Introduction

2021 ◽  
pp. 1-16
Keyword(s):  
Public Sphere ◽  
Social Networking ◽  
Digital Technologies ◽  
The State ◽  
Digital Platforms ◽  
Nationalist Movements ◽  
The Public ◽  
Modern Politics ◽  
The Public Sphere

This chapter introduces readers to concepts of nationalism in historic and modern contexts. The concept of Otherness and alienation that are a symptom and result of increased nationalism in modern politics is explored. The use of digital technologies, including social networking platforms by contemporary nationalist movements is highlighted, explaining the influence that is afforded to average citizens via these tools. Communicative digital platforms are enabling dissent against both society and the state, and the egalitarian nature of digital technologies allows for the swift and often effective mobilization of protest that transcends the online into the public sphere.

‘Party in the street’: The partisan politics of space

2021 ◽  
pp. 239965442110338
Author(s):  
David Jenkins ◽  
Lipin Ram
Keyword(s):  
Public Sphere ◽  
Public Space ◽  
State Power ◽  
Public Spaces ◽  
The State ◽  
Political Community ◽  
Democratic Legitimacy ◽  
Partisan Politics ◽  
The Public ◽  
The Public Sphere

Public space is often understood as an important ‘node’ of the public sphere. Typically, theorists of public space argue that it is through the trust, civility and openness to others which citizens cultivate within a democracy’s public spaces, that they learn how to relate to one another as fellow members of a shared polity. However, such theorizing fails to articulate how these democratic comportments learned within public spaces relate to the public sphere’s purported role in holding state power to account. In this paper, we examine the ways in which what we call ‘partisan interventions’ into public space can correct for this gap. Using the example of the Communist Party of India (Marxist) (CPIM), we argue that the ways in which CPIM partisans actively cultivate sites of historical regional importance – such as in the village of Kayyur – should be understood as an aspect of the party’s more general concern to present itself to citizens as an agent both capable and worthy of wielding state power. Drawing on histories of supreme partisan contribution and sacrifice, the party influences the ideational background – in competition with other parties – against which it stakes its claims to democratic legitimacy. In contrast to those theorizations of public space that celebrate its separateness from the institutions of formal democratic politics and the state more broadly, the CPIM’s partisan interventions demonstrate how parties’ locations at the intersections of the state and civil society can connect the public sphere to its task of holding state power to account, thereby bringing the explicitly political questions of democratic legitimacy into the everyday spaces of a political community.

Remembering hope: mediated queer futurity and counterpublics in Turkey’s authoritarian times

2021 ◽  
pp. 1-23
Author(s):  
Yener Bayramoğlu
Keyword(s):  
Public Sphere ◽  
Authoritarian Regimes ◽  
Media Discourse ◽  
Digital Platforms ◽  
Coup D'etat ◽  
The Public ◽  
Textual Material ◽  
The Public Sphere ◽  
Tabloid Press ◽  
Looking Back

Abstract This article explores how hope and visions of the future have left their mark on media discourse in Turkey. Looking back at some of the events that took place in the 1980s, a decade that was shaped by the aftermath of the 1980 coup d’état, and considering them alongside what has happened since the ban of Istanbul’s Pride march in 2015, it examines traces of hope in two periods of recent Turkish history characterized by authoritarianism. Drawing on an array of visual and textual material drawn from the tabloid press, magazines, newspapers, and digital platforms, it inquires into how queer hope manages to infiltrate mediated publics even in times of pessimism and hopelessness. Based upon analysis of an archive of discourses on resistance, solidarity, and future, it argues that queer hope not only helps to map out possible future routes for queer lives in (and beyond) Turkey, but also operates as a driving political force that sustains queers’ determination to maintain their presence in the public sphere despite repressive nationalist, militarist, Islamist, and authoritarian regimes.

scholarly journals Contested Numbers: Census Controversies and the Press in 1960s Nigeria

2021 ◽  
pp. 1-19
Author(s):  
Gerardo Serra ◽  
Morten Jerven
Keyword(s):  
Public Sphere ◽  
Political Culture ◽  
Cultural History ◽  
The State ◽  
Population Census ◽  
The Public ◽  
The Press ◽  
Distribution Of Resources ◽  
The Public Sphere

Abstract This article reconstructs the controversies following the release of the figures from Nigeria's 1963 population census. As the basis for the allocation of seats in the federal parliament and for the distribution of resources, the census is a valuable entry point into postcolonial Nigeria's political culture. After presenting an overview of how the Africanist literature has conceptualized the politics of population counting, the article analyses the role of the press in constructing the meaning and implications of the 1963 count. In contrast with the literature's emphasis on identification, categorization, and enumeration, our focus is on how the census results informed a broader range of visual and textual narratives. It is argued that analysing the multiple ways in which demographic sources shape debates about trust, identity, and the state in the public sphere results in a richer understanding of the politics of counting people and narrows the gap between demographic and cultural history.

