‘Is it not strange that he is thus bewitch’d?’
This chapter addresses the representation of Edward II’s agency and culpability in his sexual and political relationships with his favourites. I situate depictions of Edward’s favourites as irresistibly attractive in the context of wider early modern cultural anxiety concerning transgressive sexual attraction; and consider medieval and early modern writers’ changing negotiations of the question of Edward’s culpability for the disastrous political events of his reign compared to that of his favourites’ ‘evil counsel’. Although willingness to attach some blame to Edward himself increases over time – reflecting the increasing temporal remoteness of his reign – chroniclers consistently retained a level of strategic polyvocality, demonstrating their need to negotiate the engaging political pertinence of their subject matter with its risky, seditious potential.