Trans and Genderqueer Subjects in Medieval Hagiography

2021 ◽  
Keyword(s):  
Gender Identity ◽  
Queer Theory ◽  
Literary Texts ◽  
Queer Identity ◽  
Combined Analysis ◽  
Trans Studies

Trans and Genderqueer Subjects in Medieval Hagiography presents an interdisciplinary examination of trans and genderqueer subjects in medieval hagiography. Scholarship has productively combined analysis of medieval literary texts with modern queer theory - yet, too often, questions of gender are explored almost exclusively through a prism of sexuality, rather than gender identity. This volume moves beyond such limitations, foregrounding the richness of hagiography as a genre integrally resistant to limiting binaristic categories, including rigid gender binaries. The collection showcases scholarship by emerging trans and genderqueer authors, as well as the work of established researchers. Working at the vanguard of historical trans studies, these scholars demonstrate the vital and vitally political nature of their work as medievalists. Trans and Genderqueer Subjects in Medieval Hagiography enables the re-creation of a lineage linking modern trans and genderqueer individuals to their medieval ancestors, providing models of queer identity where much scholarship has insisted there were none, and re-establishing the place of non-normative gender in history.

Cut, Snap

2020 ◽  
Vol 1 (2) ◽  
pp. 122-136
Author(s):  
Dominic Pecoraro
Keyword(s):  
Queer Theory ◽  
Interpersonal Communication ◽  
Sexual Minority ◽  
Coming Out ◽  
Communication Theory ◽  
Identity Work ◽  
Minority Status ◽  
Interpersonal Interactions ◽  
Queer Identity

Inspired by critical interpersonal communication scholarship and queer autoethnography, this piece depicts interpersonal interactions mute or challenge queer identity. I explore the nexus of interpersonal communication theory, identity work, and queer theory to contextualize coming out and coming into sexual minority status. This piece explores narratives in which the legitimacy of queerness is unaccepted, unassured, and undermined.

Gender Identity in Musical , : Focused on Judith Butler’s Queer Theory

2017 ◽  
Vol 2 (3) ◽  
pp. 63-79
Author(s):  
Ji min Oh ◽  
◽  
Hye won Jang ◽  
Keyword(s):  
Gender Identity ◽  
Queer Theory

scholarly journals Queering participatory planning

2021 ◽  
pp. 095624782110193
Author(s):  
Vanesa Castán Broto
Keyword(s):  
Sexual Orientation ◽  
Gender Identity ◽  
Queer Theory ◽  
Political Representation ◽  
Participatory Planning ◽  
Radical Democracy ◽  
Politics Of Identity ◽  
The World ◽  
Participatory Processes ◽  
And Gender

All over the world, people suffer violence and discrimination because of their sexual orientation and gender identity. Queer theory has linked the politics of identity and sexuality with radical democracy experiments to decolonize development. Queering participatory planning can improve the wellbeing of vulnerable sectors of the population, while also enhancing their political representation and participation. However, to date, there has been limited engagement with the politics of sexuality and identity in participatory planning. This paper identifies three barriers that prevent the integration of queer concerns. First, queer issues are approached as isolated and distinct, separated from general matters for discussion in participatory processes. Second, heteronormative assumptions have shaped two fields that inform participatory planning practices: development studies and urban planning. Third, concrete, practical problems (from safety concerns to developing shared vocabularies) make it difficult to raise questions of identity and sexuality in public discussions. An engagement with queer thought has potential to renew participatory planning.

The Oxford Handbook of Feminist Philosophy

2021 ◽  
Keyword(s):  
Critical Race Theory ◽  
Queer Theory ◽  
Postcolonial Theory ◽  
The Body ◽  
Feminist Philosophy ◽  
Comprehensive Overview ◽  
Rich Diversity ◽  
Trans Studies ◽  
Feminist Perspectives ◽  
The Rich

This exciting new Handbook offers a comprehensive overview of the contemporary state of the field. The editors’ introduction and forty-five essays cover feminist critical engagements with philosophy and adjacent scholarly fields, as well as feminist approaches to current debates and crises across the world. Authors cover topics ranging from the ways in which feminist philosophy attends to other systems of oppression, and the gendered, racialized, and classed assumptions embedded in philosophical concepts, to feminist perspectives on prominent subfields of philosophy. The first section contains chapters that explore feminist philosophical engagement with mainstream and marginalized histories and traditions, while the second section parses feminist philosophy’s contributions to with numerous philosophical subfields, for example metaphysics and bioethics. A third section explores what feminist philosophy can illuminate about crucial moral and political issues of identity, gender, the body, autonomy, prisons, among numerous others. The Handbook concludes with the field’s engagement with other theories and movements, including trans studies, queer theory, critical race, theory, postcolonial theory, and decolonial theory. The volume provides a rigorous but accessible resource for students and scholars who are interested in feminist philosophy, and how feminist philosophers situate their work in relation to the philosophical mainstream and other disciplines. Above all it aims to showcase the rich diversity of subject matter, approach, and method among feminist philosophers.

