Anti-Semitism

2020 ◽  
pp. 147-180
Author(s):  
John Corrigan ◽  
Lynn S. Neal
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Christian Theology ◽  
Primary Sources ◽  
Religious Groups ◽  
White Supremacist ◽  
Religious Texts ◽  
Anti Semitism ◽  
History Nineteenth Century

This chapter highlights the prominent role that religion has played in nineteenth and twentieth century anti-Semitism. The diverse primary sources, ranging from photos and political cartoons to religious texts and newspaper articles, focus on five central moments in this history—nineteenth century Christian texts, the Leo Frank Case, the Protocols of the Learned Elders of Zion, the “Summer of Hate” (1999), and Gibson’s The Passion of the Christ. These documents help readers examine the ways Christian theology and, more recently, that of white supremacist religious groups, has fomented anti-Semitism in the United States.

scholarly journals The End of Modernism: Elias Canetti's "Auto-da-Fé"

2020 ◽  
Author(s):  
William Donahue
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Nobel Laureate ◽  
The United States ◽  
The Novel ◽  
Literary Modernism ◽  
Contemporary Philosophy ◽  
Anti Semitism ◽  
Elias Canetti ◽  
Considerable Body

Nobel laureate Elias Canetti wrote his novel "Auto-da-Fé" ("Die Blendung") when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, "Auto-da-Fé" first received critical acclaim abroad—in England, France, and the United States—where it continues to fascinate readers of subsequent generations. "The End of Modernism" places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. "The End of Modernism" portrays "Auto-da-Fé" as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.

Gender and Jobs in Early Twentieth-Century French Industry

1993 ◽  
Vol 43 ◽  
pp. 31-47 ◽  
Author(s):  
Louise A. Tilly
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Gender Inequality ◽  
Social Groups ◽  
The United States ◽  
Primary Sources ◽  
Historical Evidence ◽  
The Past ◽  
Substantial Change ◽  
Persistent Inequality

Recent studies of women's employment in the United States, recognizing that the past has shaped – and constrained – the present, have turned to historical evidence for answers to pressing questions about gender inequality in the economic arena. These carefully designed and methodologically sophisticated projects, often based on newly discovered primary sources, have greatly illuminated the processes, institutions, and social groups which have interacted to produce persistent inequality despite substantial change.

scholarly journals Making American Whiteness

2017 ◽  
Author(s):  
Tisa Wenger
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Racial Identity ◽  
Religious Freedom ◽  
The United States ◽  
American Jews ◽  
American Life ◽  
Anti Semitism ◽  
Early Twentieth Century ◽  
Faith Movement

This chapter explores the significance of religious freedom for American Jews, with particular attention to Jewish debates over Zionism and the emergence of the tri-faith movement in the early twentieth century. It argues that in an era of increasingly racialized anti-Semitism, American Jewish appeals for religious freedom both in the United States and abroad helped establish Jewishness as a primarily religious rather than racial identity in American life. In the process, religious freedom talk eased the access of American Jews to the racial status of whiteness in the United States.

scholarly journals Ottoman Armenian Racialization in an American Space (1908–1914)

2021 ◽  
Vol 8 (2) ◽  
Author(s):  
Bedros Torosian
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Ottoman Empire ◽  
Racial Discrimination ◽  
The United States ◽  
White Supremacist ◽  
Area Studies ◽  
The Us ◽  
At Home ◽  
Diasporic Communities

At the dawn of the twentieth century, droves of former Ottoman subjects including Armenians and Syrians began to set foot in the United States searching for better opportunities. Many faced American white supremacist xenophobia and fell victim to racial discrimination. Various Ottoman diasporic communities responded to this harassment by expressing an increasing investment in the question of American whiteness and vigorously yearning to move beyond its fringes. Their voices, however, remain considerably muted; their stories are largely excluded from most American immigration narratives and conventional area-studies histories. This study endeavors to help reverse this scholarly tradition by examining the mindset of Ottoman Armenian expatriates as articulated in the editorials of Asbarēz, an Armenian-language weekly published in Fresno, California starting in 1908. As this micro-study shows, the migrants used the European racialist knowledge imported from the Ottoman empire to lay claim to whiteness and achieve integration in the US but also to affect change at home.

