scholarly journals Discussing the pillars of the Brazilian Tropicália Movement: The graphic design of Rogério Duarte

2020 ◽  
Vol 32 (4) ◽  
pp. 951-968
Author(s):  
Juliana F. Duque ◽  
Luciana Inhan
Keyword(s):  
20Th Century ◽  
Visual Arts ◽  
Graphic Design ◽  
Visual Response ◽  
Brazilian Government ◽  
Graphic Designer ◽  
The Creation ◽  
Cultural Movement

This article addresses the Tropicalist movement, the iconic Brazilian countercultural phenomenon from the late 1960s. The discussion focuses on its main visual manifestation: graphic design. We aim to demonstrate that the work of graphic designer Rogério Duarte is one of the structural pillars of this anti-establishment movement. Tropicália is often associated with music, while other contributions such as graphic design are less known or taken as a later visual response. We propose and present an analysis of the role of Duarte at the creation of the movement and its development during the late 1960s and early 1970s. His critical vision and knowledge of the Brazilian cultural mosaic led to the construction of one of widest countercultural movements of the 20th century, with a range of manifestations that included not only graphic design and music, but also theatre, cinema, and the visual arts. Tropicália was indeed more political than the American and British psychedelic manifestations, in which it was visually inspired. It was also more than a cultural movement or an anti-academic manifestation: it was a means to criticize and work around the Brazilian government and its oppression.

scholarly journals A short history of ocean acidification science in the 20th century: a chemist's view

2013 ◽  
Vol 10 (11) ◽  
pp. 7411-7422 ◽  
Author(s):  
P. G. Brewer
Keyword(s):  
Ocean Acidification ◽  
20Th Century ◽  
Fossil Fuel ◽  
Trade Offs ◽  
History Of ◽  
Chemical Knowledge ◽  
The Creation ◽  
Ph Scale ◽  
The Impact

Abstract. This review covers the development of ocean acidification science, with an emphasis on the creation of ocean chemical knowledge, through the course of the 20th century. This begins with the creation of the pH scale by Sørensen in 1909 and ends with the widespread knowledge of the impact of the "High CO2 Ocean" by then well underway as the trajectory along the IPCC scenario pathways continues. By mid-century the massive role of the ocean in absorbing fossil fuel CO2 was known to specialists, but not appreciated by the greater scientific community. By the end of the century the trade-offs between the beneficial role of the ocean in absorbing some 90% of all heat created, and the accumulation of some 50% of all fossil fuel CO2 emitted, and the impacts on marine life were becoming more clear. This paper documents the evolution of knowledge throughout this period.

scholarly journals Avantgarde Suomessa

2021 ◽  
Keyword(s):  
20Th Century ◽  
Visual Arts ◽  
Women Artists ◽  
Early 20Th Century ◽  
Avant Garde ◽  
The Social ◽  
Role Of Women ◽  
First Time

Avant-garde in Finland is the first book to provide an overarching introduction to avant-garde art by Finnish artists. The articles in the book discuss the application and development of the cultural ideas of the avant-garde in Finnish art from the early 20th century till the present day. The book focusses on the social, political, and artistic characteristics of avant-garde art and their manifestation in Finnish avant-garde literature, visual arts, architecture, fashion, and music. The book shows the remarkable role of women artists in the development of the Finnish avant-garde. Many artists and groups are presented in the book for the first time. At the same time, the articles highlight connections between well-known Finnish artists and international avant-garde movements that have not been recognized in earlier research. A key theme of the book is the tension between the internationality of avant-garde and the nationalist elements of Finnish culture. The book is peer-reviewed, and its authors are eminent senior scholars and younger researchers.

SYNTHESIS OF DOCUMENTAL AND ARTISTIC IN THE WORKS OF ISSA BOTASHEV

2020 ◽  
pp. 94-98
Author(s):  
Alena Mustafaevna Sarbasheva
Keyword(s):  
20Th Century ◽  
Spiritual Culture ◽  
The People ◽  
Historical Figures ◽  
The Creation

The article examines the creativity of the Balkar playwright Issa Botashev, special attention is paid to the syn-thesis of documentary and artistic, inherent in the creative manner of the writer. An artistic study of the fate of historical figures, events, documentary facts in the life of the people is conditioned by the cognitive needs of the author and contemporary reader. The factual basis of the plays of I. Botashev contributes to the creation of an artistic model of reality, allows you to convey the essence of characters and depicted events, life reliability. The role of the playwright in the revival of the spiritual culture of the Balkars in the second half of the 20th century is noted.

