scholarly journals Collections d’ethnographie et musées d’archéologie: entre désaveux muséologiques et jalons de l’histoire des sciences de l’Homme

ORGANON ◽  
2020 ◽  
pp. 75-100
Author(s):  
Adèle Chevalie
Keyword(s):  
Material Culture ◽  
19Th Century ◽  
Human Sciences ◽  
Historical Approach ◽  
The Past ◽  
The 19Th Century

The fact that ethnographical collections, often ancient, are preserved in archaeological museums nowadays might not be obvious. The material culture of living societies is not, indeed, the priority of archaeologists, who are mainly interested in societies of the past. However, a museological and historical approach makes it possible to study these collections and highlight their differential management according to institutions and epistemological developments in the human sciences, since the middle of the 19th century.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

Protozoan infection in archaeological material

1970 ◽  
Vol 80 (1) ◽  
Author(s):  
Marcelo Luiz Carvalho Gonçalves ◽  
Cassius Schnell ◽  
Luciana Sianto ◽  
Francoise Bouchet ◽  
Mathieu Le Bailly ◽  
...  
Keyword(s):  
Monoclonal Antibodies ◽  
19Th Century ◽  
Intestinal Parasites ◽  
Giardia Duodenalis ◽  
Human Feces ◽  
Archaeological Material ◽  
The Past ◽  
Protozoan Infection ◽  
Protein Molecules ◽  
The 19Th Century

The identification of parasites in ancient human feces is compromised by differential preservation of identifiable parasite structures. However, protein molecules can survive the damage of the environment. It was possible to detected antigen of Entamoeba histolytica and Giardia duodenalis in historic and prehistoric human fecal remains using two enzyme immunoassay (ELISA) kits with monoclonal antibodies specific for E. histolytica and G. duodenalis, respectively. Specimens of desiccated feces and ancient latrine sediment from the New and the Old World were examined. The ELISA detected E. histolytica antigen in samples from Argentina, USA, France, Belgium, and Switzerland, dated to about 5300 years BP to the 19th Century AD. G. duodenalis antigen was detected in samples from USA, Belgium, and Germany, dated to about 1200 AD, 1600 AD, and 1700 AD. The detection of protozoan antigen using immunoassays is a reliable tool for the study of intestinal parasites in the past.

scholarly journals Update on Bolognese surgeon Dr. Benedetto Schiassi: the importance of Schiassi’s tentorium

2017 ◽  
Author(s):  
Sergio Sabbatani ◽  
Luca Ansaloni ◽  
Massimo Sartelli ◽  
Federico Coccolini ◽  
Salomone Di Saverio ◽  
...  
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Microbial Contamination ◽  
Scientific Activity ◽  
Risk Of Infection ◽  
Noticeable Increase ◽  
The Past ◽  
Relevant Today ◽  
The 19Th Century

Risk of infection remains a major concern for surgeons. The expansion of surgery towards the end of the 19th century determined a noticeable increase in septicemia and gangrene, and surgeons developed various techniques to limit them. In a previous publication, we reminded our readers of one of the gems of Italian surgery, Dr. Giuseppe Ruggi, who operated in Bologna from the end of 19th to the beginning of the 20th century. To him we owe the introduction and dissemination of the antiseptic method in Bologna. His scientific activity continued with Dr. Benedetto Schiassi, his successor. The techniques used to avoid microbial contamination by the Italian surgeon Dr. Schiassi, are particularly interesting, as Schiassi’s tentorium is still useful. Despite advances in surgical technologies, many innovations to prevent infection in surgery proposed in the past are still relevant today.

scholarly journals Designing the social estate of odnodvortsy of the western provinces in 1831

2017 ◽  
Vol 6 (2) ◽  
pp. 135-140
Author(s):  
Constantin Vadimovich Troianowski
Keyword(s):  
19Th Century ◽  
Legal Status ◽  
Social Hierarchy ◽  
Social Category ◽  
The Past ◽  
Imperial Russia ◽  
The Social ◽  
The Subject ◽  
The Right ◽  
The 19Th Century

