WALLS, GATES AND STORIES: DETECTING ROME'S RIVERSIDE DEFENCES

Author(s):  
T.P. Wiseman

The construction date of the ‘Servian’ wall and its layout in the riverside area between the Aventine and the Capitol are the two main questions addressed in this article. The interlocking topographical problems were addressed in 1988 by Filippo Coarelli, whose interpretation has become the generally accepted orthodoxy. But not all the difficulties have been solved, and with Coarelli's recent return to the subject a fresh examination of the evidence may be helpful. Careful attention is given here to stories of early Rome that involve the walls and gates, as reported in Livy, Dionysius and Plutarch; they are not, of course, taken as authentic evidence for the time of the alleged events, but as indicating what was taken for granted when the stories were first composed. New suggestions are made about a revision of the line of the city wall in 212 BC and the consequent restructuring of two important gates, the Porta Carmentalis and the Porta Trigemina; the mysterious ‘Porta Triumphalis’ is discussed separately in an appendix.

Archaeologia ◽  
1967 ◽  
Vol 101 ◽  
pp. 151-168 ◽  
Author(s):  
J. N. L. Myres

The group of medieval and seventeenth-century buildings which forms the subject of this paper lies in the centre of academic Oxford, between the site of the city wall on the north, Exeter College and its garden on the west and south, and the old Schools Quadrangle on the east. It constitutes indeed the heart of the medieval university. In writing to Humphrey, duke of Gloucester, on 14th July 1444 the authorities described the site as eminently suitable for a library because it was somewhat remote from secular noises. In spite of a marked increase in secular noises over the past 500 years in traffic-ridden Oxford, this description remains substantially true today. The buildings, erected then and later, remain in external appearance almost exactly as they are depicted in David Loggan's Oxonia Illustrate. of 1675 (pl. xxvii). They comprise the Divinity School, for which the university was already collecting money and laying the foundations in 1423 ; Duke Humphrey's Library, built over it in the forty-five years following the letter to Duke Humphrey of 1444; Arts End and the Proscholium added at right angles to the east by Sir Thomas Bodley in 1610–12; and Selden End with the Convocation House below, attached similarly to the west in 1637–40. The three upper rooms, Duke Humphrey, Selden End, Arts End, form the core of the ancient buildings of the Bodleian Library: they have been continuously in use for library purposes for between 320 and 360 years.


1970 ◽  
Vol 90 ◽  
pp. 117-120 ◽  
Author(s):  
Mary O. Knox

The interesting thing about the word for ‘palace’ in Homer is that there is no such word. All the words that mean ‘house’ (δόμος, δῶ, δῶμα, μέγαρον, οἶκος, οἰκία) may be applied to a royal palace, but all of them (and their plurals) may equally well be used of the house of an ordinary citizen, μέγαρον is often translated ‘palace’, or some other word with connotations of kingly majesty. But it too, when it is not more narrowly localised to the living-room, means just a house in general.Just as there is no separate word to designate a palace in Homer (τὰ βασίλεια occurs first in Herodotus), so a qualifying adjective is never used to indicate that a particular house is ‘royal’ (the first occurrence of such a periphrasis is βασίλειοι οἶκοι Aeschylus, Ag. 157). In fact, to Homer there is no sharp distinction between a palace and a house, except that a king is likely to have a bigger and better home, more sumptuously furnished.The Iliad and the Odyssey are much concerned with kings. So it is odd that no word serves to designate the king's palace and no other dwelling, especially when the poet so delights in describing the splendour of royal homes (for example, the description of Alcinous' palace and its grounds in Od. vii 81 ff.). The major archaeological sites of the Mycenaean period, in which the main stories of the poems are set, all contain a palace which is easily recognised, even in its ruinous state. Can one imagine a new arrival at a great Mycenaean site needing to be shown which was the palace, as Odysseus was shown at Phaeacia? It seems highly unlikely that the Mycenaeans should have had no special word for a palace, though there is so far no firm evidence for (or against) the existence of such a word in Linear B. If a ‘palace’ word existed, its special significance, if not the word itself, must have been forgotten by Homer's time, when a great many houses might be found within the city wall, as at Smyrna. There may, however, be traces of the ‘palace’ meaning still detectable.In Table 1, which has been compiled from the concordances of Prendergast and Dunbar, I have tabulated the frequency with which each of the regular words for ‘house’ is used to denote a dwelling occupied by gods, lesser divinities, mortals or animals. Various interesting points arise from this table.It is apparent that there is a far higher proportion of gods' houses mentioned in the Iliad than in the Odyssey. The figures for δόμος and δῶμα show this particularly clearly. But the difference is probably due entirely to the subject-matter: far more of the action is taken up with scenes among the gods in the Iliad than in the Odyssey.


