scholarly journals Is Chinese Run-on Sentence an Exception to the Iconicity of Sequence?

2021 ◽  
Vol 10 (3) ◽  
pp. 41
Author(s):  
Xiao Chen

As one of the most active scholars in the field of Chinese run-on sentence (CRS for short), Wang and Zhao (2016) keenly realize that CRS displays distinctive traits of spatiality, namely, chunkiness, discreteness and reversibility, among which, the last trait and the iconicity of sequence/order (e.g. Haiman, 1984, 1985) seem to depict a diametrically opposite picture. In the present article, there would be an attempt to undertake an investigation of Wang, Zhao et al.’s ‘reversibility’ to see whether or not CRS is an exception to the iconicity of sequence/order. The main arguments are as follows. First, ‘reversibility’ is borne out to be local by some linguistic facts, especially in: (i) duyuju within CRS; and (ii) shuncheng CRS. Second, although the ‘reversibility’ sometimes exhibits a tendency to change the positions of clauses/syntagms in CRS, there is a clear correlation between the clause order of CRS and iconicity. The sequence/order principle in practice emerges as a cognitive mechanism emitting some effects in the clause order of CRS. Third, the Reversibility Condition is required to come into being so as to arrive at a detailed specification of the applicable scope of the ‘reversibility’. And finally, it is more preferable to ameliorate the spatiality of CRS as two traits, that is, chunkiness and discreteness.

2016 ◽  
Vol 51 (3) ◽  
pp. 63-94
Author(s):  
Radosław Dylewski

Abstract The onset of Professor Jacek Fisiak’s scholarly career is marked by his 1961 Ph.D. dissertation devoted to the lexical influence of English upon Polish. This study, conducted 55 years ago, offers a multilayered analysis and sets the standards of studies on lexical transfer from English to Polish for the years to come. The present article is a tribute to Fisiak’s first scholarly endeavor; it examines the fate of lexical items comprising Fisiak’s corpus in the second decade of the 21st century. More specifically, by conducting searches in the National Corpus of Polish as well as a Google search, the paper checks which borrowings to the Polish language listed and scrutinized by Fisiak gained popularity, which fell out of use, and which underwent semantic changes.


2003 ◽  
Vol 11 ◽  
pp. 144
Author(s):  
Eberhard Lammert

Resumo: O presente artigo contribui para uma reflexão sobre a influência da técnica sobre as artes na Era da Informatização. Desde o início da Era Industrial, nota-se a inversão gradativa de papéis entre máquina e homem: a "ascensão das máquinas" teria transformado o homem em "servo". Nem mesmo o campo das artes esteve livre dos efeitos de tal "ascensão", sobretudo no contato com os meios de comunicação de massa, como o rádio, o cinema e a televisão. Na verdade, tudo não passou de um prelúdio para o que ainda estava por vir: a informática atingiu as artes e nossa cultura fundada na tradição escrita, resultando em transformações muito mais amplas no âmbito da comunicação individual e social.Palavras-chave: arte; técnica; mediatização.Abstract: The present article brings up issues on the influence of technique on art in the Information Age. Since the beginning of the Industrial Age, there has been a progressive inversion of roles in the relation between man and machine : the "rise of machine" seems to have turned man into a "servant". Not even the field of art remained untouched by the effects of such "rise", specially in its contact with communication media like radio, cinema and television. In fact, all that was but a prelude to what was still to come: informatics reached into the arts and our writing­ based culture, causing widespread transformations in the realms of social and individual communication.Keywords: art; technique; mediatization.


