In this mature writing, Wahl looks back on his career and offers a succinct account of his philosophical and poetic journey. It not only touches on many of his philosophical, poetic, and artistic influences—Bergson, Husserl, Heidegger, Hegel, James, Kierkegaard, Nietzsche, Plato, Whitehead, Claudel, Novalis, and Valéry, Cézanne and Van Gogh—but also but brings them together in such a way as to present his own unique concerns with a radical empiricism, with relativity, negativity, and facticity, with the concrete, with surpassing dichotomies, with “the silences of the dialectic,” with transcending transcendence, and especially with the preeminence of poetry. Along the way, Wahl demonstrates how poetry is crucial to his personal philosophical quest by interspersing his wide-ranging discussions with several poems of his own.