Introduction

2017 ◽  
pp. 7-20
Author(s):  
Jessica Gildersleeve

This introductory chapter situates Nicolas Roeg's Don't Look Now (1973) within the landscape of 1970s cinema in general, and 1970s horror cinema in particular. It also establishes the significance of specific kinds of cultural trauma in Don't Look Now as a horror film of that decade. Don't Look Now might be understood in the context of the history of Gothic narratives, exposing and satirising the tropes of that genre and the ways in which the film's characters read or misread those signs. Rather than fear deriving purely from the chase, the threat of a psychotic killer, an unfamiliar environment, or a betrayal of innocence, Don't Look Now's horror finds its source in being wrong, in making mistakes, in seeing or knowing too late. Indeed, whereas the slasher film of the 1970s creates the pleasure of horror in its repetition, in the audience's knowledge that death is to come but remains ‘in the dark’, as it were, only as to when and how it will arrive, Don't Look Now's horror is precisely the horror of not knowing, of not recognising a threat as such, but seeing it as familiar, domestic, and safe.

Author(s):  
Michael Guarneri

The aim of the introductory chapter is threefold. Firstly, the chapter points out the monograph’s originality by contextualising the book in relation to ongoing scholarly debates about vampire fiction and Italian film history. Secondly, the chapter presents the corpus of thirty-three films to be studied, outlining the thematic and industrial criteria behind the selection. The corpus goes from vampiric/Frankensteinian monster-mash I vampiri / Lust of the Vampire (Riccardo Freda, 1957), which is generally considered the first Italian horror film, to horror parody Il cav. Costante Nicosia demoniaco, ovvero: Dracula in Brianza / Dracula in the Provinces (Lucio Fulci, 1975). Thirdly, in order to introduce some key elements of Italian cultural specificity, the chapter provides a brief history of literary and cinematic horror fiction in Italy prior to 1956, with particular attention to vampire-themed works.


Author(s):  
Bryan Turnock

This introductory chapter provides an overview of horror cinema. Since its inception, horror has been one of the most universally derided and dismissed of film genres. Yet at the same time it has consistently been one of the most enduring and commercially popular. While there have been periods where it seemed to have reached a dead end, it has always managed to re-invent itself and rise again. Today, horror cinema is experiencing something of a renaissance, enjoying box-office success and even critical acclaim. The chapter discusses the concept of film genre and traces the history of horror. As with other genres, over time horror developed codes and conventions that became typically associated with what one would now term a traditional horror film. Since the arrival of the 'modern' horror film in the early 1960s, the genre has displayed a degree of freedom from many of its more traditional conventions.


2018 ◽  
Vol 40 (1) ◽  
pp. 76-94 ◽  
Author(s):  
Thomas Clément Mercier

Responding to the provocative phrase ‘The Age of Grammatology’, I propose to question the notion of ‘age’, and to interrogate the powers or forces, the dynameis or dynasties attached to the interpretative model of historical periodisation. How may we think the undeniable actuality of the event beyond the sempiternal history of ages, and beyond the traditional, onto-teleological chain of power, possibility, force or dynamis that undergirds such history?


Author(s):  
Stefan Winter

This concluding chapter summarizes key themes and presents some final thoughts. The book has shown that the multiplicity of lived ʻAlawi experiences cannot be reduced to the sole question of religion or framed within a monolithic narrative of persecution; that the very attempt to outline a single coherent history of “the ʻAlawis” may indeed be misguided. The sources on which this study has drawn are considerably more accessible, and the social and administrative realities they reflect consistently more mundane and disjointed, than the discourse of the ʻAlawis' supposed exceptionalism would lead one to believe. Therefore, the challenge for historians of ʻAlawi society in Syria and elsewhere is not to use the specific events and structures these sources detail to merely add to the already existing metanarratives of religious oppression, Ottoman misrule, and national resistance but rather to come to a newer and more intricate understanding of that community, and its place in wider Middle Eastern society, by investigating the lives of individual ʻAlawi (and other) actors within the rich diversity of local contexts these sources reveal.


