scholarly journals The Appearance of Archetypes in Lewis Carroll's Through the Looking-Glass

2018 ◽  
Author(s):  
Jennifer Reiten ◽  
Hilary Fezzey
Keyword(s):  
Carl Jung ◽  
Lewis Carroll ◽  
Collective Unconscious ◽  
The Novel ◽  
Psychological Perspective ◽  
Victorian England ◽  
Philosophical Approach ◽  
History Of ◽  
Looking Glass ◽  
Ultimate Purpose

I researched what insight could be gained about the archetypes (images, color, characters) represented in Lewis Carroll’s Through the Looking-Glass (1871) by analyzing these archetypes from the perspective of Carl Jung (1875-1961), an important figure in the field of psychoanalysis and an understudied theorist in the psychological scholarship written about Carroll’s works. Jung’s concepts of archetypes and the collective unconscious in particular offer a fruitful way to interpret Carroll’s work. Using a Jungian psychological perspective, my essay argues that archetypes of water, the quest, the trickster, and the wise old man are present in this story, and then I outline their ultimate purpose. Through the Looking-Glass is a timeless tale that many scholars throughout history have analyzed in a variety of ways. As of today, there are over 200 scholarly articles on Carroll’s works. Some scholars have researched the publication and/or translation history of Carroll’s works, about which there is vast information. Many scholars have gone with the New Historicist approach, the most popular approach by far when it comes to Carroll’s works. Other scholars combine the New Historicist and psychological approaches or research Carroll’s works from a philosophical approach. Additionally, scholars analyze Carroll’s works from a psychological stance, the second most common approach. Though the psychological approach is a fairly common one, most scholars have chosen to emphasize Sigmund Freud’s theories instead of Jung’s. There are very few scholarly studies on Carroll’s works that employ a Jungian approach. Thus, my essay enhances the psychological scholarship on the novel. To further my findings and increase my understanding of Carroll, Jung, and their works, I read Through the Looking-Glass, a biography on Lewis Carroll, research about Victorian England, multiple books written by Jung regarding his theories of the collective unconscious, and a lot of the scholarship written about the novel.

scholarly journals A Psychoanalysis of Female Characters in the Novels Heat and Dust and Inside the Haveli : Function of Mother Archetype in the Characters of the Narrator and Geeta

2021 ◽  
Vol 9 (2) ◽  
pp. 72-81
Author(s):  
Deepali Jaiswal
Keyword(s):  
Sigmund Freud ◽  
Carl Jung ◽  
The Self ◽  
Collective Unconscious ◽  
The Novel ◽  
Female Characters ◽  
Theoretical Concepts ◽  
Self Identity ◽  
Analysis Process ◽  
Mother Archetype

The psychoanalysts enhance our understanding of our consciousness, the self and self-identity. Psychoanalytic theory plays an important role in the comprehension of the fundamental condition of selfhood. The self is not an unified entity in psychoanalytical terms. Human subject emerges as an outcrop of the unconscious desire. After Sigmund Freud, Carl Jung, a swiss psychologist is considered as an eminent contributor to psychoanalysis who theorized the concept of collective unconscious. The purpose of my study is to find out the presence of the collective unconscious and to analyse two female characters, The Narrator , from the novel Heat and Dust and Geeta from Inside the Haveli with the help of Jung's theory of  collective unconscious and mother archetype. In this research paper several theoretical concepts of  Carl Jung are used to analyse the female characters. Jung’s theories are applied during the analysis process such as personal conscious, collective conscious and archetypes. I would use qualitative method for the analysis of the characters of the Narrator and  Geeta. I would use important dialogues and incidents for the data collection for the analysis of the characters. The psychoanalytic study of the Narrator and Geeta shows that they both have collective unconscious. I would study the function of mother archetype in the life of the Narrator and Geeta

scholarly journals Aliss de Patrick Senécal : le corps violenté comme représentation métatextuelle de Clotilde Landais

1969 ◽  
Author(s):  
Clotilde Landais
Keyword(s):  
Lewis Carroll ◽  
The Novel ◽  
Literary Representation ◽  
Alice's Adventures In Wonderland ◽  
Alice’S Adventures In Wonderland ◽  
Jeune Fille ◽  
Looking Glass

