Insight

2017 ◽  
Author(s):  
Susanne van Els
Keyword(s):  
Creative Process ◽  
The Other ◽  
Symbiotic Relationship

The creative process extends in Susanne van Els’s Insight from the act of making music right through to aspects of programming and CD production. It articulates an exciting symbiotic relationship between these distinct activities, each feeding the other, and firmly dispels any myth of performance and production mindsets being mutually exclusive.

Compound Symbiosis in Peridinium Balticum

1973 ◽  
Vol 31 ◽  
pp. 500-501
Author(s):  
R. N. Tomas
Keyword(s):  
Endoplasmic Reticulum ◽  
Nuclear Envelope ◽  
The Other ◽  
Exact Nature ◽  
Symbiotic Relationship

Peridinium balticum appears to be unusual among the dinoflagellates in that it possesses two DNA-containing structures as determined by histochemical techniques. Ultrastructurally, the two dissimilar nuclei are contained within different protoplasts; one of the nuclei is characteristically dinophycean in nature, while the other is characteristically eucaryotic. The chloroplasts observed within P. balticum are intrinsic to an eucaryotic photosynthetic endosymbiont and not to the dinoflagellate. These organelles are surrounded by outpocketings of endoplasmic reticulum which are continuous with the eucaryotic nuclear envelope and are characterized by thylakoids composed of three apposed lamellae. Girdle lamellae and membranebounded interlamellar pyrenoids are also present. Only the plasmalemma of the endosymbiont segregates its protoplast from that of the dinophycean cytoplasm. The exact nature of this symbiotic relationship is at present not known.

scholarly journals Rosencrantz and Guildenstern Meet Edward II

2003 ◽  
Vol 9 ◽  
Author(s):  
Boldizsár Fejérvári
Keyword(s):  
Literary Criticism ◽  
Literary Text ◽  
Human Behaviour ◽  
The Other ◽  
Literary Texts ◽  
Symbiotic Relationship ◽  
The Real ◽  
Edward Ii

It is a common fashion in literary criticism, or 'Lit Crit,' to treat reality, human behaviour, communication, and everything else as though they were 'texts to be read.' This paper proposes to go the other way: it interprets literature (or, more precisely, one literary text, Tom Stoppard's Rosencrantz and Guildenstern Are Dead) as a part of reality in which several other layers of the real combine, such as linguistics, science, or other literary texts, most notably Hamlet. While Edward II is not generally considered a direct source for Stoppard's play, this paper shows how, in the wider perspective of 'interreality,' Marlowe's tragedy might interact with Rosencrantz and Guildenstern. At the same time it is proved that Rosencrantz and Guildenstern Are Dead, contrary to the critical conception of many, is not a parasitic work 'feeding off' Elizabethan playwrights, but a play that enters a symbiotic relationship with its host (as defined by Hillis Miller).

scholarly journals Terorisme dan Simalakama Media Massa

2020 ◽  
Vol 1 (2) ◽  
pp. 107-123
Author(s):  
Farid Pribadi
Keyword(s):  
Mass Media ◽  
Visual Image ◽  
Qualitative Approach ◽  
The Other ◽  
Symbolic Violence ◽  
Symbiotic Relationship ◽  
Combination Technique ◽  
Other Hand ◽  
Terrorist Acts ◽  
Relationship Of

This article discusses the symbiotic relationship of mutualism between mass media andterrorism. Whether we realize it or not, acts of terrorism in the homeland are still interestingand economically valuable news material in front of the mass media. On the other hand, onthe part of terrorists, the news about terrorist acts actually becomes a strategic campaignarea to show their existence. The research uses a qualitative approach to narrative analysismethod. The results of the study are www.okezone.com and www.tribunnews.com placingthe terror terror events in Medan Mapolrestabes as interesting and economically valuablenews material. The style of the news flow is arranged with a choice of tense, dramatic andsensational nuances of words. In addition, the display of photo and video illustrationsshortly after the explosion also aims to display as if the news of the explosion event is true,not engineering, objective and valid. The combination technique of choice of words, storyline, placement techniques and the size of photos and videos all aim to make the emotions ofthe reader participate dissolved in a tense situation as the situation at the scene of theexplosion. The practice of compiling this kind of news flow is called, as Jean Baudrillard'spractice of simulation. The practice of simulation through the practice of compiling newslines and the touch of visual image technology will eventually create conditions ofhyperreality. Namely the conditions between reality will be mixed with the pseudo so it isdifficult to distinguish which is original and fake. Next, the airing of a list of victims ofunknown origin will actually give birth, as Pierre Bourdie calls it symbolic violence. That is,the practice of violent symbols aimed no longer at the physical target but rather consciousthoughts. Symbolic violence in the appearance of the victim list really has the potential tocreate traumatic feelings towards the families of the victims.