2014 ◽  
Vol 35 (1) ◽  
pp. 3-16 ◽  
Author(s):  
Liv Hausken

Abstract This essay investigates forensic fiction as a trend in televised crime fiction and argues that this trend or subgenre is particularly interesting if we are to understand how surveillance is portrayed in contemporary society. The essay looks particularly into an extremely popular example of forensic fiction, namely CSI and its two spin-offs CSI: NY and CSI: Miami. Through a discussion of the conceptions of knowledge, crime and power, which seem to come forth in the three CSI series, the present article argues that the particular blend of technological optimism, positivism and moralism that can be witnessed in forensic fiction in general, and in CSI in particular, is important to understanding how popular culture lends a certain normalization of surveillance to everyday life


2020 ◽  
Vol 67 ◽  
pp. 201-212
Author(s):  
Anthony Saudrais

The aim of the present article is to come back to the collaborative writing, between Richelieu and Desmarets de Saint-Sorlin, of Europe, a heroic comedy praising the Cardinal’s politics. We also question the representation of the play as well as the editorial policy of the original edition of 1643 and its reprint from 1661.


2003 ◽  
Vol 10 ◽  
pp. 144-159
Author(s):  
Eberhard Lammert

Resumo: O presente artigo contribui para uma reflexão sobre a influência da técnica sobre as artes na Era da Informatização. Desde o início da Era Industrial, nota-se a inversão gradativa de papéis entre máquina e homem: a "ascensão das máquinas" teria transformado o homem em "servo". Nem mesmo o campo das artes esteve livre dos efeitos de tal "ascensão", sobretudo no contato com os meios de comunicação de massa, como o rádio, o cinema e a televisão. Na verdade, tudo não passou de um prelúdio para o que ainda estava por vir: a informática atingiu as artes e nossa cultura fundada na tradição escrita, resultando em transformações muito mais amplas no âmbito da comunicação individual e social.Palavras-chave: arte; técnica; mediatização.Abstract: The present article brings up issues on the influence of technique on art in the Information Age. Since the beginning of the Industrial Age, there has been a progressive inversion of roles in the relation between man and machine : the "rise of machine" seems to have turned man into a "servant". Not even the field of art remained untouched by the effects of such "rise", specially in its contact with communication media like radio, cinema and television. In fact, all that was but a prelude to what was still to come: informatics reached into the arts and our writing­ based culture, causing widespread transformations in the realms of social and individual communication.Keywords: art; technique; mediatization.


Revivalistics ◽  
2020 ◽  
pp. 266-280
Author(s):  
Ghil'ad Zuckermann

This chapter explores the correlation between language revival and wellbeing. It suggests that there is an urgent need to systematically assess quantitatively the mental health impact of language reclamation on indigenous communities. The primary hypothesis is that there will be significant improvements in mental health during the language revival process, reduced suicide ideation (i.e. people would be less likely to come up with the idea of suicide as a possibility), reduced self-harm, and reduced instances of suicide. Language is postulated as core to a people’s wellbeing and mental health. The link between poor mental health and suicide has been clearly demonstrated. But it is one thing to have a statement about the importance of language and mental health; it is another to have the statistical evidence that governments often require to implement policies that will affect personal, community and social wellbeing. Hallett, Chandler, and Lalonde (2007) report a clear correlation between youth suicide and lack of conversational knowledge in the native language in British Columbia, Canada. However, there has been no systematic study of the impact of language revival on mental health and suicide, partly because language reclamation is still rare. This chapter suggests that just as language loss increases suicidal ideation and depression, language gain reduces ill mental health.


2012 ◽  
Vol 65 (1) ◽  
pp. 179-214 ◽  
Author(s):  
Maryam A. Moshaver

Abstract In his 1986 essay on the intersections between music theory, phenomenology, and perception, David Lewin develops a heuristic model through which to come to terms with the constitution of multiple and heterogeneous perceptions of musical events. One of his principal vehicles for demonstrating this phenomenological turn is the well-known analysis of Schubert's “Morgengruß.” The present article considers the ramifications of Lewin's methodology, particularly with respect to the experience of time that emerges from Lewin's mobilization of the heuristic perception model, by approaching it from the perspective of Husserl's Phenomenology of Internal Time Consciousness. This perspective reveals a superposition of temporalities as well as a superposition of languages as the underlying factors through which Lewin's analysis is produced.


