Gender Ideologies and the ‘Price’ of Rice in Northeastern India*

2020 ◽  
pp. 232-260
Author(s):  
Sumi Krishna
Keyword(s):  
Gender Ideologies ◽  
Northeastern India

Hostility Toward Men and the Perceived Stability of Male Dominance

2010 ◽  
Vol 41 (3) ◽  
pp. 177-185 ◽  
Author(s):  
Peter Glick ◽  
Jessica Whitehead
Keyword(s):  
Ambivalent Sexism ◽  
Male Dominance ◽  
Gender Ideologies ◽  
Gender Hierarchy ◽  
The Stability

Two studies examined how ambivalent gender ideologies, measured by the Ambivalent Sexism Inventory (ASI) and Ambivalence Toward Men Inventory (AMI), relate to the perceived legitimacy and stability of gender hierarchy. Study 1 showed simple correlations of each ASI and AMI subscale with the perceived legitimacy of gender hierarchy, but only Hostility Toward Men (HM: A traditional, but unflattering view of men as domineering) predicted the perceived stability of gender hierarchy. In Study 2, experimentally priming HM (but not other gender ideologies) increased perceptions of the stability of gender hierarchy. Although HM derides men for acting in a domineering manner, it characterizes men as designed for dominance. By reinforcing the perceived stability of gender hierarchy, HM may undermine women’s motivation to seek change.

Gender, Representation, Experience: The Case of Village Performers in Java

2008 ◽  
Vol 26 (2) ◽  
pp. 140-167 ◽  
Author(s):  
FELICIA HUGHES-FREELAND
Keyword(s):  
Everyday Life ◽  
Gender Representation ◽  
New Order ◽  
Gender Ideologies ◽  
Gender Representations ◽  
Women’S Experiences ◽  
Performance Culture ◽  
Women's Experiences ◽  
Points Of View

This article explores how gender representations are deployed in anthropological analysis with reference to female performers (ledhek) in rural Java during the last decades of Suharto's New Order Indonesia (1966–1998). 1 It shows how the negative ascriptions given to ledheks were consistent with state promulgated gender ideologies in Indonesia, and explores the women's experiences in performances and everyday life. This different standpoint allows us to understand their dancing from the performers’ points of view, rather than from that of official state endorsed ideas of acceptable performance culture.

The role of the female body in contesting and negotiating space in sports for women in rural and urban Zimbabwe

2020 ◽  
Vol 1 (2) ◽  
pp. 93-113
Author(s):  
Obert Bernard Mlambo ◽  
Keyword(s):  
Female Body ◽  
The Body ◽  
Gender Ideologies ◽  
Victorian Culture ◽  
Girl Child ◽  
School Sports ◽  
Rural And Urban ◽  
Gender Ideals ◽  
A Site ◽  
Embodied Practice

This article examined attitudes, knowledge, behavior and practices of men and society on Gender bias in sports. The paper examined how the African female body was made into an object of contest between African patriarchy and the colonial system and also shows how the battle for the female body eventually extended into the sporting field. It also explored the postcolonial period and the effects on Zimbabwean society of the colonial ideals of the Victorian culture of morality. The study focused on school sports and the participation of the girl child in sports such as netball, volleyball and football. Reference was made to other sports but emphasis was given to where women were affected. It is in this case where reference to the senior women soccer team was made to provide a case study for purposes of illustration. Selected rural community and urban schools were served as case references for ethnographic accounts which provided the qualitative data used in the analysis. In terms of methodology and theoretical framework, the paper adopted the political economy of the female body as an analytical viewing point in order to examine the body of the girl child and of women in action on the sporting field in Zimbabwe. In this context, the female body is viewed as deeply contested and as a medium that functions as a site for the redirection, profusion and transvaluation of gender ideals. Using the concept of embodiment, involving demeanor, body shape and perceptions of the female body in its social context, the paper attempted to establish a connection between gender ideologies and embodied practice. The results of the study showed the prevalence of condescending attitudes towards girls and women participation in sports.

Aquatic and semi aquatic Hemiptera community of Sonebeel, the largest wetland of Assam, northeastern India

2018 ◽  
Vol 10 (13) ◽  
pp. 12792-12799
Author(s):  
Anupama Saha ◽  
Susmita Gupta
Keyword(s):  
Species Richness ◽  
Pest Control ◽  
Relative Abundance ◽  
Species Distribution ◽  
Diversity Indices ◽  
Environmental Data ◽  
Northeastern India ◽  
Ecological Roles

Aquatic and semiaquatic Hemiptera bugs play significant ecological roles, and they are important indicators and pest control agents.  Little information is currently available concerning its populations in southern Assam.  This study assessed hemipterans in four sites of Sonebeel, the largest wetland in Assam (3458.12 ha at full storage level), situated in Karimganj District.  The major inflow and outflow of the wetland are the rivers Singla and Kachua, respectively (the Kachua drains into the Kushiyara River).  Samples were trapped with pond nets and were seasonally recorded.  This study recorded a total of 28 species of aquatic and semiaquatic hemipterans belonging to 20 genera under nine families.  Population, geographical and environmental data (e.g., rainfall) were used to assess the relative abundance of species, species richness and different diversity indices, and species distribution. 

