Representation of Women in the Connecting of the Public Space Area/Special Area

Author(s):  
Özge Gürsoy Atar

With the industrial revolution, the public/private distinction became even more acute. From the traditional point of view, those who make a living (men) by working outside the home in paid work are perceived as part of their participation in public life. Economically dependent people (women) were perceived as belonging to the private sphere. We see that the concept of private space is mentioned together with women. It is always criticized that the concepts of private sphere and motherhood limit women. The existing order is maintained by repeating these discourses in mass media such as cinema and television. In contemporary narrative cinema, however, this limitation of women is intended to be altered by addressing it with a different language or by going beyond conventional stereotypes. In this context, Mother! the film will be examined in the context of feminist film criticism through the representation of space.

Author(s):  
Muhamad Basitur Rijal Gus Rijal ◽  
Ahyani Hisam ◽  
Abdul Basit

Civil society (civil society) as the ideal structure of society's life that is aspired to, but building a civil society is not easy. There are preconditions that must be met by the community in making it happen. Coupled with technological advances in the era of the Industrial Revolution 4.o like today, where information can spread easily through various online media unlimitedly in spreading hoaxes. This research seeks to uncover the dangers of hoaxes in building civil society. This research uses descriptive analytical method by examining the sources of literature related to building civil society in the Industrial Revolution 4.o. This research found that the public space is a means of free speech; democratic behavior; tolerant; pluralism; and social justice can shape civil society. whereas the impact of hoax news greatly affects the way people perceive a certain issue, so that people cannot distinguish which news is real or fake news which causes them to be incited by fake news that is spread.


Author(s):  
Berceste Gülçin Özdemir

The concept of social gender is an interdisciplinary matter of debate and is still questioned today. Making sense of this concept is understood by the ongoing codes in the social order. However, the fact that men are still positioned as dominating women in the contrast of the public sphere/private sphere prevents the making sense of the concept of gender. This study questions the concept of social gender through the female characters and male characters presented in the film Tersine Dünya (1993) within the framework of Judith Butler's thoughts regarding the notion of the subject. The thoughts of feminist film theorists also bring the strategies of representation of female characters up for discussion. Butler's thoughts and the discourses of feminist film theorists will enable both making sense of social gender and a more concrete understanding of the concept of the subject. The possibility of deconstruction of patriarchal codes by using classical narrative cinema conventions is also brought up for discussion in the examined film.


Author(s):  
Elçin Akçora As ◽  
Alev Fatoş Parsa

In the art of cinema, which fulfills the function of a “dream factory” with its male-dominated narrative structure, men are represented in active roles with their actions, while women in passive roles that do not or cannot interfere with the flow of events with their inactions. This perception, which dominates the cinema, showed a change with the reflection of intellectual context of the Second Wave Feminism to the films. In this sense, in the study, Fried Green Tomatoes, regarded as a feminist film example by movie critics and directed by Jon Avnet in 1991, was chosen as a sample. In the study, structuralist narrative codes that construct meaning in the film are analyzed in the context of feminist thought and film theory paradigms. In the film, the “strong female character representations,” which are placed in the center of narrative and positioned to advance the story, are subjected in the foreground; these characters also stand against the known stereotyped roles imposed on women by traditional narrative cinema.


2019 ◽  
Vol 125 ◽  
pp. 04003
Author(s):  
Oktiva Herry Chandra

Language produced in a specific event of communication will have its form and function. Some messages are delivered in direct ways meaning the form and the functions are symmetric; some others are delivered in indirect ways, asymmetric. Direct or indirect ways will give different perceptions to those who receive the content of the message. Considering the face of receivers is one of the principles that should be made by policy makers as they communicate with people in public space. This article aims to explain the forms of language used to prohibit littering and the way the maker of prohibition thinks about the writing of littering. The research is conducted by using non-participatory observation method. This, then, is followed by applying note taking technique and recording. The result shows mostly the writings of littering prohibition are made an indirect way and less number in indirect way. Having a direct way means society is placed as subordinate in relation to the authorities. Even though less in number, indirect littering prohibition shows some writings see an equal position between the writer and reader. Both take a similar point of view on littering.


Author(s):  
Roman Lunkin ◽  

The article analyzes the phenomenon of modern post-crisis protests. The frame theory is the most effective method for evaluating the modern protest movement, which allows analyzing any action from the point of view of its context, its representation in the public space, its organization and original worldview. The article examines the European specifics of the protests and possible ideological divisions within the framework of mass demonstrations. It is concluded that the post-crisis protests in Europe are characterized, first of all, by a more or less clear division into supporters of neoliberal ideology and traditionalists (identists). The neoliberals opposed the traditionalism of the leadership of Poland, Hungary, and Russia, but the traditionalists more often protested against strict quarantine measures and uncontrolled immigration. Secondly, one of the widespread factors was distrust of the government, which, while proclaiming democratic norms to which does not follow. From this point of view, both the identists and the neoliberals alike demanded more democracy and justice during the protests


