scholarly journals RECOVERING VALPARAÍSO'S URBAN ELEVATORS: THE RESTORATION OF THE CORDILLERA FUNICULAR

2020 ◽  
Vol XLIV-M-1-2020 ◽  
pp. 535-542
Author(s):  
C. Giribas ◽  
G. Paredes ◽  
A. Riquelme
Keyword(s):  
20Th Century ◽  
21St Century ◽  
Public Transport ◽  
Industrial Revolution ◽  
Public Works ◽  
San Jose ◽  
The World ◽  
History Of ◽  
The 19Th Century ◽  
The City

Abstract. During the 19th century, the port of Valparaíso was the place in Chile with the closest links to the rest of the world, leading to strong social, cultural and technological transformations in the city. The arrival of the industrial revolution together with foreign influence led to the apparition of machinism; which along with the need to connect the lower area of the city with the hills led to the construction of several urban elevators. More than thirty elevators functioned throughout Valparaíso during the 20th century, out of which less than a half remained operational at the beginning of the 21st century. In order to recover this valuable heritage in a city which was declared World Heritage in 2003 by UNESCO, the Ministry of Public Works of Chile promoted a plan to restore nine urban elevators in Valparaíso. This article refers specifically to the restoration works of the second elevator ever built in the city: the Cordillera funicular, which opened in 1887. The complexities linked to the recovery of an obsolete technological system for contemporary public transport standards will be exposed; along with relevant discoveries linked to the history of Valparaíso, such as the archaeological finding of the ruins of the San José Castle during building works.

EAST INDIAN AND OTHER DOCKS IN LONDON: IMPERIAL ARCHITECTURE, COLONIAL TRADE AND POSTCOLONIAL MEMORY

2020 ◽  
pp. 190-205
Author(s):  
S. E. Sidorova ◽  
Keyword(s):  
20Th Century ◽  
Industrial Revolution ◽  
Historical Memory ◽  
Visual Image ◽  
East Indian ◽  
Architectural Representation ◽  
The World ◽  
The Status ◽  
Postcolonial History ◽  
The City

The article concentrates on the colonial and postcolonial history, architecture and topography of the southeastern areas of London, where on both banks of the River Thames in the 18th–20th centuries there were located the docks, which became an architectural and engineering response to the rapidly developing trade of England with territories in the Western and Eastern hemispheres of the world. Constructions for various purposes — pools for loading, unloading and repairing ships, piers, shipyards, office and warehouse premises, sites equipped with forges, carpenter’s workshops, shops, canteens, hotels — have radically changed the bank line of the Thames and appearance of the British capital, which has acquired the status of the center of a huge empire. Docks, which by the beginning of the 20th century, occupied an area of 21 hectares, were the seamy side of an imperial-colonial enterprise, a space of hard and routine work that had a specific architectural representation. It was a necessary part of the city intended for the exchange of goods, where the usual ideas about the beauty gave way to considerations of safety, functionality and economy. Not distinguished by architectural grace, chaotically built up, dirty, smoky and fetid, the area was one of the most significant symbols of England during the industrial revolution and colonial rule. The visual image of this greatness was strikingly different from the architectural samples of previous eras, forcing contemporaries to get used to the new industrial aesthetics. Having disappeared in the second half of the 20th century from the city map, they continue to retain a special place in the mental landscape of the city and the historical memory of the townspeople, which is reflected in the chain of museums located in this area that tell the history of English navigation, England’s participation in geographical discoveries, the stages of conquering the world, creating an empire and ways to acquire the wealth of the nation.

3. History and heroes

2018 ◽  
pp. 46-82
Author(s):  
Ben Hutchinson
Keyword(s):  
Comparative Literature ◽  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Culture Wars ◽  
Empire Building ◽  
Jewish Diaspora ◽  
History Of ◽  
The 19Th Century ◽  
Western Perspective

Seen from a Western perspective, the history of comparative literature can be divided into three categories: how European literatures have been compared inside Europe; how European literature has been compared with other cultures outside Europe; and how literatures outside Europe have been compared among themselves. ‘History and heroes’ explains how from the empire building of the 19th century, via the Jewish diaspora of the 20th century, to the postcolonial culture wars of the 21st century, the problems and prejudices of comparative literature have formed a cultural counterpart to the problems and prejudices of modernity. To understand its history, in this spirit, is to understand why it matters.

