ROLE OF GRAPHIC DESIGN FOR THE INNOVATION PROCESS OF AN EDUCATION PROJECT

Increasingly, society is faced with the need to acquire a great deal of educational and cultural information, which is constantly produced by science in a short time. This fact makes more and more the teaching system to walk in search of innovating its tools that, in an objective way and with the desired efficiency, aim to supply this demand. This article illustrates the importance of graphic design in the production of various support materials that help in the generation of content for the different courses that are offered and make up the core portfolio of transdisciplinary studies of the present university. The importance of the role of the graphic designer in the organizational structure of the nucleus has been shown to be of high relevance, including gaining a prominent role in making decisions about the process of creating a given course.

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Nowy kierunek badań ewolucji modeli samorządu terytorialnego w Niemczech z perspektywy procesu komunalizacji i dekomunalizacji

Polityka i Społeczeństwo ◽

10.15584/polispol.2020.2.7 ◽

2020 ◽

Vol 18 (2) ◽

pp. 91-110

Author(s):

Marta Balcerek-Kosiarz ◽

Keyword(s):

Local Government ◽

Organizational Structure ◽

The Other ◽

Legal Regulations ◽

Government Function ◽

Federal States ◽

The Core ◽

German Model ◽

Research Criteria

The aim of the article is to indicate a new direction of research on the evolution of system models of local self-government in Germany in the perspective of communalization and de-communalization. Communalization can be used to explain legal regulations of a local government, which are similar to the South German model and, on the other hand, to explain how analogous regulations that strengthen the role of the legislative body, both in the municipal self-government and in the county self-government, function in the same federal states. De-communalization enables to investigate the role of starosta (Starost) in the organizational structure of county self-government. The core result of the study is the fact that on the basis of the three research criteria (geographic, historic, and the range of relations between legislative and executive bodies) the process of communalization of municipal self-governments and county self-governments in 11 federal states has been duly corroborated.

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Organizational Innovation Strategy

Principle Concepts of Technology and Innovation Management ◽

10.4018/978-1-60566-038-7.ch007 ◽

2010 ◽

pp. 162-191

Author(s):

Robert S. Friedman ◽

Desiree M. Roberts ◽

Jonathan D. Linton

Keyword(s):

Organizational Structure ◽

Process Model ◽

Organizational Innovation ◽

Strategic Change ◽

Traditional Approach ◽

Innovation Process ◽

Radical Change ◽

Innovation Strategy ◽

Organizational Conditions

There are three dominant themes that run through this chapter on organizational innovation strategy: the rate and nature of change; attitudes, behaviors, and strategic change; and the role of research in organizational strategy. The first section begins with Fry (1982), who examines the interaction between technology and organizational structure in an effort to uncover how this kind of interaction affects how organizations function. Ettlie, Bridges, and O’Keefe (1984) then look into the food processing industry as an example of organizations that draw clear distinctions between radical and incremental outcomes to support their innovation process model, one which suggests that any organizational innovation process requires a unique implementation strategy.and organizational structure that is responsive to the organizational conditions, rather than a more traditional approach, that can be characterized as incremental as opposed to radical change.

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Discussing the pillars of the Brazilian Tropicália Movement: The graphic design of Rogério Duarte

Arte individuo y sociedad ◽

10.5209/aris.66113 ◽

2020 ◽

Vol 32 (4) ◽

pp. 951-968

Author(s):

Juliana F. Duque ◽

Luciana Inhan

Keyword(s):

20Th Century ◽

Visual Arts ◽

Graphic Design ◽

Visual Response ◽

Brazilian Government ◽

Graphic Designer ◽

The Creation ◽

Cultural Movement

This article addresses the Tropicalist movement, the iconic Brazilian countercultural phenomenon from the late 1960s. The discussion focuses on its main visual manifestation: graphic design. We aim to demonstrate that the work of graphic designer Rogério Duarte is one of the structural pillars of this anti-establishment movement. Tropicália is often associated with music, while other contributions such as graphic design are less known or taken as a later visual response. We propose and present an analysis of the role of Duarte at the creation of the movement and its development during the late 1960s and early 1970s. His critical vision and knowledge of the Brazilian cultural mosaic led to the construction of one of widest countercultural movements of the 20th century, with a range of manifestations that included not only graphic design and music, but also theatre, cinema, and the visual arts. Tropicália was indeed more political than the American and British psychedelic manifestations, in which it was visually inspired. It was also more than a cultural movement or an anti-academic manifestation: it was a means to criticize and work around the Brazilian government and its oppression.

