scholarly journals BOHDAN LEPKY`S LITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNALLITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNAL

2019 ◽  
pp. 162-174
Author(s):  
Vasyl BUDNYI ◽  
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Literary Critic ◽  
Critical Writing ◽  
Artistic Value ◽  
Cultural Concepts ◽  
Early Twentieth Century ◽  
European Culture ◽  
Literary Process ◽  
Group B

Abstract Background: A famous literary critic and writer, representative of the “Moloda Muza” group, B. Lepky was published in numerous Ukrainian and foreign journals in the early twentieth century. Today, his cooperation with Polish and German editions has been partially explored, but the Czech direction remains almost unclear. There are only individual references to B. Lepky's cultural publications in the “Slovanský přehled” journal in the works of V. Doroshenko, V. Lev, B. Rubchak. Purpose: The purpose of the study is to analyze the interpretative bases of B. Lepky's publications in “Slovanský přehled”, namely, five annual reviews of Ukrainian literature (1901, 1902, 1903, 1905, 1906) and three cultural pieces of knowledge: about the composer M. Lysenko, about the translation of short stories by M. Kotsiubynsky into Polish, and the scientific works of M. Hrushevsky, B. Barvinsky and V. Shchurat. Results: B. Lepky followed I. Franko in editing “Slovanský přehled” journal. I. Franko prepared the ground for the Czechs to familiarize them with Ukrainian literature. In a series of annual reviews, B. Lepky considered Ukrainian literature in the pan-European context, translating the realities of national culture into the language of universal cultural concepts. Not contradicting realism and modernism, the critic appraised the high artistic value of the works by Lesya Ukrainka, V. Stefanyk, M. Kotsyubynsky, O. Kobylyanska, which were marked by modern stylistic trends. Trying to convey the original content to the foreign reader, B. Lepky approached his critical speech to the poetic one, painting it with impressionistic strokes and symbolic imagery. The author concluded that the importance of B. Lepky’s Czech publications was important for understanding the ways in which Ukrainian writing was modernized and contextualized in Slavic and pan-European culture in the early twentieth century. Key words: Modernism period, literary process, critical writing, literary review, review, contextualization, impressionism, symbolism.

scholarly journals THE DEVEL THE DEVELOPMENT OF THE CON T OF THE CONTROVERSIAL ARTICLE GENRE TICLE GENRE IN THE 20 YEARS OF XX CENTURY

2020 ◽  
Vol 4 (1) ◽  
pp. 231-237
Author(s):  
Marhabo Ahadovna Khudoykulova ◽  
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Theoretical Discussion ◽  
Artistic Creation ◽  
Early Twentieth Century ◽  
Literary Process ◽  
Scientific Phenomenon

The article analyses the development of the controversial article genre of the early twentieth century that has been little examined in literary criticism, literary process and attitude to the poet, prose writers. The problem is clarified in the example of works of Chulpan, Oybek, Fitrat. A problematic article can be in the form of a scientific-theoretical discussion or research that focuses on the poetics of a work and illuminates the intended scientific phenomenon in a monograph, based on the aesthetics of artistic creation.

scholarly journals SAGIT RAMIYEV’S DRAMATURGY IN LITERARY AND CULTURAL CONTEXT DURING THE BEGINNING OF THE XXTH CENTURY

2019 ◽  
Vol 8 (7) ◽  
Author(s):  
Liliya F. Nuriyeva ◽  
Tagir Sh. Gilazov ◽  
Flera S. Saifulina ◽  
Zinulla Zh. Mutiev
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Cultural Context ◽  
Cultural Renewal ◽  
Early Twentieth Century ◽  
Relationship Types ◽  
Literary Process ◽  
Historical Comparative ◽  
Important Position ◽  
Literary Methods