Australian Agriculture

2007 ◽  
Author(s):  
Ted Henzell
Keyword(s):  
Social Sciences ◽  
20Th Century ◽  
Agricultural Practices ◽  
General Interest ◽  
Agricultural Technologies ◽  
Agricultural Enterprises ◽  
Or Groups ◽  
The World ◽  
History Of ◽  
The 19Th Century

Agriculture in Australia has had a lively history. The first European settlers in 1788 brought agricultural technologies with them from their homelands, influencing early practices in Australia. Wool production dominated the 19th century, while dairying grew rapidly during the first half of the 20th century. Despite having one of the driest landscapes in the world, Australia has been successful in adapting agricultural practices to the land, and these innovations in farming are explained in this well-researched volume. Focusing on the technologies that the farmers and graziers actually used, this book follows the history of each of the major commodities or groups of commodities to the end of the 20th century: grain crops, sheep and wool, beef and dairy, working bullocks and horses, sugar, cotton, fruit and vegetables, and grapes and wine. Major issues facing the various agricultural enterprises as they enter the 21st century are also discussed. Written in a readable style to suit students of history, social sciences and agriculture, Australian Agriculture will also appeal to professionals in the industry and those with a general interest in Australian sociology and history.

scholarly journals Reforming Police: Opportunities, Drivers and Challenges

2005 ◽  
Vol 38 (2) ◽  
pp. 167-180 ◽  
Author(s):  
Philip C. Stenning ◽  
Clifford D. Shearing
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Special Issue ◽  
Quiet Revolution ◽  
The World ◽  
The Creation ◽  
The 19Th Century ◽  
Different Parts

A few years ago, David Bayley and Clifford Shearing (1996) argued that at the end of the 20th century we were witnessing a ‘watershed’ in policing, when transformations were occurring in the practices and sponsorship of policing on a scale unprecedented since the developments that heralded the creation of the ‘New Police’ in the 19th century. In this special issue of the journal, we and our fellow contributors turn our attention to a somewhat neglected aspect of this ‘quiet revolution’ in policing (Stenning & Shearing, 1980), namely the nature of the opportunities for, and challenges posed by, the reform of policing in different parts of the world at the beginning of the 21st century. Our attention in this issue is particularly focused on the opportunities, drivers and challenges in reforming public (state-sponsored) police institutions.

Havana

2020 ◽  
Author(s):  
Guadalupe García
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Urban History ◽  
Urban Population ◽  
The United States ◽  
Early 20Th Century ◽  
Publication Date ◽  
History Of ◽  
The 19Th Century ◽  
The City

