Wojna na pomniki w Katalonii, czyli co zrobić z upamiętnieniem bitwy pod Ebro

2017 ◽  
Vol 61 (0) ◽  
pp. 11-21 ◽  
Author(s):  
Maja Biernacka
Keyword(s):  
Civil War ◽  
Public Space ◽  
Spanish Civil War ◽  
Historical Memory ◽  
Public Authorities ◽  
The Public ◽  
National Memory ◽  
Political Left ◽  
The Military ◽  
The City

War on Memorials in Catalonia. What to Do with Commemoration of the Battle of the Ebro The article discusses the conflicts taking place in public life over interpretation of the significance of places of national memory. The author presents them on the example of the dispute that arose in Spain over a memorial in the Catalan city of Tortosa. It commemorates the Battle of the Ebro, the military operation of the largest scale and consequences during the Spanish Civil War. The opponents of the memorial consider it as a testimony to the victory of Francoism and an unsightly and disgraceful element in the urban tissue. They appeal for its liquidation, while those arguing for its preservation and reinterpretation of the symbolic meaning treat it as an architecturally valuable distinguishing feature of the city. The fate of the controversial memorial does not rest solely in the hands of local authorities, but it has become a subject of political disagreement, disputes among residents and non-governmental activities. They are taking place against a background of the current legal basis of historical memory (Law 52/2007 of 26 December), which was developed by the political Left to compensate for the harm done to the victims of the Civil War and the Francoist dictatorship, and to implement changes in public space in connection with the traces of Francoism. However, its content leaves quite a big decision-making margin to the public authorities as to removing the traces of the regime from reinterpretation.

Force and the city: occupying and controlling Madrid in the aftermath of the Spanish Civil War

Urban History ◽  
2020 ◽  
pp. 1-21
Author(s):  
Alejandro Pérez-Olivares
Keyword(s):  
Civil War ◽  
Everyday Life ◽  
Spanish Civil War ◽  
Authoritarian Regimes ◽  
Military Occupation ◽  
The Military ◽  
The City

Abstract For some years, the historiography on Francoist violence has engaged with debates developed by European scholars on the importance of citizen collaboration in authoritarian regimes. In some cases, denunciations made by ‘ordinary men’ have been quantified to establish the extent of violence in everyday life, without taking other qualitative criteria into account. This article explores the importance of urban criteria such as neighbourhood, sociability and mobility in the scope of Francoist violence, taking the military occupation of Madrid at the end of the Spanish Civil War as a case-study.

scholarly journals Skogler: Photography at the Service of Falangism (Zaragoza, July 1936)

Fascism ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 52-84
Author(s):  
Diego Navarro-Bonilla ◽  
Jesús Robledano-Arillo
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Physical Characteristics ◽  
Research Project ◽  
Ongoing Research ◽  
Special Profile ◽  
The Republic ◽  
The Military ◽  
The City

Abstract This article analyses the role of ‘Skogler’ (Ángel Cortés Gracia), a photographer who worked for the insurgent Falangist forces in the city of Zaragoza, the capital of Aragón, from the beginning of the Spanish Civil War. Skogler’s strong and early ties to the fascist movement, going back years before the war, suggest a special profile of an individual who supported the Falangist party by means of visual propaganda and printed photographs. Most of the photographs selected for study here have never been published before. They were shot in the early days of the military uprising against the Republic and help give us a more accurate understanding of armed fascism in the Aragonese capital, which ultimately fell to the rebels. This paper is part of an ongoing research project and exhibition to analyse and describe the contents and physical characteristics of the Skogler Archive, composed of more than 3,500 negatives recovered in diverse chronological phases.

