Animals from the tumuli in el-Detti in Sudan: from bone remains to studying ritual

2017 ◽  
Vol 25 ◽  
pp. 431-446
Author(s):  
Urszula Iwaszczuk
Keyword(s):  
The Other ◽  
Animal Bone ◽  
Bone Fragments ◽  
The Dead ◽  
Food Offerings ◽  
The Village ◽  
Bone Remains

Excavation of seven tumuli during the 2015 season in a cemetery of Early Makurian date located in the village of el-Detti yielded an extensive animal bone assemblage, altogether 590 bone fragments, accompanying the other finds. Poor preservation resulted in some 10% of the bones not being identified to species. Bone remains were located likewise in chambers, shafts, tunnels and looters’ trenches. They represented the following species: cattle, ovicaprines and dog. Marks recorded on the bones confirmed that the cuts of meat from cattle and ovicaprines were served as food offerings for the dead. The dog bones were probably connected to some form of ritual performed during the funeral.

scholarly journals Игрà за бог да прост': интеретнички, генеалошки и семантички аспекти намењивања плеса покојнику у селу Свиница

2017 ◽  
Vol 12 (4) ◽  
pp. 1259
Author(s):  
Selena Rakočević
Keyword(s):  
Participant Observation ◽  
Family Members ◽  
The Other ◽  
Contemporary Dance ◽  
Historical Sources ◽  
Mortuary Ritual ◽  
Dead Person ◽  
Southern Area ◽  
The Dead ◽  
The Village

The village of Svinica (Romanian: Sviniţa) is situated in the southern area of the Romanian Banat, which is known as Dunavska klisura (Romanian: Clisura Dunarii). According to historical sources the village of Svinica was founded immediately after 1738 and was inherited by the Serbs. The geopolitical possition of the village influenced that it was separated from the other villages in this area. The isolation of the villagers was enlarged by the endogamy which was practiced until late 1960’s. Even mixed Serbian/Romanians merriages are numerous nowadays, Serbs are still majority population.Based on the immediate fieldwork participant observation, this article focuses on the archaic mortuary ritual which is still alive in this village. This is a ritual known as joc/ora/hora de pomana (called by the locals Igra za Bog da prost’ or namenjuvanje). During this ritual, family members devote a dance to the dead person that takes place within a dance event lasting for several hours. Along with the ethnographic narrative, I discuss this ritual in the context of the contemporary dance practice of the wider area of Serbia and Romania where ritual of commemorating dance to the dead still exists. Genealogical and semantic aspects of kinetic and musical components of the ritual are also discussed.

Zwierzęce szczątki kostne

2020 ◽  
pp. 99-103
Author(s):  
Joanna Piątkowska-Małecka
Keyword(s):  
High Probability ◽  
Common Type ◽  
Small Fragment ◽  
Deer Antler ◽  
Animal Bone ◽  
Bone Fragments ◽  
Polished Plate ◽  
Bone Remains ◽  
Consumption Waste ◽  
Funeral Ceremony

Animal bone remains retrieved from six cremation graves and from layers in the immediate vicinity of damaged graves were subjected to archaeozoological analysis. There were 32 animal bone fragments in total, of which 23 could be identified with high probability in terms of species and anatomy. The remaining bones represent two types. The first, more common type is comprised of bone fragments showing no traces of processing, possibly consumption waste. The second type is that of fragments of damaged artefacts made from osseous material, bearing discernible traces of processing. Among the analysed materials, five fragments revealed traces of processing – two were fragments of combs, another two most likely belonged to one damaged gaming piece (dice), and the last was a small fragment of a polished plate. All these objects were made of deer antler. The remaining, unworked fragments identified in terms of species, which were consumption waste, belonged exclusively to domesticated mammals and birds: sheep, goat, pig, cattle, horse, and hen. They were found in six out of approximately 65 graves recorded in the explored part of the necropolis, which means in 9.2% of the graves. Animal bone remains are interpreted in many ways, could have been the traces of feasts held during the funeral ceremony. The remains could have provided food for the dead on their way to the afterlife or could have been related to some acts of sacrifice.