The Cuban city of San Cristóbal de la Habana has been a nodal point of economic, commercial, political, and cultural exchange since its 1519 founding on Cuba’s northern shore. Residents’ decision to locate the city next to the natural deepwater harbor that became today’s harbor, illustrates the importance of geography, space, and environment in Havana’s early history. Through the distinct environs of Havana, enslaved, free black, Spanish, immigrant, criollo (and later Cuban) residents defined and gave new meaning to a geography marked by the city’s colonial origins. The end of the 19th century and early 20th century marked the end of Spanish colonialism in Cuba (1898) and the beginning of the US occupation of the island (1899–1902). The political transition solidified the importance of Havana as the economic and political center of Cuba. The city became a broker of a new set of cultural, social, and political exchanges as the country’s economic prosperity—the result of an affinity for US and global capitalist markets—also inaugurated a booming and pervasive tourist economy. Western influence and a neocolonial relationship between Cuba and the United States engendered an urban renaissance that emphasized cosmopolitanism and a dynamic, highly mobile urban population. Havana’s built environment oriented residents and visitors alike to its modern architecture, seaside resorts, and dynamic nightlife. The city’s concentration of wealth, however, underscored continued disparities between Cuba’s urban and rural populations as well as within sectors of the urban population. There is a well-developed body of scholarship that addresses the complicated history of the city, especially for the colonial period and the early 20th century. Until recently, there was a scarcity of literature on the city following the revolutionary transition of 1959. This changed, however, with the onset of the 1980s. In 1982 UNESCO declared the colonial core city of Havana a World Heritage Site. Urban renewal and preservation became topics of scholarly discussions around administrative efforts to preserve, restore, and orient the direction of the city. Then, in the early 1990s, urban development in Havana (like all development in Cuba) come to an immediate halt after the dissolution of the USSR ended Soviet subsidies and precipitated one of the worst economic disasters in Cuban history. The country’s political and economic situation and the liberalization of the economy and the growth of tourism brought an ever-increasing interest in the issues and environment of the city, with scholars taking up the now familiar themes of access to the city, political inclusion and exclusion, and urban patrimony in their scholarship. As a field of study the literature on Havana mirrors the frameworks found in the broader field of urban history. The literature breaks down into two distinct subfields; those studies that examine “the history of the city” and those that examine “histories that unfold within cities” (See Brodwyn Fisher’s article Urban History in Oxford Bibliographies). The former has long dominated the literature on Havana, and only recently has new scholarship begun to approach the city as a subject in its own right or from the vantage points of disciplinary perspectives outside of history, architecture, and planning. In this essay I have chosen to introduce readers to the vast literature that centers explicitly on the development of the city, much of which was published in Cuba from the 19th century onward. This literature forms part of a well-known cannon in Cuba (including work in the Spanish-language press produced outside of the island) but might be lesser known to non-specialists. I have also included well-established, as well as recent and emerging, works where Havana assumes a central role in the narrative. I have done this in order to broaden the categorical analysis of what constitutes a history of or about Havana. As with any bibliographic essay, I have excluded much in order to provide an overview of Havana and familiarize readers with scholars who explore thematic interests in questions of race, slavery, or culture through the social fabric of the city. Where appropriate, I have organized the essay according to time period or publication date (in order to give the reader an idea of the scholarship on colonial architecture, for example). Finally, most titles on this list can easily be placed in more than one of the categories listed in the Table of Contents; for the sake of space I have cross-listed only a few of these works, but indicated when readers might find other sections of the essay useful.

scholarly journals TOPOGRAPHY OF THE ALIEN: NATIONAL STEREOTYPES OF GEOGRAPHY TEXTBOOKS AS A BASIS FOR CARICATURED VISUALIZATION OF IDEAS ABOUT SPACE AT THE TURN OF THE 20TH CENTURY

2021 ◽  
pp. 234-255
Author(s):  
Сергей Александрович Троицкий
Keyword(s):  
20Th Century ◽  
Political Discourse ◽  
Visual Images ◽  
General Description ◽  
Short Period ◽  
The World ◽  
History Of ◽  
Mental Map ◽  
The 19Th Century ◽  
National Stereotypes

