scholarly journals EXISTENTIALIST APPROACHES IN WESTERN EUROPEAN PHILOSOPHY OF LAW OF THE TWENTIETH CENTURY: AN ATTEMPT TO CLASSIFY

2021 ◽  
Vol 1 (5) ◽  
pp. 174-181
Author(s):  
Iryna Besaha
2021 ◽  
pp. 125-149
Author(s):  
K.Yu. Burmistrov

The acquaintance of Maximilian Aleksandrovich Voloshin (1877–1932), one of the central figures in the history of Russian culture in the first third of the twentieth century, with the tradition of Western European esotericism, as well as with the concepts of Jewish Kabbalah, is still poorly understood. At the same time, it is known that they played an important role in his worldview and creativity. The article offers an analysis of several topics related to Kabbalah, which had a noticeable impact on the work of Voloshin. Particular attention is paid to the problem of establishing written sources of borrowings and interpretations of Kabbalistic ideas, clarifying concepts, as well as ways of transmitting elements of Kabbalah among European and Russian esotericists. Through the study of various works of Voloshin, his diary entries, drafts and correspondence, the names of esoteric authors who are especially important for the study of this topic have been identified (E.P. Blavatsky, A. Fabre d'Olivet, A. Franck, Eliphas Levi and etc.). Through a thorough analysis of the methods of perception and transmission of the ideas of Kabbalah among European esotericists, it was shown that, strange as it may seem, the result of studying such sources and their interpretation by Voloshin was a fairly accurate and adequate use of Kabbalistic concepts both in theoretical works and in poetry.


Author(s):  
Павел Великанов

У Рода Дреера получилась сильная, понятная и мотивирующая книга. Это настоящий эталон миссионерской (в светском значении этого слова) литературы. За ярким предисловием следует достаточно объёмный, но совсем не скучный экскурс в историю западноевропейской философии, в котором эта самая история постепенно складывается в линейную схему. Как считает автор, с позднего Средневековья и по настоящее время западноевропейское (и, как производная от него, американское) общество движется исключительно по пути моральной деградации и отхода от религии. Но это не эсхатологическая картина «охладения любви», о которой говорил Христос Спаситель (Мф. 24, 12). Речь идёт о якобы существующем кризисе одной из человеческих культурных моделей, вполне преодолимом человеческим же усилием. Rod Dreher's book is strong, clear and motivating. This is a true benchmark of missionary (in the secular sense of the word) literature. A vivid preface is followed by a rather voluminous, but not at all boring excursion into the history of Western European philosophy, in which this very history is gradually formed into a linear scheme. According to the author, from the late Middle Ages to the present, Western European (and, as a derivative of it, American) society has been moving exclusively along the path of moral degradation and departure from religion. But this is not the eschatological picture of the "cooling down of love" of which Christ the Saviour spoke (Matthew 24:12). We are talking about the alleged crisis of one of the human cultural models, quite surmountable by human efforts.


Author(s):  
Jean Wahl

Featuring replies and letters by Raymond Aron, Nikolai Berdyaev, Martin Heidegger, Karl Jaspers, Emmanuel Levinas, Gabriel Marcel, and many others, Wahl’s 1937 “Subjectivity and Transcendence” should be included among the most important debates in twentieth-century European philosophy. It is essential for understanding the secularization of Kierkegaard, and it provided a crucial forum in which to discuss and shape the future of existentialism. While revealing Jaspers’s and Heidegger’s debt to Kierkegaard, Wahl at the same time worries that any attempt to provide a philosophy of the insights that stem from Kierkegaard’s life would threaten either to fall into abstraction or to harbor implicit theological presuppositions. He also sets the stage for dialogue about the nature of transcendence by developing the concepts of “transascendence” and “transdescendence.” This chapter concludes with a previously unpublished letter Wahl wrote to Heidegger in which he provides a more detailed response to Heidegger’s contribution to the debate than the one given in “Subjectivity and Transcendence.”


Rural History ◽  
2005 ◽  
Vol 16 (2) ◽  
pp. 235-251 ◽  
Author(s):  
PAUL BRASSLEY

Following Perkin's suggestion that western European society is increasingly professionalised, and given the emergence of a stratum of large commercial farms in twentieth-century England, this paper examines the contention that, to some extent at least, English agriculture has been professionalised over the course of the late nineteenth and twentieth centuries. It briefly surveys the literature on professionalisation, identifies a list of professional characteristics, and then tests the attributes of twentieth-century English farmers against this list. It also briefly examines the effects of professionalisation, and concludes that, although it would be excessively simplistic to claim that the whole industry has been professionalised, it is possible to identify professional groups.


Author(s):  
Ashley Woodward

Twentieth century European philosophy has seen many influential critiques of the technological dehumanisation process, often accompanied by appeals to the humanising powers of art as a potential response. And yet, Guillaume Apollinaire wrote in The Cubist Painters in 1913 that “Artists are, above all, men who want to become inhuman.” What would it mean for art to be “inhuman,” and what relation might inhuman arts have to the dehumanising effects of technology? This chapter traces the idea of the inhuman in art from cubism to new media art, focusing on the reflections on these topics by Lyotard, through his activities both as a philosopher of art and as an exhibition director. It traces the meaning that “the inhuman” has in relation to art in his work from the exhibition Les Immatériaux to his later writings on Malraux, aiming to show how, for Lyotard, a “positive” aesthetic conception of the inhuman can act as an antidote to the “negative” inhuman of contemporary cultural conditions.


2021 ◽  
pp. 479-486
Author(s):  
Elena V. Gryaznova ◽  
Aleksandr V. Vorokhobov ◽  
Aleksey G. Goncharuk ◽  
Svetlana M. Maltseva ◽  
Daniil V. Semikopov

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