Dans son roman Aliss, Patrick Senécal s’est adonné au jeu de l’intertextualité en revisitant les célèbres contes initiatiques de Lewis Carroll, Alice’s Adventures in Wonderland et Through the Looking-Glass and What Alice Found There. Sa réécriture s’établit autour de la subversion de l’univers merveilleux de Carroll, et plus précisément autour de la représentation du corps violenté de l’héroïne. En s’inscrivant dans une logique d’initiation, cette violence corporelle participe de la quête d’identité de la jeune fille. Toutefois, ces représentations du corps violenté sont également significatives en ce qu’elles font réfléchir le lecteur sur les récits de Carroll, procurant ainsi une dimension métatextuelle au roman. AbstractIn his novel Aliss, Quebec author Patrick Senécal plays with intertextuality, revisiting Lewis Carroll’s tales of initiation, Alice’s Adventures in Wonderland and Through the Looking-Glass and What Alice Found There. Senécal’s rewriting is established around the subversion of Carroll’s Wonderland, and more precisely around the literary representation of the abused body of the heroine. Within a logic of initiation, this corporal violence is part of the girl’s quest for her identity. However, these representations of the heroine’s abused body are also significant from a literary perspective, inasmuch as they force the reader to rethink Carroll’s tales, thus giving a metafictional dimension to the novel.

Romola and Milton: A Cultural History of Rewriting

1998 ◽  
Vol 53 (3) ◽  
pp. 328-363
Author(s):  
Anna K. Nardo
Keyword(s):  
Nineteenth Century ◽  
Women Writers ◽  
Fifteenth Century ◽  
Cultural History ◽  
Western Culture ◽  
The Novel ◽  
Victorian England ◽  
Harold Bloom ◽  
Renaissance Humanism ◽  
History Of

George Eliot's novel of fifteenth-century Florence, Romola, represents her struggles with both the history of Western culture and her real and literary fathers by reimagining Milton's life and thought. As heir to both Renaissance humanism and Reformation zeal, as a central historical link between fifteenth-century Florence and Victorian England, as the patriarch of English letters, and as the father of rebellious daughters, Milton is the unacknowledged father in Romola, and the stories of his family are woven into the fabric of the novel. Recovering the cultural history of these stories-retold by biographers for two centuries and fictionalized throughout the nineteenth century-allows us to historicize and expand Sandra M. Gilbert and Susan Gubar's insight that Milton is present in Romola, but also to confute their widely accepted conclusion (quoting Harold Bloom) that Milton was for Eliot, as for other women writers, "the great Inhibitor, the Sphinx who strangles even strong imaginations in their cradles."

“What Freedom?”

2019 ◽  
Vol 74 (3) ◽  
pp. 305-331
Author(s):  
John Owen Havard
Keyword(s):  
South America ◽  
French Revolution ◽  
The Political ◽  
The Novel ◽  
Free Condition ◽  
Narrative Design ◽  
Economic Liberalism ◽  
History Of ◽  
Ways Of Thinking ◽  
John Owen

John Owen Havard, “‘What Freedom?’: Frankenstein, Anti-Occidentalism, and English Liberty” (pp. 305–331) “If he were vanquished,” Victor Frankenstein states of his monstrous creation in Mary Shelley’s Frankenstein (1818), “I should be a free man.” But he goes on: “Alas! what freedom? such as the peasant enjoys when his family have been massacred before his eyes, his cottage burnt, his lands laid waste, and he is turned adrift, homeless, pennyless, and alone, but free.” Victor’s circumstances approximate the deracinated subject of an emergent economic liberalism, while looking to other destitute and shipwrecked heroes. Yet the ironic “freedom” described here carries an added charge, which Victor underscores when he concludes this account of his ravaged condition: “Such would be my liberty.” This essay revisits the geographic plotting of Frankenstein: the digression to the East in the nested “harem” episode, the voyage to England, the neglected episode of Victor’s imprisonment in Ireland, and the creature’s desire to live in South America. Locating Victor’s concluding appeal to his “free” condition within the novel’s expansive geography amplifies the political stakes of his downfall, calling attention to not only his own suffering but the wider trail of destruction left in his wake. Where existing critical accounts have emphasized the French Revolution and its violent aftermath, this obscures the novel’s pointed critique of a deep and tangled history of English liberty and its destructive legacies. Reexamining the novel’s geography in tandem with its use of form similarly allows us to rethink the overarching narrative design of Frankenstein, in ways that disrupt, if not more radically dislocate, existing rigid ways of thinking about the novel.

