Entwicklung des Air mit Da capo von Lully bis Rameau und seinen französischen Zeitgenossen

2021 ◽  
Vol 74 (1) ◽  
pp. 26-59
Author(s):  
Herbert Schneider
Keyword(s):  
Main Type ◽  
17Th Century ◽  
The Other ◽  
Main Form ◽  
Italian Opera ◽  
French Music ◽  
Starting Point ◽  
Musical Forms

The starting-point is the rudimentary Italian aria with da capo, respectively with a frame, which surrounds a much longer central part. This type widely spread in the 17th century gets the main form of Quinault’s and Lully’s monologue (the other one is through-composed). It remains present in the Italian opera in a small quantity when the classical aria da capo has already been the main type of aria, whereas in France its number decreases much slower and gets rare in the 1750th. The French cantata imported from Italy blazes the trail for the classical da capo aria firstly in the opera-ballet, then in the divertissements of the tragédie lyrique in Italian, soon also in French and slowly also in arias with dramatic content and expression in all types of French music theatre. The aria with da capo and the classical da capo aria are examined in detail in operas of Rameau and his contemporaries, especially their individual solutions of text, musical forms and expression. Finally J.-J. Rousseau’s typology of the da capo aria is examined, verified and criticized. (Autor)

Introducing a local legal vocabulary in a Latin context

Fachsprache ◽  
2018 ◽  
Vol 40 (3-4) ◽  
pp. 162-179
Author(s):  
Hans Landqvist ◽  
Lena Rogström
Keyword(s):  
17Th Century ◽  
The Other ◽  
Legal Process ◽  
Other Hand ◽  
Starting Point ◽  
Civil Cases ◽  
Legal Domain ◽  
Legal Concepts

In this article, the use and consolidation of legal vocabulary is investigated in two Swedish legal handbooks from the 17th century written by Clas Rålamb and Claudius Kloot respectively. Both handbooks were written in Swedish but include elements in Latin. Sections of the handbooks that deal with civil cases were analyzed from a lexicological starting point. The 106 legal concepts (LC) and 169 lexical units (LU) identified are sorted into four central semantic areas of the legal process: ACTIONS, ARENAS, PARTICIPANTS and TOOLS. Kloot uses more LCs and more LUs than Rålamb who, on the other hand, shows greater lexical differentiation than Kloot. Rålamb is also shown to use a greater number of Latin LUs than Kloot. The area of TOOLS has the closest connection to Latin. Both authors make use of Latin LUs that are still part of Swedish legal vocabulary. Kloot has a stronger tendency to use Swedish LUs when possible, while Rålamb more freely combines Swedish and Latin LUs. Rålamb’s and Kloot’s use of Latin and Swedish LUs is discussed as well as their policies regarding the use of Latin and Swedish. Finally, the lexication of Latin and Swedish LUs in the legal domain in Swedish is discussed.

Introducing a local legal vocabulary in a Latin context

Fachsprache ◽  
2018 ◽  
Vol 40 (3-4) ◽  
pp. 162-179
Author(s):  
Hans Landqvist ◽  
Lena Rogström
Keyword(s):  
17Th Century ◽  
The Other ◽  
Legal Process ◽  
Other Hand ◽  
Starting Point ◽  
Civil Cases ◽  
Legal Domain ◽  
Legal Concepts

In this article, the use and consolidation of legal vocabulary is investigated in two Swedish legal handbooks from the 17th century written by Clas Rålamb and Claudius Kloot respectively. Both handbooks were written in Swedish but include elements in Latin. Sections of the handbooks that deal with civil cases were analyzed from a lexicological starting point. The 106 legal concepts (LC) and 169 lexical units (LU) identified are sorted into four central semantic areas of the legal process: ACTIONS, ARENAS, PARTICIPANTS and TOOLS. Kloot uses more LCs and more LUs than Rålamb who, on the other hand, shows greater lexical differentiation than Kloot. Rålamb is also shown to use a greater number of Latin LUs than Kloot. The area of TOOLS has the closest connection to Latin. Both authors make use of Latin LUs that are still part of Swedish legal vocabulary. Kloot has a stronger tendency to use Swedish LUs when possible, while Rålamb more freely combines Swedish and Latin LUs. Rålamb’s and Kloot’s use of Latin and Swedish LUs is discussed as well as their policies regarding the use of Latin and Swedish. Finally, the lexication of Latin and Swedish LUs in the legal domain in Swedish is discussed.