The article analyzes the work by Sagit Ramiev, who created his own poetry school in the early twentieth century. The object of scientific analysis in this work is his plays (“Live, Zubeida, and I live”; “Exemplary Madrassah”). It is known that at the beginning of the twentieth century the Tatar people were undergoing socially spiritual and cultural renewal. The active development of the national periodical press, publishing, literary criticism has a positive effect on the creative activities of writer devoters during this period. The problem of the reconstruction of the Tatar society is raised in the works of Tatar literature classics and such famous personalities as G. Iskhaki, F. Amirkhan, G. Kulakhmetov, I. Bikkulov and others. Among the pressing problems raised in Tatar literature at the beginning of the twentieth century, the female problem occupies an important position. Writers and playwrights believe that without a positive solution of society attitude towards women and the women issue, they can't achieve the progress in Tatar society.These social and cultural conditions positively affect the formation of the ideological and aesthetic concept of S. Ramiev's works.The study subject of this article is the continuation of the traditions begun by the classics of Tatar literature in the field of topics and problems, in the system of images and literary methods, the identification of literary relationship types in the ideological content of S. Ramiev’s plays. Along with this, attention is paid to the traditions that provide a connection with the literary and historical periods of the national art of words, as well as to the identification of individual features in S. Ramiev’s works. The study of the playwright’s work in the context of the literary and cultural context of the early twentieth century makes the scientific novelty of this study.The methods and principles have been used in scientific searches to comment on literary phenomena and the literary process in close interconnection and development - the principle of historicism, cultural-historical, comparative-historical, and biographical principle.

Beweren of bewijzen

2014 ◽  
Vol 19 (3) ◽  
pp. 205-228
Author(s):  
Mathijs Sanders
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Rapid Expansion ◽  
Literary Field ◽  
Critical Practice ◽  
Critical Writing ◽  
And Function

Abstract Claiming or Proving. Models in Dutch Literary Criticism around 1917The first two decades of the twentieth century saw a rapid expansion of literary criticism in the Dutch literary field. Models played an important role in contemporary debates about the nature and function of criticism. In search for new modes of critical writing after the Movement of 1880, critics (consciously or not) made use of discursive conventions, textual genres and exemplary predecessors in order to determine their own critical practice. This article develops a model for studying the specific features and functions of models in literary criticism by analyzing a questionnaire in the Dutch weekly magazine De Groene Amsterdammer in 1917.

Introduction

2017 ◽  
Author(s):  
Catherine Maxwell
Keyword(s):  
Twentieth Century ◽  
Virginia Woolf ◽  
Victorian Literature ◽  
Literary Culture ◽  
Literary Language ◽  
Critical Writing ◽  
Victorian Fiction ◽  
Romantic Poetry ◽  
Early Twentieth Century ◽  
International Reputation

The Introduction outlines the scope and range of this study of perfume in Victorian literary culture, defining its terms and explaining its specific links with aestheticism and decadence during 1860–1900, the period in which British perfumery developed, expanded, and gained an international reputation. It also explains the important links between perfume and literary language, surveys various kinds of modern writing about smell and perfume, and indicates the relatively small amount of critical writing on olfaction in Victorian literature. Finally, signalling the broadly chronological organization of this monograph, it provides detailed chapter summaries which trace an evolutionary movement from Romantic poetry and early and mid-Victorian fiction to aestheticism, decadence, and the literature of the fin de siècle, ending with Virginia Woolf and Compton Mackenzie, two early twentieth-century novelists whose works provide contrasting reactions to Victorian scented literature and perfumed decadence.

Tasso and Neoplatonism: The Growth of his Epic Theory

1971 ◽  
Vol 18 ◽  
pp. 105-133 ◽  
Author(s):  
Annabel M. Patterson
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Good Deal ◽  
Torquato Tasso ◽  
Early Twentieth Century

A good deal has been said, and much of it negative, about the influence of Neoplatonism on the work of Torquato Tasso. Tasso's early biographer Serassi believed that it was at best a juvenile interest which gave place to a mature Aristotelianism, and this view survived into the early-twentieth-century study by Donadoni, along with the accusation that Tasso managed to platonize ‘senza sentire la forza del pensiero platonico’. More recently, B. T. Sozzi reexamined Tasso's Dialogues and works of literary criticism, and came to the conclusion that Tasso's interest in Neoplatonism was neither superficial nor transient, and became if anything more explicit in the later works; for Sozzi, however, Tasso's Neoplatonism is primarily a matter of temperament, a ‘segreta predilezione’ for the magical and the mystical, which has to fight for survival with the more rigorous structures of Aristotelian critical principles.