2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.


Author(s):  
Aida Khakimova ◽  
Oleg Zolotarev ◽  
Lyudmila Sharapova ◽  
Daler Mirzoev ◽  
Aleksanra Belaya ◽  
...  

The image of the city is a spatio-temporal continuum in which everything is interconnected, it exists as a single monolith expressing itself in the general atmosphere. The visual image of the city may contain two planes of meanings: culturally ratified and universally valid, expressed by cultural codes, and also significant only to those who are viewing the image. Therefore, the content of the visual image depends on who the subject of perception is, what he pays attention to and in what situation the process of perception of the image occurs.


2020 ◽  
pp. 233-248
Author(s):  
Marta Zambrzycka ◽  
Paulina Olechowska

The subject of the article is an analysis of the three aspects of depicting urban space of Eastern Ukraine, focusing specifi cally on the Donbass region and the city of Kharkov as depicted in the novels Voroshilovgrad (2010) and Mesopotamia (2014) by Serhiy Zhadan. The urban space of Eastern Ukraine overlaps with the most important values that shape a person’s personality and aff ect her or his self-identifi cation. The city space is also a “place of memory” and experiences of generations that infl uence current events. In addition to the historical and axiological dimension, the imaginative aspect of space is also important. This approach is used by the author to describe the urban space as a functioning imagination or stereotypes associated with it as opposed to its realistic depiction.


1970 ◽  
Vol 5 (4) ◽  
pp. 13-19
Author(s):  
Cristiane Rosa Guedes ◽  
Bianca Del Ducca Alvarenga ◽  
Isabella Rotella ◽  
Débora Vitória Alexandrina Lisboa Vilella

RESUMOObjetivo: Identificar o significado para o enfermeiro em prestar cuidados para pacientes com Depressão.  Materiais e métodos: Estudo exploratório e descritivo com abordagem qualitativa, a amostra foi de 12 enfermeiras, o cenário de estudo foram Unidades Básicas de Saúde e Estratégias de Saúde da Família, urbanas da cidade de Itajubá-MG. A coleta de dados foi por meio do roteiro de entrevista semiestruturada composta por questionário contendo uma pergunta inerente ao assunto. Resultados: Encontramos oito categorias como estigma da depressão, suicídio, dificuldade em lidar, tempo escasso, envolvimento familiar, aceitação da doença, acolhimento e dar medicamento, de acordo com os discursos dos sujeitos coletados na entrevista. Conclusão: Os enfermeiros não estão em contato direto com portadores de depressão no seu trabalho, não entendem que é sua tarefa identificar e encaminha-los para tratamento especializado. Sugerimos que outros estudos sejam desenvolvidos sobre essa temática.Palavras-chave: Depressão. Relação Enfermeiro-Paciente. Assistência de Enfermagem. ABSTRACTObjective: To identify the meaning for nurses when providing care for patients with depression. Materials and Methods: exploratory and descriptive study with qualitative approach, the sample consisted of 12 nurses, the study scenario was the urban Unidades Básicas de Saúde e Estrategia de Saúde da Família, in the city of Itajubá. Data collection was done through semi-structured interview guides consisting of a questionnaire containing a question related to the subject. Results and Discussion: we found eight categories as stigma of depression, suicide, coping difficulties, scarce time, family involvement, acceptance of the disease, host and give medicine, according to the speeches of the subjects collected in the interview. Conclusion: nurses are not in direct contact with individuals with depression in their work, do not understand that it is their job to identify and refer them to specialized treatment. We suggest that other studies be developed on this theme.Keywords: Depression, Nurse-patient Relationship, Nursing care.