The End of Modernism: Elias Canetti's "Auto-da-Fé"

2001 ◽  
Author(s):  
William Collins Donahue
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Nobel Laureate ◽  
The United States ◽  
The Novel ◽  
Literary Modernism ◽  
Contemporary Philosophy ◽  
Anti Semitism ◽  
Elias Canetti ◽  
Considerable Body

Nobel laureate Elias Canetti wrote his novel Auto-da-Fé (Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-Fé first received critical acclaim abroad—in England, France, and the United States—where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject" anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. The End of Modernism portrays Auto-da-Fé as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.

The National Solo and Ensemble Contest 1929–1937

2012 ◽  
Vol 60 (1) ◽  
pp. 43-61
Author(s):  
Brian D. Meyers
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Primary Sources ◽  
Research Articles ◽  
Philosophy Of Music ◽  
Secondary Sources ◽  
National School ◽  
History Of ◽  
Substantial Change

This study is the first investigation of the nine-year history of the National Solo and Ensemble Contests, held in the United States in conjunction with the National School Band and Orchestra Contests of the late 1920s and early to mid-1930s. Primary sources used include letters from those involved with the planning of the contests, meeting minutes from the responsible organization, and music journals from the early twentieth century. Dissertations and research articles pertaining to the National Band Contests are the secondary sources that helped corroborate the existence of the events described and provide foundational information. This research offers a picture of the interest in the Solo and Ensemble Contests and how they flourished during a time of substantial change in the philosophy of music contests. Changes in the rules and format of the Contests also are explored as they affected the establishment of solo and ensemble contests across America, many of which are still in existence today. This work adds to the previous research conducted about the National Band Contests by documenting a little-known but important element of the contest movement.

Dilemmas and Prospects of Writing a Bahá’í Encyclopedia

1989 ◽  
Vol 2 (1) ◽  
pp. 17-31
Author(s):  
Will C. Van Den Hoonaard
Keyword(s):  
United States ◽  
Present Status ◽  
Public Libraries ◽  
High Standard ◽  
The United States ◽  
Primary Sources ◽  
General Reader ◽  
Encyclopedic Dictionary ◽  
Current Stage

This paper addresses the need for a Bahá’í encyclopedia and describes the nature, organization, and editing of the multi-volume Bahá’í encyclopedic dictionary project endorsed in 1984 by the United States Bahá’í community. The encyclopedia will serve both Bahá’í and non-Bahá’í researchers arid scholars, the general reader; and university and public libraries. This paper considers the significance of the encyclopedia in terms of other Bahá’í encyclopedic works and in terms of the current stage in the development of the Bahá’í community. However desirable such a project may be, a number of dilemmas accompany its undertaking. These dilemmas relate to the present status of Bahá’í scholarship, the embryonic nature of primary sources, the high standard of scholarship exemplified by the works of Shoghi Effendi, and the relative newness of the Bahá’í religion. The prospects of the encyclopedic undertaking are expected to generate considerable scholarship and to provide intellectual vigor to issues raised by Bahá’ís and their critics.

Building America

2019 ◽  
Author(s):  
Jean H. Baker
Keyword(s):  
United States ◽  
Early Republic ◽  
Critical Role ◽  
Water System ◽  
The United States ◽  
Primary Sources ◽  
Early American ◽  
Transatlantic Exchange ◽  
The Us ◽  
Private Homes

Building America: The Life of Benjamin Henry Latrobe is a biography of America’s first professionally trained architect and engineer. Born in 1764, Latrobe was raised in Moravian communities in England and Germany. His parents expected him to follow his father and brother into the ministry, but he rebelled against the church. Moved to London, he studied architecture and engineering. In 1795 he emigrated to the United States and became part of the period’s Transatlantic Exchange. Latrobe soon was famous for his neoclassical architecture, designing important buildings, including the US Capitol and Baltimore Basilica as well as private homes. Carpenters and millwrights who built structures more cheaply and less permanently than Latrobe challenged his efforts to establish architecture as a profession. Rarely during his twenty-five years in the United States was he financially secure, and when he was, he speculated on risky ventures that lost money. He declared bankruptcy in 1817 and moved to New Orleans, the sixth American city that he lived in, hoping to recoup his finances by installing a municipal water system. He died there of yellow fever in 1820. The themes that emerge in this biography are the critical role Latrobe played in the culture of the early republic through his buildings and his genius in neoclassical design. Like the nation’s political founders, Latrobe was committed to creating an exceptional nation, expressed in his case by buildings and internal improvements. Additionally, given the extensive primary sources available for this biography, an examination of his life reveals early American attitudes toward class, family, and religion.

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