scholarly journals The Lost shield portraits of Aphrodisias. Reflections on Style and Patronage.

2019 ◽  
Vol 30 ◽  
pp. 189-216
Author(s):  
Julia Lenaghan
Keyword(s):  
Subject Matter ◽  
Late Antique ◽  
Recent Scholarship ◽  
Technical Details ◽  
The Subject ◽  
First Time

The paper re-examines a series of lost shield portraits discovered by Paul Gaudin in Aphrodisias in 1904-1905. It focuses on three aspects of these objects: the technical details of the carving and choice of model (style), the structural specifications (manufacture), and the subject matter (iconography and theme). It endeavors to place these objects in the context of other shield portraits found more recently at Aphrodisias and to evaluate them in light of recent scholarship on late antique sculpture. It stresses the similarities between these shield portraits and others from the site and reflects on possible contexts for the Aphrodisian shield portraits, considering for the first time the possibility that all of these Aphrodisian shield portraits might have come from the same context.

scholarly journals Influence of Late-Antique (ca. 200–800 A.D.) Prolegomena to Aristotle’s Categories on Arabic Doctrines of the Subject Matter of Logic: Alfarabi (d. ca. 950 A.D.), Baghdad Peripatetics, Avicenna (d. 1037 A.D.)

2017 ◽  
Vol 99 (3) ◽  
pp. 237-299
Author(s):  
Kamran I. Karimullah
Keyword(s):  
Subject Matter ◽  
Late Antique ◽  
The Subject ◽  
Commentary Tradition

Abstract:In this article, I explore how Avicenna’s (d. 1037) views about the subject matter of logic relate to earlier debates about Aristotle’s Categories among Aristotle’s Platonist commentators and the Baghdad Peripatetics, chief among them being Alfarabi (d. ca. 950). I argue that Alfarabi invents the idea of secondary intelligibles (or “second intentions”). I show, however, that under the influence of the middle and late Platonist commentary tradition on the Categories, he insists that primary intelligibles, not secondary intelligibles, are the subject matter of logic. While Avicenna thus takes over the idea of secondary intelligibles from Alfarabi, I show that Avicenna rejects Alfarabi’s view that primary intelligibles are the subject matter of logic. I conclude that what motivated Avicenna to hold that secondary intelligibles are the subject matter of logic was his belief that logic is a discipline of philosophy and not merely an instrument of it.

Paris Embraces Modern Art – But Not in Court: Opinion on the Cour d’Appel de Paris Decision – Jeff Koons v Franck Davidovici

2021 ◽  
Author(s):  
Moritz Sutterer
Keyword(s):  
Subject Matter ◽  
Modern Art ◽  
Applicable Law ◽  
Traditional Notion ◽  
The Us ◽  
Exceptions And Limitations ◽  
The Subject ◽  
First Time ◽  
Jeff Koons ◽  
Court Of Appeal

Abstract In February 2021 the Paris Court of Appeal (Cour d’appel de Paris) rendered a decision against the US artist Jeff Koons, holding that he had infringed copyright relating to an advertisement photography that was more than 30 years old. Jeff Koons is famous for his Neo-pop Appropriation art – kitsch for some, a provocative breach with the traditional notion of art for others. It was not the first time Koons has had to defend his work in court. The French decision is particularly interesting, however, as it shows a very narrow understanding of the copyright exceptions. It is an illustrative example of the issues resulting from CJEU’s approach in Pelham, Spiegel Online and Funke Medien, where the Court held that once the recognisability of original elements has been established, the only way out of the infringement leads through the formal exceptions and limitations of the InfoSoc Directive. Based on the decision, I will reflect on the openness of copyright for art-specific forms of referencing and in particular analyse the subject matter and scope of the parody exception and contrast it with less formal approaches to consider new creative elements. I will also analyse the question of applicable law in internet cases.

scholarly journals Pleasure and Duty

2013 ◽  
Vol 22 (2) ◽  
pp. 277-282
Author(s):  
JEFFREY WEEKS
Keyword(s):  
Twentieth Century ◽  
Subject Matter ◽  
The Body ◽  
Space And Time ◽  
Recent Scholarship ◽  
Temporal Unity ◽  
Political Boundaries ◽  
The Subject

Three obvious, superficially simple but actually intensely complex questions embodied in the title immediately confront the reader of Dagmar Herzog's important new book. First, what do we mean by the ‘sexuality’ that constitutes the subject matter? Second, what is demarcated by the Europe that provides the geo-political boundaries of this study? Third, does the ‘twentieth century’ provide a useful temporal unity for the narrative and analysis that is at the heart of the book? Such questions are not mere scholarly nit-picking or academic point scoring, but a tribute to the problematising of the body in space and time that has been a hallmark of the deconstructive and reconstructive energy of recent scholarship on the sexual, and that is now making a welcome entry into mainstream history.