Author(s):  
J. T. Cunningham

IN my report, in the preceding number of this Journal, on my observations in the North Sea, I referred briefly to the problem of the relation between the physical and biological conditions. This problem will afford scope for investigation for some time to come, and the purpose of the present article is to discuss and compare some of the most recent additions to our knowledge of the matter. The paper by Mr. H. N. Dickson, to which I referred in my previous report, was published in the Geographical Journal last March, under the title of “The Movements of the Surface Waters of the North Sea,” and in the Scottish Geographical Journal, in 1894, was published a series of papers by Professor Pettersson on “Swedish Hydrographic Research in the Baltic and the North Seas.” Professor Heincke has discussed the fish fauna of Heligoland, its composition and sources, in an interesting paper in the series issued under the title of “Wissenschaftliche Meeresuntersuchungen,” by the staff of the Biological Station at Heligoland, in association with the Commission for the Investigation of the German Seas, at Kiel. Professor Heincke's paper is contained in Bnd. I., Hft. 1 of this series (1894), and in the same volume are a number of papers dealing on similar lines with other divisions of the marine fauna of the Heligoland Bight.It will be most convenient and logical to start the present discussion with a consideration of the results of Professor Pettersson's work. He found that the Skagerack and Cattegat were filled with layers of water distinguished from one another by differences of salinity, and that the lower layers entered the channel as under–currents, and could be recognised at the surface somewhere in the North Sea.


2020 ◽  
Vol XVI (1) ◽  
pp. 274-295
Author(s):  
N. Zaika ◽  

. The present article analyses verbs of falling and throwing in Basque. The frame-based approach is used to fi nd out the relevant semantic oppositions. Both elicitation and corpus data are used in the study. The dominant Basque verbs of falling are erori ‘to fall’ and its Bizcayan counterpart jautsi, which can be used in most of the frames. Another verb, isuri ‘flow’, can refer to liquids, as well as the dominant verb. The verb etorri ‘to come’ refers to liquids moving horizontally, rather than vertically. Falling of hair and teeth can be expressed with the verb galdu ‘to lose’. The only frame where the dominant verb erori is hardly ever used is falling of rain and snow. The predicate ariizan with progressive meaning and the verbs egin ‘to do’ and bota ‘to throw’ can be used instead. The dominant verb of throwing in Basque is bota ‘to throw’ taking both allative and locative arguments. Intensive throwing is expressed by verbs jaurti, jaurtiki, aurtiki ‘throw, toss, cast’. Some verbs of throwing, such as lurreratu ‘to throw to the ground’ < lur ‘ground’, ureratu ‘to throw to water’ < ur ‘water’, airatu ‘to throw to air’ < aire ‘air’ incorporate the Orienter. The incorporation of a typical Trajector is possible as well, cf.harrikatu ‘to throw stones’ < harri ‘stone’ and dardatu ‘to throw an arrow, a spear’ <dardo ‘arrow, spear’. Metaphorical meanings of verbs of falling and throwing in Basque often have their counterparts in the neighbouring Romance languages — Spanish and French. Thus, the verb erori ‘to fall’, as well as its Spanish counterpart caer can refer to winning something in lottery. The Basque verb bota ‘to throw’, as well as Spanish echar can refer to fi ring an employee, getting rid of an object or showing a film


2017 ◽  
Vol 25 (4) ◽  
pp. 139-165
Author(s):  
Malcolm K. Read

Abstract In the context of the recent economic crisis, scholars have once again felt compelled to revisit the work of Louis Althusser, to reconsider some of his seminal insights, if only to repeat earlier criticisms. Regretfully, however, they remain unable to come to terms with the crucial Althusserian notion of ideological unconsciousness, which they insist on viewing through the prism of the libidinal (Lacanian) unconscious. Perforce, the latter concept, and its associated categories, has then proceeded insidiously to corrode Marxism’s indigenous equivalents from within. The present article traces the history of the ideological unconscious from its beginnings in Marx, through Althusser, to its explicit reformulation, in the work of the Spaniard, Juan Carlos Rodríguez, as an ideological unconscious, understood as the matrix effect of the social formation.


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