Ontology and Perception

2004 ◽  
Vol 5 (1) ◽  
pp. 43-58
Author(s):  
Jeffrey S. Galko ◽  
Keyword(s):  
Common Sense ◽  
The Other ◽  
Cognitive Capacity ◽  
Complex Environment ◽  
Starting Point ◽  
Ontological Question ◽  
The One ◽  
Bodies Of Water ◽  
The Relationship

The ontological question of what there is, from the perspective of common sense, is intricately bound to what can be perceived. The above observation, when combined with the fact that nouns within language can be divided between nouns that admit counting, such as ‘pen’ or ‘human’, and those that do not, such as ‘water’ or ‘gold’, provides the starting point for the following investigation into the foundations of our linguistic and conceptual phenomena. The purpose of this paper is to claim that such phenomena are facilitated by, on the one hand, an intricate cognitive capacity, and on the other by the complex environment within which we live. We are, in a sense, cognitively equipped to perceive discrete instances of matter such as bodies of water. This equipment is related to, but also differs from, that devoted to the perception of objects such as this computer. Behind this difference in cognitive equipment underlies a rich ontology, the beginnings of which lies in the distinction between matter and objects. The following paper is an attempt to make explicit the relationship between matter and objects and also provide a window to our cognition of such entities.

Official Ceremonies Aesthetics in Moscow Russia

2021 ◽  
Vol 64 ◽  
pp. 89-96
Author(s):  
Galina V. Talina
Keyword(s):  
17Th Century ◽  
The Other ◽  
Royal Court ◽  
Other Hand ◽  
The One ◽  
Concept Of Beauty ◽  
The Trinity

On the basis of the 17th century documents the author of the article reveals th concept of “beauty” through the prism of the ideas shaped in Moscow Russia on the whole and in the period of the reign of the first Romanovs, in particular. The concepts of “measure” and “order” characterized the beautiful, on the one hand, and on the other hand, – the necessity to build any action in compliance with the previously formulated sample objectified in the text. The most vivid manifestations of those instructions were the official ceremonies of Moscow royal court, among which especially stood out such ceremonies as coronation, announcement to the subjects of the heir to the throne, cross processions. Special attention in the article is paid to the innovations to the ceremonial sphere, the author shows the continuity in ceremony organization with enough creative freedom for the organizers. Moscow ceremony is shown as the trinity of action, word and symbolism.

“Ọrọ, nwa, ẹkọ”, the talk, the look, the education: reflections on a pedagogy of cosmoperception

2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Roseane Santos Mesquita ◽  
Késia Dos Anjos Rocha
Keyword(s):  
Educational Experience ◽  
The Other ◽  
Educational Practices ◽  
Starting Point ◽  
The World ◽  
The Look ◽  
Ways Of Being ◽  
Present Text ◽  
The Way

The present text bets on the power of reflections on a pedagogy guided by cosmoperception. It is a collective call for the enchanted ways of perceiving and relating to the other. “Ọrọ, nwa, ẹkọ”, the talk, the look, the education, insurgent forces that grow in the cracks, just like moss, alive, reborn. That is the way we think about education, as a living practice, turned to freedom. Freedom understood as a force that enables us to question certain hegemonic truths entrenched in our ways of being, thinking and producing knowledge. In dialogue with the criticisms on the decolonial thought and by authors and authoresses who are putting themselves into thinking about an epistemology from a diasporic place, from the edges of the world, we will try to problematize the effects of the epistemic erasures promoted by the colonial processes and how that has affected our educative practices. The look at the educational experience that happens in the sacred territory of candomblé, will be our starting point to think about politically and poetically transformative educational practices.