Acting Between the Spheres: Charlotte Cushman as Androgyne

1996 ◽  
Vol 37 (2) ◽  
pp. 23-66
Author(s):  
Elizabeth Reitz Mullenix
Keyword(s):  
Nineteenth Century ◽  
Recent Article ◽  
Private Life ◽  
Audience Member ◽  
Gender Ideologies ◽  
Men And Women ◽  
Contemporary Theatre ◽  
Separate Spheres ◽  
Theatrical Performances ◽  
Human Figure

On 29 December 1845, Charlotte Cushman did an extraordinary thing at the Haymarket theatre: she convincingly transformed herself into a man. Audience members who witnessed this performance were captivated by “the transmuting power” of Cushman's “genius” as she became Romeo. This production (and Cushman's Romeo in general) continues to fascinate both contemporary theatre historians and feminist scholars, who are equally impressed with Cushman's seeming ability to create an unsettling paradox. In a recent article, Anne Russell discusses the positive reception that Cushman's Romeo received and questions how the cross-dressed actress could have been so successful “in a period when dominant gender ideologies assumed clearly delineated separate spheres for men and women, when stage reviewers as a manner of routine assessed the ‘womanliness’ or ‘manliness’ of characters and performers.” As Russell explains, the nineteenth-century audience member, critic, and/or commentator read the human figure on stage as either male or female; indeed, such antithetic thinking was pervasive throughout nineteenth-century culture. Cushman was unique, however, in that she repeatedly defied such categorization, both in her theatrical performances and in her “private” life.

Fifteen new species and a new country record of Labomimus Sharp from China, with a checklist of world species (Coleoptera: Staphylinidae: Pselaphinae)

Zootaxa ◽  
2019 ◽  
Vol 4554 (2) ◽  
pp. 497 ◽  
Author(s):  
YU-QING ZHANG ◽  
LI-ZHEN LI ◽  
ZI-WEI YIN
Keyword(s):  
Hong Kong ◽  
New Species ◽  
Southwestern China ◽  
World Species ◽  
Diagnostic Characters ◽  
Northeastern India

The diversity of the ‘Pselaphodes complex’ of genera from Asia remains fragmentally documented. Herein we describe fifteen new species of the genus Labomimus Sharp from China: L. assingi sp. nov. and L. dilatatus sp. nov. from Shaanxi, L. longnan sp. nov. and L. minshanus sp. nov. from Gansu, L. chouwenii sp. nov. from Taiwan, L. yue sp. nov. from Guangdong, L. howaichuni sp. nov. from Hong Kong, L. jinfomontis sp. nov. from Chongqing, L. niger sp. nov. from Sichuan, L. maolan sp. nov. from Guizhou, L. corpulentus sp. nov., L. dulongensis sp. nov., and L. wuchaoi sp. nov. from Yunnan, and L. medogensis sp. nov. and L. qiujianyuae sp. nov. from Xizang. A little known species, L. torticornis (Champion), originally described from Assam, northeastern India, is newly recorded in Yunnan, southwestern China. Illustrations of the habitus and major diagnostic characters of all treated species are provided. A checklist and a distributional map of world species are given. 

scholarly journals Peasants, Colonialism, and Sovereignty: The Garo rebellions in eastern India

2021 ◽  
pp. 1-37
Author(s):  
SANGHAMITRA MISRA
Keyword(s):  
Historical Narrative ◽  
Colonial State ◽  
Colonial India ◽  
Colonial Modernity ◽  
Northeastern India ◽  
British Rule ◽  
Core Elements ◽  
Colonial Archive ◽  
History Of

Abstract This article studies two seismic decades in the history of the Garo community, marked out in colonial records as among the most violent and isolated people that British rule encountered in eastern and northeastern India. Through a densely knit historical narrative that hinges on an enquiry into the colonial reordering of the core elements of the regional political economy of eastern and northeastern India, it will train its focus on the figure of the rebellious Garo peasant and on the arresting display of Garo recalcitrance between 1807 and 1820. Reading a rich colonial archive closely and against the grain, the article will depart from extant historiography in its characterization of the colonial state in the early nineteenth century as well as of its relationship with ‘tribes’/‘peasants’ in eastern and northeastern India. A critique of the idea of primitive violence and the production of the ‘tribe’ under conditions of colonial modernity will occupy the latter half of the article. Here it will argue that the numerous and apparently disparate acts of headhunting, raids, plunder, and burning by the Garos on the lowlands of Bengal and Assam were in fact an assembling of the first of a series of sustained peasant rebellions in this part of colonial India—a powerful manifestation of a community's historical consciousness of the loss of its sovereign self under British rule.

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