scholarly journals The Utopian Internet, Computing, Communication, and Concrete Utopias: Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and P.M. in the Light of Digital Socialism

2020 ◽  
Vol 18 (1) ◽  
pp. 146-186
Author(s):  
Christian Fuchs
Keyword(s):  
Public Sphere ◽  
Digital Technologies ◽  
Political Imagination ◽  
The Public ◽  
Internet Computing ◽  
Post Market ◽  
The Public Sphere ◽  
Technology And Communication ◽  
Satisfaction Of Needs

This paper asks: What can we learn from literary communist utopias for the creation and organisation of communicative and digital socialist society and a utopian Internet? To provide an answer to this question, the article discusses aspects of technology and communication in utopian-communist writings and reads these literary works in the light of questions concerning digital technologies and 21st-century communication. The selected authors have written some of the most influential literary communist utopias. The utopias presented by these authors are the focus of the reading presented in this paper: William Morris’s (1890/1993) News from Nowhere, Peter Kropotkin’s (1892/1995) The Conquest of Bread, Ursula K. Le Guin’s (1974/2002) The Dispossessed, and P.M.’s (1983/2011; 2009; 2012) bolo’bolo and Kartoffeln und Computer (Potatoes and Computers). These works are the focus of the reading presented in this paper and are read in respect to three themes: general communism, technology and production, communication and culture. The paper recommends features of concrete utopian-communist stories that can inspire contemporary political imagination and socialist consciousness. The themes explored include the role of post-scarcity, decentralised computerised planning, wealth and luxury for all, beauty, creativity, education, democracy, the public sphere, everyday life, transportation, dirt, robots, automation, and communist means of communication (such as the “ansible”) in digital communism. The paper develops a communist allocation algorithm needed in a communist economy for the allocation of goods based on the decentralised satisfaction of needs. Such needs-satisfaction does not require any market. It is argued that socialism/communism is not just a post-scarcity society but also a post-market and post-exchange society.

scholarly journals AUTORITA’ AND AUTOREVOLEZZA: EXPLAINING CONTESTATIONS BETWEEN POLITICAL AND RELIGIOUS LEADERS IN THE AGE OF THE NEW MEDIA

2011 ◽  
Vol 5 (1) ◽  
pp. 17-38
Author(s):  
Walter C. Ihejirika
Keyword(s):  
New Media ◽  
Public Sphere ◽  
The State ◽  
Political Connection ◽  
Religious Leaders ◽  
Political Leaders ◽  
African Countries ◽  
Material Wealth ◽  
The Public ◽  
The Public Sphere

In many African countries, since the nineties, there is a subtle contest going on between religious and political leaders. At the heart of this contest is what Rosalind Hackett described as the redefinition of the categories of power and status, which cease to be primarily tied to material wealth or political connection, but rather to spiritual authority and revelation. This is a struggle for the hegemonic control of the society in the Gramscian sense of the term. While political leaders may use the coercive arms of the state – military might as well as their control of the financial resources of the state to impose their authority, religious leaders on the other hand assume the posture of moral icons, personalities endowed with superior knowledge based on divine revelation. As these contestations are played out in the public sphere, the way the leaders are able to portray themselves to their public will determine their followership. This explains the importance of mediation in the process of politico-religious contestations. In the eyes of the public, political leaders have the physical or raw power - the Italian concept of autorita; while the religious leaders have the moral power - autorevolezza. This paper uses these concepts as metaphors to present a general explanation of how the contestation between religious and political leaders plays out in the public sphere of the new media

In and out of Othello

2021 ◽  
Vol 5 (1) ◽  
pp. 137-148 ◽  
Author(s):  
Poonam Trivedi
Keyword(s):  
Public Sphere ◽  
Film Industry ◽  
The State ◽  
Self Determination ◽  
Politics Of Identity ◽  
The Public ◽  
Award Winning ◽  
The Public Sphere ◽  
Indian Adaptation

Othello has been the play that seems to speak to current issues of racism and sexism for the last couple of decades. Recent Indian productions have stretched its relevancies further, particularly addressing the politics of identity, of individual and state, of belonging and othering. The 2014 award-winning Assamiya film Othello (We Too Have Our Othellos) appropriates and radicalizes the main concerns of the play to embody and critique the movements for self-determination that continue to rage in the state. The article examines this unusual Indian adaptation of Shakespeare that locates the play directly within the public sphere of the politics of the state through its singular focus on Othello as an ‘outsider’ figure paralleled by other such figures of contemporary Assamese society. It will contextualize the discussion of this film, its production and positioning within the film industry of Assam and attempt to define the nature of its adaptation. It will also glance at its similarities with the earlier film In Othello (2003), which too connected Shakespeare and Assam to illustrate the volatile configurations of the outsider/insider status in contemporary India.