Prince Rupert’s drops

1986 ◽  
Vol 41 (1) ◽  
pp. 1-26 ◽  
Keyword(s):  
Royal Society ◽  
Molten Glass ◽  
Cold Water ◽  
17Th Century ◽  
Glass Beads ◽  
The Other ◽  
Full Report ◽  
Finger Pressure

On 4 March 1660—61 ‘glass bubbles’ were first introduced to a meeting of the Royal Society. According to the minutes, ‘The King sent by Sir Paul Neile five little glass bubbles, two with liquor in them, and the other three solid, in order to have the judgement of the society concerning them’ (1). The Royal Society responded with remarkable celerity: its amanuensis produced some more drops two days later, which ‘succeeded in the same manner with those sent by the king’ (2). A very full report of the experiments performed was given to the Royal Society on 14 August 1661 by the President, Sir Robert Moray (3). As the Royal Society did not at this time have a normal publication series the report was recorded in the Register Book (4) and first published by Merret as an appendix to his translation of Neri’s Art of Glass (5). Henry Oldenburg lent Sir Robert’s account to the French traveller Monconys in 1663 who made his own translation into French of the prescription for making the drops. Monconys published this prescription in the second part of his Voyages (6). The ‘bubbles’— the solid ones, at least— were what were later to be called ‘Prince Rupert’s drops’. (Those said to contain ‘liquor’ could have been something different, but were probably the same containing vacuoles and no actual liquid.) These objects, glass beads with the form of a tear-drop tapering to a fine tail, made (though that was not generally known at the time) by dripping molten glass into cold water, exhibited a paradoxical combination of strength and fragility not without interest to the materials scientist of the present day, and which could not fail to excite the imagination of natural (and not so natural) philosphers of the 17th century. The head withstands hammering on an anvil, or, as a more modern test, squeezing in a vice, indenting its steel jaws, without fracture: yet breaking the tail with finger pressure caused the whole to explode into powder.

scholarly journals The Ballet “Les Noces de Pelée et de Thetis” (1653) Preserved in Visual Images

ICONI ◽  
2021 ◽  
pp. 75-89
Author(s):  
Anna P. Grutsynova ◽  
Keyword(s):  
17Th Century ◽  
Musical Performance ◽  
Visual Images ◽  
Visual Impression ◽  
French Theater ◽  
Italian Opera ◽  
Time Period ◽  
Art Works

The article is devoted to the ballet “Les Noces de Pelée et de Thetis” which was produced in 1693 in the Petit Bourbon Palace in Paris (according to the rules of the French theater of that time period) in order to complement the opera with the same name composed by Carlo Caproli. The basis for the plot of the production was the myth widely disseminated in art works about the mortal Peleus and the Nereid Thetis, transformed in correspondence with the aesthetics of that time. The Dance entrées followed each scene of the Italian opera and were connected with its each content, in its turn, forming a consistent, logically delineated narration. The published libretto conveys the plot, and at times the outer form of the action quite vividly and fi guratively. A description of the decorations and machines used in the ballet has also been preserved, as the result of which in our time it becomes possible to create a visual impression from the production. In addition, important defi ning details capable of providing a perception not only of the protagonists’ outward appearances, but also of a concrete distribution of roles between the performers are the sketches for numerous costumes preserved up to our time. Thereby, it turns out that in 17th century musical performance a considerable role is played by its visual solution, which, having been preserved in iconographic materials, is capable of helping create an impression from the overall conception of the production a few centuries after it happened.

scholarly journals Violence in social memory intimate beliefs regarding operation storm in the Croatian and Serbian publics

2008 ◽  
Vol 19 (1) ◽  
pp. 43-68
Author(s):  
Gordana Djeric
Keyword(s):  
Social Relationships ◽  
Social Memory ◽  
The Other ◽  
Silence Suppression ◽  
Starting Point ◽  
The One ◽  
Performance Character ◽  
The Relationship ◽  
Shed Light ◽  
Manipulation Strategy