scholarly journals Konteksty społeczne początku XX wieku a poradnictwo dla rodziców w zakresie opieki i wychowania na ziemiach polskich

2021 ◽  
Vol 7 ◽  
pp. 177-189
Author(s):  
Witold Ostafiński
Keyword(s):  
20Th Century ◽  
Family Environment ◽  
Political Change ◽  
Social Contexts ◽  
New Concepts ◽  
The Family ◽  
New Ideas ◽  
The Creation ◽  
Special Meaning

Social Contexts of the Beginning of the 20th Century and Counseling for Parents in the Field of Care and Education in Poland The beginning of the 20th century was a period of great popularity of guidebooks for parents, which often dealt with issues related to the care and upbringing of children in the family, and the authors focused especially on the role of the mother, assigning it a special meaning. The aim of the article is to present the content of counseling for parents on the care and upbringing of children at the beginning of the 20th century in Poland. The article also presents the position of the educators and psychologists of the time on the issues related to the upbringing and care of children in the family environment. The analyzes include publications that appeared in Poland in a period of political change that initiated changes in the approach to the tasks of the family regarding upbringing and childcare. The independence of Poland enabled the development of native pedagogical thought, which resulted in the implementation of new ideas and the creation of new concepts of education.

scholarly journals ROLE OF GRAPHIC DESIGN FOR THE INNOVATION PROCESS OF AN EDUCATION PROJECT

2019 ◽  
Vol 7 (2) ◽  
pp. 134-143
Author(s):  
Marco Aurélio Sanfins ◽  
Morgana Jesus Masuko ◽  
Pablo Silva Machado Bispo dos Santos ◽  
Paula dos Santos Figueiredo
Keyword(s):  
Organizational Structure ◽  
Graphic Design ◽  
Innovation Process ◽  
Teaching System ◽  
Education Project ◽  
Support Materials ◽  
The Core ◽  
Graphic Designer ◽  
Short Time

Increasingly, society is faced with the need to acquire a great deal of educational and cultural information, which is constantly produced by science in a short time. This fact makes more and more the teaching system to walk in search of innovating its tools that, in an objective way and with the desired efficiency, aim to supply this demand. This article illustrates the importance of graphic design in the production of various support materials that help in the generation of content for the different courses that are offered and make up the core portfolio of transdisciplinary studies of the present university. The importance of the role of the graphic designer in the organizational structure of the nucleus has been shown to be of high relevance, including gaining a prominent role in making decisions about the process of creating a given course.

scholarly journals Pengertian Art Direction dan Peranan Seorang Art Director dalam Periklanan

Humaniora ◽  
2010 ◽  
Vol 1 (2) ◽  
pp. 388
Author(s):  
Aryo Bimo
Keyword(s):  
Graphic Design ◽  
Visual Communication ◽  
Educational Institutions ◽  
Visual Communication Design ◽  
Communication Design ◽  
General Overview ◽  
Graphic Designer

Nowadays advertising is a field that is progressing rapidly and is quite popular majors marked by numerous educational institutions both private and the country that opened specialization advertising. One of the positions in the field of advertising that quite popular is Art Director. The skill of art directing is a bit much has been represented in the department of Visual Communication Design or Graphic design. But it is sometimes still confused between the duties and role of an art director and a graphic designer. This article gives a general overview of what is meant by Art Director as well as roles and duties.  

scholarly journals Dust, vacuum cleaners, (war) machines and the disappearance of the interior

IDEA JOURNAL ◽  
2011 ◽  
pp. 50-59 ◽  
Author(s):  
Teresa Stoppani
Keyword(s):  
20Th Century ◽  
Visual Arts ◽  
High Tech ◽  
Political Satire ◽  
Vacuum Cleaner ◽  
Alter Ego

