scholarly journals The brief analysis of the paintings of the Zhi Qing Period artists in Heilongjiang Province

2021 ◽  
pp. 22-33
Author(s):  
Л. Гао
Keyword(s):  
Human Life ◽  
Point Of View ◽  
Chinese Art ◽  
Heilongjiang Province ◽  
Youth Movement ◽  
Historical Processes ◽  
History Of ◽  
Creative Experience ◽  
1960S And 1970S ◽  
The 1960S

Движение «Образованная молодежь» (Чжи Цин) — беспрецедентное социальное явление в истории, просуществовавшее более десяти лет, — охватывало более половины семей в городах Китая и полностью изменило судьбу целого поколения. В провинции Хэйлунцзян находилась большая группа Чжи Цин. Сюда, а именно в Тункинский край провинции, приезжало очень много молодежи из Пекина, Тяньцзиня, Шанхая, Чжэцзяна и других мест. Таким образом, по статистике в 1960–1970-х годах в Хэйлунцзяне насчитывалось 1936900 членов Чжи Цин. Здесь было немало тех, кто просто любил заниматься искусством, а много лет спустя стал известным в стране живописцем, и благодаря им живописная история Хэйлунцзяна 1960–1970-х стала яркой страницей в мировом искусстве. Этот период истории противоречив, и возможности для художественного творчества тоже были ограничены, тем не менее в картинах художников Чжи Цин соединилась искренняя творческая страсть с восприятием исторических процессов и личным мировоззрением. Молодые художники этого периода выразили свое понимание трудностей человеческой жизни, воспевали трудолюбие, позволяющее преодолевать трудности, в картинах отражена своеобразная красота холодного края и реализм жизненных ситуаций. Однако самое главное, что объединяет все работы художников движения Чжи Цин, это любовь и трудолюбие в стойком служении искусству. Этот незабываемый творческий опыт имеет для современного искусства безусловную ценность как с исторической и художественной точек зрения, так и в аспекте коллекционной работы. По прошествии многих лет автор исследования возвращается к этому периоду искусства Китая, чтобы изучить основные характерные черты творчества художников Чжи Цин, работавших в провинции Хэйлунцзян, определить историческую ситуацию, повлиявшую на их произведения, и провести предварительный анализ, благодаря которому станет возможным глубже и полнее увидеть это уникальное явление в истории современного искусства. The Educated Youth Movement (Zhi Qing), an unprecedented social phenomenon in history that has existed for more than ten years, reached more than half of families in Chinese cities and completely changed the fate of an entire generation. There was a large group of Zhi Qing members in Heilongjiang Province. A lot of young people came there from Beijing, Tianjin, Shanghai, Zhejiang and other places. Thus, according to statistics, in the 1960s and 1970s, there were 1,936,900 Zhi Qing members in Heilongjiang. There were many who simply loved to do art, and many years later became a famous painter in the country, and thanks to them the picturesque history of Heilongjiang of the 1960s – 1970s became a bright page in world art. This period of history is controversial, and the possibilities for artistic creation were also limited, nevertheless, in the paintings of the Zhi Qing artists, a sincere creative passion was combined with the perception of historical processes and a personal worldview. Young artists of this period expressed their understanding of the difficulties of human life, praised industriousness that allows one to overcome difficulties, the pictures reflect the peculiar beauty of the cold edge and the realism of life situations. However, the most important thing that unites all the works of the artists of the Zhi Qing movement is love and hard work in persistent service to art. This unforgettable creative experience is of unconditional value for contemporary art, both from a historical and artistic point of view, as well as in the aspect of collecting work. Over the years, the author of the study returns to this period of Chinese art in order to study the main characteristics of the work of Zhi Qing artists who worked in Heilongjiang province, to determine the historical situation that influenced their works, and to conduct a preliminary analysis, thanks to which it will be possible to see deeper and more fully this unique phenomenon in the history of modern art.