scholarly journals PARA ALÉM DO TETO PROTETOR, AS ESTRELAS DO FIRMAMENTO RELAÇÕES ENTRE ABRIGO E ABRIGADO A PARTIR DO CONCEITO DE RUÍNA EM WALTER BENJAMIN

2021 ◽  
Vol 5 (9) ◽  
pp. 64
Author(s):  
Sequeira Alexandre
Keyword(s):  
Walter Benjamin ◽  
The Other ◽  
Human Values ◽  
Symbiotic Relationship ◽  
Social Conventions

ResumoO presente artigo busca analisar, a partir do conceito de ruína em Walter Benjamin, a relação entre a finitude de uma casa e sua transposição em valores humanos pela perda do sentido de proteção e resistência de quem por ela é acolhido. Para além de convenções sociais, interessa-nos analisar os estreitos vínculos entre abrigo e abrigado e o quanto o processo de ruína de um, implica em movimentos de superação do outro. Em que medida a concretude de salas e corredores, que numa relação simbiótica definem condutas dos corpos que ali se abrigaram, são capazes de operar por ocasião de sua falência, paradoxalmente, enquanto potência de libertação.AbstractBased on the concept of ruin formulated by Water Benjamin, this article analyses relations between the finitude of a house and its transposition into human values by the loss of protection and resistance of those who are sheltered. Beyond social conventions, the article analyses connections between shelter and sheltered and how much the process of ruin implies overcome attitudes of the other. How does the concreteness of rooms and corridors that, in a symbiotic relationship, defines bodily behaviors, manage to operate at the time of its bankruptcy, paradoxically, as a liberating power for the sheltered being?

scholarly journals The Placing of Identity and the Identification of Place: “Place-Identity” in Community Lifeboating

2018 ◽  
Vol 29 (2) ◽  
pp. 206-219 ◽  
Author(s):  
Christopher Grey ◽  
Michelle O’Toole
Keyword(s):  
Theoretical Concept ◽  
Place Identity ◽  
The Other ◽  
Symbiotic Relationship ◽  
Dynamic Relationship ◽  
Socially Constructed ◽  
Social Meanings ◽  
The Republic ◽  
Place And Identity ◽  
Over Time

This paper explores the symbiotic relationship between place and identity. On one hand, it asks what role place plays in the formation of identity. On the other hand, it asks how place itself is invested with meaning by actors. This theoretical concept of “place-identity” is analyzed through the case of volunteer lifeboaters in the Republic of Ireland, to illustrate how place itself is socially constructed so as to acquire a range of social meanings which interact in a recursive relationship with identity over time. The particularity of dangerous maritime places is shown to shape identity, while those places are shown to be bound up with a mosaic of other factors (such as history, family, and community) which make them meaningful. The paper theorizes a more social, temporal, and dynamic relationship between place and identity than is offered by extant literature and offers refinements to the concept of place-identity.

Listening for the Pictures

Resonance ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 182-191
Author(s):  
D. Michael Cheers
Keyword(s):  
Civil Rights ◽  
Creative Process ◽  
Cape Town ◽  
The Other ◽  
Pulitzer Prize ◽  
Civil Rights Era ◽  
Nelson Mandela ◽  
The World ◽  
The Moment ◽  
The Many

This essay is inspired by the words of Pulitzer Prize–winning Chicago Sun Times photographer John White, who once told me to “listen for the pictures.” His message rang clear but never more so than when in 1990 we were covering the release of Nelson Mandela in Cape Town, South Africa. The Cape Town scene was alive and filled with so much vibrance. I was keenly aware that I must not just look, but I must listen, and use all my God-given senses to take it in. I can only describe the moment I started listening to the layer of sound, which was my own clicking camera superimposed on the chorus of sounds that surrounded me as both meta and sonorific. There was a certain rhythm to the sensation I felt in being one with my camera. It transported me to a wonderful place in time where visuals and cadences danced together. I realized there was alchemy in this and in all the other moments and locations I had spent behind a camera developing and exercising that “inner ear” my ancestors, some gone, like Gordon Parks, but others here, like White, taught me to revere. This essay is a snapshot of some of those moments—a proof sheet, if you will—from a life that began, as did the civil rights era, with instances of terror and triumph. This essay chronicles my journey as a young photographer and the many influences that shaped my creative process and eventually my worldview. This essay is an invitation to travel with me through time and see life as my camera and I witnessed it, and to hear and sense the world as I do.