This article investigates the process of designing of the new social estate in imperial Russia - odnodvortsy of the western provinces. This social category was designed specifically for those petty szlachta who did not possess documents to prove their noble ancestry and status. The author analyses deliberations on the subject that took place in the Committee for the Western Provinces. The author focuses on the argument between senior imperial officials and the Grodno governor Mikhail Muraviev on the issue of registering petty szlachta in fiscal rolls. Muraviev argued against setting up a special fiscal-administrative category for petty szlachta suggesting that its members should join the already existing unprivileged categories of peasants and burgers. Because this proposal ran against the established fiscal practices, the Committee opted for creating a distinct social estate for petty szlachta. The existing social estate paradigm in Russia pre-assigned the location of the new soslovie in the imperial social hierarchy. Western odnodvortsy were to be included into a broad legal status category of the free inhabitants. Despite similarity of the name, the new estate was not modeled on the odnodvortsy of the Russian provinces because they retained from the past certain privileges (e.g. the right to possess serfs) that did not correspond to the 19th century attributes of unprivileged social estates.

scholarly journals Development of hospital treatment of persons with mental disorders

2011 ◽  
Vol 139 (suppl. 1) ◽  
pp. 6-9 ◽  
Author(s):  
Milutin Nenadovic
Keyword(s):  
Mental Health ◽  
19Th Century ◽  
Psychiatric Patients ◽  
Psychiatric Hospitals ◽  
Hospital Treatment ◽  
Social Community ◽  
Mental Patients ◽  
The Past ◽  
15Th Century ◽  
The 19Th Century

Discordances of harmonic mental functioning are as old as the human kind. Psychopathological behaviour of an individual in the past was not treated as an illness. That means that psychopathology was not considered an illness. In all past civilizations discordance of mental harmony of an individual is interpreted from the physiological aspect. Psychopathologic expression was not considered an illness, so social attitudes about psychiatric patients in the past were non-medical and generally speaking inhuman. Hospitals did not follow development of medicine for admission of psychiatric patients in past civilizations, not even in the antique era. According to historic sources, the first hospital that was meant for mental patients only was established in the 15th century, 1409 in Valencia (Spain). Therefore mental patients were isolated in a special institution-hospital, and social community rejected them. Only in the new era psychopathological behavior begins to be treated as an illness. Therefore during the 19th century psychiatry is developed as a special branch of medicine, and mental disorder is more and more seen according to the principals of interpretation of physical illnesses. By the middle of the 19th century psychiatric hospitals are humanized, and patients are being less physically restricted. Deinstitutialisation in protection of mental health is the heritage of reforms from the beginning of the 19th century which regarded the prevention of mental health protection. It was necessary to develop institutions of the prevention of protection in the community which would primarily have social support and characteristics.

scholarly journals The Study of Religious Customs and Traditions of the Nanai in Russian Science (Pre-Revolutionary Context) and the Experience of Their Systematization in the Literary Ethnography of Venedikt Mart

2020 ◽  
pp. 137-147
Author(s):  
Kseniya A. Zemlyanskaya ◽  
Keyword(s):  
Material Culture ◽  
19Th Century ◽  
Russian Far East ◽  
Far East ◽  
Literary Form ◽  
Russian Science ◽  
Close Study ◽  
Wedding Ceremony ◽  
New Generation ◽  
The 19Th Century

In the 19th – early 20th centuries, the Nanai were one of the largest Tungus-Manchu peoples of the Russian Far East. A close study of their traditions and customs began in the middle of the 19th century, when numerous ethnographic expeditions of researchers (L.I. Shrenk, R.K. Maak, K.I. Maksimovich) were sent to the Amur. First of all, the researchers were interested in the material culture of the Nanai, the issues of religion were touched upon in the mainstream of ethnographic research. In the last quarter of the 19th century, the attention of researchers was directed to the description of Nanai rites of passage (D. Kropotkin, P.P. Shimkevich). Scientific expeditions of the early 20th century were aimed at describing the spiritual culture of the Nanai and its reflection in material culture (I.A. Lopatin, L.Ya. Sternberg). The description of the religious beliefs of the Nanai was recorded as a result of the missionary activities of Blagoveshchensk and Vladivostok dioceses. In 1932, the former Far East writer Venedikt Mart published the story “Dere – the Water Wedding”, where he accumulates and systematizes the accumulated knowledge about the Nanai people in literary form, introducing certain elements of fiction. Despite the fact that Venedikt Mart writes about the denial of religious customs and traditions by the new generation of Nanai, nevertheless, the story itself is, in fact, clearly fixed at its core by the content of the wedding ceremony

scholarly journals ANATOMY OF AN OCCUPATION IN ARTISTIC UPRISING (INTIFADA) PALESTINE

2020 ◽  
Vol 9 (73) ◽  
Keyword(s):  
19Th Century ◽  
Art History ◽  
Turning Point ◽  
War Memory ◽  
Oslo Accords ◽  
The Past ◽  
Mona Hatoum ◽  
Social War ◽  
The 19Th Century ◽  
State Of Israel

