All Ears

2016 ◽  
Author(s):  
Peter Szendy
Keyword(s):  
International Politics ◽  
The Other ◽  
Death Drive ◽  
Intelligence Gathering ◽  
The Bible ◽  
The World ◽  
History Of ◽  
The Way

The world of international politics has been recently rocked by a seemingly endless series of scandals that are all tied to various practices of auditory surveillance: the NSA’s warrantless wiretapping, Edward Snowden’s revelations, and the “News of the World” scandal are just the most sensational examples of what appears to be a universal practice today. What is the source of this unceasing battle of different forms of listening? Whence this generalized principle of eavesdropping? Peter Szendy’s All Ears: The Aesthetics of Espionage answers these questions by tracing the long history of moles from the Bible, through Jeremy Bentham’s “panacoustic” project, all the way to the intelligence gathering network called “Echelon.” This archeology of auditory surveillance runs parallel with the analysis of its representations in literature (Sophocles, Shakespeare, Joyce, Kafka, Borges), opera (Monteverdi, Mozart, Berg), and film (Lang, Hitchcock, Coppola, De Palma). Following in the footsteps of Orpheus, the book proposes a new concept of “overhearing” that connects the act of spying to an excessive intensification of listening. Relying on the works of Freud, Deleuze, Foucault, Adorno, and Derrida, Szendy’s work attempts to locate at the heart of listening the ear of the Other that manifests itself as the originary division of a “split-hearing” that turns the drive for mastery and surveillance into the death drive.

scholarly journals Constructing imaginative geographies in Genesis

2021 ◽  
Vol 77 (2) ◽  
Author(s):  
José-Alberto Garijo-Serrano
Keyword(s):  
The Other ◽  
Religious Identities ◽  
Religious Traditions ◽  
The Bible ◽  
Imaginative Geographies ◽  
History Of ◽  
The Creation ◽  
Patriarchal Narratives ◽  
The Way ◽  
Genesis A

This article considers Edward W. Said’s proposals on ‘imaginative geographies’ as suggested in his leading work Orientalism as a tool to analyse the ideological circumstances that shape geographical spaces in the Bible. My purpose is to discuss how these imaginative geographies are present in the patriarchal narratives of Genesis and how they have left their mark on the history of the interpretation of these texts and on the not always easy relations between members of the religious traditions inherited from the Bible (Hebrews, Muslims and Christians). I propose four types of ‘imaginative geographies’: (1) ‘Equalness’ is the way to represent what is considered as sharing the own identity. The geography of ‘Equalness’ defines the spaces of Isaac, Jacob and their families. (2) ‘Otherness’ is the way to represent the ‘Other’ as opposite or juxtaposed to one’s own identity. A common border is shared, thus kinship relationships can be established. It defines the spaces of Ishmael, Esau/Edom, Lot (Ammon and Moab) and Laban. (3) ‘Foreignness’ is the way to define what is strange, odd or exotic considered as external to the own identity, in a space set beyond even the space of the ‘Other’. Egypt is in Genesis a land of ‘Foreignness’. (4) ‘Delendness’ encompasses whatever claims our same space and therefore threatens our survival and must be destroyed (delendum). As such, processes of annihilation and dominion of Israel on Canaanites and Sichemites are justified.Contribution: The article applies Said’s ‘imaginative geographies’ as an identity mechanism for the creation of biblical literary spaces. A quadripartite classification (‘Equal’/‘Other’/‘Foreigner’/‘Delendum’) instead of the usual bipartite one (‘Equal’ vs. ‘Other’) is proposed and the consequences for the current coexistence between religious identities inherited from Abraham are shown.

scholarly journals “Obedezco pero no cumplo”: Surviving Censorship in Early Modern Spain

2020 ◽  
Vol 13 (1) ◽  
pp. 29-74
Author(s):  
Rolena Adorno
Keyword(s):  
Early Modern ◽  
The Other ◽  
Early Modern Spain ◽  
Old World ◽  
Las Casas ◽  
Bartolome De Las Casas ◽  
The World ◽  
History Of ◽  
The Way