Рассматривается, как построение визуальных образов, отражающих культурные стереотипы, в то же время создает культурную карту. Анализируя взаимовлияние национальных стереотипов на уровне обыденного сознания, формируемых посредством преподавания географии, с одной стороны, и визуальную риторику Чужого, воплощенную в карикатуре, – с другой, мы фиксируем взаимные изменения обоих. Наша задача – воссоздать систему визуальных образов в политической карикатуре короткого периода истории русской культуры, названного империализмом, когда идеология романтического национализма, выражавшаяся в активном колониальном переделе мира, протекционизме, была на пике, то есть последнего десятилетия XIX века, фактически завершившегося в политической истории России русско-японской войной (1904) и началом первой русской революции (1905). Для выявления сложившихся национальных стереотипов привлекаются описания ментальных особенностей различных стран (народов) из российских учебников географии, использовавшихся для преподавания накануне исследуемого периода. Такой подход является новым для изучения политической карикатуры и приводит к неожиданным выводам. Авторы учебников исходят из романтической установки, что определения носят характер сущностных, неотъемлемых, а значит, изображение любого представителя является изображением каждого представителя народа (страны). Другими словами, учебники географии транслируют общие национальные стереотипы о других народах, фиксировавшиеся с помощью преподавания на уровне обыденного сознания, что позволяет понимать юмор карикатурных изображений практически всем. Карикатура является продолжением культурного или политического дискурса, чьи установки она транслирует, поэтому именно карикатурные визуальные образы и позволяют исследователю выявить типическое (стереотипное) содержание в повседневной культуре (на уровне обыденного сознания) и определить черты культурного и политического дискурса того периода, а также зафиксировать какие-либо изменения в стереотипах (правда, такие изменения могут произойти только под воздействием каких-то глобальных событий, таких как революция). В статье показывается, как ментальная карта мира из учебника географии, где в центре находится Россия, конкретизируется и трансформируется в ментальную карту мира, где существуют стереотипные чудовища – Другие, легко трансформируемые во врагов, а научный дискурс того периода легко трансформируется в инструмент политической пропаганды. Исследование строится от общего описания исторического и политического контекста, исследовательских установок, основных характеристик имагологического дискурса в карикатуре к рассмотрению более конкретных примеров, сопоставлению национальных стереотипов из учебников географии Германии, Франции, Турции, Японии, Китая с национальными стереотипами, фиксировавшимися карикатуристами в отношении этих же стран. The article discusses how constructing visual images that reflect cultural stereotypes simultaneously creates a cultural (mental) map. The objective of the paper is to reconstruct the system of visual images in political caricatures of a short period of history of Russian culture (the last decade of the 19th century and the first five years of the 20th century) culminating in fact in the Russo-Japanese war (1904) and the first Russian revolution (1905). Then the ideology of romantic nationalism was at its peak. That period is referred to as imperialism because it was characterized by an active colonial redivision of the world and protectionism. To reveal the main national stereotypes, the article draws on descriptions of the mental characteristics of various countries (peoples) from Russian geography textbooks used for teaching on the eve of the analyzed period. Attracting geography textbooks as a source of national stereotypes for political caricature studies is a new approach, and it leads to unexpected conclusions. The authors of textbooks proceed from the romantic attitude that definitions are essential, integral, which means that the image of any representative is the image of every representative of the population (country). Geography textbooks transmit common national stereotypes about other peoples, which, by teaching, are fixed at the level of everyday consciousness. It allows almost everyone to understand the humor of caricature images. Caricature is a continuation of the cultural or political discourse whose attitudes it translates, so it is caricature visual images that allow the researcher to identify (stereo)typical content in everyday culture (at the level of everyday consciousness), determine the features of the cultural and political discourse of that period, and record any changes in stereotypes. The article shows how the mental map of the world from the geography textbook in which Russia is located in the center is concretized and transformed into an everyday mental map of the world that has stereotypical monsters-Others, easily transformed into enemies. The scientific discourse of that period is easily transformed into a tool of political propaganda. The research develops from the general description of the historical and political context, research attitudes, and the main characteristics of imagological discourse in caricature to the consideration of more specific examples, comparisons of national stereotypes from geography textbooks (Germany, France, Turkey, Japan, and China) with national stereotypes recorded by caricaturists in relation to these countries.

scholarly journals The Transformation of a Music Festival in St. Petersburg “The World of Art. Contrasts”

ICONI ◽  
2019 ◽  
pp. 159-171
Author(s):  
Anton А. Rovner ◽  
Keyword(s):  
20Th Century ◽  
Arnold Schoenberg ◽  
Early 20Th Century ◽  
Music Festival ◽  
Early 21St Century ◽  
Avant Garde ◽  
The World ◽  
History Of ◽  
Italian Music ◽  
The 19Th Century