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Turkey’ s Empowerment and Tendencies for Islamic Core State

SEEU Review ◽

10.2478/seeur-2018-0010 ◽

2018 ◽

Vol 13 (1) ◽

pp. 97-109

Author(s):

Gurakuç Kuçi

Keyword(s):

Cold War ◽

World Order ◽

Core State ◽

The West ◽

The Core ◽

The World ◽

Islamic Civilization ◽

The Cold War ◽

Short Time

Abstract The end of the Cold War changed the world order. This change created opportunities for a short time to have an international hegemony to switch to international polycentrism. Huntington had anticipated and explained a confrontation and remake of the international order. This author explains that Islam as a civilization does not have a core state like other civilizations. Turkey today is one of these countries which is trying to take this role of the core state for Islamic civilization. The creation of the core state for Islamic civilization, and the making of all world civilizations with core states, pushed the world into the “civil-centrism” international detachment. However, Turkey as a core for Islam civilization, to the nuclearisation of Turkey can be done with the blessing and assistance of the “West”. Creating these civil-centrist centres also makes it possible to achieve peace and agreements in the global interest more easily.

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Pengertian Art Direction dan Peranan Seorang Art Director dalam Periklanan

Humaniora ◽

10.21512/humaniora.v1i2.2881 ◽

2010 ◽

Vol 1 (2) ◽

pp. 388

Author(s):

Aryo Bimo

Keyword(s):

Graphic Design ◽

Visual Communication ◽

Educational Institutions ◽

Visual Communication Design ◽

Communication Design ◽

General Overview ◽

Graphic Designer

Nowadays advertising is a field that is progressing rapidly and is quite popular majors marked by numerous educational institutions both private and the country that opened specialization advertising. One of the positions in the field of advertising that quite popular is Art Director. The skill of art directing is a bit much has been represented in the department of Visual Communication Design or Graphic design. But it is sometimes still confused between the duties and role of an art director and a graphic designer. This article gives a general overview of what is meant by Art Director as well as roles and duties.

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Strategi Penyajian Portofolio Desain

Jurnal Dimensi DKV Seni Rupa dan Desain ◽

10.25105/jdd.v3i1.2850 ◽

2018 ◽

Vol 3 (1) ◽

pp. 91

Author(s):

Angela Oscario ◽

Athaya Zahra

Keyword(s):