This text is part of a research conducted under the working title "What do we talk about when we are silent and what are we silent about when we are talking? - premises for the anthropology of silence about the nearest past." In the first part the author investigates the meaning of silence in the Croatian and Serbian press right before and during Croatia's Operation Storm. The ratio between silence, suppression of information and forgetting, on the one hand, and social memory, on the other, has been elaborated in the final part of the text by following reports about the anniversaries of Operation Storm in both Croatian and Serbian publics. The starting point lies in the belief that the phenomenon of silence (and suppression of information), being an immanent part of each discourse, represents an important factor in the creation of social relationships and system of value models, that it has important communication and cognitive functions and that the performance character lies in its essence. In short, silence makes it possible to form the prevailing image about this event, even if it does not construct it indirectly - through speech. The author has elaborated on the meaning of silence in the context of Operation Storm partly because studies about the breakup of Yugoslavia frequently mention silence as a manipulation strategy employed by some of the sides in the conflict (or analysts dealing with Yugoslav topics), while not a single study systematically investigates the semantic of silence and suppression of information in these conflicts. Most importantly, taking into account the frequency of direct silence in the newspaper discourse and rhetoric strategies that point at silence indirectly from the context and discourse, the author focuses on the relationship between the event (situation) and silence. In order to shed light on the way in which Operation Storm is remembered, i.e. forgotten, in the stakeholders' publics and political imageries, she follows the dailies - Vecernje Novosti Politika, Danas (Belgrade) - Vecernji List, Jutarnji List, Magazin supplement of the Jutarnji List (Zagreb), as well as texts about Operation Storm in weeklies such as the NIN and Vreme of Belgrade or Globus of Zagreb in the period between August 2, 1995 and mid-August 2006.

scholarly journals Silent and a audible stereotypes: The constitution of "ethnic character" in Serbian epic poetry

2005 ◽  
pp. 105-120 ◽  
Author(s):  
Gordana Djeric
Keyword(s):  
Explanatory Power ◽  
Mental Image ◽  
Epic Poetry ◽  
National Character ◽  
The Other ◽  
Relevant Feature ◽  
Explanatory Relevance ◽  
Starting Point ◽  
The Difference ◽  
Epic Poems

The article deals with the explanatory relevance of the concept of stereotype in one of its original meanings - as a "mental image". This meaning of the term is the starting point for further differentiations, such as: between linguistic and behavioral stereotypes (in the sense of nonverbal, expected responses); universal and particular stereotypes; self representative and introspective stereotypes; permanent and contemporary stereotypes; and finally, what is most important for our purposes, the difference between silent and audible stereotypes. These distinctions, along with the functions of stereotype, are discussed in the first part of the paper. In the second part, the relations of silent and audible stereotypes are tested against the introduction of "innovative vocabularies" in popular lore. In other words, the explanatory power of this differentiation is checked through an analysis of unconventional motives in Serbian epic poems. The goal of the argument is to clarify the procedure of self creation of masculinity as a relevant feature of the "national character" through "tactic games" of silent and audible stereotypes. The examination of these "poetic strategies" serves a twofold purpose: to illustrate the process of constructing particular features of the "ethno type", on one hand, and to check hypotheses and models which are taken as frameworks in analyzing stereotypes, on the other.

scholarly journals Relative Earnings and Manpower Allocation in Developing Economies

1969 ◽  
Vol 9 (1) ◽  
pp. 14-34 ◽  
Author(s):  
Lloyd G. Reynolds
Keyword(s):  
Economic Growth ◽  
Subject Matter ◽  
Structural Changes ◽  
Developing Economies ◽  
Developed Countries ◽  
The Other ◽  
Labour Economics ◽  
Economic Behaviour ◽  
Agriculture Industry ◽  
Starting Point

The less developed countries (LDC) present two kinds of challenge to economists. First, they invite us to develop hypotheses about how economic growth begins and about structural changes during the early decades of growth. Second, they provide a fresh terrain on which specialists in particular subject-matter areas can test accepted notions about economic behaviour. For investigations in labour economics, the structure of earnings provides a convenient starting point. (It is best to say "earnings" rather than "wages" because most workers in the LDC's are self-emplqyed.) Analysis of earnings requires an examination of manpower supplies and requirements. This leads into the economics of agriculture, industry, government, and other labour demanding sectors on one side, and into a study of education and other skill-producing agencies, on the other. Thus by starting with the earnings structure, one is led rather directly into the heart of the economy.

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