Anhalt-Zerbst. Drawing upon little known eighteenth-century manuscripts housed at the Landeshauptarchiv of Saxony-Anhalt in Dessau and the Francisceumsbibliothek in Zerbst, this study assesses the impact of Catherine’s marriage in 1745 to Grand Duke Peter of Russia (1728–1762) on musical life at the court of Anhalt-Zerbst during and after the thirty-six-year tenure of Kapellmeister Johann Friedrich Fasch (1688–1758). First the role of music at the court prior to 1745 will be considered – specifically the ‘Concert-Stube’, an inventory of the Hofkapelle’s musical library prepared according to Fasch’s specifications in March 1743. The second section of this article focuses on the celebrations held at the court in 1745 on the occasion of Catherine the Great’s wedding. The Hofkapelle premiered a large-scale serenata by Fasch, the music to which has been lost. However, an examination of the extant libretto and of other music by Fasch that was performed at the court during the 1740s sheds light on the musical forces he would have employed and the compositional approach he might have taken. The Hofkapelle also performed a secular wedding cantata for bass solo and instruments by an anonymous composer as part of a spectacular fireworks display in three acts, the ‘Anhalt-Zerbstisches Freuden-Feuer’ (Fire of Joy), chronicled by Zerbst headmaster Johann Hoxa. Finally, it is possible to reconstruct a performance schedule of sacred music premiered in honour of Catherine the Great from 1746 to 1773. Despite Fasch’s death in 1758 and the Seven Years War, which led to the town of Zerbst being occupied by 16,000 Prussian soldiers for three years until 1761, new music was commissioned by the court from Fasch’s successor Johann Georg Röllig (1710–1790), Catherine the Great’s keyboard instructor at the court of Anhalt-Zerbst. He not only provided occasional compositions to commemorate her birthday and accession to the Russian throne but also composed a new cycle of Sunday cantatas to reflect the changing artistic priorities and practices of the Hofkapelle in the early 1760s.

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