The digital news industry

2021 ◽  
pp. 281-290
Author(s):  
Henrik Bødker
Keyword(s):  
Digital News ◽  
News Industry

scholarly journals Connecting the Classroom with the Newsroom in the Digital Age: An Investigation of Journalism Education in the UAE, UK and USA

2019 ◽  
Vol 29 (1) ◽  
pp. 3-22
Author(s):  
Shujun Jiang ◽  
Ali Rafeeq
Keyword(s):  
Journalism Education ◽  
Online Journalism ◽  
News Production ◽  
New Era ◽  
Digital News ◽  
Production Distribution ◽  
The Usa ◽  
Information And Communication ◽  
News Industry ◽  
Production Practices

The development of information and communication technology—internet, mobile computing and easier and wider connectivity—is swiftly transforming the news industry. Conventional news production practices have been disrupted and have evolved to meet the needs of a new era of digital and online journalism. In the age of digital and non-linear journalism, the practices of newsgathering, production, distribution and consumption have changed greatly, creating challenges in journalism education. The converged newsrooms of today demand journalism graduates to have digital news production skills that allow them to easily fit into the routines of digital news production practices. By examining the journalism curricula of selected journalism education programmes in the USA, UK and UAE, as well as interviewing journalism educators, students and practitioners, this research investigated whether and how efforts have been made to align journalism curricula to the needs of the industry.

scholarly journals Perception of Journalistic Content Printed on Paper and on an iPad Case Study

2014 ◽  
pp. 114-127
Author(s):  
Antonio Sanjuán Pérez ◽  
Teresa Nozal Cantarero ◽  
Ana González Neira
Keyword(s):  
Multimedia Content ◽  
Web Page ◽  
Daily Newspaper ◽  
Sample Group ◽  
Print Version ◽  
Intent To Purchase ◽  
Digital News ◽  
News Industry ◽  
The Difference

The introduction of digital tablets and the reduction in their price has meant that the newspaper publishing market has had to adapt itself to a new medium with a heretofore unseen different concept of design and use that is a hybrid between print content and a Web page. The aim of this comparative study is to investigate the reading experience of users in two different media: the print version of a newspaper and a rich PDF version of that newspaper distributed on the iPad. The study aims to contribute to the developing digital news industry with relevant findings regarding the features of current news applications. The study focuses on La Voz de Galicia, a regional daily newspaper with a circulation of more than one hundred thousand copies per day. In this study, we draw conclusions regarding the level of interactivity and multimedia content that the sample group demands from newspaper-related tablet applications, the difference in perception of the journalistic content based on whether the medium is paper or the iPad and the intent to purchase the product. This information is particularly relevant given that it has been obtained from future adults who within a few years will be in a context in which the trend in paid journalistic consumption will decrease while the penetration of tablets in the market will increase.

scholarly journals The Digital Advertising Gap and the Online News Industry in Croatia

2019 ◽  
Vol 9 (18) ◽  
pp. 62-79
Author(s):  
Paško Bilić ◽  
Jaka Primorac
Keyword(s):  
Market Failure ◽  
Public Information ◽  
Online News ◽  
Internet Advertising ◽  
The Internet ◽  
Supporting Evidence ◽  
Information Goods ◽  
Digital News ◽  
News Industry ◽  
The Difference

Internet advertising brought about many changes in communication production, distribution, and consumption. By using critical political economy of communication as the mainstay of our approach, we provide supporting evidence of the ambiguous influence of data-driven advertising dynamic on the news industry and audience habits. We look at what we define as the digital advertising gap, or the difference between the size of the internet advertising market and the total income of digital news’ firms. Digital intermediaries such as Google and Facebook are the final destinations for the majority of internet advertising investments in Europe and Croatia. A multi-sided, internet advertising market creates a fertile ground for the production of untrustworthy journalistic content. The digital advertising gap provides an example of a ‘market failure’ in which the market does not efficiently allocate public information goods. We argue that the confidence in the ability of the market to self-regulate the internet should be re-considered in European and national media policies.

Ben Jonson's Reception of Lucian

2019 ◽  
Vol 26 (2) ◽  
pp. 159-179
Author(s):  
Robert S. Miola
Keyword(s):  
New World ◽  
Ben Jonson ◽  
Thomas Dekker ◽  
The Moon ◽  
True Story ◽  
News Industry ◽  
The Dead

Throughout his career Ben Jonson drew variously upon Lucian, whom he encountered in the mythographies as well as in several Greek and Latin editions he owned. Jonson's receptions take the form of glancing reminiscence in the masques, as Lucian supplies mythological decoration and literary conceit. They appear as transformative allusion in Cynthia's Revels, which draws upon several satirical Dialogues of the Gods, and in The Staple of News, which re-appropriates a favorite satirical dialogue, Timon, the Misanthrope, to satirize the greed of the news industry. Jonson practices an extended and creative imitatio of Lucian's fantastic moon voyages (A True Story and Icaromenippus) in his much neglected News from the New World Discovered in the Moon. And, likewise, Jonson reworks Lucian extensively for the action of Poetaster: The Carousal supplies the lascivious banquet of 4.5, and Lexiphanes, the humiliating purge of Crispinus. Jonson's rich engagement with Lucian comes to a climax in Volpone, which borrows directly from The Dream, and several Dialogues of the Dead. Here whimsical ancient satire enables stern moral allegory. Responding to Poetaster in Satiro-mastix, Thomas Dekker has Captain Tucca rebuke Horace (i.e. Ben Jonson) by sarcastically calling him “Lucian.” Jonson, no doubt, took the proffered insult as the highest compliment.