scholarly journals Representations of queer identity in David Lynch's film Mulholland Drive

2021 ◽  
pp. 87-92
Author(s):  
Alena Molodina
Keyword(s):  
Cultural Studies ◽  
Queer Theory ◽  
Social Order ◽  
Dominant Role ◽  
Interdisciplinary Approach ◽  
Psychological State ◽  
David Lynch ◽  
Queer Identity ◽  
The Individual ◽  
Mulholland Drive

The purpose of the article. This essay considers the queer identity as a modern tragic figure through a reading of David Lynch's 2001 film Mulholland Drive. Methodology. The article uses a comprehensive interdisciplinary approach using the methodological tools of cultural studies and queer theory based on structural-functional, semiotic-hermeneutic analysis, as well as Lacan's psychoanalytic concept of the subject. The scientific novelty. Within the framework of the humanities, in particular cultural studies, the analysis of the film by David Lynch "Mulholland Drive" in the context of queer theory is carried out for the first time. Conclusions. Since cinematography is a synthesis of various types of art, it embodies cultural phenomena and reproduces realities of life. Analysis of the peculiarities of the representation of queer identity in David Lynch's film Mulholland Drive through the prism of queer theory, in which identity is nothing more than a phenomenon that forms under the pressure of the dominant discourse and social order gives it the status of a cultural illusion or myth, demonstrates existing ideals. Cinema in the context of queer theory is self-reflective, autocratic, not indifferent. It can create a safe space - and at the same time be a protest action. The means by which the representation of a queer identity takes the place can be traced at all symbolic levels (material, index, iconic). At the material level, the grand plan is used as a sign in which all the characters in the film are related, without separating homosexual women visually. At the level of index status, the creation of the image of a homosexual couple is due to their profession. The heroines belong to the creative environment, in their relationship the dominant role is played by Diane. At the iconic level, images are constructed through their relationship with society. The heroines experience internal contradictions between their psychological state, natural nature, and social norms. The sexuality that is represented in the film contains a confrontation between the individual and the social. There is a tendency to normalize the image of queer identity in cinema, due to changes in the public consciousness. Based on the analysis, it was found that the film David Lynch reflects homosexuality as such, and not in the canonical models of traditional relationships.

scholarly journals Troubled Times: Disability, Sexuality and Futurity in Mozambican, Ugandan and Zimbabwean Political Cultures

2019 ◽  
Vol 56 (1) ◽  
pp. 21-38
Author(s):  
Eleanor K Jones
Keyword(s):  
Critical Race Theory ◽  
Queer Theory ◽  
Disability Studies ◽  
White Supremacy ◽  
Critical Value ◽  
Literary Texts ◽  
Critical Race ◽  
Race Theory ◽  
Political Cultures ◽  
The Future

Abstract Since the earliest days of European expansionism, Africa has held a dual place in the Western imaginary, cast as a space of futurelessness even as white futurities were predicated on its exploitation. Appropriations of the future have persisted post-liberation, revealed in the divestment of futurity from bodies marked as queer or disabled. Drawing on historical moments and literary texts from Mozambique, Uganda and Zimbabwe, and on insights from queer theory, critical race theory and disability studies, I seek to demonstrate that the logics of white supremacy can be seen at work in these mechanisms of exclusion, even where whiteness itself is displaced – but that literary invocation of queerness and disability can thus be used to mobilize critique of this continuity. In centring the circumscription of futurity at the heart of colonialism, heteronormativity and ableism, then, I underscore the critical value of reading these as reciprocal and inextricable systems of power.

