scholarly journals Two "Prodigal Sons" of Russian Literature and the Problematics of the “Subject Range”: Images of Earth Fruit by N.S. Gumilyov and I. A. Bunin

2021 ◽  
Vol 9 (2) ◽  
pp. 133-150
Author(s):  
Дарья Завельская
Keyword(s):  
Russian Literature ◽  
Range Images ◽  
The Subject

A. Rudalyov. 4 shots (A. Zhuchkova)

2019 ◽  
pp. 272-277
Author(s):  
Anna V. Zhuchkova
Keyword(s):  
Russian Literature ◽  
Theoretical Research ◽  
New Realism ◽  
The Press ◽  
The Subject

The review considers A. Rudalyov’s book 4 Shots [ 4 vystrela ], devoted to the ‘new realism’, a trend in 2000s Russian literature, and more specifically, works of four ‘new realists’: Z. Prilepin, R. Senchin, S. Shargunov, and G. Sadulaev. The reviewer criticizes the author for an incomplete and biased presentation of ‘new realism’, which had been a focus of intense discussions among literary critics and scholars for over a decade. The same flaw blights the descriptions of the four chapters’ respective protagonists: Prilepin, Senchin, Shargunov, and Sadulaev. Rudalyov ended up writing a panegyric, albeit with very sparse language, mainly by repetition of flattering epithets from the press. He failed, however, to address the discussion of the ‘new realism’ by critics or supply a review of literary theoretical research on the subject. Therefore, the reviewer finds the book lacking in any historical-literary and philological value.

scholarly journals Images of game and gamer in the space of literature and computer games

2020 ◽  
pp. 69-80
Author(s):  
Olga Anatol'evna Bychkova ◽  
Aleksandra Valer'evna Nikitina
Keyword(s):  
Computer Games ◽  
Russian Literature ◽  
Literary Work ◽  
Psychological Type ◽  
Classical Literature ◽  
Modern Computer ◽  
The World ◽  
The Subject ◽  
Queen Of Spades ◽  
First Time

The subject of this research is the images of game and gamers. In the space of literary work, they are arrayed in metaphorical and often demonic raiment, receiving moral-ethical interpretation in one or another way. The problem of game and gamer in criticism was regarded by Y. Mann (“On the Concept of Game as a Literary Image”), V. V. Vinogradov (“Style of the Queen of Spades”), E. Dobin (“Ace and Queen”, A. Pushkin’s “The Queen of Spades”), R. Caillois (“Games and People”), British writer and researcher of online games R, Bartle, American scientist Nick Yee, and many others. However, juxtaposition of literature sources on the topic to the research in the field of computer games is conducted for the first time. The scientific novelty consists in the comprehensive examination of the psychological game of the gamer based on the material of Russian literature (A. S. Pushkin “The Queen of Spades”, V. V. Nabokov The Luzhin Defense”) , as well as the modern computer games practice, in which psychological type of the gamer found its realization and development in accordance with genre diversity. Even the Russian classical literature depict game as an autonomous space that encompasses the gamer, and often has devastating effect on their personality. The author also observes an important characterological trait of the gamer: the conceptual, “literal” perception of the world, which is based on the reception of visual images of the world against verbal. Therefore, the Russian literature alongside the research practice of modern videogames from different angles approach examination of the images of “game and gamer”, cognize the factors and consequences of the problems that emerge in this object field, as well as seek for their solution. The data acquired in the course of the conducted comparative analysis is mutually enriching.

scholarly journals Ironia i nihilizm. Figura bibliotekarza w Posłuchaniu u Lucypera Józefa Sękowskiego

2019 ◽  
pp. 83-94
Author(s):  
Jarosław Ławski
Keyword(s):  
National Identity ◽  
Present Article ◽  
Short Story ◽  
Subject Matter ◽  
Russian Literature ◽  
Absolute Power ◽  
Polish Literature ◽  
The World ◽  
History Of ◽  
The Subject