Children ◽  
2021 ◽  
Vol 8 (8) ◽  
pp. 666
Author(s):  
Javier Cachón-Zagalaz ◽  
Déborah Sanabrias-Moreno ◽  
María Sánchez-Zafra ◽  
Amador Jesús Lara-Sánchez ◽  
María Luisa Zagalaz-Sánchez

Physical Education is one of the subjects that arouses the most interest in children. The aim of this study is to find out the opinion that primary school students have about the Physical Education class. Drawings from a sample of 62 students from an educational centre in the city of Jaén, aged between six and eight years old, were analysed. The results show that the larger size of the drawings corresponds to the aspects that are to be emphasised. This subject is carried out regularly in the sports pavilion of the centre, making frequent use of materials such as sticks, hoops or balls. Cheerful colours are used, reflecting their enthusiasm for the subject. The smiling facial expression represents the schoolchildren’s interest in the subject. The most popular games or sports are basketball and pichi, both of them collective.


1975 ◽  
Author(s):  
Edward F. Campbell , Jr.

Ruth, a tale of human kindness and just dealing far beyond the norm, contains elements that for centuries have been the subject of debate. With a sprightly translation and a commentary rich in informed speculation, Professor Campbell considers the questions of layman and scholar alike. Finding no overt mighty acts, the layman asks, “Why was Ruth included in the Bible at all? Where is God?” Professor Campbell shows that God is not only present throughout but is indeed the moving force behind all the developments of the story. Naomi, Ruth, and Boaz each act as God to each other, by taking extraordinary responsibility and performing extraordinary acts of kindness. And it is God who is responsible for the series of coincidences on which the plot hinges. The scholar’s questions deal with such matters as purpose, date, and genre. Professor Campbell’s research into ancient customs and linguistics suggests to him that Ruth is a historical novelette, entertaining and instructive, composed not long after the reign of King David, during the time of Solomon or within the subsequent century. Professor Campbell demonstrates the storyteller’s skill with sensitive analysis of form, pacing, and wordplay. By delving into word origins and nuances he shows how convincingly the characters are developed. One instance: Naomi and Boaz use obsolescent language, emphasizing the generation gap between them and Ruth. In addition, the illustrations help the reader understand unfamiliar elements of the story—the setting, the agricultural seasons and harvesting, the clothing of the times, the city gate where elders and interested villagers gather to make sure that all is done in a just and godly way.


2008 ◽  
Vol 33 (1) ◽  
pp. 72-85
Author(s):  
Fereshteh Habib ◽  
Ibrahim Numan ◽  
Hifsiye Pulhan

In casting a new look at city; this study interprets the urban form in respect of the role played by human perception of space. The main aim of this research at a macro level is to attain a strong theorical basis through a multi-dimensional approach to the city. The method of analyzing and carrying out a critique of it at an applied level will clarify the impact, which cultural factors have in the formation of urban form. This preliminary recognition and idealism is based on a hermeneutic and deductive method that is particular to the intellectual sciences In the process of devising theories, studying the urban planning texts related to the subject of study and the conclusion from the field study which is carried out in the Isfahan Naghshe Jahan square in the Safavy period played a key role in the research in addition to the goals and questions.


2018 ◽  
Vol 18 (2-3) ◽  
pp. 326-356 ◽  
Author(s):  
Azra Hromadžić

Building on more than ten years of ethnographic research in post-war Bosnia-Herzegovina, this article documents discourses and practices of civility as mutuality with limits. This mode of civility operates to regulate the field of socio-political inclusion in Bosnia-Herzegovina; it stretches to include self-described “urbanites” while, at the same time, it excludes “rural others” and “rural others within.” In order to illustrate the workings of civility as mutuality with limits, the focus is on interconnections and messy relationships between different aspects of civility: moral, political/civil, and socio-cultural. Furthermore, by using ethnography in the manner of theory, three assumptions present in theories of civility are challenged. First, there is an overwhelming association of civility with bourgeois urban space where civility is located in the city. However, the focus here is on how civility works in the context of Balkan and Bosnian semi-periphery, suspended between urbanity and rurality. Second, much literature on civility implies that people enter public spaces in ways that are unmarked. As is shown here, however, people’s bodies always carry traces of histories of inequality. Third, scholarship on civility mainly takes the materiality of urban space for granted. By paying careful attention to what crumbling urban space looks and feels like, it is demonstrated how civility is often entangled with, experienced through and articulated via material things, such as ruins. These converging, historically shaped logics, geographies and materialities of (in)civility illustrate how civility works as an “incomplete horizon” of political entanglement, recognition and mutuality, thus producing layers of distinction and hierarchies of value, which place a limit on the prospects of democratic politics in Bosnia-Herzegovina and beyond.


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