Cross-dressing and Transgressing: The Queer Body in Madame Satã

2021 ◽  
Vol 48 (2) ◽  
pp. 123-136
Author(s):  
Marcus D. Welsh
Keyword(s):  
Gender Identity ◽  
Queer Theory ◽  
Film History ◽  
Social Position ◽  
Feature Film ◽  
Race And Class ◽  
Historical Figure ◽  
Social Discourses ◽  
Cross Dressing ◽  
Black Poor

In Karim Aïnouz’s debut feature film Madame Satã (2002), the protagonist yearns to be a cross-dressing performer. Based on the historical figure João Francisco dos Santos, the protagonist is black, poor, gay, and a criminal in the Brazil of the 1930s. An examination of his body as a nexus of these factors and the film’s portrayal of it in the context of queer theory, film history, and social discourses of gender, race, and class and in cinematic terms demonstrates that, while he is able to express his fluid gender identity temporarily through performance, the protagonist is unable to escape his social position as regulated by the intersectionality of his gender identity with other factors. En el primer largometraje de Karim Aïnouz, Madame Satã (2002), el protagonista anhela ser un artista travesti. Basado en la figura histórica de João Francisco dos Santos, dicho protagonista es negro, pobre, homosexual y criminal en el Brasil de la década de 1930. El artículo analiza su cuerpo como nexo entre estos factores y la manera en que es representado en la película a partir de una perspectiva teórica queer, de la historia del cine y los discursos sociales de género, raza y clase, así como de la técnica cinematográfica. Si por un lado el personaje es capaz de expresar su fluida identidad de género temporalmente a través de la interpretación, por otro es incapaz de escapar su posición social, la cual está regulada por la interseccionalidad entre su identidad de género y otros factores.

scholarly journals Scrambling Sex and Gender with Rachilde

2020 ◽  
Vol 1 (1) ◽  
pp. 21-30
Author(s):  
Alexandra Pugh
Keyword(s):  
Queer Theory ◽  
Human Body ◽  
French Literature ◽  
Queer Studies ◽  
Critical Discourse ◽  
Sex And Gender ◽  
Trans Studies ◽  
Literary Heritage ◽  
And Gender ◽  
The Relationship

Taking Monsieur Vénus (1884) as its focus, this article expands upon the limited critical discourse connecting the work of Rachilde (1860-1953) to queer theory. Monsieur Vénus and queer theory are mutually illuminative: Butler’s theory of performativity allows us to interpret the unstable bodies in Rachilde’s text, while Monsieur Vénus in turn elucidates, or at least exemplifies, some of the questions at the heart of queer studies. For example: can sex exceed the human body? Can a transgender person live a heteronormative life? What is the relationship between queerness and reproduction? In asking such questions, this article grounds a piece of Decadent, fin-de-siècle French literature in the context of queer, feminist and trans studies, and thereby maps the connections between Rachilde’s work and these contemporary cultural conversations. As the author of Pourquoi je ne suis pas féministe (1928), Rachilde rejected progressive social movements. I therefore borrow Lisa Downing’s notion of the ‘proto-queer’ (Downing, ‘Notes on Rachilde’ 16) to guard against the complete recuperation of Rachilde into the queer canon. Regardless of its author’s positionality, however, I am seeking to frame Monsieur Vénus as part of our queer literary heritage. Monsieur Vénus is more playful and provocative than it is political, but Rachilde succeeds in ‘scrambling’ sex and gender in that the two categories become muddled, unfixed and denaturalized.

scholarly journals KETAKSAAN IDENTITAS GENDER DALAM CERPEN "SAYA DI MATA SEBAGIAN ORANG": ANALISIS TEORI QUEER

2019 ◽  
Vol 14 (2) ◽  
Author(s):  
Sarwo Ferdi Wibowo
Keyword(s):  
Gender Identity ◽  
Queer Theory ◽  
Analysis Tools ◽  
The World ◽  
Psychological Pressure

AbstractThe study of queer is developing rapidly in the world. However in Indonesian context, this study tend to missunderstood. Yet in literture field, there is many object that raise issues that this group face. This study aims to reveal Indonesia writer strategy’s, especially Djenar Maesa Ayu in Saya di Mata Sebagian Orang shortstory in order to discuss queer issues in Indonesia. Method that used is heterosexsuality matriks and  Judith Butler’s queer theory as analysis tools. The result shows that SdMSO remove gender nuance in words as a struggle against heteronormativity discourse with another discourse that denaturalized it. This strategi aims to drown out the reader resistence in environment that not conducive yet to discuss queer theory. Related to heterosexsuality matrix, the character in this shortstory be able to overcome psychological pressure that the character face thanks to queer intragroup solidarity. Social punishment like issues instead more empowering the character confidence to his/him gender identity.

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