The article presents the history of an extraordinary music festival organized in St. Petersburg by two composers Igor Rogalev and Igor Vorobyev. The festival was fi rst called “From the Avant-garde to the Present Day,” subsequently “From the Avant-garde to the Present Day. Continuation,” and during the last three years — “The World of Art. Contrasts.” This festival was founded in 1992, and its aim was to create a venue for performance of music by contemporary composers and representatives of the “forgotten generation” of the early 20th century Russian avant-garde movement, such as Nikolai Roslavetz, Alexander Mosolov, Arthur Lourie, etc. Many premieres of these and other composers were performed at this festival, as well as well-known works by such early 20th century established masters as Arnold Schoenberg, Alexander von Zemlinsky, Igor Stravinsky, Bela Bartok, etc. Some of the leading contemporary composers of the late 20th and early 21st century were invited to participate in the festival, as were numerous outstanding performances, ensembles and orchestras up to the St. Petersburg Mariinsky Theater, artists, poets and writers. At the present time the artistic goal of the festival is to connect the strata of music by contemporary composers with the masterpieces of the great classics of the previous centuries — from the Renaissance era to the 19th century. Each year the festival has a certain particularthemes, such as, for instance, Italian music or Japanese music, around which the program is built endowed with a broad stylistic and genre-related pallette.

scholarly journals A Pan-European, competitive public transport system

2002 ◽  
Vol 69 (415-417) ◽  
pp. 275-277
Author(s):  
Kjell Dahlström
Keyword(s):  
Transport System ◽  
21St Century ◽  
Public Transport ◽  
World Society ◽  
Director General ◽  
Political Career ◽  
Public Transport System ◽  
The World ◽  
The City

The author is Director-General of the Swedish National Public Transport Agency which coordinates and procures interregional public transport throughout the country. He is a member of the World Society for Ekistics (WSE). His professional and political career is described in the following article which is a slightly edited and revised version of a paper presented at the WSE Symposion "Defining Success of the City in the 21st Century," Berlin, 24-28 October, 2001.

scholarly journals Poetycka wyspa pokoju: O powstaniu, działalności i światowych aspiracjach arabskiego Stowarzyszenia Apollo

2014 ◽  
Author(s):  
Ida Balwierz
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Arabic Literature ◽  
International Forum ◽  
Arabic Poetry ◽  
Monthly Review ◽  
The World ◽  
History Of ◽  
The 19Th Century

THE POETIC ISLAND OF PEACE. THE FORMATION, ACTIVITY AND WORD-WIDE ASPIRATIONS OF THE ARABIC APOLLO SOCIETY The object of the book is the presentation of the genesis and activity of the Apollo Society, acting in Egypt within the years 1932-1934 for the benefit of the rebirth of Arabic poetry. Particular attention in this book was paid to the peaceful mission that the society itself selected, and the ideas of brotherhood, cooperation, and international literary exchange – on which it was based. The leading representatives of this group understood the rebirth of Arabic poetry as such an increase of its artistic level that would enable its creators to join the Parnassus of the world poetry, become equal partners alongside the English, French or German poets. They dreamed their poetic works would become the great pride of the Arabs in the international forum. The book presents the various stages of the rebirth of Arabic poetry in Egypt during the second half of the 19th century to the first four decades of the 20th century. Factors that enabled the development of poetry were characterized, the role of the Apollo Society and the monthly review published by it was shown in the history of Arabic literature. The 20s of the 20th

scholarly journals Schreiben mit Licht

2021 ◽  
pp. 93-109
Author(s):  
Ralf Bohn
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Digital Photography ◽  
History Of ◽  
The 19Th Century

In the 19th century, the stillness of movement during a photographic exposure required a staging based on academic traditions. Staging is the »spatialization« of a present absence – comparable to »writing« in the sense of Derrida. With the increasing mobility of camera techniques from the 20th century onwards, the focus is no longer on the reproduction of a moment, but instead on its performative invention.With the digital photography of the 21st century, a transformation from theatrical to functional staging takes place. The history of the writing scene of photography illustrates the interplay between concealment through technology and re-aestheticization, which with increasing oscillation turns into motor dizziness.

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