scholarly journals Exploring late Victorian (Co-)Authorship: Two Models of Popular Literary Collaboration

2021 ◽  
pp. 33-54
Author(s):  
Annachiara Cozzi
Keyword(s):  
Creative Process ◽  
Popular Literature ◽  
The Other ◽  
Victorian Era ◽  
Martin Ross ◽  
Fertile Ground ◽  
Literary Collaboration ◽  
Edith Somerville ◽  
Walter Besant ◽  
Vast Range

The lively and competitive popular literary market of the late Victorian era provided fertile ground for the development of an unprecedented number of alliances between authors. Literary collaboration triggered writers and readers alike, and in the 1880s and 1890s it became a fashionable practice of popular literature. Two writing partnerships stood out: the English friends Walter Besant and James Rice, and the Anglo-Irish cousins Edith Somerville and Violet (Martin) Ross. Apparently similar, these partnerships do indeed share some points, but they were based on completely different understandings of what literary collaboration was and how it should be handled: Besant and Rice’s alliance was based on a clear, almost mechanical division of tasks, with one partner being the literary ‘genius’ and the other working as his assistant and manager – but still to be considered an author; Somerville and Ross’s collaboration was grounded on an intertwining of their selves during the creative process thanks to a conversational method – as they called it – which they described as the mixing of primary colours to create secondary ones. Drawing on a vast range of metadiscourses by these collaborators themselves, the present study compares the two ways of collaborating and reconstructs the authors’ perspective on their own activity, shedding light on how literary collaboration was defined and understood in the late Victorian era. This will also help to understand why such a widespread practice swiftly declined and why its products have since then sunk into oblivion.

The image of a modern shaman. A literary example of Ida Brzezińska

2021 ◽  
Vol 37 (2) ◽  
pp. 117-134
Author(s):  
Angelika Moskal
Keyword(s):  
21St Century ◽  
Popular Literature ◽  
The Other ◽  
The World ◽  
Evil Spirits ◽  
The Dead ◽  
The Way

Abstract: The shaman figure is most often associated with primitive communities, inhabiting, among others Siberia. The shaman plays one of the most important roles in them - he is an intermediary between the world of people and the world of spirits. Responds to, among others for the safe passage of souls to the other side and protects her from evil spirits. However, is there room for representatives of this institution in contemporary Polish popular literature? How would they find themselves in the 21st century? The article aims to show the interpretation of the shaman on the example of Ida Brzezińska, the heroine of the books of Martyna Raduchowska. I intend to introduce the role and functions of the „shaman from the dead”, juxtaposing the way Ida works (including reading sleepy margins from a rather unusual dream catcher, carrying out souls and the consequences that await in the event of failure or making contact with the dead) with the methods described by scholars shamans. The purpose of the work is to show how much Raduchowska tried to adapt shamanism in her work by modernizing it, and how many elements she added from herself to make the story more attractive.

1. On the Philological Genius and Character of the Neo-Hellenic Dialect

1875 ◽  
Vol 8 ◽  
pp. 31-31
Author(s):  
Blackie
Keyword(s):  
Middle Ages ◽  
Present State ◽  
Historical Review ◽  
Popular Literature ◽  
The Other ◽  
Greek Language ◽  
Modern Language ◽  
The Past ◽  
History Of ◽  
Of Greece

The Author showed by a historical review of the fortunes of Greece, through the Middle Ages, and under the successive influences of Turkish conquest and Turkish oppression, how the Greek language had escaped corruption to the degree that would have caused the birth of a new language in the way that Italian and the other Roman languages grew out of Latin. He then analysed the modern language, as it existed in current popular literature before the time of Coraes, that is, from the time of Theodore Ptochoprodromus to nearly the end of the last century, and showed that the losses and curtailments which it had unquestionably suffered in the course of so many centuries, were not such as materially to impair the strength and beauty of the language, which in its present state was partly to be regarded as a living bridge betwixt the present and the past, and as an altogether unique phenomenon in the history of human speech.