This research covers an examination of the effects of the ongoing war in Palestine on artists of Palestinian origin and their works that can be considered as “uprising (intifada)”. Although the beginning of the Palestine-Israel conflict can be dated back to the end of the 19th century, the turning point has been known as 1948 when the State of Israel was officially declared. While the year 1948 means victory for the Israelis, this date was imprinted on the memories of the Palestinians as a “Catastrophe (nakba in Arabic)”. The First Palestinian Intifada (uprising), which took place twice in Palestine from 1987 to 1993 (the period from the signing of the Oslo Accords and the Palestinian uprising against the occupation of Palestinian lands), the second Palestinian Intifada (uprising) from September 2000 to 2005 and the interim periods when the artists came to the fore with their works were evaluated within the scope of the uprisings. Artists who attempt to trace the traces of individual and social war memory, notably those such as Mona Hatoum, Emily Jacir and Dana Awartani, were addressed within the scope of the research on the works of artists of Palestinian origin. As a result, the works of artists, who have been continuing in Palestine from the past to the present and cannot easily isolate themselves from the conflicts, will take their place in art history as the anatomy of an occupied society by war. Keywords: war, art, Intifada art, Palestinian artists, occupation

scholarly journals The Napoleonic epopee of polish soldiers in the art of Juliusz Kossak

1970 ◽  
Vol 24 ◽  
pp. 217-228
Author(s):  
Oleg W. Szeremietiew
Keyword(s):  
19Th Century ◽  
Napoleonic Wars ◽  
The Past ◽  
The 19Th Century

The article addresses the oeuvre devoted to the Napoleonic Wars by eminent Polish battle painter and illustrator of the 2nd half of the 19th century, Juliusz Kossak (the founder of a dynasty of artists). Many of the artist’s pictures and watercolours show Polish soldiers, participants of the Epopee. They reflected not only the work and research of the master and his vision of the past, but also the patriotic idea of the revival of Poland and its nation.  

Epidemics as Leisure Killers: The Transformation of Japan’s Entertainment Industry in the Second Half of the 19th Century

2021 ◽  
Vol 31 (1) ◽  
pp. 195-217
Keyword(s):  
19Th Century ◽  
Social Disorganization ◽  
The Other ◽  
Entertainment Industry ◽  
Economic Changes ◽  
The Past ◽  
The Common ◽  
The Individual ◽  
The 19Th Century

Among the various human attitudes toward a pandemic, along with fear, despair and anger, there is also an urge to praise the catastrophe or imbue it with some sort of hope. In 2020 such hopes were voiced in the stream of all the other COVID-19 reactions and interpretations in the form of predictions of imminent social, political or economic changes that may or must be brought on by the pandemic, or as calls to “rise above” the common human sentiment and see the pandemic as some sort of cruel-but-necessary bitter pill to cure human depravity or social disorganization. Is it really possible for a plague of any kind to be considered a relief? Or perhaps a just punishment? In order to assess the validity of such interpretations, this paper considers the artistic reactions to the pandemics of the past, specifically the images of the plague from Alexander Pushkin’s play Feast During the Plague, Antonin Artaud’s essay “The Theatre and the Plague” and Albert Camus’s novel The Plague. These works in different ways explore an attitude in which a plague can be praised in some respect. The plague can be a means of self-overcoming and purification for both an individual and for society. At the same time, Pushkin and Camus, each in his own way and by different means, show the illusory nature of that attitude. A mass catastrophe can reveal the resources already present in humankind, but it does not help either the individual or the society to progress.

Menschliche Individualität

2021 ◽  
Author(s):  
Martin Hoffmann
Keyword(s):  
19Th Century ◽  
Philosophical Anthropology ◽  
Human Sciences ◽  
Philosophical Theory ◽  
Essential Characteristic ◽  
Epistemological Foundation ◽  
Human Type ◽  
Epistemic Access ◽  
The 19Th Century

It is part of our self-understanding as humans to ascribe individuality to. But what our particular individuality consists of cannot be generally determined, because the concept of individuality aims precisely at the uniqueness and unmistakability of each individual. A philosophical theory of human individuality must therefore essentially be a theory of human self-understanding. The book substantiates this thesis both in philosophical-historical and in philosophical-systematical perspective. The author takes up problem descriptions from the founding phase of human sciences in the 19th century and develops a proposal that identifies a specifically human type of epistemic access to oneself as an essential characteristic of human individuality. The epistemological foundation of philosophical anthropology presented in this study is thus simultaneously an innovative contribution to the hermeneutics of the human self.

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