The Landscape and the Spatial Design Research of the City Wall Ruins Park of the Old City at Xiaoyi

2012 ◽  
Vol 450-451 ◽  
pp. 1057-1060
Author(s):  
Wei Cheng Han ◽  
Rui Shen
2012 ◽  
Vol 450-451 ◽  
pp. 1057-1060
Author(s):  
Wei Cheng Han ◽  
Rui Shen

The city wall ruins park of the old city at Xiaoyi is a ruins park with the city wall as the main body. With the amusement belt formed by the cultural and historical city wall ruins and the moat, and the landscape belt formed by the historical and cultural city block, and also using the design of the space, the water body, the path and the architectural ornaments, the plan focuses on protecting and inheriting the city wall ruins park of the old city at Xiaoyi with the method of protection, restoration, isolation and so on.


2020 ◽  
Vol 52 (4) ◽  
pp. 607-621
Author(s):  
Faedah M. Totah

AbstractThe camp and the city are both important for understanding the relationship between space and identity in the refugee experience of exile. In the Palestinian example, the camp has emerged as a potent symbol in the narrative of exile although only a third of refugees registered with UNRWA live in camps. Moreover, the city and urban refugees remain missing in most of the scholarship on the Palestinian experience with space, exile, and identity. Furthermore, there is little attention to how refugees understand the concept of the city and camp in their daily life. This article examines how Palestinian urban refugees in the Old City of Damascus conceptualized the relationship between the camp and the city. It illustrates how the concept of the camp remained necessary for the construction of their collective national identity while in Syria. However, the city was essential in the articulation of individual desires and establishing social distinction from other refugees. Thus, during a protracted exile it is in the interstice between the city and the camp, where most urban refugees in the Old City situated themselves, that informed their national belonging and personal aspirations.


Author(s):  
T.P. Wiseman

The construction date of the ‘Servian’ wall and its layout in the riverside area between the Aventine and the Capitol are the two main questions addressed in this article. The interlocking topographical problems were addressed in 1988 by Filippo Coarelli, whose interpretation has become the generally accepted orthodoxy. But not all the difficulties have been solved, and with Coarelli's recent return to the subject a fresh examination of the evidence may be helpful. Careful attention is given here to stories of early Rome that involve the walls and gates, as reported in Livy, Dionysius and Plutarch; they are not, of course, taken as authentic evidence for the time of the alleged events, but as indicating what was taken for granted when the stories were first composed. New suggestions are made about a revision of the line of the city wall in 212 BC and the consequent restructuring of two important gates, the Porta Carmentalis and the Porta Trigemina; the mysterious ‘Porta Triumphalis’ is discussed separately in an appendix.


Archaeologia ◽  
1906 ◽  
Vol 60 (1) ◽  
pp. 169-250 ◽  
Author(s):  
Philip Norman ◽  
Francis W. Reader
Keyword(s):  
The Road ◽  

Early in January, 1905, the street called London Wall was opened by the Post Office authorities for the purpose of laying telephone mains. Operations were begun at Moorgate Street and were carried in an easterly direction, a deep trench being dug in the middle of the roadway. The excavations had extended past Salisbury House as far as Circus Place, when it was noticed that among the débris thrown at the side of the road were quantities of ragstone and Roman tile, showing clearly that the city wall was being cut into.


2021 ◽  
Vol 9 (2) ◽  
pp. 51
Author(s):  
Luca Cardani

The architectural work of John Hejduk (1929-2000) is marked by theoretical-design research, collected in series with titles and periods. Among these series the one entitled Masques, developed since about 1979, can be considered the nucleus of his research on the architecture of the city and the place of origin of his language of construction later developed in his realized buildings. This paper analyses the dense network of references and analogies established by Hejduk to create his Masques, trying to fix its origin in the idea of the city as a theatre of characters composed of architecture. Starting from the name chosen for the title of this series, the paper tries to trace the threads that lead from the general work of the various projects of the Masques series, to the reflections and ideas that produced it. Then, it comes back again to the observation of architecture and of a case study (Security, 1989), to understand and explain its meaning and the compositional methods involved into the process of genesis of form. Through the entire work named Masques, and its recognizable link with the buildings and installation realized around the world, Hejduk has built an archive of architectural prototypes ready to construct different parts of the city, thus highlighting the strong connection that his work establishes with reality in order "to conceive it, represent it and finally realize it".


2014 ◽  
Vol 27 (1) ◽  
pp. 121-126
Author(s):  
Ewa Mędela-Kuder
Keyword(s):  
Old City ◽  

Mycological examinations have been carried out in several rooms of the seven monumental architectural complexes situated in the old city of Kraków. The results of examinations have shown considerable pollution in the investigated rooms. Species, such as: <i>Penicillium, Aspergillus</i> and <i>Aureobasidium</i>, have been represented in the most numerous way. In general about thirty species of fungi have been isolated from the air and from the building dividing walls.