The Historical Memory Law and its role in redesigning semiotic cityscapes in Spain

2016 ◽  
Vol 2 (3) ◽  
pp. 247-274 ◽  
Author(s):  
Yael Guilat ◽  
Antonio B. Espinosa-Ramírez
Keyword(s):  
Visual Culture ◽  
Public Space ◽  
Historical Memory ◽  
Linguistic Landscape ◽  
Franco Regime ◽  
The Public ◽  
The Law ◽  
The City

In its Historical Memory Law (October 2007), Spain recognized victims on both sides of its 1936–1939 Civil War and established entitlements for victims and descendants of victims of the war and the Franco regime that followed (1939–1975). The law requires authorities to remove Francoist symbols and signs from public buildings and spaces, rename streets and squares, and cleanse the public space of monuments and artifacts that glorify or commemorate the regime. By allowing exceptions on artistic, architectural, or religious grounds, however, the law triggered persistent public struggles over monuments, memorials, and outdoor sculptures. This article examines the implementation of the law in the city of Granada, via a case study relating to the removal of a sculpture honoring the founder of the Spanish Fascist movement, José Antonio Primo de Rivera. The controversy over the statue sparked a debate in Granada about the implementation of the law in the public space and raised questions about the role of text, material and visual culture in redesigning Linguistic Landscape by articulating contested memories.

scholarly journals Ideology and Total War. Military Intellectuals and the Analysis of the Spanish Civil War in Britain, 1936–1943

2009 ◽  
Vol 68 (2) ◽  
pp. 321-344
Author(s):  
Alaric Searle
Keyword(s):  
Civil War ◽  
Significant Role ◽  
Government Policy ◽  
Spanish Civil War ◽  
Public Debate ◽  
Military Technology ◽  
The Public ◽  
Total War ◽  
Political Controversy ◽  
The Military

Abstract The recent historical interest in the analysis of the lessons of the Spanish Civil War by the European powers has tended to focus very strongly on the tactical experiences and the study of new military technology. This has led to the implied assumption that much of this analysis took place within a closed, professional military environment. In the case of Britain, however, the military debate on the lessons and significance of the civil war was conducted in a much more public fashion than in many other countries. For this reason, and due to the considerable political controversy over the official government policy of non-intervention, ideology played a significant role in the analyses of the unfolding military drama in Spain. This article considers the way in which ideology affected military interpretations of the conflict – and the employment of these analyses for ideological purposes – by examining the public debate, the reaction of British intelligence and the views of four "military intellectuals" who commented on the conflict in newspaper articles, books, and in memoranda written for military intelligence

scholarly journals Digital Tools to Foster Inclusiveness: Porto’s System of Accessible Itineraries

2021 ◽  
Vol 13 (11) ◽  
pp. 5840
Author(s):  
Miguel Lopes ◽  
Fernando Alves
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Decision Makers ◽  
Ageing Population ◽  
Public Authorities ◽  
The Public ◽  
Physical Barriers ◽  
Reduced Mobility ◽  
The City ◽  
Urban Places

The recognition, by public authorities, of the shared nature of urban places and the extent and variety of disabling conditions associated with the emergence of phenomena of social exclusion and a steadily ageing population has motivated the creation of new legislation and strategic tools under the umbrella of inclusive design and accessibility for all. This study aims to show how the use of a new interactive accessibility instrument—the System of Accessible Itineraries (SIA)—can help decision-makers, municipality services and citizens to develop pedestrian-friendly networks in their cities. An in loco analysis of the main features, weaknesses, and potential of public spaces was undertaken within a selected survey area in the city of Porto, with the aim of improving the inclusiveness of public spaces. The integration of several concerns and regulations, pertaining to inclusiveness in the design of public spaces, into an easy-to-understand summary specific to this territory constitutes an important first step towards changing the existing paradigm. Apart from the inherent advantages to citizens with reduced mobility, the SIA also has the ability to inform urban planners concerning areas in need of intervention, prioritizing the execution of corrective actions within the public space. Additionally, due to the morphological similarity of the consolidated urban fabric of most Portuguese and European cities, the adopted interactive framework also reveals a considerable potential for comprehensive replication in many city centres, reducing the physical barriers, in a more integrative land strategy.