Acts 7.3 and Samaritan Chronology

1996 ◽  
Vol 42 (1) ◽  
pp. 156-160
Author(s):  
Wayne Litke
Keyword(s):  
The Other ◽  
Source Criticism ◽  
Fertile Ground

The Speech of Stephen in Acts 7 has become a fertile ground for source criticism. It has been argued that because the speech in Acts 7 is so different from the other ones in Acts, it was likely not written by Luke himself. The suggestion that we have in this speech a verbatim account of Stephen's defence has been virtually laid to rest by scholars, with the recognition that the speech does not fit in its context as a defence against the charges levelled at Stephen (Acts 6.13–14). Enough evidence, however, of Lucan redaction has been found in Acts 7 to suggest to a number of scholars that the speech comes essentially from Luke, either as the author of the whole speech, or as the composer of the speech with use of earlier materials.

Listening for the Pictures

Resonance ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 182-191
Author(s):  
D. Michael Cheers
Keyword(s):  
Civil Rights ◽  
Creative Process ◽  
Cape Town ◽  
The Other ◽  
Pulitzer Prize ◽  
Civil Rights Era ◽  
Nelson Mandela ◽  
The World ◽  
The Moment ◽  
The Many

This essay is inspired by the words of Pulitzer Prize–winning Chicago Sun Times photographer John White, who once told me to “listen for the pictures.” His message rang clear but never more so than when in 1990 we were covering the release of Nelson Mandela in Cape Town, South Africa. The Cape Town scene was alive and filled with so much vibrance. I was keenly aware that I must not just look, but I must listen, and use all my God-given senses to take it in. I can only describe the moment I started listening to the layer of sound, which was my own clicking camera superimposed on the chorus of sounds that surrounded me as both meta and sonorific. There was a certain rhythm to the sensation I felt in being one with my camera. It transported me to a wonderful place in time where visuals and cadences danced together. I realized there was alchemy in this and in all the other moments and locations I had spent behind a camera developing and exercising that “inner ear” my ancestors, some gone, like Gordon Parks, but others here, like White, taught me to revere. This essay is a snapshot of some of those moments—a proof sheet, if you will—from a life that began, as did the civil rights era, with instances of terror and triumph. This essay chronicles my journey as a young photographer and the many influences that shaped my creative process and eventually my worldview. This essay is an invitation to travel with me through time and see life as my camera and I witnessed it, and to hear and sense the world as I do.

US-Taliban Peace Agreement: A Study of Economic and Strategic Implications for Pakistan

2020 ◽  
Vol 3 (2) ◽  
pp. 158-168
Author(s):  
Asif Salim ◽  
Raid Khan ◽  
Zikriya
Keyword(s):  
Empirical Data ◽  
Popular Literature ◽  
The Other ◽  
Policy Recommendations ◽  
Peace Agreement ◽  
Economic Implications ◽  
Internal Politics ◽  
The Us ◽  
Different Dimensions ◽  
External Actors

The competition among the regional stake-holders cannot be neglected because they can sabotage the peace process by delaying the focused intra-afghan dialogue. It is, therefore, argued that only Afghans can dilute the influence of external actors and keep them away from interfering in the internal politics of Afghanistan. Without the active participation of Pakistan objectives for durable and long-standing peace cannot be achieved. Pakistan not only provided its good-offices for the negotiation between the parties at different forums but also influenced and persuaded the Taliban factions for negotiations. The question arises that what will be the implications of this deal on Pakistan and how it can play plank the fruitful outcomes from this deal. The results shows that the deal between the US and Taliban has deep-down strategic and economic implications on Pakistan and with better strategy Pakistan can create win-win situation for the other regional stakeholders.  Furthermore, the current research is qualitative in nature in which the empirical data and popular literature have critically analyzed to understand the peace agreement in Afghanistan with its different dimensions and perspectives. Policy recommendations are the part of discussion, however paper focuses fundamentally on possible ramifications of Doha peace deal.