2019 ◽  
Author(s):  
Gabriela de Souza Tenorio ◽  

Public spaces that attract and retain diverse people are crucial to foster urbanity and tolerance, and build stronger and livelier communities, especially in big cities. The simple coexistence of similarities and differences in public spaces can, to say the least, validate our own essence and offer us a possibility of growth. Sharing the same space with other people – even without interacting with them – favors social learning. Theory suggests that thought, feeling and behavior can be altered by observation. The search for public spaces that make urbanity viable is desirable in any society (especially in more unequal societies, as one can find in developing countries). However, inspired by ideas built on the critique of great urban agglomerations after the Industrial Revolution, cities around the world have undergone transformations that did exactly the opposite. As a series of lifeless places began to emerge, several researchers tried to figure out why this was happening. These researchers found that just wanting to create a lively place was not enough. It was necessary to scrutinize the behavior of people in public spaces in order to understand the relationship between their configuration and use. The knowledge they have built has been largely responsible for the increasing concern with public spaces and their relation to public life since the 1960s. Cities around the world are realizing that empty places could be full of people, and that not only a place full of people is something positive, but an empty place is not. They are learning to see underused public spaces as social, cultural, environmental, and financial waste. However, even with so much information available, it is still possible to find, in any contemporary city, public spaces that fail to support public life. Frequently, little or nothing is done to make them safer or more attractive, diverse and pleasant. It is even more worrying to realize that such places continue to be created. This is the focus of this paper. It brings together available knowledge and experiences in the area of public space design. It also complements, structures and translates such experiences and knowledge into a Public Space Post-Occupancy Evaluation Method, which stresses the importance of observing people and their activities. As a result, one can better understand, observe, assess and, thus, manipulate the main attributes of a public space that may influence its capacity to attract and retain diverse people on a daily basis. The method is offered as a tool to support those who deal with public spaces at different levels – from academic studies to municipal management. It has been used in Brasilia, Brazil, for the past 7 years, with positive results in governmental decision-making processes. A case study is briefly presented to illustrate its use.


2019 ◽  
Author(s):  
AG. Eka Wenats Wuryanta

Public broadcasting can relatively accommodate a public sphere that has autonomy and independence. It also facilitates ongoing cultural activities in various aspects of functional life. Public broadcasting as a public sphere is expected to become a new format of public life that can accommodate a variety of public interests into a shared vision in the administration of public life in an honorable and democratic manner. In the context of contemporary reforms, there should be opportunities to develop new formats for the existence of government broadcasting media (RRI / TVRI) to become autonomous and independent institutions that carry out cultural functions in the public sphere (read: public broadcast media). Within the framework of achieving public space based on fulfilling public rights in accessing, receiving, and providing information openly and responsibly.


2017 ◽  
Vol 2 (1) ◽  
pp. 57
Author(s):  
Laura Camargo ◽  
Gabriela Tenorio

<p>From observing the current dynamics of cities and the development of contemporary architecture, great criticism arises in response to the creation of iconic buildings as formal experiments that do not contribute to the local experience. Motivated by this criticism, this paper aims to analyse and understand the importance and the participation of architecture in the construction of a better public realm. The analytical method seeks to understand, evaluate and manipulate the main attributes of a public space based on the features that make it a platform for public life. The analysis focuses on the public realm in three areas of study- the space resulting of the interaction between the buildings, the interstitial space and the constructed spaces. The projects chosen to analyse consisted on iconic buildings by the architect Renzo Piano, due to his international recognition - a body of work shaped by the contexts in which they operate. The projects are situated in global cities and propose new configurations of public space: Centre Georges Pompidou, Paris; Potsdamer Platz, Berlin; and Saint Giles Court, London. The analysis seeks the features that make architecture successful in the sense that it aggregates people and creates interesting spaces that favour human permanence; the paper evaluates whether the projects of Renzo Piano display these features. Each project has its own particularities. Starting with the dimensions, each project contributes to the public space at a different scale. Nevertheless, the variables analysed were the same for each context, and the effects were considered regarding the proportions and the programmatic possibilities offered by each. After understanding the site and its history, the study of the public life and its local attributes, this paper highlights the strengths and weaknesses of each building and how they contribute to the specific place. The interpretation of the results took into account not only the present, but also the lifetime of each project, raising some potential problems or successes for the future. It is possible to conclude that the three projects contribute positively to the public space, stimulating urban improvements and constitute good-practice examples, each at a different intensity.</p>


2019 ◽  
Vol 118 (4) ◽  
pp. 877-893
Author(s):  
Maria Rosaria Marella

Cities are quintessentially human and collective products. All urban space is the product of social cooperation. Therefore not just the “public” space but the metropolis as a whole must be considered as a commons. This assumption is not neutral from a legal point of view. It raises the question of whether private property of urban land is compatible with the conception of urban space as commons. The answer depends on how much we can push on the disintegration of property to expand the perspective of collective entitlements on urban resources against the commodification and new enclosures of urban space. Drawing on a legal realist approach to property, it is possible to dissolve the unitary conception of ownership into a bundle of rights. This article is a first attempt to enfranchise urban property as a legal form from its fate of being a mere boundary between the haves and the have-nots and revisit its role in the construction of social relations of production within the metropolis.


Author(s):  
Vincent Azoulay

This chapter focuses on Pericles' family circle and his network of friends. It first considers Pericles' marriage to show how kinship structures functioned in Athens before discussing the tension between oikos and polis, the private sphere and the public space, in Pericles' refusal to take part in even the most elementary rituals of family sociability. It then examines how Pericles neglected the traditional forms of friendship and the sociability that was associated with them, noting that thoughout his career, Pericles set the friendship of the people before his personal relationships. It also discusses the criticisms leveled against Pericles for his equivocal friendships and, in particular, his hospitality toward foreigners and even foreign women.


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