Adventures Not in Paradise

Ridley Scott ◽  
2019 ◽  
pp. 110-113
Author(s):  
Vincent LoBrutto

White Squall is based on the book The Last Voyage of the Albatross, co-written by Chuck Gieg, who was a survivor of a prep school ship that sank during treacherous weather on the high seas. The voyage was planned to expose young men to different locales as they studied academic subjects during the trip. They also were part of the ship’s crew and learned to be seamen. White Squall is a rare successful re-creation of the early 1960s: the dawn of an era that saw much change but still maintained its innocence. Much of this picture was shot on a real schooner at sea. Scott directed many strong performances, especially from Jeff Bridges playing Captain Christopher “Skipper” Sheldon. The boys represent many different personality types and all are impacted by the voyage and the crew. The white squall event left many dead. In the real-life story, no punishment was given to the skipper, but Scott decided to end the film on a dramatic note so a fictional scene was created. Here the skipper faces a tribunal with his license at risk. The boys come to his aid with solid support and the issue is then resolved.

Ridley Scott ◽  
2019 ◽  
pp. 204-210
Author(s):  
Vincent LoBrutto

This film follows the real-life story of the kidnapping of mega-rich John Paul Getty’s grandson, who was held in a remote area in Italy. Kevin Spacey was cast and filmed as Getty. After the film was complete, a major scandal broke out concerning allegations of the actor’s sexual misconduct. Scott made the difficult decision to remake the parts of the movie in which Spacey had appeared, an extensive undertaking. Veteran actor Christopher Plummer took on the role. Scott was applauded for his moral stance and for pulling off a major cinematic feat―he completed the reshoots and editing just before the release date.


2012 ◽  
Vol 5 (2) ◽  
pp. 8-22
Author(s):  
Fabrice Leroy

French cartoonist and filmmaker Joann Sfar has often used the comics medium to reflect on visual representation. His latest bande dessinée, Chagall en Russie ['Chagall in Russia'] (2010-2011), continues some of the meta-pictural elements previously found in his Pascin (2000-2002), which already featured Chagall in several episodes, as well as his acclaimed series, The Rabbi's Cat, where Sfar introduced the character of an anonymous Russian painter, whose biography and artistic stance seemingly referred to that of Marc Chagall. Although Chagall en Russie explicitly refers to the real-life Franco-Russian modernist painter, it is certainly not a standard biographical exercise. By offering a synthetic and often symbolic version of personal and historical events experienced by Chagall, Sfar takes certain liberties with the painter's life story as it was outlined by the artist (in My Life, his 1922 autobiography) and by many biographers and art historians. Sfar does not seek an authentic depiction of his subject's verifiable life journey, but rather views it through a metaphorical narrative, which is itself inspired by Chagall's artistic universe and raises questions about the figurative possibilities of comics.


Humanities ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 82
Author(s):  
Chip Rossetti

The novel al-Biṭrīq al-Aswad [The Black Penguin] by the Iraqi author Diaa Jubaili is a rare example of a contemporary Arabic novel that centers the experiences of Iraq’s Black population, most of whom live near Basra in Iraq’s south. The novel’s mixed-race narrator recounts his life story in the form of letters addressed to international figures, highlighting the life of his family on the margins of Iraqi society and his later involvement with the real-life civil rights group, the Movement of Free Iraqis. This article draws on Stuart Hall’s dual conception of cultural identity in diaspora to frame the characters’ search for a Black Iraqi identity as a dynamic engagement with memory, one that represents a counternarrative in the face of legacies of African slavery and legal discrimination.


EDIS ◽  
2019 ◽  
Vol 2019 (5) ◽  
pp. 14
Author(s):  
John Rutledge ◽  
Joy C. Jordan ◽  
Dale W. Pracht

 The 4-H Citizenship Project offers the opportunity to help 4-H members relate all of their 4-H projects and experiences to the world around them. The 4-H Citizenship manuals will serve as a guide for 4-H Citizenship experiences. To be truly meaningful to the real-life needs and interests of your group, the contribution of volunteer leaders is essential. Each person, neighborhood, and community has individual needs that you can help your group identify. This 14-page major revision of Unit IV covers the heritage project. Written by John Rutledge, Joy C. Jordan, and Dale Pracht and published by the UF/IFAS Extension 4-H Youth Development program. https://edis.ifas.ufl.edu/4h019


MISSION ◽  
2019 ◽  
pp. 54-57
Author(s):  
Marco Riglietta ◽  
Paolo Donadoni ◽  
Grazia Carbone ◽  
Caterina Pisoni ◽  
Franca Colombi ◽  
...  

In Italy, at the end of the 1970s, methadone hydrochloride was introduced for the treatment of opioid use disorder, in the form of a racemic mixture consisting of levomethadone and dextromethadone.In 2015 Levometadone was introduced, a new formulation marketed in Italy for the treatment of opioid use disorder in 2015.The article aims to bring the experience of an Italian Addiction Centre back to the use of this new formulation in the "real life" analyzing the efficacy, the trend of adverse events and pharmacological iterations in a context in which the treated population often uses besides the opiates, cocaine and alcohol, are burdened by a relevant physical and psychic comorbidity and frequently have a prescribed polypharmacy.


Author(s):  
Claudio Urbani ◽  
Francesca Dassie ◽  
Benedetta Zampetti ◽  
Di Certo Agostino Maria ◽  
Renato Cozzi ◽  
...  

Mousaion ◽  
2019 ◽  
Vol 37 (1) ◽  
Author(s):  
Olefhile Mosweu

Most curriculum components of archival graduate programmes consist of contextual knowledge, archival knowledge, complementary knowledge, practicum, and scholarly research. The practicum, now commonly known as experiential learning in the global hub, is now widely accepted in library and information studies (LIS) education as necessary and important. It is through experiential learning that, over and above the theoretical aspects of a profession, students are provided with the opportunity to learn by doing in a workplace environment. The University of Botswana’s Master’s in Archives and Records Management (MARM) programme has a six weeks experiential learning programme whose purpose is to expose prospective archivists and/or records managers to the real archival world in terms of practice as informed by archival theory. The main objective of the study was to determine the extent to which the University of Botswana’s experiential learning component exposes students to real-life archival work to put into practice theoretical aspects learnt in the classroom as intended by the university guidelines. This study adopted a qualitative research design and collected data through interviews from participants selected through purposive and snowball sampling strategies. Documentary review supplemented the interviews. The data collected were analysed thematically in line with research objectives. The study determined that experiential learning does indeed expose students to the real world of work. It thus helps to bridge the gap between archival theory and practice for students without archives and records management work experience. For those with prior archival experience, experiential learning does not add value. This study recommends that students with prior archives and records management experience should rather, as an alternative to experiential learning, undertake supervised research, and write a research essay in a chosen thematic area in archives and records management.


Sign in / Sign up

Export Citation Format

Share Document