Virtual Performance Strategies

2021 ◽  
pp. 94-121
Author(s):  
Kate Wolfe Maxlow ◽  
Karen L. Sanzo ◽  
James R. Maxlow
2007 ◽  
Author(s):  
Caroline R. Jannes ◽  
Michael I. Portzky ◽  
Karen Verniers ◽  
Hannelore A. Verbrugge

2018 ◽  
Vol 50 ◽  
pp. 01127
Author(s):  
Aleksandr Pastukhov

The paper reflects important features and developments of doping affair with Russian sportsmen as a media scandal. This communicative event is introduced through the current examples taken from the German national and regional press. The mechanisms of the formation and topicalization of the event are revealed in the paper. The global context of the scandal is covered and exampled by co-referential areas “Sport” and “Olympics”. Their presentation and interpretation occur under conditions of so-called “fake news” and “media performance” strategies. The examples presented in chronological order reflect the communicative dynamics of the media event ‘doping scandal’. The remarkable features of the distinguishing journalistic style and informative media genres are covered in the paper.


2020 ◽  
Vol 17 (3) ◽  
pp. 812-821
Author(s):  
Aylin Özgen Feralan ◽  
Serkan İbiş ◽  
Bülent Okan Micoogullari

Aim: The aim of this study was to examine the performance strategies of volleyball players and also comparison of usage levels of strategies in training and competitions. Method: Total 134 voluntary amateur volleyball players between the ages of 15-24 participated in the study. Performance strategies of volleyball players were determined with Test of Performance Strategies that designed by Thomas et al., (1999). To examine the performance strategies of volleyball players and also comparison of usage levels of strategies in training and competitions Statistical Package for Social Sciences (SPSS) programme was employed. To define possible differences between variables Independent samples t test was used.     Findings: Practice scale’s highly used strategy was self-talk and the lowest usage percentage was attention control. Meanwhile, competition scale results indicated that the highest used strategy was activation and lowest used strategy was relaxation. While comparison of differences between practice and competition scales strategies, it was found that except of goal setting and imagery all other strategies showed significant differences. Conclusions: Psychological performance strategies’ averages of volleyball players were ensured and it is exhibited that to which strategies should be thought and focused. ​Extended English summary is in the end of Full Text PDF (TURKISH) file.​​ Özet Amaç: Bu çalışmanın amacı, voleybolcuların kullandıkları psikolojik performans stratejilerinin incelenmesi ve antrenmanlarda ve müsabakalarda kullanılan stratejilerin kullanım düzeylerinin karşılaştırılmasıdır. Metod: Çalışmaya 15-24 yaş arasında 134 gönüllü voleybolcu katılmıştır. Sporcuların kullandıkları psikolojik performans stratejilerini ve bu stratejilerin düzeylerini belirlemek üzere Thomas ve ark. (1999) tasarladığı Psikolojik Performans Stratejileri testi kullanılmıştır. İstatistiki analizlerin yapılması amacıyla Sosyal Bilimler için İstatistik programı kullanılmıştır. Olası farklılıkların tespiti için Bağımsız Örneklem t testi kullanılmıştır.     Bulgular: Antrenman alt ölçeğinde kullanılan stratejiler arasında en yüksek ortalama kendinle konuşma becerisi; en az kullanılan ise dikkat kontrolü saptanmıştır.  Müsabaka alt ölçeğinde ise en fazla kullanılan strateji olarak da aktivasyon becerisi; en düşük düzeyde kullanılan beceri stratejisi de rahatlama olarak bulunmuştur. Kullanılan becerilerin karşılaştırılması sonucunda hedef belirleme ve imgeleme becerileri dışındaki tüm becerilerde anlamlı farklılık bulunmuştur. Sonuç: Voleybolcuların psikolojik becerileri kullanım düzeyleri ve ne tür becerilerin daha fazla oranda çalıştırılması gerektiği ortaya koyulmuştur.


2007 ◽  
Vol 32 (1) ◽  
pp. 49-67 ◽  
Author(s):  
KLAUS VAN DEN BERG

German director Frank Castorf and his designer Bert Neumann have created a series of productions that have altered the dramaturgy of visual space. Their scenography integrates stage space with other spaces mediated by technology and interlocks taped and/or live mediated images with live performance. Castorf exposes spaces hidden from the audience's direct view to address the question of what ‘truth’ inheres in an image. The philosopher Boris Groys has called this spatial dramaturgy ‘submedial space’. I flesh out Groy's concept with reference to the writings of Walter Benjamin and analyse how Castorf and Neumann create such spaces through performance strategies that blend live and mediated elements. Using Castorf's productions of Final Destination America (2000) and Forever Young (2003) at the Volksbühne Berlin as examples, I argue that the multilayered images and complex spatial configurations thereby created effectively serve Castorf's purposes of political critique.


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