scholarly journals A brief history of Business Ethics here and now

2017 ◽  
Vol 20 (7) ◽  
pp. 7-21
Author(s):  
Wojciech W. Gasparski
Keyword(s):  
Corporate Social Responsibility ◽  
Business Ethics ◽  
Social Responsibility ◽  
Subject Matter ◽  
Philosophical System ◽  
History Of ◽  
The Subject ◽  
Corporate Social ◽  
First Time

The article is a review of issues connected with business ethics and corporate social responsibility (CSR) in the last 20 years. Two decades have passed since the Sixth Polish Philosophical Congress took place in Toruń, where—for the first time in the history of Polish philosophical conventions—business ethics was recognized as a philosophical sub-discipline. It manifested itself in a special subsection of the Congress devoted to the topic, which was also kept at the next congress meetings. The paper is not a full review and most likely is not free from subjectivism. This is partly due to the fact that the subject matter falls within the scope of the philosophy of practicality—as the author interprets and refers to the philosophical system of Tadeusz Kotarbiński.

Mary Linwood of Leicester's Pious Address of Violent Times

2021 ◽  
Vol 7 (1) ◽  
pp. 1-33
Author(s):  
Matthew Craske
Keyword(s):  
Subject Matter ◽  
Primary Source ◽  
Religion And Politics ◽  
Source Material ◽  
Napoleonic Wars ◽  
Recent Scholarship ◽  
Political Views ◽  
Late Eighteenth ◽  
Contemporary Religion ◽  
The Subject

This article explores the role that contemporary religion and politics played in the subject matter of Mary Linwood's needlework paintings. Linwood was one of Britain's pioneering needlewomen of the late eighteenth and early nineteenth centuries. Her approach to depicting famous narrative paintings in stitch has been largely overlooked by historians of art. The article is underpinned by use of primary source material, and draws on the most recent scholarship in the field of textile history, notably the work of Heidi Strobel and Rosika Desnoyers. Mary Linwood was an evangelical and a woman interested in the politics of the period. Her use of needlework was a means of both the expression of her piety and of the representation of her political views – especially attitudes to the brutality of the Napoleonic wars. The article also indicates that Linwood's views and medium were of remarkable interest to the wider public during the period.

Leben zwischen den Zeiten

2020 ◽  
Keyword(s):  
Subject Matter ◽  
Balance Sheet ◽  
Contemporary History ◽  
Long Time ◽  
The Subject ◽  
First Time ◽  
Selection Of

This autobiography, published for the first time, describes the life and work of Helmut Simon (1922–2013), former constitutional judge and President of the Kirchentag, who described himself as an “outsider” and “lateral thinker”. Helmut Simon has recorded what he experienced against the background of contemporary history, put his impressions and experiences in order, given an account of his life and work, and drawn up a personal balance sheet while self-critically reviewing previous positions. The descriptions are interrupted by a series of – in part very personal – digressions and a selection of striking texts, the subject matter of which has occupied the author for several periods. The work is preceded by a detailed foreword by the authorised editors Dr. Peter Becker, a long-time companion, and Heide Simon, the second wife of Helmut Simon.

Register of Theses on Music in Britain and Ireland Supplement 6

1990 ◽  
Vol 23 ◽  
pp. 149-163
Author(s):  
Ian Bartlett ◽  
Benedict Sarnaker
Keyword(s):  
Subject Matter ◽  
Complete List ◽  
Computer Programme ◽  
Previous Edition ◽  
College Music ◽  
The Subject ◽  
The University ◽  
First Time ◽  
Additional Index

The list of theses which appears below is the first to be prepared with the aid of the Goldsmiths’ College Music Department's computer. Following the practice adopted in the previous edition of the Supplement, a separate author and subject matter index has been compiled. However, the computer programme has facilitated the production of an additional index which identifies the University and/or College of origin of all theses listed below. Furthermore, the indexes make reference to the complete list of dissertations included in this Supplement rather than being confined, as has been the case hitherto, to theses appearing for the first time, i.e. in Sections I, II and III. While the subject index is rather less detailed, and cross-indexing is not as extensive as formerly, it is hoped that readers will be able to locate the information they are seeking at least as readily as in earlier editions.

scholarly journals THE SONGS OF THE SHENEHEN BURYATS

2020 ◽  
pp. 92-101
Author(s):  
Лариса Батоевна Бадмаева
Keyword(s):  
20Th Century ◽  
Subject Matter ◽  
Folk Songs ◽  
Lexical Unit ◽  
Figures Of Speech ◽  
Political Events ◽  
Long Time ◽  
History Of ◽  
The Subject ◽  
First Time