Better known by the royal decrees that governed it than by its practice, book censorship in Early Modern Spain remains an elusive topic. How did it work in individual instances? Were there authors who defied it? I take up here two works, one an imprint published and expurgated; the other a manuscript, approved for printing but never published. Both reveal the marks of the censor’s pen (occasionally, knife) but also the literary personalities of the authors whose writings were scrutinized. Both works belong to the genre of “proto-anthropology” that studied civilizations ancient and modern, from the Old World and the New. Please meet Fray Jerónimo Román y Zamora and his Repúblicas del mundo [Republics of the World] and Fray Martín de Murúa, author of Historia General del Piru [General History of Peru]. Along the way we encounter their respective readers, “Dr. Odriozola” and Fray Alonso Remón, as well as the larger-than-life presence of Fray Bartolomé de las Casas.

The End of the Universe in Medieval Jewish Philosophy

AJS Review ◽  
1986 ◽  
Vol 11 (1) ◽  
pp. 53-77 ◽  
Author(s):  
Seymour Feldman
Keyword(s):  
General Principle ◽  
The Other ◽  
Greek Philosophy ◽  
Cosmological Principle ◽  
The Bible ◽  
Strict Interpretation ◽  
The World ◽  
History Of ◽  
Medieval Jewish Philosophy ◽  
The Universe

Both the Bible and the earliest Greek philosophers begin with accounts of the world's genesis. It is thus not surprising that medieval cosmological thought was preoccupied, perhaps obsessed, with the issue of creation. But what about the end of the world? If the universe had a beginning, does it necessarily have an end? Does creation imply destruction? On this topic the Bible is not so explicit and unambiguous. Greek philosophy, however, was virtually unanimous in claiming that whatever has a beginning will have an end, and that whatever will have an end had a beginning. If this cosmological principle is construed strictly, then the world's past and its future are essentially and necessarily linked together, such that the finitude of one entails the finitude of the other. This would mean that if the temporal history of the world is finite a pane ante, then by virtue of this cosmological principle it will have a temporal end a pane post. The most vigorous and detailed defense of the strict interpretation of this general principle was given by Aristotle, who attempted to prove it in his treatise On the Heavens. Henceforth, I shall refer to this principle as “Aristotle's theorem.”

Ideology and Utopia

2013 ◽  
Author(s):  
Lyman Tower Sargent
Keyword(s):  
Real World ◽  
The Other ◽  
Ernst Bloch ◽  
Karl Mannheim ◽  
The Real ◽  
The World ◽  
History Of ◽  
Fredric Jameson ◽  
The Relationship ◽  
The Way

In popular usage both ideology and utopia have negative, and somewhat similar, connotations. Utopia is thought to imply something naively idealistic and, as a result, impossible to achieve due to the constraints of the ‘real world’ or because ‘human nature’ will get in the way. Ideology is also thought to imply being out of touch with the ‘real world’ by being blinkered by a set of beliefs that distorts one’s understanding of that ‘real world’.This chapter examines the recent history of the relationship between the two concepts by examining the way they are treated by their best known theorists, Ernst Bloch, Michael Freeden, Fredric Jameson, Ruth Levitas, Karl Mannheim, and Paul Ricoeur. The chapter argues that while they are closely related and one can become the other, they can also be separated because they reflect different ways of understanding the world.

The World after the End of the World

2017 ◽  
Vol 39 (2) ◽  
pp. 265-276 ◽  
Author(s):  
Kas Saghafi
Keyword(s):  
The Other ◽  
The World ◽  
History Of ◽  
The Absolute ◽  
End Of The World

In several late texts, Derrida meditated on Paul Celan's poem ‘Grosse, Glühende Wölbung’, in which the departure of the world is announced. Delving into the ‘origin’ and ‘history’ of the ‘conception’ of the world, this paper suggests that, for Derrida, the end of the world is determined by and from death—the death of the other. The death of the other marks, each and every time, the absolute end of the world.