Conclusion

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Public Health ◽  
Public Space ◽  
Social Conflict ◽  
Musical Performance ◽  
The Public ◽  
Political Interests ◽  
Musical Practices ◽  
The Media ◽  
The City

As is described in this conclusion, more than the media and culture, Madrid’s public space constituted the primary arena where reactions and attitudes toward social conflict and inequalities were negotiated. Social conflict in the public space found expression through musical performance, as well as through the rise of noise that came with the expansion and modernization of the city. Through their impact on public health and morality, noise and unwelcomed musical practices contributed to the refinement of Madrid’s city code and the modernization of society. The interference of vested political interests, however, made the refining of legislation in these areas particularly difficult. Analysis of three musical practices, namely, flamenco, organilleros, and workhouse bands, has shown how difficult it was to adopt consistent policies and approaches to tackling the forms of social conflict that were associated with musical performance.

Conquering the Public Space

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Public Space ◽  
Social Services ◽  
Social Groups ◽  
Public Image ◽  
Working Classes ◽  
The Public ◽  
San Bernardino ◽  
The City

This chapter presents an account of the San Bernardino band as the public facade of that workhouse. The image of children who had been picked up from the streets, disciplined, and taught to play an instrument as they marched across the city in uniform helped broadcast the message that the municipal institutions of social aid were contributing to the regeneration of society. This image contrasted with the regime of discipline and punishment inside the workhouse and thus helped to legitimize the workhouse’s public image. The privatization of social aid from the 1850s meant that the San Bernardino band engaged with a growing range of institutions and social groups and carried out an equally broad range of social services. It was thus able to serve as the extension through which Madrid’s authorities could gain greater intimacy with certain population sectors, particularly with the working classes.

Local Government, Passive Defense and Aerial Bombardment in Barcelona during the Spanish Civil War, 1936–9

2021 ◽  
pp. 002200942199789
Author(s):  
David A. Messenger
Keyword(s):  
Civil War ◽  
Local Government ◽  
Spanish Civil War ◽  
Regular Feature ◽  
The Public ◽  
Republican Government ◽  
The Republic ◽  
Civilian Defense ◽  
Regional Authorities

The bombardment of civilians from the air was a regular feature of the Spanish Civil War from 1936 to 1939. It is estimated some 15,000 Spaniards died as a result of air bombings during the Civil War, most civilians, and 11,000 were victims of bombing from the Francoist side that rebelled against the Republican government, supported by German and Italian aviation that joined the rebellion against the Republic. In Catalonia alone, some 1062 municipalities experienced aerial bombardments by the Francoist side of the civil war. In cities across Spain, municipal and regional authorities developed detailed plans for civilian defense in response to these air campaigns. In Barcelona, the municipality created the Junta Local de Defensa Passiva de Barcelona, to build bomb shelters, warn the public of bombings, and educate them on how to protect themselves against aerial bombardment. They mobilized civilians around the concept of ‘passive defense.’ This proactive response by civilians and local government to what they recognized as a war targeting them is an important and under-studied aspect of the Spanish Civil War.

scholarly journals Activating Data through Eco-Didactic Design in the Public Realm: Enabling Sustainable Development in Cities

2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran
Keyword(s):  
Sustainable Development ◽  
Public Space ◽  
Knowledge Exchange ◽  
Public Spaces ◽  
Public Realm ◽  
Design Data ◽  
Art And Design ◽  
The Public ◽  
Community Based Design ◽  
The City

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.

Mocking Parades and the Place of Pagan Statuary in Late Antique Alexandria

2020 ◽  
Vol 24 (2) ◽  
pp. 270-288
Author(s):  
Jonathan Stutz
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Religious Communities ◽  
Late Antique ◽  
Mob Violence ◽  
Visual Contact ◽  
The Public ◽  
Sacred Objects ◽  
The One ◽  
The City

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.

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