В статье впервые рассматриваются тематика и особенности языка текстов песен шэнэхэнских бурят в авторском переводе на русский язык. Уникальность шэнэхэнских бурят, проживающих в течение 100 лет в Китае, в том, что им удалось сохранить свою аутентичную культуру: язык, традиционное монгольское письмо, национальный костюм, традиции, обычаи и народные песни. Долгое время тема о бурятской эмиграции находилась под запретом. В статье также освещены причины и история эмиграции агинских бурят в местность Шэнэхэн АРВМ КНР, с опорой на работу Бодонгут Абиды (1983), написанной на старомонгольской письменности. Природа миграции бурятской диаспоры в Баргу носила этнозащитный характер и связана с политическими событиями в России в начале XX в. Наличие жанра одических песен (магтаал) в песенной традиции бурят свидетельствует об их развитой системе письменной культуры, различении письменных и устных текстов, стилистической дифференциации языка текстов песен. Выявлено, что лексика гимнических песен (магтаалов) выдержана в высоком стиле с ориентацией на нормы старописьменного монгольского языка. Анализ полевых материалов свидетельствует о мастерстве стихосложения безымянных поэтов, строго соблюдающих начальную аллитерацию в строфах, использующих различные фигуры речи, весь арсенал грамматических форм для передачи оттенков семантики лексической единицы. Это позволяет утверждать, что песенные тексты бурят создавались и передавались не только в устной форме, но и в письменной еще задолго до революции 1917 г. Abstract. For the first time, the article discusses the subject matter, features of the language of the songs of the Shenehen Buryats in the author's translation into Russian. The uniqueness of the Shenehen Buryats, who have been living in China for about 100 years, is that they have preserved their authentic culture: language, traditional Old Mongolian script, national costume, traditions, customs and folk songs. For a long time, the topic about Buryat emigration was banned. The article also highlights the reasons and history of the emigration of the Aga Buryats to the Shenehen locality of the China, based on the work of Bodongut Abida (1983), written in Old Mongolian script. The migration of the Buryat diaspora to Bargu was ethnically protective in nature and was associated with political events in Russia at the beginning of the 20th century. The presence of the genre of odic songs (magtaal) in the song tradition testifies to their developed system of written culture, the distinction between written and oral texts, and the stylistic differentiation of the language of the lyrics. It has been revealed that the vocabulary of the Magtaals is sustained in a high style with an orientation towards the norms of the Old Mongolian language. An analysis of the field materials testifies to the mastery of versification of nameless poets, strictly observing the initial alliteration in strophes, using various figures of speech, the entire arsenal of grammatical forms to convey shades of semantics of the lexical unit. This allows us to argue that the lyrics are created and transmitted not only verbally, but also in writing long before the 1917 revolution.

Epilogue

2019 ◽  
pp. 188-190
Author(s):  
Sunny Bains
Keyword(s):  
Subject Matter ◽  
The Subject ◽  
First Time

For any how-to book, a primary goal is to systematize the subject matter to make it as self-evident and straightforward as possible. However, some of the techniques described here are significantly more challenging to use in practice than they are to explain. So, if you’re attempting this kind of project for the first time, it’s really important that you ...

scholarly journals Historical aspect of the development of the institution of subject matter jurisdiction in civil proceedings

2019 ◽  
pp. 118-124
Author(s):  
E. S. Polushkin
Keyword(s):  
Subject Matter ◽  
Soviet Period ◽  
Main Task ◽  
Historical Aspect ◽  
Exclusive Jurisdiction ◽  
Civil Proceedings ◽  
The Subject ◽  
First Time ◽  
Revolutionary Period ◽  
Post Soviet Period

The author conducts a retrospective analysis of the institution of subject matter jurisdiction in Russian civil proceedings. The institution of subject matter jurisdiction originates in the pre-revolutionary period. To determine the mechanism of delimitation of competence between jurisdictional bodies, such concepts as “exclusive jurisdiction” or “establishment” were used. During this period, a distinction was made between the competence of administrative and judicial bodies.The concept of “subject matter jurisdiction” was enshrined in Soviet legislation for the first time ever. Moreover, in the scientific literature, subject matter jurisdiction is often identified with court jurisdiction. The main task of subject matter jurisdiction in the Soviet period was the division of competence between the courts of general jurisdiction and state arbitration. During this period, the subject and object criteria for delimitation of competence between the courts of general jurisdiction and other jurisdictional bodies, which are currently used, were formulated.In the post-Soviet period, the judiciary was finally separated from the executive and the courts acquired particular significance in resolving jurisdictional disputes. All large categories of cases were transferred to the jurisdiction of the judiciary. The creation of a system of arbitration courts has led to an even greater importance of the institution of subject matter jurisdiction. It was in the post-Soviet period that the categories of “subject matter jurisdiction” and “court jurisdiction” were finally delimited. As a result of the study, the author concludes that there is some continuity in the development of the institution of subject matter jurisdiction. 

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