scholarly journals Nielsen's Symphonic Waves. Energetics, the Sinfonia Espansiva, and German Music Theory

2009 ◽  
Vol 4 ◽  
Author(s):  
Daniel Grimley
Keyword(s):  
Twentieth Century ◽  
Music Theory ◽  
Gustav Mahler ◽  
The Third ◽  
Northern European ◽  
Early Twentieth Century ◽  
European Culture ◽  
Twentieth Century Music ◽  
Musical Motion ◽  
Wave Forms

The first published analysis of Carl Nielsen’s music appeared only in the final year of the composer’s life. Povl Hamburger’s article, ‘Formproblemet i vor tids musik med analyse af Carl Nielsen’s Sinfonia Espansiva (1 Sats)’ ( Dansk Musiktidsskrift 5/6 (May 1931)), was greeted sceptically by Nielsen himself. Nevertheless, Hamburger’s analysis suggests some interesting parallels with trends in contemporary German music theory, particularly the work of Hans Mersmann. Re-reading the Sinfonia Espansiva in the light of such work offers insights into Nielsen’s approach to symphonic structure, particularly his employment of energetic wave forms, and problematises his approach to the genre. Such wave forms, I argue, are fundamental to Nielsen’s understanding of symphonic design, and can be fruitfully applied to earlier works, such as the first movement of the Second Symphony, as well as informing the tone and design of later symphonies such as the Fourth (‘The inextinguishable’). Nielsen’s idea of the symphony is underpinned by a powerfully organicist view of musical motion, one which is in tune with many of the vitalist currents in northern European culture at the start of the century. But in the Third Symphony, Nielsen also strikes a more complex, modernist note. Through comparison with the symphonic music of his contemporaries, notably Gustav Mahler and Edward Elgar, Nielsen emerges characteristically as a critical, but ultimately affirmative voice in early twentieth-century music.

scholarly journals CRAFTSMANSHIP AND ARTISTIC ANALYSIS IN INTERPRETATIONS

2021 ◽  
Vol 02 (05) ◽  
pp. 28-32
Author(s):  
Abduhamid Kholmurodov ◽  
Keyword(s):  
Literary Criticism ◽  
Literary Critic ◽  
Current Development ◽  
Works Of Art ◽  
Literary Process ◽  
Artistic Analysis

The article discusses in detail the contribution of literary critic D. Turaev to the current development of Uzbek literary criticism, the analysis of news and changes in the literary process, the features of new interpretations. Criticism of Munaqqid's analysis of works of art, his skill in the study of poetic and prose works created and being created during the years of independence.

scholarly journals ARTISTIC HARMONY OF THE POETICS OF HISTORICAL TRUTH

2020 ◽  
Vol 73 (3) ◽  
pp. 267-273
Author(s):  
Z. Sametova ◽  
◽  
M. Aitimov ◽  
Keyword(s):  
Twentieth Century ◽  
Creative Process ◽  
World Literature ◽  
The Novel ◽  
Spiritual Values ◽  
Early Twentieth Century ◽  
Literary Process ◽  
History Of ◽  
Ancient Times ◽  
Historical Truth

This article States that the classic artistic basis of modern Kazakh prose, which influenced its content and form, were the works of new written realistic literature ( works of Abay, Y. Altynsarina et al.). Images of Kazakh prose created by Shokan, Ibrai, Abai and works written at the subsequent stages of the development of Kazakh literature are national spiritual values. It also examines the literary process of the early twentieth century and the work of individual writers who contributed to the development of the novel genre in Kazakh prose along with examples of world literature. A large number of Kazakh novels created during the period of independence were published in the 90s of the XX century and the beginning of the XXI century. The article examines how the centuries-old history of the Kazakh people, the history of the Kazakh state from ancient times to the present day is depicted in fiction within the framework of the traditional creative process.

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