2019 ◽  
Vol 8 (2) ◽  
pp. 1
Author(s):  
Mine Kuset Bolkaner ◽  
Selda İnançoğlu ◽  
Buket Asilsoy

Urban furniture can be defined as aesthetics and comfort elements that reflect the identity of a city and enable the urban space to become livable. Urban furniture is an important element of the city in order to improve the quality of urban life, to create a comfortable and reliable environment and to meet the needs of the users in the best way. For designing these elements, the social, economic, cultural and architectural structure of the city should be considered and evaluated. It is important to adapt the urban furniture to the urban texture and to the cultural structure achieving an urban identity, in order to ensure the survival and sustainability of the historical environments. In this study, a study was carried out in the context of urban furniture in Nicosia Walled City, which has many architectural cultures with its historical texture. In this context, firstly the concept of urban identity and urban furniture was explained and then, information about urban furniture was given in historical circles with urban furniture samples from different countries. As a field study, a main axis was determined and the streets and squares on this axis were discussed. These areas have been explored starting from Kyrenia Gate in North Nicosia; İnönü Square, Girne Street, Atatürk Square, Arasta Square, Lokmacı Barricade and on the south side Ledra Street and Eleftherias Square. In this context, the existing furniture in the North and South were determined and evaluated in terms of urban identity accordingly. As a result, it can be suggested that the existing street furniture equipments, especially on the north side, do not have any characteristic to emphasize the urban identity. According to the findings, it was determined that the urban furniture in the streets and squares on the north side is generally older and neglected, and does not provide a unity with the environment, whereas on the south side, these elements on the street and square are relatively new, functional and environmentally compatible.Key words: urban furniture, historical environment, urban identity, Nicosia Old City


2009 ◽  
Vol 52 (1) ◽  
pp. 37-65 ◽  
Author(s):  
Caroline Melly

In every neighborhood of Dakar, Senegal, large houses in various stages of construction stand as witnesses to and evidence of transnational movements of labor and capital. These ambitious building projects, funded by Senegalese migrants living and working abroad, have utterly transformed the city landscape, and their pervasiveness leads many Dakarois to assume that everyone must be migrating. Intended as eventual family homes, investment properties, or a combination of the two, the innovative layouts and architectural flourishes of these not-yet houses echo lives lived elsewhere while drawing on local aesthetics and approaches to spatial design. Though some houses seem to near completion within just a year or two, most structures linger for several years or even a decade, slowly eroding as families and hired contractors wait for money transfers from abroad. Some constructions boast newly laid bricks or fresh paint, while others are obscured by overgrown vegetation and debris.


Author(s):  
Lusine Gushchyan ◽  
◽  
Valentina Fedchenko ◽  

This paper analyses the processes when the ancient multilingual and multicultural city becomes a modern capital of the national state on the example of the cultural‑historical phenomenon of Jerusalem during the decline of a centuries‑old era. Now, due to political and cultural circumstances, the image of the city shifts into a different, tourist business sphere, which, in the current era of postmodernism, accumulates symbolic paradigms. Until recently, Jerusalem remained the last Middle Mediterranean municipal commune in the antique‑medieval sense of the word by virtue of its sacral and supranational status. Over the period from the second half of the 20th century and until 2017, there can be distinguished a process of subordination to the national state, as the owner of the territories and rights in the old city, which is demonstrated by changes in the languages used and in the subjects of the narratives displayed. Being a fragment of empires included in the Balkan‑Levantine area, Jerusalem, in the second half of the 20th century, forms a new local text, gradually losing the topics, inherited from the past.


2016 ◽  
Vol 41 (3) ◽  
pp. 50-55
Author(s):  
Xiaohui Yu ◽  
Fei Wang ◽  
Lina Wang

City wall is an important symbol of ancient Chinese cities with unique geographical and cultural characteristics. Thus, the preservation of this historic landmark is considered significantly important. However, numerous residential construction activities and changes in ecological environment have destructed a great portion of the city walls in recent years. This study looks into the preservation of the ancient city walls from the systematic perspective and in line with the actual characteristics of Longdong Region to provide guideline measures for the protection and restoration of such landmark. Cognition and preservation are adopted extensively to investigate the specific situation of and the factors that influence the ancient city walls in this region. Preservation strategies for the city walls, including the “Axis-Point” system, planning control, and authenticity readability, are presented. The ancient city walls in Longdong Region can be preserved by protecting the entire region, the city, and the main wall body. The systematic method and preservation strategies at the “macro perspective,” “medium perspective” and “micro perspective” levels can solve the preservation problems of the ancient city walls in Longdong Region effectively.


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