The subject matter of the present article is the image of library and librarian in a forgotten short story by a Polish-Russian writer Józef Julian Sękowski (1800−1858). Sękowski is known in Polish literature as a multi-talented orientalist and polyglot, who changed his national identity in 1832 and began to write only in Russian. In the history of Russian literature he is famous for Library for Reading and Fantastic Voyages of Baron Brambeus, an ironic-grotesque work, which was precursory in Russian prose. Until 1832 Sękowski was, however, a Polish writer. His last significant work was An Audience with Lucypher published in a Polish magazine Bałamut Petersburski (Petersburgian Philanderer) in 1832 and immediately translated into Russian by Sękowski himself under the title Bolszoj wychod u Satany (1833). The library and librarian presented by the author in this piece are a caricature illustration proving his nihilistic worldview. Sękowski is a master of irony and grotesquery, yet the world he creates is deprived of freedom and justice and a book in this world is merely a threat to absolute power.

Russian Literature and Psychiatry

1995 ◽  
Vol 167 (3) ◽  
pp. 403-406 ◽  
Author(s):  
M. Kachaeva
Keyword(s):  
Forensic Psychiatry ◽  
Russian Literature ◽  
Human Mind ◽  
Psychological Analysis ◽  
Active Attention ◽  
The Subject

The subject of this paper is psychiatry, forensic psychiatry and Russian literature. It is well-known that people with literary talent often possess unusually keen psychological insight. Their literary portrayals of psychological analysis, descriptions of how the human mind and consciousness work and depiction of different psychic states, both normal and pathological, are of great value for psychology and psychiatry and have always attracted the active attention of specialists.

scholarly journals Cluster Policy in the Russian Federation: A Сase Study of Industrial Clusters

2018 ◽  
Vol 37 (2) ◽  
pp. 61-75 ◽  
Author(s):  
Irina Rodionova ◽  
Tatiana Krejdenko ◽  
Cezary Mądry
Keyword(s):  
Russian Federation ◽  
Russian Literature ◽  
Industrial Clusters ◽  
Cluster Policy ◽  
Role Of The State ◽  
The Subject ◽  
The Russian Federation ◽  
Spatial Diversification ◽  
Low Efficiency

Abstract The article describes cluster policy in the Russian Federation regarding industrial clusters. In the first part, the authors explain the definitions of basic concepts related to clusters that are used in Russia, the features of cluster policy in the light of European experiences, and bring closer the Russian literature on the subject. In the second part, they distinguish and describe five stages of cluster policy in Russia. In the third part, they present basic quantitative data describing clusters in Russia, including their spatial diversification, the number of entities creating clusters, employment, etc. A particular role of the state in creating clusters and subsequent cluster policy programs is described, paying attention to their low efficiency.

scholarly journals The semantics of Lermontov's poetic myth of the Demon N. S. Leskov’s “The Islanders”

Litera ◽  
2021 ◽  
pp. 1-9
Author(s):  
Vurgun Georgievich Mekhtiev
Keyword(s):  
Russian Literature ◽  
Point Of View ◽  
The Novel ◽  
Semantic Transparency ◽  
Special Contribution ◽  
Romantic Poetry ◽  
The Subject ◽  
Literary Myth ◽  
The Demonic