Thanato-Laboratorien. Theorien von Tod und Sterben und Elias Canettis Buch gegen den Tod

2020 ◽  
Vol 4 (1) ◽  
pp. 67-86
Author(s):  
Elisabeth Heyne
Keyword(s):  
Human Life ◽  
Death And Dying ◽  
Point Of View ◽  
Visual Images ◽  
Elias Canetti ◽  
History Of ◽  
Series Of Experiments ◽  
First Time ◽  
Textual Form ◽  
Or History

AbstractAlthough visual culture of the 21th century increasingly focuses on representation of death and dying, contemporary discourses still lack a language of death adequate to the event shown by pictures and visual images from an outside point of view. Following this observation, this article suggests a re-reading of 20th century author Elias Canetti. His lifelong notes have been edited and published posthumously for the first time in 2014. Thanks to this edition Canetti's short texts and aphorisms can be focused as a textual laboratory in which he tries to model a language of death on experimental practices of natural sciences. The miniature series of experiments address the problem of death, not representable in discourses of cultural studies, system theory or history of knowledge, and in doing so, Canetti creates liminal texts at the margins of western concepts of (human) life, science and established textual form.

MINING THE ARCHIVES: A POTTERY SEQUENCE FOR BORNO, NIGERIA

2003 ◽  
Vol 1 (1) ◽  
pp. 39-76 ◽  
Author(s):  
Graham Connah ◽  
S.G.H. Daniels
Keyword(s):  
Large Body ◽  
Archaeological Research ◽  
Independent Data ◽  
Frankfurt Am Main ◽  
Archaeological Pottery ◽  
New Findings ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
Johann Wolfgang Goethe

New archaeological research in Borno by the Johann-Wolfgang-Goethe-Universität, Frankfurt am Main, Germany, has included the analysis of pottery excavated from several sites during the 1990s. This important investigation made us search through our old files for a statistical analysis of pottery from the same region, which although completed in 1981 was never published. The material came from approximately one hundred surface collections and seven excavated sites, spread over a wide area, and resulted from fieldwork in the 1960s and 1970s. Although old, the analysis remains relevant because it provides a broad geographical context for the more recent work, as well as a large body of independent data with which the new findings can be compared. It also indicates variations in both time and space that have implications for the human history of the area, hinting at the ongoing potential of broadscale pottery analysis in this part of West Africa and having wider implications of relevance to the study of archaeological pottery elsewhere.

Why Diamonds Really are a Girl's Best Friend: Another American Narrative

Daedalus ◽  
2012 ◽  
Vol 141 (1) ◽  
pp. 89-100
Author(s):  
Linda K. Kerber
Keyword(s):  
The United States ◽  
Cultural Practice ◽  
Legal Tradition ◽  
Domestic Relations ◽  
Recent Developments ◽  
American Law ◽  
History Of ◽  
The Republic ◽  
1960S And 1970S ◽  
The 1960S

The old law of domestic relations and the system known as coverture have shaped marriage practices in the United States and have limited women's membership in the constitutional community. This system of law predates the Revolution, but it lingers in U.S. legal tradition even today. After describing coverture and the old law of domestic relations, this essay considers how the received narrative of women's place in U.S. history often obscures the story of women's and men's efforts to overthrow this oppressive regime, and also the story of the continuing efforts of men and some women to stabilize and protect it. The essay also questions the paradoxes built into American law: for example, how do we reconcile the strictures of coverture with the founders' care in defining rights-holders as “persons” rather than “men”? Citing a number of court cases from the early days of the republic to the present, the essay describes the 1960s and 1970s shift in legal interpretation of women's rights and obligations. However, recent developments – in abortion laws, for example – invite inquiry as to how full the change is that we have accomplished. The history of coverture and the way it affects legal, political, and cultural practice today is another American narrative that needs to be better understood.

scholarly journals Dyskursywnie o dyskursie

2006 ◽  
pp. 89-96
Author(s):  
Ewa Sławkowa
Keyword(s):  
Modern Human ◽  
Social Practices ◽  
Human Sciences ◽  
Feminist Discourse ◽  
History Of ◽  
Discourse Studies ◽  
Political Speeches ◽  
Characteristic Evolution ◽  
1960S And 1970S ◽  
The 1960S

The article presents a lexical and semantic study of the discourse, one of the most widespread terms of modern human sciences. We begin with etymology, and then demonstrate various stages of the development of the meaning of the term in the history of Polish. The lexem “discourse”, well established in the linguistic tradition of Polish, has undergone a characteristic evolution: first, a borrowing from Latin (discurere – “go in diverse directions”), it then became popular in the 16th through 18th centuries as a rhetorically marked Polish (particularly with the view of political speeches and sermons) to signal a kind of discussion and logical exposition of argumentation. Recent contemporary Polish gives this term a slightly archaic and bookish sense. At the same time, however, “discourse” has become a strictly scientific, scholarly term which carved for itself a special discipline of research (discourse studies). In the 1960s and 1970s the work of such linguists as Emile Benveniste or Roman Jakobsen helped to shape the meaning of discourse as a process of speaking, an interactive and dialogic communicative behaviour which sees language as conditioned by diverse social practices and/or ideologies (e.g. historical, scholarly, or feminist discourse).