Case Studies ◽

Graphic Design ◽

Discussion Forum ◽

Art Theory ◽

Advertising Agencies ◽

Advertising Agency ◽

Visual Communication Design ◽

Communication Design ◽

Graphic Designer ◽

Short Time

Abstract Strategy to Design a Graphic Design Portfolio. Portfolio is very important for a graphic designer to pursue her/his career. Years ago, in Indonesia, there weren’t so many graphic designers, but now there’re so many Visual Communication Design graduates who want to be graphic designers/art directors, especially at creative department in advertising agencies. That’s why the competition is getting tough and tougher. Due to the challenging competition, it’s very important for graphic designers to be able to design a portfolio that can meet the needs of creative department in advertising agencies. Unfortunately, there are a lot of young or fresh graduated graphic designers who don’t really understand how to design portofolios that can compete among tens, or even hundreds of other applicants. This condition was worsened because in Indonesia there isn’t a literature that discussed the process of designing a graphic design portofolio. The method is to perform a discussion forum of students who have obligation to find practice company in a short time and have difficulties to create portofolio. The research continue with 3 portofolio studycase as material to data and analysis. Case studies and interview data were analyzed by The Elements of Art theory by Robert J. Belton to produce a guide for designing portofolio that meet the needs of creative department in advertising agency. Abstrak Strategi Penyajian Portofolio Desain. Portofolio adalah modal terpenting bagi desainer grafis untuk meniti karir. Berbeda dengan jaman dahulu, di mana di Indonesia profesi desainer grafis kurang diminati, sekarang terjadi lonjakan lulusan desain komunikasi visual. Oleh karena itu persaingan menjadi sangat ketat untuk mendapatkan pekerjaan di bidang desain grafis, terutama di departemen kreatif perusahaan iklan yang merupakan salah satu industri yang banyak diminati. Karena persaingan ketat tersebut, sangat penting bagi desainer grafis untuk merancang portofolio yang tepat sesuai kebutuhan departemen kreatif perusahaan iklan. Sayangnya banyak desainer grafis terutama desainer grafis yang baru lulus bingung bagaimana merancang portofolio yang mampu bersaing di antara puluhan, bahkan ratusan pelamar lainnya. Di Indonesia sendiri jarang terdapat literatur yang membahas proses desain portofolio desain grafis. Metode dilakukan dengan mengadakan forum diskusi bersama mahasiswa-mahasiswa yang memiliki kewajiban untuk mencari tempat magang dalam jangka waktu dekat dan mengalami kesulitan dalam menyusun portofolio. Kemudian penelitian dilanjutkan menggunakan 3 studi kasus portofolio sebagai bahan untuk ungkap data dan analisa data studi kasus dan data yang diungkap melalui wawancara dengan praktisi dan dianalisis berdasarkan teori The Elements of Art oleh Robert J. Belton untuk menghasilkan panduan strategi penyajian portofolio desain.

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Capturing the moment

Journal of Writing in Creative Practice ◽

10.1386/jwcp.12.1-2.45_1 ◽

2019 ◽

Vol 12 (1-2) ◽

pp. 45-59

Author(s):

John Kelly

Keyword(s):

Graphic Design ◽

Building Blocks ◽

Cultural Analysis ◽

The Self ◽

Visual Form ◽

Design Concepts ◽

Graphic Designer ◽

Design Students ◽

The Moment

This article will firstly account for the role of the graphic designer as a custodian of stories and their transcriptions into visual form. This is a mode of storying the self through the production of different graphic formats. Secondly, it will address the mixing of narratives from out of the archive: between the researcher as narrator and the archive source (in this case, Edward C. Rigg). Thirdly, the benefits of this project will consider how graphic design students engage with storytelling as a means to develop brand and content strategies. This approach examines the role of storytelling in type and image selection and its relevance within graphic design. The process will be analysed through the mechanisms of autoethnography, cultural analysis and the reinterpretation of oral, written and physical ephemera. The article argues that these are the building blocks for creating new narratives and design concepts.

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The Role of Intrapreneurship in Portuguese Startups

Periodica Polytechnica Social and Management Sciences ◽

10.3311/ppso.17796 ◽

2021 ◽

Author(s):

Fernando Almeida ◽

Jorge Miguel-Oliveira

Keyword(s):

Human Capital ◽

Financial Constraints ◽

Business Environment ◽

The Core ◽

Knowing That ◽

Key Factor ◽

Great Relevance ◽

Short Time ◽

A Company

Intrapreneurship is becoming a key factor in the growth of a company in a highly dynamic and progressively more competitive business environment. The idea of intrapreneurship is to encourage greater employee involvement within the organisation in which they work, giving them the freedom to innovate and experiment in a proactive, creative, and innovative way. In the startups, the role of intrapreneurship is of great relevance knowing that startups are designed to scale and grow exponentially in a short time and with few resources. Innovation is at the core of a startup and intrapreneurship initiatives allow leveraging this capacity in startups. Accordingly, this study seeks to explore the phenomenon of intrapreneurship in startups, seeking to understand how formal and informal intrapreneurship initiatives are taken on by startups, and also exploring the role played by existing resources to support these initiatives. The results of the study allow us to conclude that startups value intrapreneurship initiatives despite financial constraints that overlap with time constraints that affect what can be allocated to these activities. Finally, medium-sized startups and those with more qualified human capital tend to value and support intrapreneur initiatives more intensely. In contrast, startups with less academically qualified human capital offer worse conditions and support to intrapreneur activities.

