scholarly journals THE DEVEL THE DEVELOPMENT OF THE CON T OF THE CONTROVERSIAL ARTICLE GENRE TICLE GENRE IN THE 20 YEARS OF XX CENTURY

2020 ◽  
Vol 4 (1) ◽  
pp. 231-237
Author(s):  
Marhabo Ahadovna Khudoykulova ◽  
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Theoretical Discussion ◽  
Artistic Creation ◽  
Early Twentieth Century ◽  
Literary Process ◽  
Scientific Phenomenon

The article analyses the development of the controversial article genre of the early twentieth century that has been little examined in literary criticism, literary process and attitude to the poet, prose writers. The problem is clarified in the example of works of Chulpan, Oybek, Fitrat. A problematic article can be in the form of a scientific-theoretical discussion or research that focuses on the poetics of a work and illuminates the intended scientific phenomenon in a monograph, based on the aesthetics of artistic creation.

scholarly journals SAGIT RAMIYEV’S DRAMATURGY IN LITERARY AND CULTURAL CONTEXT DURING THE BEGINNING OF THE XXTH CENTURY

2019 ◽  
Vol 8 (7) ◽  
Author(s):  
Liliya F. Nuriyeva ◽  
Tagir Sh. Gilazov ◽  
Flera S. Saifulina ◽  
Zinulla Zh. Mutiev
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Cultural Context ◽  
Cultural Renewal ◽  
Early Twentieth Century ◽  
Relationship Types ◽  
Literary Process ◽  
Historical Comparative ◽  
Important Position ◽  
Literary Methods

The article analyzes the work by Sagit Ramiev, who created his own poetry school in the early twentieth century. The object of scientific analysis in this work is his plays (“Live, Zubeida, and I live”; “Exemplary Madrassah”). It is known that at the beginning of the twentieth century the Tatar people were undergoing socially spiritual and cultural renewal. The active development of the national periodical press, publishing, literary criticism has a positive effect on the creative activities of writer devoters during this period. The problem of the reconstruction of the Tatar society is raised in the works of Tatar literature classics and such famous personalities as G. Iskhaki, F. Amirkhan, G. Kulakhmetov, I. Bikkulov and others. Among the pressing problems raised in Tatar literature at the beginning of the twentieth century, the female problem occupies an important position. Writers and playwrights believe that without a positive solution of society attitude towards women and the women issue, they can't achieve the progress in Tatar society.These social and cultural conditions positively affect the formation of the ideological and aesthetic concept of S. Ramiev's works.The study subject of this article is the continuation of the traditions begun by the classics of Tatar literature in the field of topics and problems, in the system of images and literary methods, the identification of literary relationship types in the ideological content of S. Ramiev’s plays. Along with this, attention is paid to the traditions that provide a connection with the literary and historical periods of the national art of words, as well as to the identification of individual features in S. Ramiev’s works. The study of the playwright’s work in the context of the literary and cultural context of the early twentieth century makes the scientific novelty of this study.The methods and principles have been used in scientific searches to comment on literary phenomena and the literary process in close interconnection and development - the principle of historicism, cultural-historical, comparative-historical, and biographical principle.

scholarly journals BOHDAN LEPKY`S LITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNALLITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNAL

2019 ◽  
pp. 162-174
Author(s):  
Vasyl BUDNYI ◽  
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Literary Critic ◽  
Critical Writing ◽  
Artistic Value ◽  
Cultural Concepts ◽  
Early Twentieth Century ◽  
European Culture ◽  
Literary Process ◽  
Group B

Abstract Background: A famous literary critic and writer, representative of the “Moloda Muza” group, B. Lepky was published in numerous Ukrainian and foreign journals in the early twentieth century. Today, his cooperation with Polish and German editions has been partially explored, but the Czech direction remains almost unclear. There are only individual references to B. Lepky's cultural publications in the “Slovanský přehled” journal in the works of V. Doroshenko, V. Lev, B. Rubchak. Purpose: The purpose of the study is to analyze the interpretative bases of B. Lepky's publications in “Slovanský přehled”, namely, five annual reviews of Ukrainian literature (1901, 1902, 1903, 1905, 1906) and three cultural pieces of knowledge: about the composer M. Lysenko, about the translation of short stories by M. Kotsiubynsky into Polish, and the scientific works of M. Hrushevsky, B. Barvinsky and V. Shchurat. Results: B. Lepky followed I. Franko in editing “Slovanský přehled” journal. I. Franko prepared the ground for the Czechs to familiarize them with Ukrainian literature. In a series of annual reviews, B. Lepky considered Ukrainian literature in the pan-European context, translating the realities of national culture into the language of universal cultural concepts. Not contradicting realism and modernism, the critic appraised the high artistic value of the works by Lesya Ukrainka, V. Stefanyk, M. Kotsyubynsky, O. Kobylyanska, which were marked by modern stylistic trends. Trying to convey the original content to the foreign reader, B. Lepky approached his critical speech to the poetic one, painting it with impressionistic strokes and symbolic imagery. The author concluded that the importance of B. Lepky’s Czech publications was important for understanding the ways in which Ukrainian writing was modernized and contextualized in Slavic and pan-European culture in the early twentieth century. Key words: Modernism period, literary process, critical writing, literary review, review, contextualization, impressionism, symbolism.