Out of Empire into Socialist Modernity

2021 ◽  
Vol 41 (1) ◽  
pp. 56-70
Author(s):  
Steffi Marung
Keyword(s):  
Soviet Union ◽  
Eastern Europe ◽  
Intellectual History ◽  
Post Colonial ◽  
The Soviet Union ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Relationship

AbstractIn this article the Soviet-African Modern is presented through an intellectual history of exchanges in a triangular geography, outspreading from Moscow to Paris to Port of Spain and Accra. In this geography, postcolonial conditions in Eastern Europe and Africa became interconnected. This shared postcolonial space extended from the Soviet South to Africa. The glue for the transregional imagination was an engagement with the topos of backwardness. For many of the participants in the debate, the Soviet past was the African present. Focusing on the 1960s and 1970s, three connected perspectives on the relationship between Soviet and African paths to modernity are presented: First, Soviet and Russian scholars interpreting the domestic (post)colonial condition; second, African academics revisiting the Soviet Union as a model for development; and finally, transatlantic intellectuals connecting postcolonial narratives with socialist ones. Drawing on Russian archives, the article furthermore demonstrates that Soviet repositories hold complementary records for African histories.

Catholic (Non)Feminism

2020 ◽  
pp. 70-104
Author(s):  
Mary J. Henold
Keyword(s):  
Catholic Church ◽  
Vatican Ii ◽  
Organizational Structures ◽  
National Council ◽  
Feminist Activism ◽  
Vatican Council ◽  
Catholic Women ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S

In this chapter, the history of the National Council of Catholic Women in the 1960s and 1970s – the years during and following Vatican II – is reassessed. The NCCW has been commonly perceived as a powerful anti-feminist organization for Catholic laywomen that was controlled by the Catholic hierarchy, but its archives reveal a sustained effort to engage with feminist ideas after the Second Vatican Council. Although most of the NCCW’s leadership did not self-identify as feminist, the group espoused many feminist beliefs, particularly about women’s leadership, opportunity, challenging ideas about women’s vocation, and women’s right to participate fully in the life of the Catholic church. The NCCW, under the leadership of Margaret Mealey, developed new organizational structures, educational programs, and publications to educate their membership about changing gender roles and the need to press the church for greater inclusion. Comparison to the international organization the World Union of Catholic Women’s Organizations (WUCWO), reveals the limitations of their feminism, however. Whereas WUCWO was willing to openly embrace feminism and feminist activism, NCCW was divided and preferred not to self-identify as feminist.

Coming Home: Portraying Japanese Baseball on the Silver Screen

2018 ◽  
Author(s):  
Christopher T. Keaveney
Keyword(s):  
Middle Class ◽  
Early History ◽  
Japanese Cinema ◽  
Avant Garde ◽  
Hollywood Films ◽  
History Of ◽  
Baseball Films ◽  
1960S And 1970S ◽  
The 1960S ◽  
Important Marker

Chapter 3 examines the long history of baseball films in Japan, a tradition nearly as old as the history of Japanese cinema itself. After a brief survey of the early history of cinema in Japan, a tradition whose history parallels that of the game of baseball chronologically, the study focuses on early shomingeki films and explores how baseball became an important marker of domesticity and middle class respectability in this genre of film in the 1930s. The chapter then examines several pivotal films in the postwar era, examining how baseball was used alternately to perpetuate a national hero in Suzuki Hideo’s Immortal Pitcher (1955) or to chart the corruption and greed surrounding professional baseball as in Kobayashi Masaki’s I Will Buy You (1956). In the 1960s and 1970s, as young filmmakers arose to challenge the dominance of the great postwar filmmakers and to produce often avant-garde and politically charged films that reflected an international challenge to the hegemony of Hollywood films, the baseball film was again adopted as a means to offer that challenge. Ōshima Nagisa’s Ceremonies, in a film that contests the very concept of the baseball film, uses baseball as a metaphor for the Japan’s abandonment of its citizens during the war. The recent splatter comedy baseball films of Yamaguchi Yūdai likewise play with the familiar tropes of Japanese baseball and of the baseball hero as antihero in problematizing the very concept of the baseball film.