KONSEP DIRI “ I “ DAN “ME” TOKOH HIROKO DALAM NOVEL NAMAKU HIROKO KARYA NH.DINI

2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar
Keyword(s):  
Point Of View ◽  
The Other ◽  
Self Concept ◽  
The Novel ◽  
Main Character ◽  
Fictional Character ◽  
Social Customs ◽  
The Social ◽  
The Village ◽  
The City

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.

Palaeolithic Big Game Hunting at HP766 in Wadi Umm Rahau, Northern Sudan

2012 ◽  
Vol 10 (2) ◽  
pp. 165-174 ◽  
Author(s):  
Achilles Gautier ◽  
Daniel Makowiecki ◽  
Henryk Paner ◽  
Wim Van Neer
Keyword(s):  
Late Prehistoric ◽  
Large Mammals ◽  
Radiocarbon Dates ◽  
Large Size ◽  
Animal Bone ◽  
Game Hunting ◽  
Big Game Hunting ◽  
Bone Remains

HP766, discovered by the Gdansk Archaeological Museum Expedition (GAME) in the region immediately upstream the Merowe Dam in North Sudan and now under water, is one of the few palaeolithic sites with animal bone remains in the country. The archaeological deposits, the large size of the site, the lithics and the radiocarbon dates indicate occupation of a silt terrace of the Nile in late MSA and perhaps LSA times. Large and very large mammals predominate markedly among the recovered bone remains and it would seem that the palaeolithic hunters focused on such game. They could corner these animals on the site which is partially surrounded by high bedrock outcrops. Moreover swampy conditions of the site after the retreat of the annual Nile flood may have rendered less mobile the prey animals. According to this scenario, HP766 would testify to the ecological skills and generational memory of late prehistoric man in Sudan.

Kant, Marginal Cases, and Moral Standing

2018 ◽  
Author(s):  
Christine M. Korsgaard
Keyword(s):  
Life Stage ◽  
The Other ◽  
Moral Standing ◽  
Human Beings ◽  
Identity Problem ◽  
The Subject ◽  
The Dead ◽  
Moral Difference

According to the marginal cases argument, there is no property that might justify making a moral difference between human beings and the other animals that is both uniquely and universally human. It is therefore “speciesist” to treat human beings differently just because we are human beings. While not challenging the conclusion, this chapter argues that the marginal cases argument is metaphysically misguided. It ignores the differences between a life stage and a kind, and between lacking a property and having it in a defective form. The chapter then argues for a view of moral standing that attributes it to the subject of a life conceived as an atemporal being, and shows how this view can resolve some familiar puzzles such as how death can be a loss to the person who has died, how we can wrong the dead, the “procreation asymmetry,” and the “non-identity problem.”

Kierkegaard, Metaphysics, and Love

2013 ◽  
Vol 2013 (1) ◽  
Author(s):  
George Pattison
Keyword(s):  
Sense Of Self ◽  
The Self ◽  
The Other ◽  
Gabriel Marcel ◽  
The Core ◽  
The Dead ◽  
Alternative Reading ◽  
The Way

AbstractNoting Heidegger’s critique of Kierkegaard’s way of relating time and eternity, the paper offers an alternative reading of Kierkegaard that suggests Heidegger has overlooked crucial elements in the Kierkegaardian account. Gabriel Marcel and Sharon Krishek are used to counter Heidegger’s minimizing of the deaths of others and to show how the deaths of others may become integral to our sense of self. This prepares the way for revisiting Kierkegaard’s discourse on the work of love in remembering the dead. Against the criticism that this reveals the absence of the other in Kierkegaardian love, the paper argues that, on the contrary, it shows how Kierkegaard conceives the self as inseparable from the core relationships of love that, despite of death, constitute it as the self that it is.