Working on the ambiguity and circularity intrinsic to the operation of ‘dusting’, this paper explores the role of dust in the definition, organisation and dissolution of the domestic interior in its 20th century representations. An analysis of images from the visual arts, film, and advertising, shows how their readings of dusting offer contradictory interpretations of space that blur the distinction of interior and exterior and expose the permeability of their boundaries. In Richard Hamilton’s iconic collage of 1956, ‘what makes today’s homes so different, so appealing’ (as its title recites), is the fact that, behind the exposed bodies of the inhabitants of the modern home and besides the pervasive presence of telecommunication media, the act of dusting is here performed by an alter-ego of the female inhabitant reduced to a diminutive appendage of the vacuum cleaner. The new dusting appliance not only removes dust but, participating in the dynamics of the mediatic and machinic centre-less interior, it sucks up (together with dust), all familiar connotations of domesticity. Vacuumed, the interior is fragmented, multiplied and centrifugally dispersed; made permeable and exposed it is no longer separable from world events. Other examples follow, from literary divertissement (Graham Greene’s facetious political satire), to tongue-in-cheek high art (Jeff Koons’s vacuum cleaner taxonomies), to consumerism and advertising (Dyson’s 1990s high-tech commercials), to show that while dust continues to return, invincible, the enclosures and (false) security of the 20th century interior are, more than vacuumed, literally and lightly laughed away.

scholarly journals A short history of ocean acidification science in the 20th century: a chemist's view

2013 ◽  
Vol 10 (5) ◽  
pp. 8715-8748 ◽  
Author(s):  
P. G. Brewer
Keyword(s):  
Ocean Acidification ◽  
20Th Century ◽  
Fossil Fuel ◽  
Trade Offs ◽  
History Of ◽  
Chemical Knowledge ◽  
The Creation ◽  
Ph Scale ◽  
The Impact

Abstract. This review covers the development of ocean acidification science, with an emphasis on the creation of ocean chemical knowledge, through the course of the 20th century. This begins with the creation of the pH scale by Sørensen in 1909 and ends with the widespread knowledge of the impact of the "High CO2 Ocean" by then well underway as the trajectory along the IPCC scenario pathways continues. By mid-century the massive role of the ocean in absorbing fossil fuel CO2 was known to specialists, but not appreciated by the greater scientific community. By the end of the century the trade-offs between the beneficial role of the ocean in absorbing some 90% of all heat created, and the accumulation of some 50% of all fossil fuel CO2 emitted, and the impacts on marine life were becoming clear. This paper documents the evolution of knowledge throughout this period.

scholarly journals Casting life, casting death: connections between early modern anatomical corrosive preparations and artistic materials and techniques

2019 ◽  
Vol 73 (3) ◽  
pp. 369-397 ◽  
Author(s):  
Marieke M. A. Hendriksen
Keyword(s):  
Early Modern ◽  
Visual Arts ◽  
Corrosion Casts ◽  
The Creation ◽  
Materials Used ◽  
Visual Results

Although the historical connections between anatomy and the visual arts have been explored in quite some depth, especially in the cases of early modern anatomical drawing, sculpting, the making of wet preparations and wax modelling, the role of artistic techniques in the creation of corrosive preparations has received little attention thus far. This is remarkable, as there appear to be significant similarities between casting techniques like those employed by the influential artist Wenzel Jamnitzer (1508–85) and anatomical corrosive techniques. This paper explores the connections between the two domains and argues that, although artistic and anatomical techniques were often very similar in terms of the materials used, the skills that had to be developed to apply them successfully, and the visual results, there were distinct materialities and techniques in each realm. It is demonstrated that the creation of corrosion casts, particularly wax-based casts, required particular skills that were unlike others in the period. The paper does so by analysing the material and technical qualities of corrosive preparations from the period 1700–1900, and by comparing the results of this analysis with written instructions for making corrosive preparations and making casts from the same period in both anatomical and artist handbooks.

scholarly journals The ideocratic state and national identity: the Serbian experience in the 20th century

2020 ◽  
Vol 38 (1/2020) ◽  
pp. 9-34
Author(s):  
Kosta Nikolić
Keyword(s):  
National Identity ◽  
20Th Century ◽  
State Formation ◽  
21St Century ◽  
Nation Building ◽  
Structural Elements ◽  
Potential Link ◽  
The Creation ◽  
First Time

Since the end of the second decade of the 21st century the Serbian people have been living on the ruins of Yugoslavia. In this country, formed over a century ago, the Serbs were united for the first time in their history, yet they gambled it away. How did this happen? While some interpretations emphasize the role of individuals, others give prevalence to structural elements. As a potential link between the two, this paper examines the influence different ideologies had on the creation of the Serbian identity in the 20th century and scrutinizes the role of these ideocratic tendencies in the process of nation building and state formation, as well as its integration and disintegration.

Sign in / Sign up

Export Citation Format

Share Document