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ANALISIS VISUAL PADA SAMPUL DEPAN MAJALAH DESAIN GRAFIS “CONCEPT” EDISI ULTAH PERDANA (Sebuah Kajian Semiotika)

DeKaVe ◽

10.24821/dkv.v1i2.156 ◽

2013 ◽

Vol 1 (2) ◽

Author(s):

Prayanto WH

Keyword(s):

Graphic Design ◽

Roland Barthes ◽

Specific Design ◽

Design Work ◽

Design Elements ◽

Semiotic Approach ◽

Short Time ◽

Content Information ◽

Magazine Cover

Magazine is one of the forms of mass media that has fungsikomunikasi to convey information to mass audiences. The cover is an important element because it is through cover / cover one can guess the contents of the magazine, as well as further interested to know further information contained therein. On a magazine cover consists of drawings and writings are arranged in such a way that looks interesting and has meaning Press publications, especially magazines, today's not enough just to rely on the quality of news or manuscript, although verbal aspect is very important. It must be recognized that the visual aspects (design) as the cover / envelope has crucial role to capture the prospective reader. For the cover of a magazine is a window that shows the content information, can be either a text or photographs, illustrations, and design elements. The function of a magazine cover is to attract, dazzle prospective readers, by way influence the thoughts flow in a short time. So it's no wonder much current the magazine publisher who made the cover of such a way as to attract the attention of prospective readers. Thus the task of designers to magazine cover to create designs that attract the attention of the reader becomes increasingly severe. This study tries to analyze a visual on the front cover Magazine Graphic Design 'Concept' birthday inaugural edition by using the Roland Barthes' semiotic approach. As Roland Barthes (1984), any simple "design work (magazine cover)" continue to play in management of the sign. So that will generate a message (image) specific. Design cover, usually contains the elements of the sign in the form of objects, context of the environment, people or other beings who provide meaning to objects, and text (of writing) that reinforce the meaning.Keyword: cover, magazine Concept, semiotics

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The importance of human resources to the innovative capacity of portuguese firms

Investigação e Intervenção em Recursos Humanos ◽

10.26537/iirh.v0i1.1878 ◽

2014 ◽

Author(s):

Armando Silva

Keyword(s):

Human Resources ◽

Innovation Process ◽

Community Innovation Survey ◽

Innovative Process ◽

Qualified Personnel ◽

Main Effect ◽

Innovation Capacity ◽

Innovative Capacity ◽

Training Of Personnel

In this study I test the importance of several Human Resource variables to the innovation capacity of portuguese firms but also the effects that the innovation process generates on Human Resources. A branch of the innovation literature states that the ability of firms to innovate relies on an innovative capacity, which, in turn, depends on several factors, both internal and external to enterprises. One of those factors is the effort of firms to train their personnel specifically in order to enable them to innovate. The present test is applied to 4818 Portuguese enterprises for the period 2002-2004 through the use of the fourth Community Innovation Survey data. In order to evaluate the contribution of Human Resources to innovation I have estimated several knowledge Production Functions, mainly using probits and tobits. In that framework it is assumed that innovation depends on some inputs (as the training of personnel) and on information-flows from the existing knowledge stock (as clients). I have found significant the role of personnel training for the innovative process of Portuguese firms. Moreover, I also found that the lack of qualified personnel hinged critically more innovative performance of firms and, in addition, it is noticed that the improvement of productivuty (cost reduction) was the main effect of innovation in Portuguese firms.

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