(Un)Liberated and Contested Narratives

2019 ◽  
pp. 334-347
Author(s):  
Bongani C Ndhlovu
Keyword(s):  
South Africa ◽  
Public Sphere ◽  
South African ◽  
Social Cohesion ◽  
Nation Building ◽  
The State ◽  
The Public ◽  
The Public Sphere ◽  
The Many ◽  
Contested Narratives

This chapter analyses the influence of the state in shaping museum narratives, especially in a liberated society such as South Africa. It argues that while the notion of social cohesion and nation building is an ideal that many South African museums should strive for, the technocratisation of museum processes has to a degree led to a disregard of the public sphere as a space of open engagement. Secondly, the chapter also looks at the net-effect of museums professionals and boards in the development of their narrative. It argues that due to the nature of their expertise and interests, and the focus on their areas of specialisation, museums may hardly claim to be representative of the many voices they ought to represent. As such, the chapter explores contestations in museum spaces. It partly does so by exploring the notion “free-spokenness” and its limits in museum spaces. To amplify its argument, the chapter uses some exhibitions that generated critical engagements from Iziko Museums of South Africa.

Don't Talk Back!

2017 ◽  
pp. 85-104
Author(s):  
Edorodion Agbon Osa
Keyword(s):  
Public Sphere ◽  
Public Service ◽  
Cultural Transformation ◽  
The State ◽  
Community Level ◽  
British Imperialism ◽  
The Public ◽  
Public Service Broadcasting ◽  
The Public Sphere

Founded on the philosophy of advancing the course of democracy and acting as a stimulus for socio-cultural transformation at the community level, community broadcasting provides access to the public sphere by making its audience the main characters in the production and dissemination of its messages thus serving as a platform for the expression of the divergent views and opinions that exist at the community level. But almost a century after broadcasting was introduced to Nigeria as part of British imperialism, this grassroots form of broadcasting is yet to fully take off. Starting with a broad examination of public service broadcasting, this chapter discusses the state of community broadcasting in Nigeria, using Habermas' concept of the public sphere, and recommends its improvement given the crucial roles of community broadcasting in the society.

The Necropolitics of Documents and the Slow Death of Prisoners in Turkey

2019 ◽  
pp. 97-117
Author(s):  
Başak Can
Keyword(s):  
Public Sphere ◽  
Health Condition ◽  
State Violence ◽  
The State ◽  
Political Crisis ◽  
The Public ◽  
Penal Institutions ◽  
Multiple State ◽  
The Government ◽  
The Public Sphere

The government used medico-legal documentation of prisoners’ health condition to solve the biopolitical crisis in penal institutions immediately after the end of death fast (2000-2007) and released hundreds of hunger strikers, who suffered from incurable conditions. That the state turned a political crisis into a medical one using the illness clause had unprecedented consequences for how claims are made in the political sphere. Human rights activists, Kurdish and leftist politicians are now using the plight of ill prisoners to make political arguments in the public sphere. The health conditions of political prisoners, specifically the use of the illness clause has thus emerged as one of the most contentious fields in the encounters between the state and its opponents. This chapter examines how temporality works as an instrument of necropolitics through the slow production and circulation of the medico-legal bureaucratic documents that are produced through encounters with multiple state officials. I argue, first, that medico-legal processes surrounding the detainees are mediated through the discretionary sovereign acts of multiple state officials, including but not limited to physicians, and second, that legal medicine as a technology of state violence is central to understanding the intertwined histories of sovereignty and biopolitics in Turkey.

The Politics of Immersive Storytelling

2020 ◽  
pp. 175-190
Author(s):  
Christian Stiegler
Keyword(s):  
Social Media ◽  
Virtual Reality ◽  
Mass Media ◽  
Public Sphere ◽  
20Th Century ◽  
21St Century ◽  
Digital Platforms ◽  
The Public ◽  
Media Logic ◽  
The Public Sphere

This article applies and extends the concept of social media logic to assess the politics of immersive storytelling on digital platforms. These politics are considered in the light of what has been identified as mass media logic, which argues that mass media in the 20th century gained power by developing a commanding discourse that guides the organization of the public sphere. The shift to social media logic in the 21st century, with its grounding principles of programmability, popularity, connectivity, and datafication, influenced a new discourse on the logics of digital ecosystems. Digital platforms such as Facebook are offering all-surrounding mediated environments to communicate in Virtual Reality (‘Facebook Spaces') as well as immersive narratives such as Mr. Robot VR. This article provides an understanding of the politics of immersive storytelling and of its underlying principles of programmability, user experience, popularity, and platform sociality, which define immersive technologies in the 21st century.

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