The subject of this research is the negative-axiological, satirical layers of the novel “The Islanders”, associated with the image of the demonic character, which M. Y. Lermontov turned into the archetype and poetic myth in the Russian literature. The object of this research is the stylistic techniques and ideological motifs of N. S. Leskov underlying “desacralization” of the romantic myth. The author meticulously examines the following aspects: 1) role of Lermontov's poem “The Demon” and romantic poetry of the 1840s in creation of the myth of the demonic character; 2) semantic deformations that led Leskov to wander from the conventional meanings of the myth ; 3) satirical modus used as the key technique in creation of the the image of Istomin. Particular attention is given to Leskov’s satire in its function of “recoding” of the myth. The conclusion is made that the image of the painter Istomin is appointed with the task to dispel the romantic myth. Therefore, the axiological-emotional lexis, as well as elements of satire that reflect the point of view of the “subjective” narrative are arrayed around him. All of that imparts semantic transparency to the character, which contradicts the “mysterious code” of the myth of romanticism. The author’s special contribution consists in the establishment of correlation between the myth of about the demon and the myth of Prometheus, which is important for assessing the complexity and multifacetedness of the semantic core of the phenomenon under review. The novelty of this research lies in revelation of underlying motif of the satirical style of N. S. Leskov. Its point is not to create a “myth about the myth” or an “anti-myth”; the novel forms the “non-myth” to achieve complete elimination of the literary myth of the demonic character. The writer uses satire for typification, rather than individualization of the character.

scholarly journals Legal problems related to transfer of genetic information in the case law: medical and research spheres

2020 ◽  
pp. 47-55
Author(s):  
Yulia Andreevna Melikhova
Keyword(s):  
Informed Consent ◽  
Genetic Information ◽  
Genetic Diseases ◽  
Genetic Research ◽  
Russian Literature ◽  
Case Law ◽  
The Subject ◽  
Voluntary Informed Consent ◽  
Attending Physician ◽  
To Receive

The subject of this article is the analysis of mainly foreign case law on the transfer of genetic information in the spheres of medicine and scientific research.. The author addresses the positions of courts on private issues such as: the responsibility of attending physician and third parties to inform relatives of a patient about the risks of genetic diseases, rights of relatives to access genetic information after a patient has died, acquisition of a voluntary informed consent for participating in research. Comparison is conducted on approaches of the courts in other regions and countries in reviewing similar cases. The novelty of the research lies in the choice of the topic and obtained conclusions. The author analyzes foreign case law on the transfer of genetic information in the medical and research spheres, which has not previously been a subject of separate study in the Russian literature. The conclusion is formulated on the absence of universal position of the courts on the question of understanding the content of genetic information, limits of the rights of relatives to receive genetic information of a patient. The courts are unanimous in their decisions (or the cases are isolated) on the matter that participation in genetic research must be preceded by a voluntary informed consent, which can be presumed and applies exclusively to the research agreed to. The participants do not have rights to results of the research, and the discovered genes cannot be patented by the researchers.

scholarly journals Nature Images in Russian Odic Poetry of the 18th – Early 19th Centuries: Functional Role and Influence on the Further Literary Process

2021 ◽  
Vol 3 (2) ◽  
pp. 40-61
Author(s):  
Alexey V. Svyatoslavsky
Keyword(s):  
Functional Role ◽  
Lyric Poetry ◽  
Russian Literature ◽  
Historical Events ◽  
Organic Part ◽  
Civic Consciousness ◽  
Literary Process ◽  
History Of ◽  
The Subject

The article is devoted to the functional role of nature images in the formation of the imaginary structure of Russian odic poetry of the 18th – early 19th centuries. Examples are taken from the odic poetry of Mikhail Lomonosov, Vasily Trediakovsky, Alexander Sumarokov, Mikhail Kheraskov, Gavrila Derzhavin, Dmitry Khvostov. An attempt was undertaken to answer two questions: the place nature images occupied in odic poetry in the era of its pride and, secondly, the possibility to find in the poetry of classicism, despite the condescending attitude towards it that developed later in the history of Russian literature, something that constituted an organic part of the Russian classics of the 19th and 20th centuries. The functional role of nature images in the odic genre is shown, which, as it seemed, by definition is alien to natural themes, being organically connected with the pathos of civic consciousness and the appeal to the themes of heroism, great personalities, and historical events. However, as it turns out in a number of cases, the very objects of nature evoke the poet's admiration as an impressive work of the Creator, in others, nature is a background that in a certain way enhances the impression of the very historical events that constitute the subject of odic poetry. The conclusion is made about a certain continuity in the depiction of nature – from odic poetry to Russian lyric poetry and prose of the 19th and 20th centuries.