Achieving Competitively Cooperative Economic and Trade Relations

2017 ◽  
pp. 77-85
Keyword(s):  
Free Trade ◽  
Free Trade Agreements ◽  
Trade Agreements ◽  
The Other ◽  
Trading Partner ◽  
Symbiotic Relationship ◽  
Economic Relationships ◽  
Trade Relations

This chapter aims to highlight how trade relations can be improved and fostered through an effective symbiotic relationship which does not leave the other trading partner feeling exploited or having executed a bad deal. Free trade agreements are intended to be beneficial to parties involved – when negotiated with relevant and necessary skills – as provided for in terms and conditions within such agreements. Lessons from trading and economic relationships may also serve as a stark reminder than regional alliances and allies will always be beneficial than economic alliances.

scholarly journals The Interaction between Leaf Allelopathy and Symbiosis with Rhizobium of Ulex europaeus on Hawaii Island

Plants ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 226
Author(s):  
Mika Hozawa ◽  
Eiji Nawata
Keyword(s):  
Linear Model ◽  
T Test ◽  
The Other ◽  
Symbiotic Relationship ◽  
Nitrogen Fixing ◽  
Ulex Europaeus ◽  
The Past ◽  
Lettuce Seeds ◽  
Significant Difference ◽  
Hawaii Island

The objective of this study was to assess the magnitudes of the leaf allelopathy of Ulex europaeus in two different habitats, and discuss the driver of the differences, including rhizobia. The magnitudes of leaf allelopathy of the samples collected in two different habitats were assessed by comparing the hypocotyl and radicle lengths of the lettuce seeds tested on the samples. One habitat was in and adjacent to an Acasia koa forest, while the other was more than 50 m away. A. koa is indigenous to Hawaii and known to have a close symbiotic relationship with Bradyrhizobium for nitrogen-fixing. Within the past three years, U. europaeus has newly invaded both sampling sites, whereas the A. koa forest has been there for several decades. The combined result of both hypocotyl and radicle lengths of the lettuce seeds tested on both sites by linear model and multicomparison analyses showed no significant difference. But the radicle lengths of the lettuce seeds tested on U. europaeus sampled in and adjacent to the A. koa forest were significantly longer than those of the samples more than 50 m away, as measured by t-test (p = 0.05). This result suggested that the magnitude of the leaf allelopathy of U. europaeus depended on the distance of the habitat from the A. koa forest.

scholarly journals Creation and renunciation in Ricoeur’s political ethics of compromise

2020 ◽  
pp. 019145372097274
Author(s):  
Dries Deweer
Keyword(s):  
At Risk ◽  
Creative Process ◽  
New World ◽  
Shared Vision ◽  
The Other ◽  
Political Ethics ◽  
Social Imagination ◽  
The Social ◽  
The Cost ◽  
Collective Narrative

Ricoeur interpreted the work of compromise as a creative process to imagine a new world by projecting ourselves into other people. The challenge of compromise is to learn to tell our own story differently within the contours of a broader collective narrative, in compliance with the paradigm of translation. As such, Ricoeur’s political ethics of compromise is at risk of highlighting the element of creation, which refers to the social imagination of a shared vision of a better society, at the cost of recognition of the element of renunciation, which refers to the reciprocal shelving of ideas and desires that the other side considers to be truly intolerable. However, I argue that we can read a delicate connection between forgetting, forgoing and forgiving in Ricoeur’s thought. It is, then, the model of forgiveness, as part of the paradigm of translation, that gives due respect to the importance of renunciation through the emphasis on the unjustifiable, for which renunciation even cannot suffice. The ‘poetics of pardon’ brings creation and renunciation together and, by doing so, it highlights that compromise always remains an object of hope.

Crossing the European boundary: The conjoined figures of colonizer and migrant in Zama (Martel, 2017) and The Other Side of Hope (Kaurismäki, 2017)

2020 ◽  
Vol 18 (1) ◽  
pp. 25-38
Author(s):  
Ali Rıza Taşkale ◽  
Erdoğan H. Şima
Keyword(s):  
The Self ◽  
The Other ◽  
Boundary Crossing ◽  
European Identity ◽  
Symbiotic Relationship ◽  
European Cinema ◽  
The Way

Abstract Caught between the seemingly contradictory imageries of particularity and universality, 'European identity' could in fact be presumed but as a shorthand for ontological anxiety. The ('euro-') centric ontology that it denotes is marked by an ongoing ambivalence that both recoils from and accepts the superfluousness of boundaries. The obverse of this ambivalent concern with boundaries, we suggest, are the narrative efforts to consign it to the singular agency of the 'impossible' boundary crossing. Cinematographically speaking, the otherwise mute ontological anxiety is contained in the precariousness of the figures of colonizer and migrant. The way a 'European' cinema relates to these figures becomes all the more significant where 'Europe' denotes a challenging relationship, and not a 'thing'. It is in view of the ways in which they respond to this challenge that we examine Zama (Martel, 2017) and The Other Side of Hope (Kaurismäki, 2017). The focus, in other words, is on what nevertheless escapes their efforts: while Zama's out-of-place 'colonizer' obscures the inherent placelessness of colonial agency, Hope's symbiotic relationship between the self and the other withholds the reversibility of the 'self/other' dualism. In the instrumental visibility of their singular figures, we hope to show, both films contribute to the incidental visibility of the 'European' claim to transcend its own dualisms. The figures of colonizer and migrant are in fact the relatively visible symptoms of a cinematic labour whose ambivalences remain otherwise invisible.

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