Tasso and Neoplatonism: The Growth of his Epic Theory

1971 ◽  
Vol 18 ◽  
pp. 105-133 ◽  
Author(s):  
Annabel M. Patterson
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Good Deal ◽  
Torquato Tasso ◽  
Early Twentieth Century

A good deal has been said, and much of it negative, about the influence of Neoplatonism on the work of Torquato Tasso. Tasso's early biographer Serassi believed that it was at best a juvenile interest which gave place to a mature Aristotelianism, and this view survived into the early-twentieth-century study by Donadoni, along with the accusation that Tasso managed to platonize ‘senza sentire la forza del pensiero platonico’. More recently, B. T. Sozzi reexamined Tasso's Dialogues and works of literary criticism, and came to the conclusion that Tasso's interest in Neoplatonism was neither superficial nor transient, and became if anything more explicit in the later works; for Sozzi, however, Tasso's Neoplatonism is primarily a matter of temperament, a ‘segreta predilezione’ for the magical and the mystical, which has to fight for survival with the more rigorous structures of Aristotelian critical principles.

Before Sound, there was Soul: The Role of Animation in Silent Nonfiction Cinema

2018 ◽  
pp. 31-46
Author(s):  
Mihaela Mihailova
Keyword(s):  
Twentieth Century ◽  
Educational Media ◽  
Scientific Content ◽  
Artistic Creation ◽  
Photographic Record ◽  
Early Twentieth Century ◽  
Short Films ◽  
Media Texts

Mihaela Mihailova examines the role and functions of the drawn image within early-twentieth-century scientific and educational media texts (in this case, a range of 1920s educational animated short films). Exploring seminal names from animation history, such as Bray Productions and the Fleischer brothers, Mihailova demonstrates the contemporary resonances and applications of these works. The chapter examines a range of foundational trends, methods and approaches that subsequently shaped animated documentary during the nine decades since the advent of sound. Examining the functions which the drawn image fulfils, animation is seen as a metacommentary on its own expressive limitations, as well as those of nonfiction, foregrounding the challenges of conveying reality by means of a single representational mode. At once liberated from the concreteness of the photographic record and limited in their abstraction by the requirements of scientific content, these films occupy a position between mechanical recording and pure artistic creation.

scholarly journals ARTISTIC HARMONY OF THE POETICS OF HISTORICAL TRUTH

2020 ◽  
Vol 73 (3) ◽  
pp. 267-273
Author(s):  
Z. Sametova ◽  
◽  
M. Aitimov ◽  
Keyword(s):  
Twentieth Century ◽  
Creative Process ◽  
World Literature ◽  
The Novel ◽  
Spiritual Values ◽  
Early Twentieth Century ◽  
Literary Process ◽  
History Of ◽  
Ancient Times ◽  
Historical Truth

This article States that the classic artistic basis of modern Kazakh prose, which influenced its content and form, were the works of new written realistic literature ( works of Abay, Y. Altynsarina et al.). Images of Kazakh prose created by Shokan, Ibrai, Abai and works written at the subsequent stages of the development of Kazakh literature are national spiritual values. It also examines the literary process of the early twentieth century and the work of individual writers who contributed to the development of the novel genre in Kazakh prose along with examples of world literature. A large number of Kazakh novels created during the period of independence were published in the 90s of the XX century and the beginning of the XXI century. The article examines how the centuries-old history of the Kazakh people, the history of the Kazakh state from ancient times to the present day is depicted in fiction within the framework of the traditional creative process.

Some Polish Composers of To-Day

Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik
Keyword(s):  
Twentieth Century ◽  
Fertile Soil ◽  
Early Twentieth Century ◽  
Progressive Group ◽  
Karol Szymanowski

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.

V1214: Edward Loughborough Keyes: An Early Twentieth Century Leader In Urology

2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor
Keyword(s):  
Twentieth Century ◽  
Early Twentieth Century

New insights into the controversy surrounding marine biological laboratory (Marine Station) facilities in the Firth of Clyde in the early twentieth century

2015 ◽  
Vol 42 (1) ◽  
pp. 165-170
Author(s):  
P. G. Moore
Keyword(s):  
Twentieth Century ◽  
Early Years ◽  
Marine Biological Laboratory ◽  
Biological Station ◽  
Marine Biological ◽  
Biological Laboratory ◽  
Early Twentieth Century ◽  
Marine Station ◽  
Regius Professor ◽  
Adjacent Island

Three letters from the Sheina Marshall archive at the former University Marine Biological Station Millport (UMBSM) reveal the pivotal significance of Sheina Marshall's father, Dr John Nairn Marshall, behind the scheme planned by Glasgow University's Regius Professor of Zoology, John Graham Kerr. He proposed to build an alternative marine station facility on Cumbrae's adjacent island of Bute in the Firth of Clyde in the early years of the twentieth century to cater predominantly for marine researchers.

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