Astrobiology and its influence on the renewal of the way we see the world from the teloempathic, educational and astrotheological perspective

2020 ◽  
Vol 19 (4) ◽  
pp. 330-334
Author(s):  
Octavio A. Chon Torres
Keyword(s):  
Natural Sciences ◽  
The Other ◽  
Positive Effects ◽  
The World ◽  
The Way

AbstractThere is a record of the positive effects of astrobiological research for the natural sciences and eventually for their technological use on Earth. However, on the philosophical effects, this is not as visible as the other sciences, which is why it can be assumed that it is a waste of time speculating on astrobioethics or also on the philosophy of astrobiology. This is the reason why this work seeks to identify and sustain the philosophical utility of astrobioethics. To achieve this, this article focuses on three essential aspects: teloempathy, education and astrotheology. Russell's argument about the value of philosophy will be used as a fundamental basis for the usefulness of astrobioethics.

scholarly journals Laws and Emerging Technologies

Laws ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 46
Author(s):  
Esther Salmerón-Manzano
Keyword(s):  
Information Technologies ◽  
New Technologies ◽  
Legal Issues ◽  
The Other ◽  
Special Issue ◽  
Legal Challenges ◽  
The World ◽  
Huge Impact ◽  
New Challenges ◽  
The Way

New technologies and so-called communication and information technologies are transforming our society, the way in which we relate to each other, and the way we understand the world. By a wider extension, they are also influencing the world of law. That is why technologies will have a huge impact on society in the coming years and will bring new challenges and legal challenges to the legal sector worldwide. On the other hand, the new communications era also brings many new legal issues such as those derived from e-commerce and payment services, intellectual property, or the problems derived from the use of new technologies by young people. This will undoubtedly affect the development, evolution, and understanding of law. This Special Issue has become this window into the new challenges of law in relation to new technologies.

Camus's Absurd and the World of Melville's Confidence-Man

PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer
Keyword(s):  
Careful Analysis ◽  
The Other ◽  
The Novel ◽  
The Past ◽  
The World ◽  
Critical Attention ◽  
Confidence Man ◽  
Ugly Duckling ◽  
History Of ◽  
The One

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”

Echo, Desire, and the Grounds of Knowledge: A Mytho-Poetic Assessment of Buttimer's Geography and the Human Spirit

1994 ◽  
Vol 12 (4) ◽  
pp. 495-507 ◽  
Author(s):  
Steve Pile
Keyword(s):  
The Other ◽  
Human Spirit ◽  
Cyclical Time ◽  
History Of ◽  
The Way ◽  
Three Phases

In Geography and the Human Spirit, Buttimer argues that the history of geographical concern is marked by cyclical time, which is distinguished by three phases: Phoenix, Faust, and Narcissus, By taking a longer look at one of these myths, Narcissus, it is possible to suggest that Buttimer bases her account on some problematic assumptions. Thus, the figure of Echo, absent from Buttimer's telling of the myth, can return to disrupt her story. This mytho-poetic assessment reveals something of the way in which ‘others’ are constituted in her story: I take this erasure to be symptomatic of an ‘othering’ humanism, which is predicated on the other, but considers itself self-grounded and thereby distances itself from others. The conclusion questions Buttimer's universalism, her concept of cyclical time, and her sense of a liberation cry of humanism, I suggest that an emancipatory geography cannot rely on undisclosed and marginalized ‘others’, in this case represented by the figure of Echo.

The image of a modern shaman. A literary example of Ida Brzezińska

2021 ◽  
Vol 37 (2) ◽  
pp. 117-134
Author(s):  
Angelika Moskal
Keyword(s):  
21St Century ◽  
Popular Literature ◽  
The Other ◽  
The World ◽  
Evil Spirits ◽  
The Dead ◽  
The Way

Abstract: The shaman figure is most often associated with primitive communities, inhabiting, among others Siberia. The shaman plays one of the most important roles in them - he is an intermediary between the world of people and the world of spirits. Responds to, among others for the safe passage of souls to the other side and protects her from evil spirits. However, is there room for representatives of this institution in contemporary Polish popular literature? How would they find themselves in the 21st century? The article aims to show the interpretation of the shaman on the example of Ida Brzezińska, the heroine of the books of Martyna Raduchowska. I intend to introduce the role and functions of the „shaman from the dead”, juxtaposing the way Ida works (including reading sleepy margins from a rather unusual dream catcher, carrying out souls and the consequences that await in the event of failure or making contact with the dead) with the methods described by scholars shamans. The purpose of the work is to show how much Raduchowska tried to adapt shamanism in her work by modernizing it, and how many elements she added from herself to make the story more attractive.

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