scholarly journals “Un orgullo de Cuba en los cielos del mundo”. Cubana de aviación from Miami to Bagdad (1946–79)

2019 ◽  
Vol 40 (1) ◽  
pp. 62-81
Author(s):  
Etienne Morales
Keyword(s):  
Latin American ◽  
Labour Force ◽  
Cuban Revolution ◽  
East Berlin ◽  
Santiago De Chile ◽  
Before And After ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
American Flag

This article focuses on the transformation of the carrier Cubana de aviación before and after the 1959 Cuban revolution. By observing Cubana's management, labour force, equipment, international passenger and freight traffic, this article aims to outline an international history of this Latin American flag carrier. The touristic air relationships between the American continent and Spain that could be observed in the 1950s were substituted – in the 1960s and 1970s – by a web of political “líneas de la amistad” [Friendship Flights] with Prague, Santiago de Chile, East Berlin, Lima, Luanda, Managua, Tripoli and Bagdad. This three-decade period allows us to interrogate breaks and continuities in the Cuban airline travel sector and to challenge the traditional interpretations of Cuban history. This work is based on diplomatic and corporative archives from Cuba, United States, Canada, Mexico, Spain and France and the aeronautical international press.

‘Morals can not be drawn from facts but guidance may be’: the early life of W.D. Hamilton's theory of inclusive fitness

2015 ◽  
Vol 48 (4) ◽  
pp. 543-563 ◽  
Author(s):  
SARAH A. SWENSON
Keyword(s):  
Social Order ◽  
Inclusive Fitness ◽  
Point Of View ◽  
The Political ◽  
Selfish Gene ◽  
New Synthesis ◽  
Sociopolitical Context ◽  
History Of ◽  
The 1960S ◽  
New Social Order

AbstractW.D. Hamilton's theory of inclusive fitness saw the evolution of altruism from the point of view of the gene. It was at heart a theory of limits, redefining altruistic behaviours as ultimately selfish. This theory inspired two controversial texts published almost in tandem, E.O. Wilson's Sociobiology: The New Synthesis (1975) and Richard Dawkins's The Selfish Gene (1976). When Wilson and Dawkins were attacked for their evolutionary interpretations of human societies, they claimed a distinction between reporting what is and declaring what ought to be. Can the history of sociobiological theories be so easily separated from its sociopolitical context? This paper draws upon unpublished materials from the 1960s and early 1970s and documents some of the ways in which Hamilton saw his research as contributing to contemporary concerns. It pays special attention to the 1969 Man and Beast Smithsonian Institution symposium in order to explore the extent to which Hamilton intended his theory to be merely descriptive versus prescriptive. From this, we may see that Hamilton was deeply concerned about the political chaos he perceived in the world around him, and hoped to arrive at a level of self-understanding through science that could inform a new social order.

scholarly journals ‘HIGH POLITICS’ AND THE ‘NEW POLITICAL HISTORY’

2010 ◽  
Vol 53 (2) ◽  
pp. 453-475 ◽  
Author(s):  
DAVID M. CRAIG
Keyword(s):  
Political History ◽  
History Of Ideas ◽  
The Political ◽  
Political Behaviour ◽  
Political World ◽  
History Of ◽  
Michael Oakeshott ◽  
1960S And 1970S ◽  
The 1960S ◽  
High Politics

ABSTRACTRecent claims about the convergence in methodology between ‘high politics’ and the ‘new political history’ remain unclear. The first part of this review examines two deeply entrenched misunderstandings of key works of high politics from the 1960s and 1970s, namely that they proposed elitist arguments about the ‘closed’ nature of the political world, and reductive arguments about the irrelevance of ‘ideas’ to political behaviour. The second part traces the intellectual ancestry of Maurice Cowling's thinking about politics, and places it within an interpretative tradition of social science. The formative influences of R. G. Collingwood and Michael Oakeshott are examined, and Mark Bevir's Logic of the history of ideas is used to highlight how Cowling's approach can be aligned with ‘new political history’.

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