scholarly journals The image of Bolshoye Boldino in the Russian literature: peculiarities of local text formation

Litera ◽  
2021 ◽  
pp. 54-63
Author(s):  
Kseniya Ivanovna Yashina
Keyword(s):  
Russian Literature ◽  
Russian Culture ◽  
Cultural Centers ◽  
Low Intensity ◽  
Research Material ◽  
The Subject ◽  
Text Formation

The subject of this research is Bolshoye Boldino as the landmark of the Russian culture. The goal is to give characteristics to the image of Bolshoye Boldino established in the Russian literature, as well as analyze the possibility of formation of the local text. It is proven that constant traits of Boldino, such as solitude, isolation from the big world, simplicity of life, and vagueness of time boundaries, were formed based on the letters, works, and events in the life of A. S. Pushkin, and later comprehended by other authors. It is noted that the collection of texts about Bolshoye Boldino consists of the saying and interviews, fiction and folklore compositions. The research material includes the poems and an saying M. S. Petrovyh, Y. V. Drunina, D. S. Samoilov and B. A. Akhmadulina. The conclusion is made that in the Russian culture, Bolshoye Boldino resembles the place of commemoration of A. S. Pushkin, as well as the space that allows a person to achieve comprehension and mindfulness. In the aforementioned works, the image of Bolshoye Boldino in ambivalent: the space is interpreted as a place of salvation or as the origin of the tragic events in life of the poet. The author assumes that the Boldino text is in the process of formation and has low intensity, which is substantiated by its remoteness of from the cultural centers.

scholarly journals New school subject “Native literature (Russian)”: Contents and methodological foundations of the exemplary program

2020 ◽  
pp. 59-72
Author(s):  
Natalia V. Belyaeva ◽  
Maria A. Aristova ◽  
Zhanna N. Kritarova
Keyword(s):  
Cultural Values ◽  
Mother Tongue ◽  
Russian Literature ◽  
Literary Work ◽  
Russian Language ◽  
Cultural Tradition ◽  
School Subject ◽  
Russian Culture ◽  
The Subject ◽  
Native Literature

The article explains the purpose of creating an exemplary program of the subject “Native literature (Russian)” connected with the execution of the Federal Law on Education, supporting the main aim of the core course in literature – the development of a competent reader, as well as reinforcing the cultivating function of school literary education and preserving the Russian language, literature and culture against the background of Russian multi-ethnic and multicultural society. The following objectives of the new subject acquire particular significance: perceiving literature as one of the main cultural values of the nation (which reflects its national character, history, worldview); ensuring cultural self-identification, becoming aware of the communicative and aesthetic power of the mother tongue based on the study of outstanding literary creations of the Russian culture, the culture of one’s ethnic group, world culture. The methodological background to the exemplary program rests upon the idea of an ideological nature and educational potential of the Russian literature. In creating the didactic model in question, the authors of the program used theoretical and practical research methods, as well as the cognitive and system- and activity-based approaches. The results of the research were as follows: validation of the legal and regulatory framework of the new subject and the primary goals of its study, elaboration of the principles – which are based on the system of value codes shared by the whole nation’s cultural tradition – according to which the contents and structure of the course are selected. The article demonstrates what distinguishes “Native literature (Russian)” from the school subject “Literature”, how each of the three content branches of the program contributes to the development of subject knowledge and skills from grade to grade, why this or that recommended literary work is included in the topic-issue units, and which forms of the final subject assessment are most preferable. The exemplary program of the subject contributes to solving the issue of national and cultural identity and understanding what role the Russian literature plays in becoming aware of the national traits of the Russian culture. It also fosters the comprehension of cultural concepts that are crucial for the Russian national consciousness and the development of one’s ability to transform his/her reflections on works of native literature into personal convictions and positive values.

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