Author(s):  
James Whitehead

The introductory chapter discusses the popular image of the ‘Romantic mad poet’ in television, film, theatre, fiction, the history of literary criticism, and the intellectual history of the twentieth century and its countercultures, including anti-psychiatry and psychoanalysis. Existing literary-historical work on related topics is assessed, before the introduction goes on to suggest why some problems or difficulties in writing about this subject might be productive for further cultural history. The introduction also considers at length the legacy of Michel Foucault’s Folie et Déraison (1961), and the continued viability of Foucauldian methods and concepts for examining literary-cultural representations of madness after the half-century of critiques and controversies following that book’s publication. Methodological discussion both draws on and critiques the models of historical sociology used by George Becker and Sander L. Gilman to discuss genius, madness, deviance, and stereotype in the nineteenth century. A note on terminology concludes the introduction.


Author(s):  
Juhani Yli-Vakkuri ◽  
John Hawthorne

The Introduction outlines the history of the narrow content debate. It introduces the famous thought experiments by Hilary Putnam and Tyler Burge, discusses why the debate only came to prominence in the 1970s, and outlines what is to come.


2021 ◽  
Vol 61 (3) ◽  
pp. 320-340
Author(s):  
Kate Rousmaniere

AbstractThis essay examines the history of what is commonly called the town-gown relationship in American college towns in the six decades after the Second World War. A time of considerable expansion of higher education enrollment and function, the period also marks an increasing detachment of higher education institutions from their local communities. Once closely tied by university offices that advised the bulk of their students in off-campus housing, those bonds between town and gown began to come apart in the 1970s, due primarily to legal and economic factors that restricted higher education institutions’ outreach. Given the importance of off-campus life to college students, over half of whom have historically lived off campus, the essay argues for increased research on college towns in the history of higher education.


2000 ◽  
Vol 6 (4) ◽  
pp. 347-361 ◽  
Author(s):  
Barry McMullin

In the late 1940s John von Neumann began to work on what he intended as a comprehensive “theory of [complex] automata.” He started to develop a book length manuscript on the subject in 1952. However, he put it aside in 1953, apparently due to pressure of other work. Due to his tragically early death in 1957, he was never to return to it. The draft manuscript was eventually edited, and combined for publication with some related lecture transcripts, by Burks in 1966. It is clear from the time and effort that von Neumann invested in it that he considered this to be a very significant and substantial piece of work. However, subsequent commentators (beginning even with Burks) have found it surprisingly difficult to articulate this substance. Indeed, it has since been suggested that von Neumann's results in this area either are trivial, or, at the very least, could have been achieved by much simpler means. It is an enigma. In this paper I review the history of this debate (briefly) and then present my own attempt at resolving the issue by focusing on an analysis of von Neumann's problem situation. I claim that this reveals the true depth of von Neumann's achievement and influence on the subsequent development of this field, and further that it generates a whole family of new consequent problems, which can still serve to inform—if not actually define—the field of artificial life for many years to come.


2007 ◽  
Vol 38 ◽  
pp. 1-12 ◽  
Author(s):  
Herwig Wolfram

Throughout the world, historians expand the history of their nations and states into periods when these polities did not yet exist. The French speak of their first dynasty and mean the Frankish Merovingians. Until recently French history textbooks even for students in the French overseas territories started with “Nos ancêtres, les Gaulois.” In the German Kaiserreich between 1871 and 1918, let us say, little Jan Kowalski in Poznan had to accept the Germanic peoples as his forefathers, as every textbook on German history dealt with them at length. Needless to say, not only German medievalists speak of Germans long before theodiscus or teutonicus came to mean deutsch. All over the world people search for the roots of their identity. Take, for instance, the present preoccupation with Celtic ancestors. Not only the Irish, Welsh, Scots, and Bretons, but a great many other Europeans also want to be Celts by origin. “Their successors in Brittany, Wales, or Ireland do not threaten anybody with Anschluss or war. The Celtic origins, therefore, fit the Austrian neutrality perfectly well,” as Erich Zöllner ironically put it in 1976 after Chancellor Bruno Kreisky had openly declared that the Celts and not the Germans were our forefathers.


1972 ◽  
Vol 50 ◽  
pp. 220-243 ◽  
Author(s):  
James C. Thomson

When the history of Sino-American relations since 1949 is written in years to come, it will very likely lump together much of the two decades from the Korean War to the Kissinger-Chou meeting as a period of drearily sustained deadlock. Korean hostilities will be blended rather easily into Indochina hostilities, John Foster Dulles into Dean Rusk. The words and deeds of American East Asian intervention, of the containment and isolation of China, will seem an unbroken continuity. And at the end, under most improbable auspices but for commonsense balance-of-power reasons, will come the Zen-like Nixon stroke that cut the Gordian knot and opened a new era.


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