Lxxix: Conrad's Revision of “the Lighthouse” in Nostromo

PMLA ◽  
1937 ◽  
Vol 52 (4) ◽  
pp. 1183-1190
Author(s):  
George W. Whiting
Keyword(s):  
Dead Wood ◽  
The Other ◽  
Final Version ◽  
Fresh Material ◽  
The Dead ◽  
To Come ◽  
The One ◽  
Consummate Skill

To the student of writing and literature few inquiries are more interesting and valuable than that into an author's practices in revising his own work. To observe the various stages in the evolution of the final version, to note carefully an artist at his work of pruning the dead wood, adding fresh material, smoothing away harsh phrases, selecting just words, and letting light into obscure places—to do this is to come somewhat nearer to an understanding of what in spite of all analysis will remain essentially a mystery. Especially fascinating and instructive is the study of Conrad's revision, for here one sees a supreme artist at work. In his vigorous hewing and rebuilding there is conclusive proof of the artist's untiring industry and consummate skill. Conrad's revision of Nostromo is of particular interest, for this novel occupies a critical place in the evolution of Conrad's prose. Mr. Richard Curie has justly characterized the change that came over Conrad's prose—a change perceptible in the “Amy Foster” of Typhoon and fully marked in from Under Western Eyes onward. This evolution has smoothed away the cadence, has concentrated the manner, has toned down the style of Conrad's former exuberance. At first glance the later and the earlier Conrad appear two totally different men. The unruly splendor of the one has given way to the subtle and elastic suavity of the other … His earlier prose is sometimes uncertain, sometimes exaggerated, but his later prose has the uniform temper of absolute mastery.

The image of a modern shaman. A literary example of Ida Brzezińska

2021 ◽  
Vol 37 (2) ◽  
pp. 117-134
Author(s):  
Angelika Moskal
Keyword(s):  
21St Century ◽  
Popular Literature ◽  
The Other ◽  
The World ◽  
Evil Spirits ◽  
The Dead ◽  
The Way

Abstract: The shaman figure is most often associated with primitive communities, inhabiting, among others Siberia. The shaman plays one of the most important roles in them - he is an intermediary between the world of people and the world of spirits. Responds to, among others for the safe passage of souls to the other side and protects her from evil spirits. However, is there room for representatives of this institution in contemporary Polish popular literature? How would they find themselves in the 21st century? The article aims to show the interpretation of the shaman on the example of Ida Brzezińska, the heroine of the books of Martyna Raduchowska. I intend to introduce the role and functions of the „shaman from the dead”, juxtaposing the way Ida works (including reading sleepy margins from a rather unusual dream catcher, carrying out souls and the consequences that await in the event of failure or making contact with the dead) with the methods described by scholars shamans. The purpose of the work is to show how much Raduchowska tried to adapt shamanism in her work by modernizing it, and how many elements she added from herself to make the story more attractive.

THE ROLE OF THE OBITUARY PAGES IN FACSBOOK, IS IT FOR IMMORTALIZATION OR FOR CRYING OVER THE RUINS

2021 ◽  
Vol 3 (4) ◽  
pp. 119-126
Author(s):  
Hadeel EJMAIL
Keyword(s):  
Content Analysis ◽  
Social Interaction ◽  
Qualitative Approach ◽  
The Other ◽  
Dead Person ◽  
Screen Capture ◽  
The Dead ◽  
The One ◽  
Facebook Pages

Death is one of the most difficult topics a person can talk about. The human being is busy with how to continue his life and improve its conditions. This study aims is to explore the writing of Facebook pages of the dead. The research used the qualitative approach through a content analysis, where (50) publications were found on fifteen pages of a dead person with an intentional sample, and the results of the research showed that writing people in the pages of the dead included two directions, the first direction is a desire to immortalize the dead and a kind of preserving their roots Alive. As for the other direction, it was weeping over their ruins and showing the end of a person's death and his end life. Sometimes in the same post include both directions together, meaning "the use of the deceased’s account by his family by changing the profile picture of the dead, and at the same time inviting the deceased’s friends through his page to the memorial event. People write on the pages of the dead in order to weep over their ruins on the one hand, and to immortalize their memories on the other side. Facebook as a social platform and the interaction of people with the pages of the dead shows the great social interaction that takes place in this space, and research in this field is not consistent with one and only claim, as some posts are either temporary or permanent; Therefore, I have used screen capture technology to collect and retain information. The pages of the dead included referring to them, writing memorials and longing, etc. Facebook has become a social platform that allows those who lose a dear person to share their grief through it, and enables them to deal with death and relieve their pain

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