The Internet Trap

2018 ◽  
Author(s):  
Matthew Hindman
Keyword(s):  
The Internet ◽  
Net Neutrality ◽  
The Public ◽  
Attention Economy ◽  
Digital News ◽  
The Cost ◽  
Over Time

The Internet was supposed to fragment audiences and make media monopolies impossible. Instead, behemoths like Google and Facebook now dominate the time we spend online—and grab all the profits from the attention economy. This book explains how this happened. It sheds light on the stunning rise of the digital giants and the online struggles of nearly everyone else—and reveals what small players can do to survive in a game that is rigged against them. The book shows how seemingly tiny advantages in attracting users can snowball over time. The Internet has not reduced the cost of reaching audiences—it has merely shifted who pays and how. Challenging some of the most enduring myths of digital life, the book explains why the Internet is not the postindustrial technology that has been sold to the public, how it has become mathematically impossible for grad students in a garage to beat Google, and why net neutrality alone is no guarantee of an open Internet. It also explains why the challenges for local digital news outlets and other small players are worse than they appear and demonstrates what it really takes to grow a digital audience and stay alive in today's online economy. The book shows why, even on the Internet, there is still no such thing as a free audience.

News

2018 ◽  
Author(s):  
José van
Keyword(s):  
Big Five ◽  
Data Driven ◽  
Professional Practices ◽  
Public Values ◽  
Social Foundations ◽  
Online Platforms ◽  
News Organizations ◽  
Production And Distribution ◽  
News Industry

This chapter examines how the advent of data-driven publishers, such as BuzzFeed and the Huffington Post, as well as the rise of the Big Five platforms, have shaken the news sector’s economic, technical, and social foundations. The proliferation of online audience metrics and algorithmic filtering, promoting the personalization of news and advertisements, has fundamentally transformed how news is produced, circulated, and monetized. The triangular content–audiences–advertising configuration that constituted the legacy news industry is unbundled and rebundled through online platforms. As a consequence, the professional practices and institutional standards once set by legacy news organizations are seriously challenged. Key public values, such as journalistic independence and the trustworthiness of news, have come under scrutiny as new online players in this sector reconfigure the conditions of production and distribution.

scholarly journals Credibility of Digital Political News in Spain: Comparison between Traditional Media and Social Media

2021 ◽  
Vol 10 (5) ◽  
pp. 170
Author(s):  
Reinald Besalú ◽  
Carles Pont-Sorribes
Keyword(s):  
Social Media ◽  
News Item ◽  
Digital Television ◽  
Fake News ◽  
Traditional Media ◽  
Political News ◽  
Digital News ◽  
Key Factor ◽  
The Mean ◽  
Digital Formats

In the context of the dissemination of fake news and the traditional media outlets’ loss of centrality, the credibility of digital news emerges as a key factor for today’s democracies. The main goal of this paper was to identify the levels of credibility that Spanish citizens assign to political news in the online environment. A national survey (n = 1669) was designed to assess how the news format affected credibility and likelihood of sharing. Four different news formats were assessed, two of them linked to traditional media (digital newspapers and digital television) and two to social media (Facebook and WhatsApp). Four experimental groups assigned a credibility score and a likelihood of sharing score to four different political news items presented in the aforementioned digital formats. The comparison between the mean credibility scores assigned to the same news item presented in different formats showed significant differences among groups, as did the likelihood of sharing the news. News items shown in a traditional media format, especially digital television, were assigned more credibility than news presented in a social media format, and participants were also more likely to share the former, revealing a more cautious attitude towards social media as a source of news.

Writer movements between news outlets reflect political polarization in media

2021 ◽  
pp. 146144482110271
Author(s):  
Nick Hagar ◽  
Johannes Wachs ◽  
Emőke-Ágnes Horvát
Keyword(s):  
News Media ◽  
Political Polarization ◽  
Structural Factors ◽  
Digital News ◽  
The Media ◽  
Or Organization

Digital news outlets rely on a variety of outside contributors, from freelance journalists, to political commentators, to executives and politicians. These external dependencies create a network among news outlets, traced along the contributors they share. Using connections between outlets, we demonstrate how contributors’ publishing trajectories tend to align with outlet political leanings. We also show how polarized clustering of outlets translates to differences in the topics of news covered and the style and tone of articles published. In addition, we demonstrate how contributors who cross partisan divides tend to focus on less explicitly political topics. This work addresses an important gap in the media polarization literature, by highlighting how structural factors on the production side of news media create an ecosystem shaped by political leanings, independent of the priorities of any one person or organization.

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