From the Risk Society to Thana Capitalism

2021 ◽  
Vol 10 (3) ◽  
pp. 84-94
Author(s):  
Maximiliano Emanuel Korstanje
Keyword(s):  
Second World War ◽  
The Other ◽  
Risk Society ◽  
Concentration Camps ◽  
World War ◽  
Tourist Destination ◽  
The World ◽  
Fertile Ground ◽  
Postmodern Ethics ◽  
Second World

The current paper focused on the spectatularization of disasters as the main commodity thana capitalism exchanges. The discussion around the crimes against mankind perpetrated by Nazis in the clandestine concentration camps opened the doors towards new insights respecting the roots of thana capitalism. Nazis violated human rights secreting their crimes in a moment of the world where millions certainly died. Today´s philosophers are shocked to see how Auschwitz-Birkenau, which was the sanctuary of the horrors of the Second World War, sets the pace to a new allegory, intended to entertain thousands of tourists, many of them unfamiliar with these events. As a highly-demanded tourist destination, Auschwitz evinces the change of new postmodern ethics that commoditizes the other´s loss as a criterion of entertainment. The example of terrorism shows one of the paradoxes of thana capitalism simply because media covers and disseminates the cruelties of attacks to gain further subscribers and investors while terrorism finds a fertile ground to penetrate the homes of a wider audience.

Collaboration in Theory and Practice

2019 ◽  
pp. 1-28
Author(s):  
Audrey Murfin
Keyword(s):  
A Priori ◽  
Theory And Practice ◽  
The Other ◽  
Creative Practice ◽  
Other Hand ◽  
Literary Collaboration ◽  
Essential Questions

This chapter considers Robert Louis Stevenson’s collaborations in the context of criticism on literary collaboration. In order to define collaboration, we must consider four essential questions: is it acknowledged? is it mutual? is it equal? and is it separable? All authors receive advice from others, making all creative practice in a sense collaborative, but this chapter proposes that texts in which the collaboration is mutually undertaken and overtly acknowledged differ fundamentally from traditionally authored texts. On the other hand, criticism of collaboration has been hampered by the assumption that true collaboration must be evenly divided (all of Stevenson’s collaborations were, in one way or another, unequal ones), and that the business of the critic is to solve the “problem” of who has written what, a project which shows an a priori scepticism about the possibility of collaboration at all.

Insight

2017 ◽  
Author(s):  
Susanne van Els
Keyword(s):  
Creative Process ◽  
The Other ◽  
Symbiotic Relationship

The creative process extends in Susanne van Els’s Insight from the act of making music right through to aspects of programming and CD production. It articulates an exciting symbiotic relationship between these distinct activities, each feeding the other, and firmly dispels any myth of performance and production mindsets being mutually exclusive.

scholarly journals Creation and renunciation in Ricoeur’s political ethics of compromise

2020 ◽  
pp. 019145372097274
Author(s):  
Dries Deweer
Keyword(s):  
At Risk ◽  
Creative Process ◽  
New World ◽  
Shared Vision ◽  
The Other ◽  
Political Ethics ◽  
Social Imagination ◽  
The Social ◽  
The Cost ◽  
Collective Narrative

Ricoeur interpreted the work of compromise as a creative process to imagine a new world by projecting ourselves into other people. The challenge of compromise is to learn to tell our own story differently within the contours of a broader collective narrative, in compliance with the paradigm of translation. As such, Ricoeur’s political ethics of compromise is at risk of highlighting the element of creation, which refers to the social imagination of a shared vision of a better society, at the cost of recognition of the element of renunciation, which refers to the reciprocal shelving of ideas and desires that the other side considers to be truly intolerable. However, I argue that we can read a delicate connection between forgetting, forgoing and forgiving in Ricoeur’s thought. It is, then, the model of forgiveness, as part of the paradigm of translation, that gives due respect to the importance of renunciation through the emphasis on the unjustifiable, for which renunciation even cannot suffice. The ‘poetics of pardon’ brings creation and renunciation together and, by doing so, it highlights that compromise always remains an object of hope.

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