TYPES OF HEDONISM ON THE MAIN CHARACTER SIR WALTER ELLIOT IN THE NOVEL PERSUASION BY JANE AUSTEN

2020 ◽  
Vol 8 (1) ◽  
pp. 30-43
Author(s):  
Enggin Valufi ◽  
Retno Budi Astuti
Keyword(s):  
Qualitative Method ◽  
Jane Austen ◽  
18Th Century ◽  
The Novel ◽  
Main Character ◽  
Philosophical Approach ◽  
High Culture ◽  
Descriptive Qualitative

Hedonism is a view of life in philosophy that seeks to avoid pain and make pleasure as the main goal in life. People who embrace hedonism tend to over-pursue pleasure. The hedonism lifestyle is mostly carried out by 18th century people especially the nobles who live in high culture. They are as close to hedonism as they are in the Persuasion novel by Jane Austen. Sir Walter Elliot the main character is a nobleman who did a lot of hedonism. Hedonism which is seen as too glorifying personal pleasure to ignore others. The purpose of this study was to find out the types of hedonism done by Sir Walter Elliot in Persuasion. This research uses descriptive qualitative method because all data are in the form of sentences. The researcher uses a philosophical approach and analyzes data using Weijers' theory as the main theory. The results of this study found that Sir Walter Elliot performed two types of hedonism, namely aesthetic hedonism and selfish hedonism.

Reading Statelessness

2018 ◽  
Author(s):  
Lyndsey Stonebridge
Keyword(s):  
Human Rights ◽  
Political Theory ◽  
The Novel ◽  
History Of The Novel ◽  
Political Sovereignty ◽  
History Of

Hannah Arendt’s analysis of the failure of human rights to address statelessness is well known. Less commented upon is how important literature was to her thought. This chapter shows how Arendt’s 1940s essays on Kafka connect the history of the novel to shifting definitions of legal and political sovereignty. Arendt reads The Castle as a blueprint for a political theory that is also a theory of fiction: in the novel K, the unwanted stranger, demolishes the fiction of the rights of man, and with it, the fantasy of assimilation. In a parallel move, Kafka also refuses to assimilate his character into the conventions of fiction. Arendt’s reading changes the terms for how we might approach the literature of exile and of human rights.

V.S. Naipaul, Caribbean Writing, and Caribbean Thought

2020 ◽  
Author(s):  
William Ghosh
Keyword(s):  
Intellectual Development ◽  
Public Intellectual ◽  
Historical Narrative ◽  
Derek Walcott ◽  
The Novel ◽  
Kamau Brathwaite ◽  
Political Debates ◽  
History Of ◽  
Principal Subject ◽  
Intellectual Formation

This book presents a new portrait of V.S. Naipaul, one of the twentieth-century’s most controversial writers about colonialism and its aftermath, by looking at his relationship with the Caribbean, the region of his birth. It argues that whilst Naipaul presented himself as a global public intellectual—a citizen of nowhere—his writing and thought was shaped by his Caribbean intellectual formation, and his investment in Caribbean political debates. Focusing on three key forms of Caribbean writing—the novel, the historical narrative, and the travel narrative—it shows how the generic, stylistic, and formal choices of writers had great political significance. Telling the story of his creative and intellectual development at three crucial points in Naipaul’s career, it offers a new intellectual biography of its principal subject. By showing Naipaul’s crucial place in the history of Caribbean ideas, it also provides new perspectives on a number of major writers and thinkers from the region, including C.L.R. James, Eric Williams, Kamau Brathwaite, Sylvia Wynter, George Lamming, Derek Walcott, Maryse Condé, and David Scott.

The Oxford History of the Novel in English

2018 ◽  
Keyword(s):  
World War Ii ◽  
English Language ◽  
Book History ◽  
World Order ◽  
The United States ◽  
The Novel ◽  
History Of The Novel ◽  
Post Colonial ◽  
The World ◽  
History Of

Volume Nine of this series traces the development of the ‘world novel’, that is, English-language novels written throughout the world, beyond Britain, Ireland, and the United States. Focusing on the period up to 1950, the volume contains survey chapters and chapters on major writers, as well as chapters on book history, publishing, and the critical contexts of the work discussed. The text covers periods from renaissance literary imaginings of exotic parts of the world like Oceania, through fiction embodying the ideology and conventions of empire, to the emergence of settler nationalist and Indigenous movements and, finally, the assimilations of modernism at the beginnings of the post-imperial world order. The book, then, contains chapters on the development of the non-metropolitan novel throughout the British world from the eighteenth to the mid twentieth centuries. This is the period of empire and resistance to empire, of settler confidence giving way to doubt, and of the rise of indigenous and post-colonial nationalisms that would shape the world after World War II.

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